Music And Embodied Cognition

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Music and Embodied Cognition

Arnie Cox
Music and Embodied Cognition Book PDF

Author : Arnie Cox
Publisher : Indiana University Press
Page : 304 pages
File Size : 40,7 Mb
Release : 2016-09-06
Category : Music
ISBN : 9780253021670

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Music and Embodied Cognition by Arnie Cox Pdf

Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox’s work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.

Embodied Music Cognition and Mediation Technology

Marc Leman
Embodied Music Cognition and Mediation Technology Book PDF

Author : Marc Leman
Publisher : MIT Press
Page : 317 pages
File Size : 55,9 Mb
Release : 2007-08-03
Category : Music
ISBN : 9780262122931

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Embodied Music Cognition and Mediation Technology by Marc Leman Pdf

A proposal that an embodied cognition approach to music research—drawing on work in computer science, psychology, brain science, and musicology—offers a promising framework for thinking about music mediation technology. Digital media handles music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body plays a central role in all musical activities, and basing his approach on a hypothesis about the relationship between musical experience (mind) and sound energy (matter), Leman argues that the human body is a biologically designed mediator that transfers physical energy to a mental level—engaging experiences, values, and intentions—and, reversing the process, transfers mental representation into material form. He suggests that this idea of the body as mediator offers a promising framework for thinking about music mediation technology. Leman proposes that, under certain conditions, the natural mediator (the body) can be extended with artificial technology-based mediators. He explores the necessary conditions and analyzes ways in which they can be studied. Leman outlines his theory of embodied music cognition, introducing a model that describes the relationship between a human subject and its environment, analyzing the coupling of action and perception, and exploring different degrees of the body's engagement with music. He then examines possible applications in two core areas: interaction with music instruments and music search and retrieval in a database or digital library. The embodied music cognition approach, Leman argues, can help us develop tools that integrate artistic expression and contemporary technology.

Enacting Musical Time

Mariusz Kozak
Enacting Musical Time Book PDF

Author : Mariusz Kozak
Publisher : Oxford University Press
Page : 325 pages
File Size : 48,6 Mb
Release : 2019-10-09
Category : Music
ISBN : 9780190080228

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Enacting Musical Time by Mariusz Kozak Pdf

What is musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities. Author Mariusz Kozak describes musical time as something that emerges when the listener enacts her implicit knowledge about "how music goes," from deliberate inactivity, to such simple actions as tapping her foot in time with the beat, to dancing in a way that engages her entire body. Kozak explores this idea in the context of modernist and postmodernist musical styles, where composers create unfamiliar and idiosyncratic temporal experiences, blur the line between spectatorship and participation, and challenge conventional notions of form. Basing his discussion on the phenomenology of Merleau-Ponty and on the ecological psychology of J. J. Gibson, Kozak examines different aspects of musical structure through the lens of embodied cognition and what phenomenologists call "lived time." A bold new theory derived from an unprecedented fusion of research perspectives, Enacting Musical Time will engage scholars across a range of disciplines, from music theory, music cognition, cognitive science, continental philosophy, and social anthropology.

Musical Bodies, Musical Minds

Dylan van der Schyff,Andrea Schiavio,David J. Elliott
Musical Bodies Musical Minds Book PDF

Author : Dylan van der Schyff,Andrea Schiavio,David J. Elliott
Publisher : MIT Press
Page : 323 pages
File Size : 50,9 Mb
Release : 2022-08-30
Category : Music
ISBN : 9780262362108

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Musical Bodies, Musical Minds by Dylan van der Schyff,Andrea Schiavio,David J. Elliott Pdf

An enactive account of musicality that proposes new ways of thinking about musical experience, musical development in infancy, music and evolution, and more. Musical Bodies, Musical Minds offers an innovative account of human musicality that draws on recent developments in embodied cognitive science. The authors explore musical cognition as a form of sense-making that unfolds across the embodied, environmentally embedded, and sociomaterially extended dimensions that compose the enactment of human worlds of meaning. This perspective enables new ways of understanding musical experience, the development of musicality in infancy and childhood, music’s emergence in human evolution, and the nature of musical emotions, empathy, and creativity. Developing their account, the authors link a diverse array of ideas from fields including neuroscience, theoretical biology, psychology, developmental studies, social cognition, and education. Drawing on these insights, they show how dynamic processes of adaptive body-brain-environment interactivity drive musical cognition across a range of contexts, extending it beyond the personal (inner) domain of musical agents and out into the material and social worlds they inhabit and influence. An enactive approach to musicality, they argue, can reveal important aspects of human being and knowing that are often lost or obscured in the modern technologically driven world.

