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Author : Joseph Turrin
Publisher : Cognella Academic Publishing
Page : 128 pages
File Size : 55,6 Mb
Release : 2016-12-31
Category : Electronic
ISBN : 1516514548
Author : Robynn Stilwell
Publisher : Routledge
Page : 224 pages
File Size : 46,7 Mb
Release : 2017-09-08
Category : Music
ISBN : 9781351572439
The study of pre-existing film music is now a well-established part of Film Studies, covering 'classical' music and popular music. Generally, these broad musical types are studied in isolation. This anthology brings them together in twelve focused case studies by a range of scholars, including Claudia Gorbman, Jeongwon Joe, Raymond Knapp, and Timothy Warner. The first section explores art music, both instrumental and operatic; it revolves around the debate on the relation between the aural and visual tracks, and whether pre-existing music has an integrative function or not. The second section is devoted to popular music in film, and shows how very similar the functions of popular music in film are to the supposedly more 'elite' classical music and opera. Case studies in part 1: Eyes Wide Shut, Raging Bull, Brief Encounter, Detective, The Godfather Part III, three versions of the Carmen story (DeMille's, Preminger's and Rosi's), Amadeus, The Birth of a Nation, M: Eine Stadt sucht einen MA rder, Needful Things, Rat Race. Case studies in part 2: various films by AlmodA^3var, Young Frankenstein, Pulp Fiction, Trainspotting, Amelie, High Fidelity, Ghost World, Heavenly Creatures, The Virgin Suicides, and the video Timber by Coldcut.
Author : Phil Powrie,Robynn Jeananne Stilwell
Publisher : Ashgate Publishing, Ltd.
Page : 236 pages
File Size : 49,6 Mb
Release : 2006
Category : Music
ISBN : 0754651371
The study of pre-existing film music is a well-established part of Film Studies, covering 'classical' music and popular music. Generally, these broad musical types are studied in isolation. This anthology brings them together in twelve focused case studies. The first section explores art music; it revolves around the debate on the relation between the aural and visual tracks, and whether pre-existing music has an integrative function or not. The second section is devoted to popular music in film, and shows how very similar the functions of popular music in film are to the supposedly more 'elite' classical music and opera.
Author : David P. Neumeyer
Publisher : Indiana University Press
Page : 336 pages
File Size : 48,5 Mb
Release : 2015-08-17
Category : Performing Arts
ISBN : 9780253016515
By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer’s 25-year project in the analysis and interpretation of music in film.
Author : Stephen C. Meyer
Publisher : Routledge
Page : 354 pages
File Size : 45,5 Mb
Release : 2016-09-01
Category : Music
ISBN : 9781317425861
As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.
Author : Disha Experts
Publisher : Disha Publications
Page : 347 pages
File Size : 45,9 Mb
Release : 2019-03-12
Category : Electronic
ISBN : 9789388919104
We at Disha, continuously, analyse the past papers so as to understand the Examiner’s mindset - What exactly he wants the aspirants to assess on. Based on this unique experience, the 2nd Edition of “IAS Prelims Paper 1 General Studies 30 Days Revision Material 2nd Edition” is now empowered with 100 Most Important General Studies (encompassing History, Polity, Economy, Geography, Environment and Science & Technology) Topics for IAS Prelims 2019. The book vastly covers Current - Events, Issues and Ideas - thus covering Important Terms, Govt. Schemes/ Yojanas, Policies/ Plans, Missions/ Abhiyans, Projects, Summits/ Conferences, Agreements/ Accords, Committees, Organisations/ Index-Ranking, Phenomena, Symposium, Ratifications of treaties, India’s engagements abroad, etc. As 30-40% questions are framed on Current Affairs hence the book captures last 10 months (2018) essence along with some important nuances of 2017. We are sure and hopeful that the IAS capsule will play an important role in the result of its readers/ IAS aspirants.
Author : Doug Adams
Publisher : Alfred Publishing Company
Page : 401 pages
File Size : 50,5 Mb
Release : 2010
Category : Music
ISBN : 0739071572
Presents the complete account of the making of the Lord of the Rings trilogy music score, and includes extensive music examples, original manuscript scores, and glimpses into the creative process from the composer.
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 46,6 Mb
Release : 1984
Category : Electronic
ISBN : OCLC:709388970
Author : Michael Baumgartner,Ewelina Boczkowska
Publisher : Routledge
Page : 314 pages
File Size : 42,7 Mb
Release : 2019-09-23
Category : Music
ISBN : 9781315298436
In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, Sweden, Austria, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia.
Author : Jonathan Rhodes Lee
Publisher : Routledge
Page : 1096 pages
File Size : 43,6 Mb
Release : 2020-03-10
Category : Music
ISBN : 9781000091281
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Author : W. Anthony Sheppard
Publisher : Oxford University Press
Page : 608 pages
File Size : 44,9 Mb
Release : 2019-09-16
Category : Music
ISBN : 9780190072711
To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies--of both desire and repulsion--through which Japanese culture has profoundly impacted the arts and industry of the U.S. While the influence of Japan on American and European painting, architecture, design, theater, and literature has been celebrated in numerous books and exhibitions, the role of music has been virtually ignored until now. W. Anthony Sheppard's Extreme Exoticism offers a detailed documentation and wide-ranging investigation of music's role in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. Presenting numerous American encounters with and representations of Japanese music and Japan, this book reveals how music functions in exotic representation across a variety of genres and media, and how Japanese music has at various times served as a sign of modernist experimentation, a sounding board for defining American music, and a tool for reshaping conceptions of race and gender. From the Tin Pan Alley songs of the Russo-Japanese war period to Weezer's Pinkerton album, music has continued to inscribe Japan as the land of extreme exoticism.
Author : Carolyn A. Sheehy
Publisher : Bloomsbury Publishing USA
Page : 240 pages
File Size : 47,7 Mb
Release : 1994-07-21
Category : Language Arts & Disciplines
ISBN : 9780313363825
This professional reference provides solid advice to academic and public librarians for managing performing arts collections. The volume is divided into sections on the history of performing arts librarianship, dance collections, film studies collections, music collections, and theater collections. Each chapter is written by one or more expert contributors and presents current and reliable information on collection management. They discuss personnel management, collection development, technical services, public services, the impact of new technologies, facilities management, financial planning, and political considerations. Each chapter closes with references cited in the chapter, and the volume concludes with a valuable selected, annotated bibliography of important background sources and management tools.
Author : Laurence E. MacDonald
Publisher : Scarecrow Press
Page : 448 pages
File Size : 53,8 Mb
Release : 1998
Category : Performing Arts
ISBN : 9781880157565
A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves.
Author : H. Stephen Wright
Publisher : Unknown
Page : 200 pages
File Size : 40,8 Mb
Release : 1995
Category : Motion picture music
ISBN : STANFORD:36105019491542
Author : Christopher Brooks
Publisher : Createspace Independent Publishing Platform
Page : 260 pages
File Size : 46,7 Mb
Release : 2014-09-09
Category : Performing Arts
ISBN : 1502319144
Music has more emotional value than any other single element in film. This book is designed for the aspiring filmmaker to fully realize the potential of this powerful tool. Written in understandable dramatic terms, the goal is to reach the filmmaker through the language of film, leaving the jargon of music to the composers.
