Music Mind And Embodiment

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Music and Embodied Cognition

Arnie Cox
Music and Embodied Cognition Book PDF

Author : Arnie Cox
Publisher : Indiana University Press
Page : 304 pages
File Size : 41,7 Mb
Release : 2016-09-06
Category : Music
ISBN : 9780253021670

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Music and Embodied Cognition by Arnie Cox Pdf

Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox’s work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.

Music, Mind, and Embodiment

Richard Kronland-Martinet,Mitsuko Aramaki,Sølvi Ystad
Music Mind and Embodiment Book PDF

Author : Richard Kronland-Martinet,Mitsuko Aramaki,Sølvi Ystad
Publisher : Springer
Page : 492 pages
File Size : 41,9 Mb
Release : 2016-09-22
Category : Computers
ISBN : 9783319462820

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Music, Mind, and Embodiment by Richard Kronland-Martinet,Mitsuko Aramaki,Sølvi Ystad Pdf

This book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year’s post symposium edition contains peer-reviewed and revised articles centered around the conference theme “Music, Mind, and Embodiment”. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture.

Embodied Music Cognition and Mediation Technology

Marc Leman
Embodied Music Cognition and Mediation Technology Book PDF

Author : Marc Leman
Publisher : MIT Press
Page : 317 pages
File Size : 49,7 Mb
Release : 2007-08-03
Category : Music
ISBN : 9780262122931

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Embodied Music Cognition and Mediation Technology by Marc Leman Pdf

A proposal that an embodied cognition approach to music research—drawing on work in computer science, psychology, brain science, and musicology—offers a promising framework for thinking about music mediation technology. Digital media handles music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body plays a central role in all musical activities, and basing his approach on a hypothesis about the relationship between musical experience (mind) and sound energy (matter), Leman argues that the human body is a biologically designed mediator that transfers physical energy to a mental level—engaging experiences, values, and intentions—and, reversing the process, transfers mental representation into material form. He suggests that this idea of the body as mediator offers a promising framework for thinking about music mediation technology. Leman proposes that, under certain conditions, the natural mediator (the body) can be extended with artificial technology-based mediators. He explores the necessary conditions and analyzes ways in which they can be studied. Leman outlines his theory of embodied music cognition, introducing a model that describes the relationship between a human subject and its environment, analyzing the coupling of action and perception, and exploring different degrees of the body's engagement with music. He then examines possible applications in two core areas: interaction with music instruments and music search and retrieval in a database or digital library. The embodied music cognition approach, Leman argues, can help us develop tools that integrate artistic expression and contemporary technology.

Embodiment of Musical Creativity

Zvonimir Nagy
Embodiment of Musical Creativity Book PDF

Author : Zvonimir Nagy
Publisher : Taylor & Francis
Page : 228 pages
File Size : 50,7 Mb
Release : 2016-11-03
Category : Music
ISBN : 9781315469003

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Embodiment of Musical Creativity by Zvonimir Nagy Pdf

Embodiment of Musical Creativity offers an innovative look at the interdisciplinary nature of creativity in musical composition. Using examples from empirical and theoretical research in creativity studies, music theory and cognition, psychology and philosophy, performance and education studies, and the author’s own creative practice, the book examines how the reciprocity of cognition and performativity contributes to our understanding of musical creativity in composition. From the composer’s perspective the book investigates the psychological attributes of creative cognition whose associations become the foundation for an understanding of embodied creativity in musical composition. The book defines the embodiment of musical creativity as a cognitive and performative causality: a relationship between the cause and effect of our experience when composing music. Considering the theoretical, practical, contextual, and pedagogical implications of embodied creative experience, the book redefines aspects of musical composition to reflect the changing ways that musical creativity is understood and evaluated. Embodiment of Musical Creativity provides a comparative study of musical composition, in turn articulating a new perspective on musical creativity.

