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Multiculturalism & Hybridity in African Literatures by African Literature Association. Meeting Pdf
This volume of essays covers all phases and geographical areas of African literature, including lesser known areas such as oral literature, literature written in African languages and Lusophone literature. Also included are articles on Caribbean literature, developments in South African theatre, and two articles on African film. Several writers receive special attention: Chinua Achebe, Maryse Conde, Wole Soyinka, Niyi Osundare, Ngugi wa Thiong'o and Hampate Ba. Also included are the key-note addresses by Achebe, Conde and Osundare.
Spaces and Crossings by Rita Wilson,Carlotta von Maltzan Pdf
This collection of essays includes a variety of approaches to different interpretations of 'space'. Some deal with aspects of (post)colonialism, mapping, and identity formation, while others grapple with the positionality of 'in between' as well as with issues of multiculturalism and intertextuality. The spaces of art, beliefs and institutions are examined, as are the intellectual and artistic activities involved in articulating and defining space. It is a book of tendencies, which gives some indication of the new work being done in South Africa as well as in the broader global context, and reflects different moments of conflict and negotiation within the social relations of different societies from pre-apartheid South Africa to the present. The essays chosen for this volume broach the fantastic and sexual dimensions of cultural spaces and cultural production, issues of marginality and power, hybridity, gender identity, ideology and technology.
Language, Literature and Education in Multicultural Societies by Kenneth Harrow,Kizitus Mpoche Pdf
This book presents a vivid overview of linguistic, literary and educational issues in a multicultural context from various perspectives. These range from large-scale surveys to specific analyses on aspects of language, literature and education. Contributions are very original and based on a common denominator: Multiculturalism. Despite the numerical dominance of contributions from Cameroon (one of the most multilingual countries in the world), this book brings together views from specialists in the different domains from several parts of the world (Africa, Europe and the United States of America). These contributions exhibit not theoretical issues that underpin current academic debates in linguistic and literary research, but also empirical and interesting data that can further be exploited to other ends. Critical views on literature and postcolonialism, the fears of language death with the advent of globalisation and the spread of English language, the educational significance or influence of the internet, the wealth of Cameroon/African literature and the education of the Cameroonian/African child, and theoretical issues in language and literary education are themes handled here in an accessible manner to readers without previous knowledge of language science, literature and education.
Hybridity and its Discontents by Avtar Brah,Annie Coombes Pdf
Hybridity and its Discontents explores the history and experience of 'hybridity' - the mixing of peoples and cultures - in North and South America, Latin America, Britain and Ireland, South Africa, Asia and the Pacific. The contributors trace manifestations of hybridity in debates about miscengenation and racial purity, in scientific notions of genetics and 'race', in processes of cultural translation, and in ideas of nation, community and belonging. The contributors begin by examining the persistence of anxieties about racial 'contamination', from nineteenth-century fears of miscegenation to more recent debates about mixed race relationships and parenting. Examining the lived experiences of children of 'mixed parentage', contributors ask why such fears still thrive in a supposedly tolerant culture? The contributors go on to discuss how science, while apparently neutral, is part of cultural discourses, which affect its constructions and classifications of gender and 'race'. The contributors examine how new cultural forms emerge from borrowings, exchanges and intersections across ethnic and cultural boundaries, and conclude by investigating the contemporary experience of multiculturalism in an age of contested national borders and identities.
The Comic Imagination in Modern African Literature and Cinema by Maik Nwosu Pdf
This book is a seminal study that significantly expands the interdisciplinary discourse on African literature and cinema by exploring Africa’s under-visited carnivalesque poetics of laughter. Focusing on modern African literature as well as contemporary African cinema, particularly the direct-to-video Nigerian film industry known as Nollywood, the book examines the often-neglected aesthetics of the African comic imagination. In modern African literature, which sometimes creatively traces a path back to African folklore, and in Nollywood — with its aesthetic relationship to Onitsha Market Literature — the pertinent styles range from comic simplicitas to comic magnitude with the facilitation of language, characterization, and plot by a poetics of laughter or lightness as an important aspect of style. The poetics at work is substantially carnivalesque, a comic preference or tendency that is attributable, in different contexts, to a purposeful comic sensibility or an unstructured but ingrained or virtual comic mode. In the best instances of this comic vision, the characteristic laughter or lightness can facilitate a revaluation or reappreciation of the world, either because of the aesthetic structure of signification or the consequent chain of signification. This referentiality or progressive signification is an important aspect of the poetics of laughter as the African comic imagination variously reflects, across genres, both the festival character of comedy and its pedagogical value. This book marks an important contribution to African literature, postcolonial literature, world literature, comic imagination, poetics, critical theory, and African cinema.
African literature, like the continent itself is enormous and diverse. East Africa's literature is different from West Africa's which is quite different from South Africa's which has different influences on it than North Africa's. Africa's literature is based on a widespread heritage of oral literature, some of which has now been recorded. Arabic influence can be detected as well as European, especially French and English. Legends, myths, proverbs, riddles and folktales form the mother load of the oral literature. This book presents an overview of African literature as well as a comprehensive bibliography, primarily of English language sources. Accessed by subject, author and title indexes.