Embodied Cognition and Cinema

Peter Kravanja
Embodied Cognition and Cinema Book PDF

Author : Peter Kravanja
Publisher : Leuven University Press
Page : 383 pages
File Size : 53,5 Mb
Release : 2015-07-31
Category : Performing Arts
ISBN : 9789462700284

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Embodied Cognition and Cinema by Peter Kravanja Pdf

The impact of the embodied cognition thesis on the scientific study of film The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film. Foreword by Mark Johnson, Knight Professor of Liberal Arts and Sciences, Department of Philosophy, University of Oregon. Contributors Warren Buckland (Oxford Brookes University), Juan Chattah (University of Miami), Maarten Coëgnarts (University of Antwerp), Adriano D’Aloia (Università Cattolica del Sacro Cuore, Milan), Michele Guerra (University of Parma), Miklós Kiss (University of Groningen), Peter Kravanja (KU Leuven), María J. Ortiz (University of Alicante), Mark S. Ward (University of Technology, Sydney), Hannah Chapelle Wojciehowski (University of Texas)

Embodiment of Musical Creativity

Zvonimir Nagy
Embodiment of Musical Creativity Book PDF

Author : Zvonimir Nagy
Publisher : Routledge
Page : 378 pages
File Size : 45,9 Mb
Release : 2016-11-03
Category : Music
ISBN : 9781315468990

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Embodiment of Musical Creativity by Zvonimir Nagy Pdf

Embodiment of Musical Creativity offers an innovative look at the interdisciplinary nature of creativity in musical composition. Using examples from empirical and theoretical research in creativity studies, music theory and cognition, psychology and philosophy, performance and education studies, and the author’s own creative practice, the book examines how the reciprocity of cognition and performativity contributes to our understanding of musical creativity in composition. From the composer’s perspective the book investigates the psychological attributes of creative cognition whose associations become the foundation for an understanding of embodied creativity in musical composition. The book defines the embodiment of musical creativity as a cognitive and performative causality: a relationship between the cause and effect of our experience when composing music. Considering the theoretical, practical, contextual, and pedagogical implications of embodied creative experience, the book redefines aspects of musical composition to reflect the changing ways that musical creativity is understood and evaluated. Embodiment of Musical Creativity provides a comparative study of musical composition, in turn articulating a new perspective on musical creativity.

Musical Sense-Making

Mark Reybrouck
Musical Sense Making Book PDF

Author : Mark Reybrouck
Publisher : Routledge
Page : 209 pages
File Size : 44,7 Mb
Release : 2020-11-29
Category : Music
ISBN : 9781000260878

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Musical Sense-Making by Mark Reybrouck Pdf

Musical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approach that brings together the richness of sensory experience and principles of cognitive economy. Starting from the major distinction between in-time and outside-of-time processing of the sounds, this volume provides a conceptual and operational framework for dealing with sounds in a real-time listening situation, relying heavily on the theoretical groundings of ecology, cybernetics, and systems theory, and stressing the role of epistemic interactions with the sounds. These interactions are considered from different perspectives, bringing together insights from previous theoretical groundings and more recent empirical research. The author’s findings are framed within the context of the broader field of enactive and embodied cognition, recent action and perception studies, and the emerging field of neurophenomenology and dynamical systems theory. This volume will particularly appeal to scholars and researchers interested in the intersection between music, philosophy, and/or psychology.

Music at Hand

Jonathan De Souza
Music at Hand Book PDF

Author : Jonathan De Souza
Publisher : Oxford University Press
Page : 209 pages
File Size : 54,6 Mb
Release : 2017
Category : Music
ISBN : 9780190271114

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Music at Hand by Jonathan De Souza Pdf

Music at Hand shows how sound, action, and perception are connected in instrumental performance, asking how this integration affects listening, improvisation, and composition. Traversing disciplinary boundaries and diverse musical styles, this innovative book analyzes forms of musical experience that are both embodied and conditioned by technology.

