Music And Irish Identity

Author : Mark Fitzgerald,John O'Flynn
Publisher : Routledge
Page : 368 pages
File Size : 43,8 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092490

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Music and Identity in Ireland and Beyond by Mark Fitzgerald,John O'Flynn Pdf

Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ’Historical Perspectives’, ’Recent and Contemporary Production’ and ’Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ’moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold

Author : Gerry Smyth
Publisher : Routledge
Page : 188 pages
File Size : 40,5 Mb
Release : 2016-10-26
Category : Music
ISBN : 9781317092438

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Music and Irish Identity by Gerry Smyth Pdf

Music and Irish Identity represents the latest stage in a life-long project for Gerry Smyth, focusing here on the ways in which music engages with particular aspects of Irish identity. The nature of popular music and the Irish identity it supposedly articulates have both undergone profound change in recent years: the first as a result of technological and wider industrial changes in the organisation and dissemination of music as seen, for example, with digital platforms such as YouTube, Spotify and iTunes. A second factor has been Ireland’s spectacular fall from economic grace after the demise of the "Celtic Tiger", and the ensuing crisis of national identity. Smyth argues that if, as the stereotypical association would have it, the Irish have always been a musical race, then that association needs re-examination in the light of developments in relation to both cultural practice and political identity. This book contributes to that process through a series of related case studies that are both scholarly and accessible. Some of the principal ideas broached in the text include the (re-)establishment of music as a key object of Irish cultural studies; the theoretical limitations of traditional musicology; the development of new methodologies specifically designed to address the demands of Irish music in all its aspects; and the impact of economic austerity on musical negotiations of Irish identity. The book will be of seminal importance to all those interested in popular music, cultural studies and the wider fate of Ireland in the twenty-first century.

Author : Leith Davis
Publisher : University of Notre Dame Press
Page : 352 pages
File Size : 45,9 Mb
Release : 2006
Category : History
ISBN : STANFORD:36105114585784

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Music, Postcolonialism, and Gender by Leith Davis Pdf

In Music, Postcolonialism, and Gender, Leith Davis studies the construction of Irish national identity from the early eighteenth until the midnineteenth centuries, focusing in particular on how texts concerning Irish music, as well as the social settings within which those texts emerged, contributed to the imagining of Ireland as the Land of Song. Through her considerations of collections of Irish music by the Neals, Edward Bunting, and George Petrie, antiquarian tracts by Joseph Cooper Walker and Charlotte Brooke, lyrics and The Wild Irish Girl by Sidney Owenson, and songs by Thomas Moore and Samuel Lover, Davis suggests that music served as an ideal means through which to address the terms of the colonial relationship between Ireland and England. Davis also explores the gender issues so closely related to the discourses on both music and national identity during the time, and the influence of print culture and consumer capitalism on the representation of Irish music at home and abroad.

Author : John O'Flynn
Publisher : Routledge
Page : 256 pages
File Size : 54,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351543378

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The Irishness of Irish Music by John O'Flynn Pdf

This book brings together important material from a range of sources and highlights how government organizations, musicians, academics and commercial companies are concerned with, and seek to use, a particular notion of Irish musical identity. Rooting the study in the context of the recent history of popular, traditional and classical music in Ireland, as well as providing an overview of aspects of the national field of music production and consumption, O'Flynn goes on to argue that the relationship between Irish identity and Irish music emerges as a contested site of meaning. His analysis exposes the negotiation and articulation of civic, ethnic and economic ideas within a shifting hegemony of national musical culture, and finds inconsistencies between and among symbolic constructions of Irish music and observed patterns in the domestic field. More specifically, O'Flynn illustrates how settings, genres, social groups and values can influence individual identifications or negations of Irishness in music. While the apprehension of intra-musical elements leads to perceptions of music that sounds Irish, style and authenticity emerge as critical articulatory principles in the identification of music that feels Irish. The celebratory and homogenizing discourse associated with the international success of some Irish musical forms is not reflected in the opinions of the people interviewed by O'Flynn; at the same time, an insider/outsider dialectic of national identity is found in various forms of discourse about Irish music. Performers and composers discussed include Bill Whelan (Riverdance), Sinead O'Connor, The Corrs, Altan, U2, Martin Hayes, Dolores Keane and Gerald Barry.

Author : Gerry Smyth
Publisher : Unknown
Page : 0 pages
File Size : 41,8 Mb
Release : 2009
Category : Civilization
ISBN : 071652984X

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Music in Irish Cultural History by Gerry Smyth Pdf

This collection of essays, on the subject of music and Irish identity, covers a number of different musical genres and periods, produced in a coherent volume representing a significant intervention within the field of Irish music studies. The main articles include the (re-)establishment of music as a key object of Irish cultural studies, the theoretical limitations of traditional musicology, and the development of new methodologies specifically designed to address the demands of Irish music in all its aspects. With chapters ranging from the politics of betrayal in the songs of Thomas Moore to the use of music in the award-winning film Once, the book offers an analysis of key moments from Irish cultural history considered from the perspective of music. Winner of the 2010 ACIS Michael J. Durkan Prize for Books on Language and Culture.