Musical Bodies, Musical Minds

Dylan van der Schyff,Andrea Schiavio,David J. Elliott
Musical Bodies Musical Minds Book PDF

Author : Dylan van der Schyff,Andrea Schiavio,David J. Elliott
Publisher : MIT Press
Page : 323 pages
File Size : 45,6 Mb
Release : 2022-08-30
Category : Music
ISBN : 9780262362108

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Musical Bodies, Musical Minds by Dylan van der Schyff,Andrea Schiavio,David J. Elliott Pdf

An enactive account of musicality that proposes new ways of thinking about musical experience, musical development in infancy, music and evolution, and more. Musical Bodies, Musical Minds offers an innovative account of human musicality that draws on recent developments in embodied cognitive science. The authors explore musical cognition as a form of sense-making that unfolds across the embodied, environmentally embedded, and sociomaterially extended dimensions that compose the enactment of human worlds of meaning. This perspective enables new ways of understanding musical experience, the development of musicality in infancy and childhood, music’s emergence in human evolution, and the nature of musical emotions, empathy, and creativity. Developing their account, the authors link a diverse array of ideas from fields including neuroscience, theoretical biology, psychology, developmental studies, social cognition, and education. Drawing on these insights, they show how dynamic processes of adaptive body-brain-environment interactivity drive musical cognition across a range of contexts, extending it beyond the personal (inner) domain of musical agents and out into the material and social worlds they inhabit and influence. An enactive approach to musicality, they argue, can reveal important aspects of human being and knowing that are often lost or obscured in the modern technologically driven world.

Supersizing the Mind

Andy Clark
Supersizing the Mind Book PDF

Author : Andy Clark
Publisher : Oxford University Press
Page : 318 pages
File Size : 54,9 Mb
Release : 2010-12-31
Category : Philosophy
ISBN : 0199831041

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Supersizing the Mind by Andy Clark Pdf

When historian Charles Weiner found pages of Nobel Prize-winning physicist Richard Feynman's notes, he saw it as a "record" of Feynman's work. Feynman himself, however, insisted that the notes were not a record but the work itself. In Supersizing the Mind, Andy Clark argues that our thinking doesn't happen only in our heads but that "certain forms of human cognizing include inextricable tangles of feedback, feed-forward and feed-around loops: loops that promiscuously criss-cross the boundaries of brain, body and world." The pen and paper of Feynman's thought are just such feedback loops, physical machinery that shape the flow of thought and enlarge the boundaries of mind. Drawing upon recent work in psychology, linguistics, neuroscience, artificial intelligence, robotics, human-computer systems, and beyond, Supersizing the Mind offers both a tour of the emerging cognitive landscape and a sustained argument in favor of a conception of mind that is extended rather than "brain-bound." The importance of this new perspective is profound. If our minds themselves can include aspects of our social and physical environments, then the kinds of social and physical environments we create can reconfigure our minds and our capacity for thought and reason.

Enacting Musical Time

Mariusz Kozak
Enacting Musical Time Book PDF

Author : Mariusz Kozak
Publisher : Oxford University Press
Page : 325 pages
File Size : 44,7 Mb
Release : 2019-10-09
Category : Music
ISBN : 9780190080228

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Enacting Musical Time by Mariusz Kozak Pdf

What is musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities. Author Mariusz Kozak describes musical time as something that emerges when the listener enacts her implicit knowledge about "how music goes," from deliberate inactivity, to such simple actions as tapping her foot in time with the beat, to dancing in a way that engages her entire body. Kozak explores this idea in the context of modernist and postmodernist musical styles, where composers create unfamiliar and idiosyncratic temporal experiences, blur the line between spectatorship and participation, and challenge conventional notions of form. Basing his discussion on the phenomenology of Merleau-Ponty and on the ecological psychology of J. J. Gibson, Kozak examines different aspects of musical structure through the lens of embodied cognition and what phenomenologists call "lived time." A bold new theory derived from an unprecedented fusion of research perspectives, Enacting Musical Time will engage scholars across a range of disciplines, from music theory, music cognition, cognitive science, continental philosophy, and social anthropology.

Reflections on the Musical Mind

Jay Schulkin
Reflections on the Musical Mind Book PDF

Author : Jay Schulkin
Publisher : Princeton University Press
Page : 272 pages
File Size : 41,6 Mb
Release : 2013-07-28
Category : Science
ISBN : 9780691157443

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Reflections on the Musical Mind by Jay Schulkin Pdf

What's so special about music? We experience it internally, yet at the same time it is highly social. Music engages our cognitive/affective and sensory systems. We use music to communicate with one another--and even with other species--the things that we cannot express through language. Music is both ancient and ever evolving. Without music, our world is missing something essential. In Reflections on the Musical Mind, Jay Schulkin offers a social and behavioral neuroscientific explanation of why music matters. His aim is not to provide a grand, unifying theory. Instead, the book guides the reader through the relevant scientific evidence that links neuroscience, music, and meaning. Schulkin considers how music evolved in humans and birds, how music is experienced in relation to aesthetics and mathematics, the role of memory in musical expression, the role of music in child and social development, and the embodied experience of music through dance. He concludes with reflections on music and well-being. Reflections on the Musical Mind is a unique and valuable tour through the current research on the neuroscience of music.

