Music And Levels Of Narration In Film

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Music and Levels of Narration in Film

Guido Heldt
Music and Levels of Narration in Film Book PDF

Author : Guido Heldt
Publisher : Intellect (UK)
Page : 312 pages
File Size : 51,9 Mb
Release : 2013
Category : Film
ISBN : MINN:31951D03713462V

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Music and Levels of Narration in Film by Guido Heldt Pdf

Music and Levels of Narration in Film is the first book-length study to synthesize scholarly contributions toward a narrative theory of film music. Moving beyond the distinction between diegetic and nondiegetic music--or music that is not understood as part of a film's "story world"--Guido Heldt systematically discusses music at different levels of narration, from the extrafictional to "focalizations" of subjectivity. Heldt then applies this conceptual toolkit to study the narrative strategies of music in individual films, as well as genres, including musicals and horror films. The resulting volume will be an indispensable resource for anyone researching or studying film music or film narratology. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.

Reeled In: Pre-existing Music in Narrative Film

Jonathan Godsall
Reeled In Pre existing Music in Narrative Film Book PDF

Author : Jonathan Godsall
Publisher : Routledge
Page : 232 pages
File Size : 42,6 Mb
Release : 2018-09-12
Category : Music
ISBN : 9781351970440

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Reeled In: Pre-existing Music in Narrative Film by Jonathan Godsall Pdf

How and why is pre-existing music used in films? What effects can its use have on films and their audiences? And what lasting impact can appropriation have on the music? Reeled In is a comprehensive exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike in films ranging from the early sound era to the present day, and in every role from ‘main title theme’ to ‘music playing in bar’. Incorporating a discussion of such factors as copyright and commerce alongside examination of texts and their effects, this broad study is a significant contribution to the scholarship on music in screen media, demonstrating that pre-existing music possesses unique attributes that can affect both how filmmakers construct their works and how audiences receive them, to an extent regardless of the music’s style, genre, and so on. This book also situates the reception of music by film, and by audiences experiencing that music through film, as significant processes within present-day culture, while more generally providing an illuminating case study of the kinds of borrowings, adaptations, and reinventions that characterize much of today’s art and entertainment.

Theories of the Soundtrack

James Buhler
Theories of the Soundtrack Book PDF

Author : James Buhler
Publisher : Oxford University Press
Page : 432 pages
File Size : 48,5 Mb
Release : 2018-10-03
Category : Performing Arts
ISBN : 9780190913236

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Theories of the Soundtrack by James Buhler Pdf

A theory of the soundtrack is concerned with what belongs to the soundtrack, how a soundtrack is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound and music, classify the types of relations that films have used for image and sound, identify the central problems, and reflect on and describe effective uses of sound in film. This book summarizes and critiques major theories of the soundtrack from roughly 1929 until today. Rather than providing an exhaustive historical survey, it sketches out the range of theoretical approaches that have been applied to the soundtrack since the commercial introduction of the sound film. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories. The organization is both chronological and topical, the former in that the chapters move steadily from early film theory through models of the classical system to more recent critical theories; the latter in that the chapters highlight central issues for each generation: the problem of film itself, then of image and sound, of adequate analytical-descriptive models, and finally of critical-interpretative models.

A Poetics of Handel's Operas

Nathan Link
A Poetics of Handel s Operas Book PDF

Author : Nathan Link
Publisher : Oxford University Press
Page : 393 pages
File Size : 49,6 Mb
Release : 2023-03-10
Category : Music
ISBN : 9780197651360

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A Poetics of Handel's Operas by Nathan Link Pdf

What should we consider when thinking about the relationship between an onstage performance and the story the performance tells? A Poetics of Handel's Operas explores this question by analyzing the narratives of Handel's operas in relation to the rich representational fabric of performance used to convey them. Nathan Link notes that in most storytelling genres, the audience can naturally discern between a story and the way that story is represented: with film, for example, the viewer would recognize that a character hears neither her own voiceover nor the ambient music that accompanies it, whereas in discussions of opera, some audiences may be distracted by the seemingly artificial nature of such conventions as characters singing their dialogue. Link proposes that when engaging with opera, distinguishing between the performance we see and hear on the stage and the story represented offers a meaningful approach to engaging with and interpreting the work. Handel's operas are today the most-performed works in the Baroque opera seria tradition. This genre, with its intricate dramaturgy and esoteric conventions, stands to gain much from an investigation into the relationships between the onstage performance and the story to which that performance directs us. In his analysis, Link offers theoretical studies on opera and narratological theories of literature, drama, and film, providing rich engagement with Handel's work and what it conveys about the relationship between text, story, and performance.