Author : Mary Louise O'Donnell
Publisher : Unknown
Page : 0 pages
File Size : 40,9 Mb
Release : 2014
Category : History
ISBN : 1906359865

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Ireland's Harp by Mary Louise O'Donnell Pdf

The harp became the emblem on Irish coinage in the 16th century. Since then it has been symbolic of Irish culture, music, and politics - finally evolving into a significant marker of national identity in the 18th and 19th centuries. The most important period in this evolution was between 1770 and 1880, when the harp became central to many utopian visions of an autonomous Irish nation, and its metaphoric significance eclipsed its musical one. Mary Louise O'Donnell uses these fascinating years of major social, political, and cultural change as the focus of her study on the Irish harp.

Author : Jaime Rollins
Publisher : Berghahn Books
Page : 270 pages
File Size : 50,9 Mb
Release : 2018-08-17
Category : Music
ISBN : 9781785339226

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Lullabies and Battle Cries by Jaime Rollins Pdf

Set against a volatile political landscape, Irish republican culture has struggled to maintain continuity with the past, affirm legitimacy in the present, and generate a sense of community for the future. Lullabies and Battle Cries explores the relationship between music, emotion, memory, and identity in republican parading bands, with a focus on how this music continues to be utilized in a post-conflict climate. As author Jaime Rollins shows, rebel parade music provides a foundational idiom of national and republican expression, acting as a critical medium for shaping new political identities within continually shifting dynamics of republican culture.

Author : John O'Flynn
Publisher : Routledge
Page : 351 pages
File Size : 51,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351543361

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The Irishness of Irish Music by John O'Flynn Pdf

This book brings together important material from a range of sources and highlights how government organizations, musicians, academics and commercial companies are concerned with, and seek to use, a particular notion of Irish musical identity. Rooting the study in the context of the recent history of popular, traditional and classical music in Ireland, as well as providing an overview of aspects of the national field of music production and consumption, O'Flynn goes on to argue that the relationship between Irish identity and Irish music emerges as a contested site of meaning. His analysis exposes the negotiation and articulation of civic, ethnic and economic ideas within a shifting hegemony of national musical culture, and finds inconsistencies between and among symbolic constructions of Irish music and observed patterns in the domestic field. More specifically, O'Flynn illustrates how settings, genres, social groups and values can influence individual identifications or negations of Irishness in music. While the apprehension of intra-musical elements leads to perceptions of music that sounds Irish, style and authenticity emerge as critical articulatory principles in the identification of music that feels Irish. The celebratory and homogenizing discourse associated with the international success of some Irish musical forms is not reflected in the opinions of the people interviewed by O'Flynn; at the same time, an insider/outsider dialectic of national identity is found in various forms of discourse about Irish music. Performers and composers discussed include Bill Whelan (Riverdance), Sinead O'Connor, The Corrs, Altan, U2, Martin Hayes, Dolores Keane and Gerald Barry.

Author : Virva Basegmez
Publisher : Almqvist & Wiksell International
Page : 374 pages
File Size : 41,7 Mb
Release : 2005
Category : Social Science
ISBN : STANFORD:36105114761898

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Irish Scene and Sound by Virva Basegmez Pdf

Author : Mark Fitzgerald,John O'Flynn
Publisher : Ashgate Publishing
Page : 340 pages
File Size : 48,5 Mb
Release : 2014
Category : Music
ISBN : 1306907837

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Music and Identity in Ireland and Beyond by Mark Fitzgerald,John O'Flynn Pdf

This interdisciplinary volume of essays contemplates whether music in Ireland can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland and Music that give rise to multiple sites of identification. Arranged in interweaving sections of Historical Perspectives, Recent and Contemporary Production and Cultural Explorations its various chapters act to juxtapose the socio-historical distinctions between the major style categories - traditional, classical and popular - and to explore a range of dialectical relationship(s) between these musical styles in matters pertaining to national and cultural identity."

Author : Martin Dowling
Publisher : Routledge
Page : 419 pages
File Size : 52,7 Mb
Release : 2016-02-24
Category : Music
ISBN : 9781317008408

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Traditional Music and Irish Society: Historical Perspectives by Martin Dowling Pdf

Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.

