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Music, Encounter, Togetherness by Nicholas Cook Pdf
Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.
Musical Encounters with Deleuze and Guattari by Pirkko Moisala,Taru Leppänen,Milla Tiainen,Hanna Väätäinen Pdf
This is the first volume to mobilize encounters between the work of Gilles Deleuze and Félix Guattari and the rich developments in cultural studies of music and sound. The book takes seriously the intellectual and political challenge that the process philosophy of Deleuze and Guattari poses for previous understandings of music as permanent objects and primarily discursive texts. By elaborating on the concepts of Deleuze and Guattari in innovative ways, the chapters of the book demonstrate how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies. The collection pushes notions of music and sound beyond such long-term paradigms as identity thinking, the privileging of signification, and the centrality of the human subject. The chapters of the volume bring a range of new topics and methodological approaches in contact with Deleuze and Guattari. These span from movement improvisation, jazz and western art music studies, sound and performance art and reality TV talent shows to deaf musicians and indigenous music. The book also highlights such fresh ways of doing analysis and shaping the methodological tools of music and sound studies that are enabled by Deleuze and Guattari's philosophy. Their philosophy, too, gains renewed capacities and potential when responding to ethnographic, cultural, ethnomusicological, participatory, aesthetic, new materialist, feminist and queer perspectives to music and sound.
Music: the Art of Togetherness by B.J. Gonzalvo Ph.D. Pdf
Through his experience as a psychologist, a musician, and a spiritual seeker, B.J. Gonzalvo demonstrates the role of music as our guide in recreating inner harmony as well as social harmony. Just like in our gathering songs or opening hymns, music has the transcendent and transformative power to open up our hearts, bring us all together, unite us in harmony, and provide the cadence for our voices and our heartbeats. When we come together with one purpose of making beautiful harmony, there is a sense of elevation of the human spirit up to the heavenly realms where the Divine Author of beauty dwells. Music is more than just a hobby or a soundtrack playing in the background of our lives. Music is an intentional leisure activity full of possibilities for singers and seekers alike to recreate and experience a foretaste of joy, love, hope, grace, and harmony. As we rethink our relationships today, may we remind ourselves of the power of creating and recreating music together for the sake of harmony within ourselves and with one another. Music, the art of togetherness, illuminates the true, the good, and the beautiful in our relationships—relationship to self, to others, and to God. In music, we belong. Through music, we discover our own inner sanctuary as well as the inner sanctuaries in others—the sanctuary where God is made present.
In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars-including musicologists, music theorists, and music cognition scholars-everywhere.
Together in Music by Renee Timmers,Freya Bailes,Helena Daffern Pdf
Recent years have seen a rise in interest in the musical ensemble as an exemplary form of creative group behaviour. This volume explores the organisational, psychological, and social processes at play within ensemble music-making.
Not long ago, ideas of creativity in music revolved around composers in garrets and the idea of genius. In the last decade there has been a sea change in thinking: musical creativity is seen in terms of collaboration and real-time performance. 'Music as Creative Practice' attempts to synthesise both perspectives.
Music and Belonging Between Revolution and Restoration by Naomi Waltham-Smith Pdf
How is music implicated in the politics of belonging? Provocatively fusing recent European philosophy with music theory, this book explores the instrumental music of Haydn, Mozart and Beethoven, reveals connections between listening and constructions of community and testifies to Classical music's enduring political significance in an age of neoliberal exclusion.
Collaborative Intimacies in Music and Dance by Evangelos Chrysagis,Panas Karampampas Pdf
Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.
Author : Charles Garrett,Carol J. Oja Publisher : University of Michigan Press Page : 367 pages File Size : 51,8 Mb Release : 2021-08-16 Category : Music ISBN : 9780472901302
Sounding Together by Charles Garrett,Carol J. Oja Pdf
Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book’s essays—written by a diverse and cross-generational group of scholars, performers, and practitioners—demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music.
Odyssey Works by Abraham Burickson,Ayden LeRoux Pdf
Odyssey Works infiltrates the life of one person at a time to create a customtailored, life-altering performance. It may last for one day or a few months and consists of experiences that blur the boundaries of life and art—is that subway mariachi band, used book of poetry, or meal with a new friend real or a part of the performance? Central to this book is their 2013 performance for Rick Moody, author of The Ice Storm. His Odyssey lasted four months and included a fake children's book, introducing the themes of his performance, and a cello concert in a Saskatchewan prairie (which Moody almost missed after being stopped at customs with, suspiciously, no idea why he was traveling to Canada). The book includes Moody's interviews with Odyssey Works, an original short story by Amy Hempel, and six proposals for a new theory of making art.
As countries went into lockdown in 2020, many people turned to music for comfort and solidarity. In Verona, neighbours sang to each other from their balconies; across the world, people participated in online music listening sessions that created an experience of socially distanced togetherness. World-leading musicologist Nicholas Cook argues that the value of music goes far beyond simple enjoyment. Making and listening to music can enhance well-being, interpersonal relationships, cultural tolerance, and civil cohesion. At the same time, music can be a tool of persuasion or ideology: the ‘musical’ qualities of political oratory, for example, elevate emotional belief over rational judgement. Thinking about music helps bring into focus the deeply embedded values that are mobilized in today’s culture wars, and that contribute to a prevailing sense of crisis. Making music together builds fine-grained relationships of interdependence and trust: rather than utopian escapism, it offers a blueprint for a better community, one of mutual obligation and interdependence. Music: Why It Matters is for anyone who loves playing, listening to, or thinking about music, as well as those pursuing it as a career.
Music and Mind in Everyday Life by Eric Clarke,Nicola Dibben,Stephanie Pitts Pdf
What is it that makes people want to live their lives to the sound of music, and why do so many of our most private experiences and most public spectacles incorporate - or even depend on - music? 'Music and Mind in Everyday Life' uses psychology to understand musical behaviour and experience.
Music, Imagination, and Culture by Nicholas Cook Pdf
Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This gap between image and the experience it models offers a source of compositional creativity; different musical cultures embody different ways of imagining sound as music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Cook here defines the difference between music theory and aesthetic criticism, and affirms the importance of the "ordinary listener" in musical culture.
Experiencing Liveness in Contemporary Performance by Matthew Reason,Anja Mølle Lindelof Pdf
This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making. Drawing together contributions from theatre, music, dance, and performance art, it takes an interdisciplinary approach in asking not what liveness is, but how it matters and to whom. The book invites readers to consider how liveness is produced through processes of audiencing - as spectators bring qualities of (a)liveness into being through the nature of their attention - and how it becomes materialized in acts of performance, acts of making, acts of archiving, and acts of remembering. Theoretical chapters and practice-based reflections explore liveness, eventness and nowness as key concepts in a range of topics such as affect, documentation, embodiment, fandom, and temporality, showing how the relationship between audience and event is rarely singular and more often malleable and multiple. With its focus on experiencing liveness, this collection will be of interest to disciplines including performance, audience and cultural studies, visual arts, cinema, and sound technologies.
Music: A Very Short Introduction by Nicholas Cook Pdf
This stimulating Very Short Introduction to music invites us to really think about music and the values and qualities we ascribe to it. The world teems with different kinds of music-traditional, folk, classical, jazz, rock, pop-and each type of music tends to come with its own way of thinking. Drawing on a wealth of accessible examples ranging from Beethoven to Chinese zither music, Nicholas Cook attempts to provide a framework for thinking about all music. By examining the personal, social, and cultural values that music embodies, the book reveals the shortcomings of traditional conceptions of music, and sketches a more inclusive approach emphasizing the role of performers and listeners. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