Metaphor and the Slave Trade in West African Literature by Laura T. Murphy Pdf
Metaphor and the Slave Trade provides compelling evidence of the hidden but unmistakable traces of the transatlantic slave trade that persist in West African discourse. Through an examination of metaphors that describe the trauma, loss, and suffering associated with the commerce in human lives, this book shows how the horrors of slavery are communicated from generation to generation. Laura T. Murphy’s insightful new readings of canonical West African fiction, autobiography, drama, and poetry explore the relationship between memory and metaphor and emphasize how repressed or otherwise marginalized memories can be transmitted through images, tropes, rumors, and fears. By analyzing the unique codes through which West Africans have represented the slave trade, this work foregrounds African literary contributions to Black Atlantic discourse and draws attention to the archive that metaphor unlocks for scholars of all disciplines and fields of study.
"This study of West African literatures interweaves the analysis of fiction, drama, and poetry with an exploration of the broader political, cultural, and intellectual contexts within which West African writers work. Anglophone literatures form the central focus of the book, with comparative comments on vernacular literature, francophone writing and oral literatures, and detailed discussion of selected francophone texts in translation (e.g., Senghor, Tadjo, Beyala, Ba, Sembene)."--BOOK JACKET.
Best known as the author of such works as King Solomon's Mines and She, H. Rider Haggard was one of the most popular writers of the late-Victorian era, and his works continue to be influential today. To a large degree, his novels are captivating because of his image of Africa, and an understanding of his representation of the African landscape is central to a critical reading of his works. This book argues that Haggard created in his African romances a formulaic, ideological geography which provided a canvas onto which he projected his desires and fears, both personal and political, as well as those of his age. The first full-length study of land and landscape in Haggard's African romances, this book approaches his construction of an imaginary African landscape as a product of late-Victorian wishful thinking about Africa, analyzing his African topography as a vast Eden, a wilderness, a dream underworld, a home to ancient white civilizations, and a sexualized metaphor for the human body. While the work looks primarily at his pre-1892 romances, which were his most powerful, it also gives attention to his nonfiction and unpublished papers. Because Haggard's writings embodied the spirit of his age, this book is an essential guide to late-Victorian concepts of Africa, colonization, and the British Empire.
The period in which we live is marked by increasingly frequent and intense cultural encounters of all kinds. However we react to it, the global trend towards mixing or hybridization is impossible to miss, from curry and chips – recently voted the favourite dish in Britain – to Thai saunas, Zen Judaism, Nigerian Kung Fu, ‘Bollywood’ films or salsa or reggae music. Some people celebrate these phenomena, whilst others fear or condemn them. No wonder, then, that theorists such as Homi Bhabha, Stuart Hall, Paul Gilroy, and Ien Ang, have engaged with hybridity in their work and sought to untangle these complex events and reactions; or that a variety of disciplines now devote increasing attention to the works of these theorists and to the processes of cultural encounter, contact, interaction, exchange and hybridization. In this concise book, leading historian Peter Burke considers these fascinating and contested phenomena, ranging over theories, practices, processes and events in a manner that is as wide-ranging and vibrant as the topic at hand.
Lives of Victorian Literary Figures, Part VII, Volume 2 by Ralph Pite,Keith Carabine,Tom Hubbard,Lindy Stiebel Pdf
This book looks at Rider Haggard from a different standpoint, his own. It carries a selection of critical appraisals of Haggard's work by his contemporaries up until the early 1950s.
Africa After Modernism: Transitions in Literature Media and Philosophy by Michael Janis Pdf
Africa after Modernism traces shifts in perspectives on African culture, arts, and philosophy from the conflict with European modernist interventions in the climate of colonialist aggression to present identitarian positions in the climate of globalism, multiculturalism, and mass media. By focusing on what may be called deconstructive moments in twentieth-century Africanist thought – on intellectual landmarks, revolutionary ideas, crises of consciousness, literary and philosophical debates – this study looks at African modernity and modernism from critical postcolonial perspectives. An effort to sketch contemporary frameworks of global intersubjective relations reflecting African cultures and concerns must resist taking modernism as a term of African periodization, or master-narrative, but as a constellation of discursive and subjective forms that obtains upon the present moment in African literature, philosophy, and cultural history. Africa after Modernism argues for a philosophical consciousness and pan-African multiculturalist ethos that operate, after the deconstruction of Eurocentrism, beyond self/other paradigms of exoticism or West/Africa political ideologies, in dialogue with postcolonial approaches to cultural reciprocity.
Christian Environmentalism and Human Responsibility in the 21st Century by Katherine M. Quinsey Pdf
Christian Environmentalism and Human Responsibility in the 21st Century comprises original scholarly essays and creative works exploring the implications of Christian environmentalism through literary and cultural criticism and creative reflection. The volume draws on a flourishing recent body of Christian ecocriticism and environmental activity, incorporating both practical ethics and environmental spirituality, but with particular emphasis on the notion of human responsibility. It discusses responsibility in its dual sense, as both the recognized cause of environmental destruction and the ethical imperative of accountability to the nonhuman environment. The book crosses boundaries between traditional scholarly and creative reflection through a global range of topics: African oral tradition, Ohio artists off the grid, immigrant self-metaphors of land and sea, iconic writers from Milton to O’Connor to Atwood, and Indigenous Canadian models for listening to the nonhuman Mother of us all. In its incorporation of academic and creative pieces from scholars and creative artists across North America, this volume shows how environmental work of its nature and necessity crosses traditional academic and community boundaries. In both form and orientation, this collection speaks to the most urgent intellectual, physical, social, and spiritual needs of the present day. This book will appeal to scholars, researchers, and upper-level students interested in the relationship between religion and environment, ethics, animal welfare, poetry, memoir, and post-secularism.