Author : Adam Kaul
Publisher : Berghahn Books
Page : 200 pages
File Size : 42,9 Mb
Release : 2009-11-30
Category : Performing Arts
ISBN : 9781845459611

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Turning the Tune by Adam Kaul Pdf

The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the influx of visitors, through a period called "the Revival," in which traditional Irish music was revitalized and transformed, to the modern period, which is dominated by tourism. A large number of incomers, locally known as "blow-ins," have moved to the area, and the traditional Irish music is now largely performed and passed on by them. This fine-grained ethnographic study explores the commercialization of music and culture, the touristic consolidation and consumption of "place," and offers a critique of the trope of "authenticity," all in a setting of dramatic social change in which the movement of people is constant.

Author : Marie-Claire Logue
Publisher : Unknown
Page : 300 pages
File Size : 44,9 Mb
Release : 2021-12-21
Category : Electronic
ISBN : 1838359346

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Being Irish by Marie-Claire Logue Pdf

What makes the Irish unique? Why do over 70 million people worldwide embrace their Irish heritage? What does it mean to be Irish today? These and other questions are addressed in this fascinating new book.Being Irish gathers a diverse group of 100 people - including well-known actors, musicians, novelists, sportspeople, journalists, political and religious leaders, community activists, asylum seekers, students and others - each trying to give expression to that special something that is more or less recognizable as Irish. This is not a sociological study; it consists of highly personal responses to a question of identity.Twenty-one years ago, Paddy Logue compiled the original edition of Being Irish to better understand the recent changes Ireland had undergone. Now his daughter, Derry-based solicitor Marie-Claire Logue, takes up the challenge to take a fresh look at Irishness, this time against a backdrop of Covid-19, Brexit, economic insecurity, weakening influence of the Catholic Church and a rapidly changing Northern Ireland.The contributions come from the ranks of the famous and not so famous, people at the center of things and people at the margins, people who live in Ireland and those who live abroad, the Irish and not-Irish-but-interested. Some delve into their personal histories to give meaning to their identities; while others rely on storytelling, humour and lyricism to approach a tentative sense of self.Above all, the reflections in this volume show that we can be Irish by birth, Irish by ancestry, Irish by geography, Irish and British, Northern Irish, Irish by accident, Irish by necessity, Irish and European, Irish by association, Irish by culture, Irish by history, Irish and American and Irish by choice. The life stories contained herein are sure to illuminate and entertain.

Author : Olaf Zenker
Publisher : Berghahn Books
Page : 320 pages
File Size : 53,7 Mb
Release : 2013-04-30
Category : Social Science
ISBN : 9780857459145

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Irish/ness Is All Around Us by Olaf Zenker Pdf

Focusing on Irish speakers in Catholic West Belfast, this ethnography on Irish language and identity explores the complexities of changing, and contradictory, senses of Irishness and shifting practices of 'Irish culture' in the domains of language, music, dance and sports. The author's theoretical approach to ethnicity and ethnic revivals presents an expanded explanatory framework for the social (re)production of ethnicity, theorizing the mutual interrelations between representations and cultural practices regarding their combined capacity to engender ethnic revivals. Relevant not only to readers with an interest in the intricacies of the Northern Irish situation, this book also appeals to a broader readership in anthropology, sociology, cultural studies, history and political science concerned with the mechanisms behind ethnonational conflict and the politics of culture and identity in general.

Author : Dorothea E. Hast,Stanley Arnold Scott
Publisher : Oxford University Press, USA
Page : 184 pages
File Size : 44,8 Mb
Release : 2004
Category : Music
ISBN : UOM:39015059303274

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Music in Ireland by Dorothea E. Hast,Stanley Arnold Scott Pdf

Music in Ireland is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world.It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusicfor a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in Ireland provides an engaging and focused introduction to Irish traditional music--types of singing, instrumental music, and dance that reflect the social values and political messages central to Irish identity. This music thrives today not only in Ireland but also in areas throughoutNorth America, Europe, Australia, and Asia. Vividly evoking Irish sounds, instruments, and dance steps, Music in Ireland provides a springboard for the discussion of cultural and historical issues of identity, community, nationalism, emigration, transmission, and gender. Using the informal instrumental and singing session as a focalpoint, Dorothea E. Hast and Stanley Scott take readers into contemporary performance environments and explore many facets of the tradition, from the "craic" (good-natured fun) to performance style, repertoire, and instrumentation. Incorporating first-person accounts of performances and interviewswith performers and folklorists, the authors emphasize the significant roles that people play in music-making and illuminate national and international musical trends. They also address commercialism, globalization, and cross-cultural collaboration, issues that have become increasingly important asmore Irish artists enter the global marketplace through recordings, tours, and large-scale productions like Riverdance. Packaged with a 70-minute CD containing examples of the music discussed in the book, Music in Ireland features guided listening and hands-on activities that allow readers to gain experience in Irish culture by becoming active participants in the music.