The Embodied Mind

Francisco J. Varela,Eleanor Rosch,Evan Thompson
The Embodied Mind Book PDF

Author : Francisco J. Varela,Eleanor Rosch,Evan Thompson
Publisher : MIT Press
Page : 336 pages
File Size : 55,8 Mb
Release : 1992-11-13
Category : Psychology
ISBN : 0262261235

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The Embodied Mind by Francisco J. Varela,Eleanor Rosch,Evan Thompson Pdf

The Embodied Mind provides a unique, sophisticated treatment of the spontaneous and reflective dimension of human experience. The authors argue that only by having a sense of common ground between mind in Science and mind in experience can our understanding of cognition be more complete. Toward that end, they develop a dialogue between cognitive science and Buddhist meditative psychology and situate it in relation to other traditions such as phenomenology and psychoanalysis.

Psychological Perspectives on Musical Experiences and Skills

Blanka Bogunović,Renee Timmers,Sanela Nikolić
Psychological Perspectives on Musical Experiences and Skills Book PDF

Author : Blanka Bogunović,Renee Timmers,Sanela Nikolić
Publisher : Open Book Publishers
Page : 233 pages
File Size : 44,5 Mb
Release : 2024-06-20
Category : Music
ISBN : 9781805112211

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Psychological Perspectives on Musical Experiences and Skills by Blanka Bogunović,Renee Timmers,Sanela Nikolić Pdf

Psychology of Music is a flourishing area of research in the Western Balkans. However, much of its findings and insights have remained relatively unknown outside the region. Psychological Perspectives on Musical Experiences and Skills features recent research from the Western Balkans, foregrounding its specific topics, methods, and influences, and bringing it into productive conversation with complementary research from Western Europe and further afield. The essays in this collection investigate the psychology of listening and performance and their relevance to music practice. Employing a range of research methodologies, they address divergent themes, from a cross-cultural understanding of aesthetic experiences and innovations to attract new audiences, to developmental perspectives on musical growth and the challenges of mastering performance skills. Authors reflect independently and collaboratively on how these psychological processes are shaped by the different traditions and geopolitical conditions inside and outside the Western Balkans. The result is a volume that emphasizes how musical experiences and practices happen not in isolation but in socio-cultural environments that contribute to their definition. This work will appeal to musicians, music educators, students, researchers, and psychologists with an interest in the psychology of music and exemplify ways forward in decolonizing academia.

Music, Analysis, and the Body

Nicholas W. Reyland,Rebecca Thumpston
Music Analysis and the Body Book PDF

Author : Nicholas W. Reyland,Rebecca Thumpston
Publisher : Unknown
Page : 0 pages
File Size : 52,8 Mb
Release : 2018
Category : Human body in music
ISBN : 904293641X

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Music, Analysis, and the Body by Nicholas W. Reyland,Rebecca Thumpston Pdf

How do our embodied experiences of music shape our analysis, theorizing, and interpretation of musical texts, and our engagement with practices including composing, improvising, listening, and performing? Music, Analysis, and the Body: Experiments, Explorations, and Embodiments is a pioneering and timely essay collection uniting major and emerging scholars to consider how theory and analysis address music's literal and figurative bodies. The essayists offer critical overviews of different theoretical approaches to music analysis and embodiment, then test and demonstrate their ideas in specific repertoires. The range of musics analysed is diverse: Western art music sits alongside non-Western repertoires, folk songs, jazz, sound art, audio-visual improvisations, soundtracks, sing-alongs, live events, popular songs, and the musical analysis of non-musical experiences. Topics examined include affect, agency, energetics, feel, gesture, metaphor, mimesis, rehearsal, subjectivity, and the objects of music analysis - as well as acoustic ecology, alterity, class, distraction, excess, political authority, sensoriality, technology, and transcendence.