The Palgrave Handbook of Music in Comedy Cinema

Emilio Audissino,Emile Wennekes
The Palgrave Handbook of Music in Comedy Cinema Book PDF

Author : Emilio Audissino,Emile Wennekes
Publisher : Springer Nature
Page : 792 pages
File Size : 46,7 Mb
Release : 2023-11-28
Category : Music
ISBN : 9783031334221

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The Palgrave Handbook of Music in Comedy Cinema by Emilio Audissino,Emile Wennekes Pdf

This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors.

Identifying and Interpreting Incongruent Film Music

David Ireland
Identifying and Interpreting Incongruent Film Music Book PDF

Author : David Ireland
Publisher : Springer
Page : 248 pages
File Size : 50,6 Mb
Release : 2018-11-04
Category : Performing Arts
ISBN : 9783030005061

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Identifying and Interpreting Incongruent Film Music by David Ireland Pdf

This book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film’s images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between a film and its music and considers the active role that it can play in the construction of a film’s meaning and influencing audience response. Synthesising findings from research in the psychology of music in multimedia, as well as from ideas sourced in semiotics, film music, and poststructuralist theory, this interdisciplinary book provides a holistic perspective that reflects the complexity of moments of film-music incongruence. With case studies including well-known films such as Gladiator and The Shawshank Redemption, this book combines scene analysis and empirical audience reception tests to emphasise the subjectivity, context-dependency, and multi-dimensionality inherent in identifying and interpreting incongruent film music.

"Singing a Different Tune"

Helena Goscilo
Singing a Different Tune Book PDF

Author : Helena Goscilo
Publisher : Academic Studies PRess
Page : 288 pages
File Size : 55,7 Mb
Release : 2023-04-11
Category : Performing Arts
ISBN : 9798887191294

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"Singing a Different Tune" by Helena Goscilo Pdf

A beneficiary of the pioneering incorporation of sound and synchronicity into cinema, the Hollywood musical became the most popular film genre in America’s thirties and forties. Its eastward migration resulted in a barrage of Polish screen musicals that relied on the country’s famous cabaret stars, while in the Soviet Union it inspired the audience-pleasing kolkhoz musicals of Ivan Pyr’ev and their urban counterpart, directed by Grigorii Aleksandrov. Like Stalin, Slavic moviegoers delectated tuneful melodies, mobile bodies in choreographed dance numbers, colorful costumes, and the notion that “all’s well that ends well.” Yet Slavic versions of the musical elaborated scenarios that differed from the Hollywood model. This volume examines the vagaries of this genre in both countries, from its early instantiations to its contemporary variations almost a century after its dramatic birth.

Film, Music, Memory

Berthold Hoeckner
Film Music Memory Book PDF

Author : Berthold Hoeckner
Publisher : University of Chicago Press
Page : 287 pages
File Size : 44,6 Mb
Release : 2019-11-27
Category : Performing Arts
ISBN : 9780226649757

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Film, Music, Memory by Berthold Hoeckner Pdf

Film has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.

The Routledge Companion to Screen Music and Sound

Miguel Mera,Ronald Sadoff,Ben Winters
The Routledge Companion to Screen Music and Sound Book PDF

Author : Miguel Mera,Ronald Sadoff,Ben Winters
Publisher : Routledge
Page : 634 pages
File Size : 51,8 Mb
Release : 2017-05-25
Category : Music
ISBN : 9781317398974

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The Routledge Companion to Screen Music and Sound by Miguel Mera,Ronald Sadoff,Ben Winters Pdf

