Mr Magoo S Christmas Carol 50th Anniversary Edition
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Mr. Magoo's Christmas Carol 50th Anniversary Edition by Darrell Van Citters,Amy Inouye Pdf
An updated & revised version of the previous edition on the making of Mr. Magoo's Christmas Carol featuring new information, over 130 new images and a soundtrack CD.
Mr. Magoo's Christmas Carol, The Making of the First Animated Christmas Special by Darrell Van Citters Pdf
Mr. Magoo's Christmas Carol, The Making of the First Animated Christmas Special is an in-depth examination of the highly unlikely teaming of Mr. Magoo, Charles Dickens and Broadway songwriters Jule Styne and Bob Merrill.
Classic Media, Inc,UPA Productions of America,Steven Rothman Collection of Comics, Cartoons, and Graphic Novels (University of Pennsylvania),Comics Collection (University of Pennsylvania)
Author : Classic Media, Inc,UPA Productions of America,Steven Rothman Collection of Comics, Cartoons, and Graphic Novels (University of Pennsylvania),Comics Collection (University of Pennsylvania) Publisher : Unknown Page : 56 pages File Size : 43,7 Mb Release : 2002 Category : Christmas stories ISBN : 0972480536
Mr. Magoo's Christmas Carol by Classic Media, Inc,UPA Productions of America,Steven Rothman Collection of Comics, Cartoons, and Graphic Novels (University of Pennsylvania),Comics Collection (University of Pennsylvania) Pdf
From the animated musical version of Dickens story of the metamorphosis of a miser into a caring person on Christmas Eve. The nearsighted Mr. Magoo is Ebenezer Scrooge.
The Art of Jay Ward Productions by Darrell Van Citters Pdf
One animation empire was built on a mouse, another was built on a rabbit. This one was built on the unlikely combination of a moose and squirrel. It began in the late 1940's, when Jay Ward and his lifetime friend, Alex Anderson, joined forces to create a cartoon series for the fledgling medium of television with a budget that would make "shoestring" look generous. The result was Crusader Rabbit, which debuted on a local NBC affiliate in Los Angeles in mid-summer of 1950. The cheaply produced and minimally animated series became the inauspicious and unlikely beginning of a TV animation powerhouse with a defiantly innovative-and influential-brand of humor that shaped animated comedy for decades. As the 1950's drew to a close, Ward, with now-former partner Anderson's blessing, took two characters from an unsold series they had developed together, teamed with writer Bill Scott and a couple of freelance UPA artists, and created a short pilot film starring a flying squirrel and a hapless but hilarious moose. That pilot, Rocky The Flying Squirrel, launched an animation studio that turned out the funniest, hippest and most satirical cartoons on television and creating a comic vocabulary for generations of children and their parents. The shows produced at Jay Ward Productions featured the wittiest writing in the medium, some of the best character voice work, and ... some of the worst animation. Assembling a staff of first rate writers and artists, Jay Ward was undermined by the cheapest budgets in what was already a low-budget medium. And it showed. In one of the earliest examples of runaway production, Ward was forced to send the animation out of the country. But what was happening with the art off the screen revealed a fascinating dichotomy of the brilliant draftsmanship on the drawing boards and the crude but effective work that was aired. This behind-the-scenes artwork was never meant to be seen by the general public but was merely a means to an end. Now, for the first time anywhere, we are provided an in-depth look at the comic artistry of a talented group of designers, storytellers and directors who created such fondly remembered shows as Rocky and His Friends, Fractured Fairy Tales, Peabody's Improbable History, Dudley Do-right, George of the Jungle and Super Chicken.
Includes summaries of thousands of Christmas, Hanukkah, Kwanzaa and New Year's themed episodes of TV series, TV specials and made-for-TV movies. Information generally includes year of copyright, director, executive producer, and/or producer credit (if applicable), program summary or synopsis, and special guests.
A Christmas Carol and Other Christmas Writings by Charles Dickens Pdf
A Christmas Carol is Charles Dickens’ most famous book and arguably the world’s most read Christmas story. Here, we follow Ebenezer Scrooge, a miserly and mean-spirited businessman, who undergoes a total transformation and becomes a kind person after being haunted by ghosts on Christmas Eve. It is one of the great classics of world literature, here accompanied by other classics from Dickens’ Christmas repertoire, like A Christmas Tree and The Seven Poor Travellers. CHARLES DICKENS [1812–1870], born in Portsmouth, England, was the most popular English-language novelist of his time. He created a fictional world that reflected the social and technological changes during the Victorian era. Among his most famous works are David Copperfield, Oliver Twist, Great Expectations, A Tale of Two Cities, A Christmas Carol, and The Pickwick Papers.
