Music Making In North East England During The Eighteenth Century

Music Making In North East England During The Eighteenth Century Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Music Making In North East England During The Eighteenth Century book. This book definitely worth reading, it is an incredibly well-written.

Music-Making in North-East England during the Eighteenth Century

Author : Roz Southey
Publisher : Routledge
Page : 272 pages
File Size : 52,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351556781

Get Book

Music-Making in North-East England during the Eighteenth Century by Roz Southey Pdf

The north-east of England in the eighteenth century was a region where many different kinds of musical activity thrived and where a wide range of documentation survives. Such activities included concert-giving, teaching, tuning and composition, as well as music in the theatre and in church. Dr Roz Southey examines the impulses behind such activities and the meanings that local people found inherent in them. It is evident that music could be perceived or utilized for extremely diverse purposes; as entertainment, as a learned art, as an aid to piety, as a profession, a social facilitator and a support to patriotism and nationalism. Musical societies were established throughout the century, and Southey illustrates the social make-up of the members, as well as the role of Gentlemen Amateurs in the organizing of concerts, and the connections with London and other centres. The book draws upon a rich selection of source material, including local newspapers, council and ecclesiastical records, private papers and diaries and accounts of local tradesman, as well as surviving examples of music composed in the area by Charles Avison, Thomas Ebdon and John Garth of Durham, amongst many others. Charles Avison's importance is focused upon particularly, and his Essay on Musical Expression is considered alongside other contemporary writings of lesser fame. Southey provides a fascinating insight into the type and social class of audiences and their influence on the repertoire performed. The book moves from a consideration of music being used as a 'fashion item', evidenced by the patronage of 'big name' soloists from London and abroad, to fiddlers, ballad singers, music at weddings, funerals, public celebrations, and music for marking the events of the American War of Independence and the French Revolutionary Wars. It can be seen, therefore, that the north east was an area of important musical activity, and that the music was always interwoven into the political, economic, religious and commercial fabric of eighteenth-century life.

Music in North-east England, 1500-1800

Author : Stephanie Carter,Stephanie Louise Carter,Kirsten Gibson,Roz Southey
Publisher : Boydell & Brewer
Page : 343 pages
File Size : 54,8 Mb
Release : 2020
Category : History
ISBN : 9781783275410

Get Book

Music in North-east England, 1500-1800 by Stephanie Carter,Stephanie Louise Carter,Kirsten Gibson,Roz Southey Pdf

This collection situates the North-East within a developing nationwide account of British musical culture.

Charles Avison in Context

Author : Roz Southey,Eric Cross
Publisher : Routledge
Page : 390 pages
File Size : 48,7 Mb
Release : 2017-10-31
Category : Music
ISBN : 9781317168331

Get Book

Charles Avison in Context by Roz Southey,Eric Cross Pdf

Despite recent interest in music-making in the so-called ’provinces’, the idea still lingers that music-making outside London was small in scale, second-rate and behind the times. However, in Newcastle upon Tyne, the presence of a nationally known musician, Charles Avison (1709-1770), prompts a reassessment of how far this idea is still tenable. Avison’s life and work illuminates many wider trends. His relationships with his patrons, the commercial imperatives which shaped his activities, the historical and social milieu in which he lived and worked, were influenced by and reflected many contemporary movements: Latitudinarianism, Methodism, the improvement of church music, the aesthetics of the day including new ideas circulating in Europe, discussions of issues such as gentility, and the new commercialism of leisure. He can be considered as the notional centre of a web of connections, both musical and non-musical, extending through every part of Britain and into both Europe and America. This book looks at these connections, exploring the ways in which the musical culture in the north-east region interacted with, and influenced, musical culture elsewhere, and the non-musical influences with which it was involved, including contemporary religious, philosophical and commercial developments, establishing that regional centres such as Newcastle could be as well-informed, influential and vibrant as London.

Music and the Benefit Performance in Eighteenth-Century Britain

Author : Matthew Gardner,Alison DeSimone
Publisher : Cambridge University Press
Page : 303 pages
File Size : 42,7 Mb
Release : 2019-10-31
Category : Music
ISBN : 9781108492935

Get Book

Music and the Benefit Performance in Eighteenth-Century Britain by Matthew Gardner,Alison DeSimone Pdf

Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.

Commercial Music-making in Eighteenth Century North-East England

Author : Rosemary Southey,University of Newcastle upon Tyne. Department of Music
Publisher : Unknown
Page : 128 pages
File Size : 47,8 Mb
Release : 2001
Category : Electronic
ISBN : OCLC:49976488

Get Book

Commercial Music-making in Eighteenth Century North-East England by Rosemary Southey,University of Newcastle upon Tyne. Department of Music Pdf

Music by Subscription

Author : Simon D.I. Fleming,Martin Perkins
Publisher : Routledge
Page : 310 pages
File Size : 49,5 Mb
Release : 2021-12-30
Category : Music
ISBN : 9781000519983

Get Book

Music by Subscription by Simon D.I. Fleming,Martin Perkins Pdf

This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.