The Routledge Companion to Screen Music and Sound provides a detailed and comprehensive overview of screen music and sound studies, addressing the ways in which music and sound interact with forms of narrative media such as television, videogames, and film. The inclusive framework of "screen music and sound" allows readers to explore the intersections and connections between various types of media and music and sound, reflecting the current state of scholarship and the future of the field. A diverse range of international scholars have contributed an impressive set of forty-six chapters that move from foundational knowledge to cutting edge topics that highlight new key areas. The companion is thematically organized into five cohesive areas of study: Issues in the Study of Screen Music and Sound—discusses the essential topics of the discipline Historical Approaches—examines periods of historical change or transition Production and Process—focuses on issues of collaboration, institutional politics, and the impact of technology and industrial practices Cultural and Aesthetic Perspectives—contextualizes an aesthetic approach within a wider framework of cultural knowledge Analyses and Methodologies—explores potential methodologies for interrogating screen music and sound Covering a wide range of topic areas drawn from musicology, sound studies, and media studies, The Routledge Companion to Screen Music and Sound provides researchers and students with an effective overview of music’s role in narrative media, as well as new methodological and aesthetic insights.

Narrative and Narration

Warren Buckland
Narrative and Narration Book PDF

Author : Warren Buckland
Publisher : Columbia University Press
Page : 110 pages
File Size : 41,7 Mb
Release : 2020-12-15
Category : Performing Arts
ISBN : 9780231543590

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Narrative and Narration by Warren Buckland Pdf

From mainstream blockbusters to art house cinema, narrative and narration are the driving forces that organize a film. Yet attempts to explain these forces are often mired in notoriously complex terminology and dense theory. Warren Buckland provides a clear and accessible introduction that explains how narrative and narration work using straightforward language. Narrative and Narration distills the basic components of cinematic storytelling into a set of core concepts: narrative structure, processes of narration, and narrative agents. The book opens with a discussion of the emergence of narrative and narration in early cinema and proceeds to illustrate key ideas through numerous case studies. Each chapter guides readers through different methods that they can use to analyze cinematic storytelling. Buckland also discusses how departures from traditional modes, such as feminist narratives, art cinema, and unreliable narrators, can complicate and corroborate the book’s understanding of narrative and narration. Examples include mainstream films, both classic and contemporary; art house films of every stripe; and two relatively new styles of cinematic storytelling: the puzzle film and those driven by a narrative logic derived from video games. Narrative and Narration is a concise introduction that provides readers with fundamental tools to understand cinematic storytelling.

The Oxford Handbook of Cinematic Listening

Carlo Cenciarelli
The Oxford Handbook of Cinematic Listening Book PDF

Author : Carlo Cenciarelli
Publisher : Oxford University Press
Page : 576 pages
File Size : 55,8 Mb
Release : 2021-03-29
Category : Performing Arts
ISBN : 9780190853631

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The Oxford Handbook of Cinematic Listening by Carlo Cenciarelli Pdf

The Oxford Handbook of Cinematic Listening explores the place of cinema in the history of listening. It looks at the ways in which listening to film is situated in textual, spatial, and social practices, and also studies how cinematic modes of listening have extended into other media and everyday experiences. Chapters are structured around six themes. Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing practices such as opera and shadow theatre, and also explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations and Relocations") focuses on specific venues and presentational practices from roadshow movies to contemporary live-score screenings. Part III ("Representations and Re-Presentations") zooms into the formal properties of specific films, analyzing representations of listening on screen as well as the role of sound as a representational surplus. Part IV ("The Listening Body") focuses on the power of cinematic sound to engage the full body sensorium. Part V ("Listening Again") discusses a range of ways in which film sound is encountered and reinterpreted outside the cinema, whether through ancillary materials such as songs and soundtrack albums, or in experimental conditions and pedagogical contexts. Part VI ("Across Media") compares cinema with the listening protocols of TV series and music video, promenade theatre and personal stereos, video games and Virtual Reality.