A Christmas Carol and Its Adaptations by Fred Guida Pdf
Over 150 years after its original composition, Charles Dickens' A Christmas Carol continues to delight readers. The figure of Ebenezer Scrooge has become a cultural icon, and Tiny Tim's "God Bless Us Every One" is as familiar as "Merry Christmas." It is not surprising that Dickens' "ghostly little book," as he called it, has proved popular with playwrights and screenwriters. In everything from elegant literary treatments to animated musicals, the role of Scrooge has been essayed by actors from George C. Scott to Mr. Magoo. This critical account of the story's history and its various adaptations examines first the original writing of the story, including its political, economic, and historical context. The major interpretations are analyzed within their various media: stage, magic lantern shows, silent film, talkies, and television. Dickens' other, lesser known Christmas stories, like "The Cricket on the Hearth," are also examined and compared to the immortal Carol. Finally, a complete annotated filmography of all film and television productions based on A Christmas Carol is included, with commentary on each version's loyalty to the original text. The book includes 25 previously unpublished photos as well as analysis of previously undocumented productions. The text includes a foreword by the distinguished film and literary scholar Edward Wagenknecht, a bibliography and an index.
What do Franklin Roosevelt, Dr. Seuss, the U.S. Navy, and Mr. Magoo have in common? They are all part of the surprising story of the pioneering cartoon studio UPA (United Productions of America). Throughout the 1950s, a group of artists ran a business that broke all the rules, pushing animated films beyond the fluffy fantasy of the Walt Disney Studio and the crash-bang anarchy of Warner Bros. Instead, UPA’s films were innovative and graphically bold—the cartoon equivalent to modern art. When Magoo Flew is the first book-length study to chronicle the complete story of this unique American enterprise. The book features cameo appearances by Aldous Huxley, James Thurber, Orson Welles, Judy Garland, Robert Goulet, Jim Backus, Eddie Albert, and Woody Allen, as well as a select filmography of the best of UPA. Ebook Edition Note: The ebook has three images redacted: figures 1, 2, and 51.
Dr. Chuck Missler, a widely recognized Biblical authority, updates his classic study of Christmas for 2007. He explores the background, and myths, surrounding our favorite holiday. What really happened in Bethlehem two thousand years ago?Who were the "Magi?"Why a virgin birth?What does a Christmas Tree have to do with it? Each year at Christmas we celebrate the birth of Jesus Christ. After the New Year, we struggle to remember to add a year as we date our checks, which should remind us that the entire Western World reckons its calendar from the birth of the One who changed the world more than any other before or since. It is disturbing to discover that much of what we have been taught about the Christmas season seems to be more tradition than truth. Santa Claus isn't the only myth or legend that has arisen out of this season. On what "loophole" does the Messianic hope rest?
Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.
Edith Head's Hollywood by Edith Head,Paddy Calistro Pdf
Winner of eight Oscars for costume design, the author describes some of the hundreds of productions she worked on and gives her personal impressions of the actors and actresses for whom she created costumes.
Behind the Scenes of They Were Expendable by Lou Sabini,Nicholas Scutti Pdf
In 1945 U.S. Navy photographer Nick Scutti found himself in the Florida Keys on the set of the classic World War II drama They Were Expendable, taking candid shots of director John Ford, stars Robert Montgomery and John Wayne and the supporting cast and crew. Scutti’s never before published collection of fully captioned photos provides a unique chronicle of the 30-day location shoot, revealing details of the making of the film and in some instances disproving certain statements made by MGM publicity and Ford himself. Brief biographies are included of the stars of the film and of the men the film was based upon.
The Enchanted World of Rankin/Bass by Rick Goldschmidt Pdf
Arthur Rankin, Jr. and Jules Bass are best-known for producing some of themost popular animated holiday TV specials ever aired, including the longrunningRudolph The Red-Nosed Reindeer, Frosty The Snowman, The YearWithout a Santa Claus and The Hobbit. They have also brought us animatedfeature films including Mad Monster Party and The Last Unicorn, and cartoonseries such as ThunderCats, The Jackson Five, and SilverHawks.This definitive, authorized history and celebration of Rankin/Bass animationdocuments every one of their productions with rare photographs, productionstills, concept drawings and memorabilia, along with extensive commentary byArthur Rankin, Jr. and dozens of the artists, actors and animators he worked with.The 20th Anniversary Edition contains pages of New and Rare Content.
Gonzo journalist and literary roustabout Hunter S. Thompson flies with the angels—Hell’s Angels, that is—in this short work of nonfiction. “California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again.” Thus begins Hunter S. Thompson’s vivid account of his experiences with California’s most notorious motorcycle gang, the Hell’s Angels. In the mid-1960s, Thompson spent almost two years living with the controversial Angels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, “For all its uninhibited and sardonic humor, Thompson’s book is a thoughtful piece of work.” As illuminating now as when originally published in 1967, Hell’s Angels is a gripping portrait, and the best account we have of the truth behind an American legend.