Age Relations and Cultural Change in Eighteenth-century England

Author : Barbara Crosbie
Publisher : Boydell & Brewer
Page : 284 pages
File Size : 45,8 Mb
Release : 2020
Category : History
ISBN : 9781783275069

Get Book

Age Relations and Cultural Change in Eighteenth-century England by Barbara Crosbie Pdf

This book explores the links between age relations and cultural change, using an innovative analytical framework to map the incremental and contingent process of generational transition in eighteenth-century England. The study reveals how attitudes towards age were transformed alongside perceptions of gender, rank and place. It also exposes how shifting age relations affected concepts of authenticity, nationhood, patriarchy, domesticity and progress. The eighteenth century is not generally associated with the formation of distinct generations. This book, therefore, charts new territory as an age cohort in Newcastle upon Tyne is followed from infancy to early adulthood,using their experiences to illuminate a national, and ultimately imperial, pattern of change. The chapters begin in the nurseries and schoolrooms in which formative years were spent and then traverse the volatile terrain of adolescence, before turning to the adult world of fashion and politics. This investigation uncovers the roots of a generational divide that spilled into the political arena during the parliamentary election of 1774. But more than that,it demonstrates that the interactions between age groups were central to major social and cultural developments in the eighteenth century and serves as a powerful reminder of the need to recognise that people lived through not in the past.tional divide that spilled into the political arena during the parliamentary election of 1774. But more than that,it demonstrates that the interactions between age groups were central to major social and cultural developments in the eighteenth century and serves as a powerful reminder of the need to recognise that people lived through not in the past.tional divide that spilled into the political arena during the parliamentary election of 1774. But more than that,it demonstrates that the interactions between age groups were central to major social and cultural developments in the eighteenth century and serves as a powerful reminder of the need to recognise that people lived through not in the past.tional divide that spilled into the political arena during the parliamentary election of 1774. But more than that,it demonstrates that the interactions between age groups were central to major social and cultural developments in the eighteenth century and serves as a powerful reminder of the need to recognise that people lived through not in the past.

Data Visualization in Enlightenment Literature and Culture

Author : Ileana Baird
Publisher : Springer Nature
Page : 385 pages
File Size : 49,8 Mb
Release : 2021-03-23
Category : Literary Criticism
ISBN : 9783030549138

Get Book

Data Visualization in Enlightenment Literature and Culture by Ileana Baird Pdf

Data Visualization in Enlightenment Literature and Culture explores the new interpretive possibilities offered by using data visualization in eighteenth-century studies. Such visualizations include tabulations, charts, k-means clustering, topic modeling, network graphs, data mapping, and/or other illustrations of patterns of social or intellectual exchange. The contributions to this collection present groundbreaking research of texts and/or cultural trends emerging from data mined from existing databases and other aggregates of sources. Describing both small and large digital projects by scholars in visual arts, history, musicology, and literary studies, this collection addresses the benefits and challenges of employing digital tools, as well as their potential use in the classroom. Chapters 1, 3, 8 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Music in the British Provinces, 1690-1914

Author : Peter Holman
Publisher : Routledge
Page : 428 pages
File Size : 40,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557320

Get Book

Music in the British Provinces, 1690-1914 by Peter Holman Pdf

The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.

"Music in the British Provinces, 1690?914 "

Author : Peter Holman
Publisher : Routledge
Page : 467 pages
File Size : 40,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557313

Get Book

"Music in the British Provinces, 1690?914 " by Peter Holman Pdf

The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.

Napoleon and British Song, 1797-1822

Author : Oskar Cox Jensen
Publisher : Springer
Page : 261 pages
File Size : 52,7 Mb
Release : 2015-10-12
Category : History
ISBN : 9781137555380

Get Book

Napoleon and British Song, 1797-1822 by Oskar Cox Jensen Pdf

This study offers a radical reassessment of a crucial period of political and cultural history. By looking at some 400 songs, many of which are made available to hear, and at their writers, singers, and audiences, it questions both our relationship with song, and ordinary Britons' relationship with Napoleon, the war, and the idea of Britain itself.

The Cashaway Psalmody

Author : Stephen A. Marini
Publisher : University of Illinois Press
Page : 446 pages
File Size : 43,6 Mb
Release : 2020-02-14
Category : Music
ISBN : 9780252051708

Get Book

The Cashaway Psalmody by Stephen A. Marini Pdf

Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills's level of musical expertise, reportorial reach, and calligraphic skill. Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period. Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.

Music in Eighteenth-Century Britain

Author : DavidWyn Jones
Publisher : Routledge
Page : 427 pages
File Size : 46,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557405

Get Book

Music in Eighteenth-Century Britain by DavidWyn Jones Pdf

This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

Music in the Georgian Novel

Author : Pierre Dubois
Publisher : Cambridge University Press
Page : 377 pages
File Size : 40,7 Mb
Release : 2015-08-13
Category : History
ISBN : 9781107108509

Get Book

Music in the Georgian Novel by Pierre Dubois Pdf

This book investigates the literary representation of music in the Georgian novel against its musical, aesthetic and cultural background.

Venanzio Rauzzini and the Birth of a New Style in English Singing

Author : Brianna E. Robertson-Kirkland
Publisher : Routledge
Page : 271 pages
File Size : 53,8 Mb
Release : 2022-01-31
Category : History
ISBN : 9781000536843

Get Book

Venanzio Rauzzini and the Birth of a New Style in English Singing by Brianna E. Robertson-Kirkland Pdf

Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.