The Routledge Companion to Embodied Music Interaction

Micheline Lesaffre,Pieter-Jan Maes,Marc Leman
The Routledge Companion to Embodied Music Interaction Book PDF

Author : Micheline Lesaffre,Pieter-Jan Maes,Marc Leman
Publisher : Routledge
Page : 1001 pages
File Size : 42,6 Mb
Release : 2017-09-19
Category : Music
ISBN : 9781317219729

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The Routledge Companion to Embodied Music Interaction by Micheline Lesaffre,Pieter-Jan Maes,Marc Leman Pdf

The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experiences. This volume brings together a broad collection of work that explores all aspects of this new approach to understanding how we interact with music, addressing the issues that have roused the curiosities of scientists for ages: to understand the complex and multi-faceted way in which music manifests itself not just as sound but also as a variety of cultural styles, not just as experience but also as awareness of that experience. With contributions from an interdisciplinary and international array of scholars, including both empirical and theoretical perspectives, the Companion explores an equally impressive array of topics, including: Dynamical music interaction theories and concepts Expressive gestural interaction Social music interaction Sociological and anthropological approaches Empowering health and well-being Modeling music interaction Music-based interaction technologies and applications This book is a vital resource for anyone seeking to understand human interaction with music from an embodied perspective.

The Routledge Handbook of Embodied Cognition

Lawrence Shapiro
The Routledge Handbook of Embodied Cognition Book PDF

Author : Lawrence Shapiro
Publisher : Routledge
Page : 645 pages
File Size : 46,7 Mb
Release : 2014-04-29
Category : Philosophy
ISBN : 9781317688655

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The Routledge Handbook of Embodied Cognition by Lawrence Shapiro Pdf

Embodied cognition is one of the foremost areas of study and research in philosophy of mind, philosophy of psychology and cognitive science. The Routledge Handbook of Embodied Cognition is an outstanding guide and reference source to the key topics and debates in this exciting subject and essential reading for any student and scholar of philosophy of mind and cognitive science. Comprising over thirty chapters by a team of international contributors, the Handbook is divided into six parts: Historical underpinnings Perspectives on embodied cognition Applied embodied cognition: perception, language, and reasoning Applied embodied cognition: social and moral cognition and emotion Applied embodied cognition: memory, attention, and group cognition Meta-topics. The early chapters of the Handbook cover empirical and philosophical foundations of embodied cognition, focusing on Gibsonian and phenomenological approaches. Subsequent chapters cover additional, important themes common to work in embodied cognition, including embedded, extended and enactive cognition as well as chapters on empirical research in perception, language, reasoning, social and moral cognition, emotion, consciousness, memory, and learning and development.

The Early History of Embodied Cognition 1740-1920

Anonim
The Early History of Embodied Cognition 1740 1920 Book PDF

Author : Anonim
Publisher : BRILL
Page : 357 pages
File Size : 45,8 Mb
Release : 2016-01-12
Category : Literary Criticism
ISBN : 9789004309036

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The Early History of Embodied Cognition 1740-1920 by Anonim Pdf

It explores for the first time the life-force (Lebenskraft) debate in Germany, which was manifest in philosophical reflection, medical treatise, scientific experimentation, theoretical physics, aesthetic theory, and literary practice esp.1740-1920. The history of vitalism is considered in the context of contemporary discourses on radical reality (or deep naturalism).

