Music In Cinema

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Music in Cinema

Author : Michel Chion
Publisher : Columbia University Press
Page : 217 pages
File Size : 48,6 Mb
Release : 2021-10-12
Category : Art
ISBN : 9780231552851

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Music in Cinema by Michel Chion Pdf

Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.

Music and Cinema

Author : James Buhler,Caryl Flinn,David Neumeyer
Publisher : Wesleyan University Press
Page : 406 pages
File Size : 48,9 Mb
Release : 2000-11
Category : Music
ISBN : 9780819564115

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Music and Cinema by James Buhler,Caryl Flinn,David Neumeyer Pdf

A wide-ranging look at the role of music in film.

Film Music: a Very Short Introduction

Author : Kathryn Kalinak
Publisher : Oxford University Press
Page : 177 pages
File Size : 55,7 Mb
Release : 2023
Category : Motion picture music
ISBN : 9780197628034

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Film Music: a Very Short Introduction by Kathryn Kalinak Pdf

"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--

Meaning and Interpretation of Music in Cinema

Author : David P. Neumeyer
Publisher : Indiana University Press
Page : 336 pages
File Size : 49,6 Mb
Release : 2015-08-17
Category : Performing Arts
ISBN : 9780253016515

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Meaning and Interpretation of Music in Cinema by David P. Neumeyer Pdf

By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer’s 25-year project in the analysis and interpretation of music in film.

Composing for the Cinema

Author : Ennio Morricone,Sergio Miceli
Publisher : Scarecrow Press
Page : 311 pages
File Size : 40,6 Mb
Release : 2013-10-10
Category : Performing Arts
ISBN : 9780810892422

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Composing for the Cinema by Ennio Morricone,Sergio Miceli Pdf

With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.

Film Music

Author : Kevin J. Donnelly
Publisher : Edinburgh University Press
Page : 223 pages
File Size : 42,5 Mb
Release : 2001-07-10
Category : Motion picture music
ISBN : 9781474467810

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Film Music by Kevin J. Donnelly Pdf

Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema.

Beyond the Soundtrack

Author : Daniel Ira Goldmark,Lawrence Kramer,Richard Leppert
Publisher : Univ of California Press
Page : 333 pages
File Size : 55,5 Mb
Release : 2007-06-08
Category : Performing Arts
ISBN : 9780520940550

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Beyond the Soundtrack by Daniel Ira Goldmark,Lawrence Kramer,Richard Leppert Pdf

This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role—and many do much more—music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.

Music, Money and Success

Author : Jeffrey Brabec,Todd Brabec
Publisher : Schirmer Trade Books
Page : 839 pages
File Size : 53,8 Mb
Release : 2011-07-18
Category : Music
ISBN : 9780857126467

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Music, Money and Success by Jeffrey Brabec,Todd Brabec Pdf

The Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician.

Music and Levels of Narration in Film

Author : Guido Heldt
Publisher : Intellect (UK)
Page : 312 pages
File Size : 50,8 Mb
Release : 2013
Category : Film
ISBN : MINN:31951D03713462V

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Music and Levels of Narration in Film by Guido Heldt Pdf

Music and Levels of Narration in Film is the first book-length study to synthesize scholarly contributions toward a narrative theory of film music. Moving beyond the distinction between diegetic and nondiegetic music--or music that is not understood as part of a film's "story world"--Guido Heldt systematically discusses music at different levels of narration, from the extrafictional to "focalizations" of subjectivity. Heldt then applies this conceptual toolkit to study the narrative strategies of music in individual films, as well as genres, including musicals and horror films. The resulting volume will be an indispensable resource for anyone researching or studying film music or film narratology. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.

Voicing the Cinema

Author : James Buhler,Hannah Lewis
Publisher : University of Illinois Press
Page : 461 pages
File Size : 47,7 Mb
Release : 2020-03-16
Category : Performing Arts
ISBN : 9780252051869

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Voicing the Cinema by James Buhler,Hannah Lewis Pdf

Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack. The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism. Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell

A History of Film Music

Author : Mervyn Cooke
Publisher : Unknown
Page : 592 pages
File Size : 43,6 Mb
Release : 2008-09-25
Category : Music
ISBN : UOM:39015082656151

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A History of Film Music by Mervyn Cooke Pdf

From silent cinema to the modern Hollywood blockbuster, this volume provides a comprehensive and engaging overview of the major trends in the history of film music. The first study of film scoring to present a genuinely international perspective, it is ideal for both students and film enthusiasts alike.

Music in Epic Film

Author : Stephen C. Meyer
Publisher : Routledge
Page : 354 pages
File Size : 55,6 Mb
Release : 2016-09-01
Category : Music
ISBN : 9781317425861

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Music in Epic Film by Stephen C. Meyer Pdf

As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.

Music, Sound and Filmmakers

Author : James Wierzbicki
Publisher : Routledge
Page : 234 pages
File Size : 44,8 Mb
Release : 2012-08-06
Category : Music
ISBN : 9781136597015

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Music, Sound and Filmmakers by James Wierzbicki Pdf

Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieślowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.

The Cambridge Companion to Film Music

Author : Mervyn Cooke,Fiona Ford
Publisher : Cambridge University Press
Page : 439 pages
File Size : 44,7 Mb
Release : 2016-12-08
Category : Music
ISBN : 9781107094512

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The Cambridge Companion to Film Music by Mervyn Cooke,Fiona Ford Pdf

A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.

Movie Music, the Film Reader

Author : Kay Dickinson
Publisher : Psychology Press
Page : 216 pages
File Size : 45,6 Mb
Release : 2003
Category : History
ISBN : 0415281598

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Movie Music, the Film Reader by Kay Dickinson Pdf

This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.