Magical Musical Tour

Kevin J. Donnelly
Magical Musical Tour Book PDF

Author : Kevin J. Donnelly
Publisher : Bloomsbury Publishing USA
Page : 217 pages
File Size : 52,6 Mb
Release : 2015-10-22
Category : Performing Arts
ISBN : 9781628927146

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Magical Musical Tour by Kevin J. Donnelly Pdf

Winner of the Southwest Popular and American Culture Association's 2016 Peter C. Rollins Book Award in the category of Film/Television The popular music industry has become completely interlinked with the film industry. The majority of mainstream films come with ready-attached songs that may or may not appear in the film but nevertheless will be used for publicity purposes and appear on a soundtrack album. In many cases, popular music in films has made for some of the most striking moments in films and the most dramatic aesthetic action in cinema, like Ben relaxing in the pool to Simon and Garfunkel's 'The Sound of Silence' in The Graduate (1967), and the potter's wheel sequence with the Righteous Brothers' 'Unchained Melody' in Ghost (1990). Yet, to date, there have only been patchy attempts to deal with popular music's relationship with film. Indeed, it is startling that there is so little written on subject that is so popular as a consumer item and thus has a significant cultural profile. Magical Musical Tour is the first sustained and focused survey to engage the intersection of the two on both an aesthetic and industrial level. The chapters are historically-inspired reviews, discussing many films and musicians, while others will be more concentrated and detailed case studies of single films. Including an accompanying website and a timeline giving a useful snapshot around which readers can orient the book, Kevin Donnelly explores the history of the intimate bond between film and music, from the upheaval that rock'n'roll caused in the mid-1950s to the more technical aspects regarding 'tracking' and 'scoring'.

Situated Listening

Giorgio Biancorosso
Situated Listening Book PDF

Author : Giorgio Biancorosso
Publisher : Oxford University Press
Page : 265 pages
File Size : 42,7 Mb
Release : 2016
Category : Art
ISBN : 9780195374711

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Situated Listening by Giorgio Biancorosso Pdf

'Situated Listening' urges us to abandon the image of the music listener modeled after the reverential concert goer or gallery dweller. The work redefines music listening with reference to cinematic representations of listeners

From Stage to Screen

Shuang Wang
From Stage to Screen Book PDF

Author : Shuang Wang
Publisher : Springer Nature
Page : 166 pages
File Size : 55,6 Mb
Release : 2023-05-16
Category : Performing Arts
ISBN : 9789811970375

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From Stage to Screen by Shuang Wang Pdf

Chinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre. Film sound and music perform as the legitimate heirs of some of the aesthetic ideas and norms of traditional Chinese theatre. This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral to Chinese martial arts cinema. It explores the interaction between traditional Chinese theatre and Chinese martial arts cinema in how the musical codes of the former have shaped the aesthetics of the latter uniquely. This departs from conventional existing studies that focus on “adaptation.” The book’s historical and theoretical approach connects film, theatre and music, and re-defines the status of distinctive domains of filmic expression, grounding theatre as the pivot – or “hinge” – of film aesthetics. The book proffers this unique angle of research to rethink and re-imagine film sound and audiovisual synchronisation. Primarily intended for scholars in Chinese cinema, film music, Chinese theatre and visual culture, this monograph also presents introductory and comprehensive material for undergraduate and graduate-level courses in film and media studies, film music, Chinese cinema, and Chinese theatre.

Music, Performance, and the Realities of Film

Ben Winters
Music Performance and the Realities of Film Book PDF

Author : Ben Winters
Publisher : Routledge
Page : 277 pages
File Size : 44,6 Mb
Release : 2014-02-05
Category : Art
ISBN : 9781135022563

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Music, Performance, and the Realities of Film by Ben Winters Pdf

This book examines the relationship between narrative film and reality, as seen through the lens of on-screen classical concert performance. By investigating these scenes, wherein the performance of music is foregrounded in the narrative, Winters uncovers how concert performance reflexively articulates music's importance to the ontology of film. The book asserts that narrative film of a variety of aesthetic approaches and traditions is no mere copy of everyday reality, but constitutes its own filmic reality, and that the music heard in a film's underscore plays an important role in distinguishing film reality from the everyday. As a result, concert scenes are examined as sites for provocative interactions between these two realities, in which real-world musicians appear in fictional narratives, and an audience’s suspension of disbelief is problematised. In blurring the musical experiences of onscreen observers and participants, these concert scenes also allegorize music’s role in creating a shared subjectivity between film audience and character, and prompt Winters to propose a radically new vision of music’s role in narrative cinema wherein musical underscore becomes part of a shared audio-visual space that may be just as accessible to the characters as the music they encounter in scenes of concert performance.