Grounding the Analysis of Cognitive Processes in Music Performance

Linda T. Kaastra
Grounding the Analysis of Cognitive Processes in Music Performance Book PDF

Author : Linda T. Kaastra
Publisher : Routledge
Page : 154 pages
File Size : 45,8 Mb
Release : 2020-10-25
Category : Music
ISBN : 9780429619168

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Grounding the Analysis of Cognitive Processes in Music Performance by Linda T. Kaastra Pdf

Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity. Grounding the Analysis of Cognitive Processes in Music Performance draws uniquely on dominant paradigms from the fields of cognitive science, ethnography, anthropology, psychology, and psycholinguistics to develop an ecologically valid framework for the analysis of cognitive processes during musical activity. By presenting a close analysis of activities including instrumental performance on the bassoon, lessons on the guitar, and a group rehearsal, chapters provide new insights into the person/instrument system, the musician’s use of informational resources, and the organization of perceptual experience during musical performance. Engaging in musical activity is shown to be a highly dynamic and collaborative process invoking tacit knowledge and coordination as musicians identify targets of focal awareness for themselves, their colleagues, and their students. Written by a cognitive scientist and classically trained bassoonist, this specialist text builds on two decades of music performance research; and will be of interest to researchers, academics, and postgraduate students in the fields of cognitive psychology and music psychology, as well as musicology, ethnomusicology, music theory, and performance science. Linda T. Kaastra has taught courses in cognitive science, music, and discourse studies at the University of British Columbia (UBC) and Simon Fraser University. She earned a PhD from UBC’s Individual Interdisciplinary Graduate Studies Program.

Embodiment in Cognition and Culture

John Michael Krois
Embodiment in Cognition and Culture Book PDF

Author : John Michael Krois
Publisher : John Benjamins Publishing
Page : 332 pages
File Size : 52,5 Mb
Release : 2007
Category : Social Science
ISBN : 9027252076

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Embodiment in Cognition and Culture by John Michael Krois Pdf

This volume shows that the notions of embodied or situated cognition, which have transformed the scientific study of intelligence have the potential to reorient cultural studies as well. The essays adapt and amplify embodied cognition in such different fields as art history, literature, history of science, religious studies, philosophy, biology, and cognitive science. The topics include the biological genesis of teleology, the dependence of meaning in signs upon biological embodiment, the notion of image schema and the concept of force in cognitive semantics, pictorial self-portraiture as a means to study self-perception, the difference between reading aloud and silent reading as a way to make sense of literary texts, intermodal (kinesthetic) understanding of art, psychosomatic medicine, laughter as a medical and ethical phenomenon, the valuation of laughter and the body in religion, and how embodied cognition revives and extends earlier attempts to develop a philosophical anthropology. (Series A)

Musical Bodies, Musical Minds

Dylan van der Schyff,Andrea Schiavio,David J. Elliott
Musical Bodies Musical Minds Book PDF

Author : Dylan van der Schyff,Andrea Schiavio,David J. Elliott
Publisher : MIT Press
Page : 323 pages
File Size : 48,8 Mb
Release : 2022-08-30
Category : Music
ISBN : 9780262362108

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Musical Bodies, Musical Minds by Dylan van der Schyff,Andrea Schiavio,David J. Elliott Pdf

An enactive account of musicality that proposes new ways of thinking about musical experience, musical development in infancy, music and evolution, and more. Musical Bodies, Musical Minds offers an innovative account of human musicality that draws on recent developments in embodied cognitive science. The authors explore musical cognition as a form of sense-making that unfolds across the embodied, environmentally embedded, and sociomaterially extended dimensions that compose the enactment of human worlds of meaning. This perspective enables new ways of understanding musical experience, the development of musicality in infancy and childhood, music’s emergence in human evolution, and the nature of musical emotions, empathy, and creativity. Developing their account, the authors link a diverse array of ideas from fields including neuroscience, theoretical biology, psychology, developmental studies, social cognition, and education. Drawing on these insights, they show how dynamic processes of adaptive body-brain-environment interactivity drive musical cognition across a range of contexts, extending it beyond the personal (inner) domain of musical agents and out into the material and social worlds they inhabit and influence. An enactive approach to musicality, they argue, can reveal important aspects of human being and knowing that are often lost or obscured in the modern technologically driven world.

The Cognition of Basic Musical Structures

David Temperley
The Cognition of Basic Musical Structures Book PDF

Author : David Temperley
Publisher : MIT Press
Page : 432 pages
File Size : 54,7 Mb
Release : 2004-08-20
Category : Music
ISBN : 0262701057

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The Cognition of Basic Musical Structures by David Temperley Pdf

In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.