Embodied Cognition and Cinema

Peter Kravanja
Embodied Cognition and Cinema Book PDF

Author : Peter Kravanja
Publisher : Leuven University Press
Page : 383 pages
File Size : 54,5 Mb
Release : 2015-07-31
Category : Performing Arts
ISBN : 9789462700284

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Embodied Cognition and Cinema by Peter Kravanja Pdf

The impact of the embodied cognition thesis on the scientific study of film The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film. Foreword by Mark Johnson, Knight Professor of Liberal Arts and Sciences, Department of Philosophy, University of Oregon. Contributors Warren Buckland (Oxford Brookes University), Juan Chattah (University of Miami), Maarten Coëgnarts (University of Antwerp), Adriano D’Aloia (Università Cattolica del Sacro Cuore, Milan), Michele Guerra (University of Parma), Miklós Kiss (University of Groningen), Peter Kravanja (KU Leuven), María J. Ortiz (University of Alicante), Mark S. Ward (University of Technology, Sydney), Hannah Chapelle Wojciehowski (University of Texas)

The Routledge Companion to Embodied Music Interaction

Micheline Lesaffre,Pieter-Jan Maes,Marc Leman
The Routledge Companion to Embodied Music Interaction Book PDF

Author : Micheline Lesaffre,Pieter-Jan Maes,Marc Leman
Publisher : Taylor & Francis
Page : 456 pages
File Size : 51,8 Mb
Release : 2017-09-19
Category : Music
ISBN : 9781317219736

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The Routledge Companion to Embodied Music Interaction by Micheline Lesaffre,Pieter-Jan Maes,Marc Leman Pdf

The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experiences. This volume brings together a broad collection of work that explores all aspects of this new approach to understanding how we interact with music, addressing the issues that have roused the curiosities of scientists for ages: to understand the complex and multi-faceted way in which music manifests itself not just as sound but also as a variety of cultural styles, not just as experience but also as awareness of that experience. With contributions from an interdisciplinary and international array of scholars, including both empirical and theoretical perspectives, the Companion explores an equally impressive array of topics, including: Dynamical music interaction theories and concepts Expressive gestural interaction Social music interaction Sociological and anthropological approaches Empowering health and well-being Modeling music interaction Music-based interaction technologies and applications This book is a vital resource for anyone seeking to understand human interaction with music from an embodied perspective.

Body and Mind in Motion

Glenna Batson,Margaret Wilson
Body and Mind in Motion Book PDF

Author : Glenna Batson,Margaret Wilson
Publisher : Intellect Books
Page : 254 pages
File Size : 47,6 Mb
Release : 2014-06-01
Category : Performing Arts
ISBN : 9781783202362

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Body and Mind in Motion by Glenna Batson,Margaret Wilson Pdf

Western contemporary dance and body-mind education have engaged in a pas de deux for more than four decades. The rich interchange of somatics and dance has altered both fields, but scholarship that substantiates these ideas through the findings of twentieth-century scientific advances has been missing. This book fills that gap and brings to light contemporary discoveries of neuroscience and somatic education as they relate to dance. Drawing from the burgeoning field of “embodiment”—itself an idea at the intersection of the sciences, humanities, arts, and technologies—Body and Mind in Motion highlights the relevance of somatic education within dance education, dance science, and body-mind studies.

Experience and Meaning in Music Performance

Martin Clayton,Byron Dueck,Laura Leante
Experience and Meaning in Music Performance Book PDF

Author : Martin Clayton,Byron Dueck,Laura Leante
Publisher : Oxford University Press
Page : 240 pages
File Size : 53,8 Mb
Release : 2013-10-31
Category : Music
ISBN : 9780199811489

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Experience and Meaning in Music Performance by Martin Clayton,Byron Dueck,Laura Leante Pdf

How does the immediate experience of musical sound relate to processes of meaning construction and discursive mediation? This question lies at the heart of the studies presented in Experience and Meaning in Music Performance, a unique multi-authored work that both draws on and contributes to current debates in a wide range of disciplines, including ethnomusicology, musicology, psychology, and cognitive science. Addressing a wide range of musical practices from Indian raga and Afro-Brazilian Congado rituals to jazz, rock, and Canadian aboriginal fiddling, the coherence of this study is underpinned by its three main themes: experience, meaning, and performance. Central to all of the studies are moments of performance: those junctures when sound and meaning are actually produced. Experience-what people do, and what they feel, while engaging in music-is equally important. And considered alongside these is meaning: what people put into a performance, what they (and others) get out of it, and, more broadly, how discourses shape performances and experiences of music. In tracing trajectories from moments of musical execution, this volume a novel and productive view of how cultural practice relates to the experience and meaning of musical performance. A model of interdisciplinary study, and including access to an array of audio-visual materials available on an extensive companion website, Experience and Meaning in Music Performance is essential reading for scholars and students of ethnomusicology and music psychology.