Musical Works And Performances

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Musical Works and Performances

Author : Stephen Davies
Publisher : Oxford University Press on Demand
Page : 374 pages
File Size : 48,5 Mb
Release : 2004
Category : Music
ISBN : 0199274118

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Musical Works and Performances by Stephen Davies Pdf

What are musical works? Are they discovered or created? Of what elements are they comprised? How are they specified by notations? What makes a performance of one piece and not another? Is it possible to perform old music authentically? Can ethnic music influenced by foreign sources and presented to tourists genuinely reflect the culture's musical and wider values? Can recordings substitute faithfully for live performances? These are the questions considered in Musical Works and Performances. Part One outlines the nature of musical works, their relation to performances, and their notational specification. Works for performance differ from ones that are merely for playback, and pieces for live rendition are unlike those for studio performance. Pieces vary in the number and kind of their constitutive properties. The identity of musical works goes beyond their sonic profile and depends on their music-historical context. To be of a given work, a performance must match its contents by following instructions traceable to its creation. Some pieces are indicated via exemplars, but many are specified notationally. Scores must be interpreted in light of notational conventions and performance practices they assume. Part Two considers authenticity in performance, musical traditions, and recordings. A performance should follow the composer's instructions. Departures from the ideal are tolerable, but faithfulness is central to the enterprise of work performance, not merelyan interpretative option. When musical cultures interact, assimilation from within differs from destruction from without. Even music subject to foreign influences can genuinely reflect the musical traditions and social values of a culture, however. Finally, while most works are for live performance, most performances are experienced via recordings, which have their own, distinctive characteristics. This comprehensive and original analysis of musical ontology discusses many kinds of music, and applies its conclusions to issues as diverse as the authentic performance movement, the cultural integrity of ethnic music, and the implications of the dominance of recorded over live music.

Musical Works and Performances

Author : Stephen Davies
Publisher : Oxford University Press on Demand
Page : 383 pages
File Size : 50,6 Mb
Release : 2004
Category : Music
ISBN : 9780199274116

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Musical Works and Performances by Stephen Davies Pdf

Stephen Davies addresses such questions as: What are musical works?; are they discovered or created?; of what elements are they comprised?; how are they specified?; what's a performance?; and, is it possible to perform old music authentically?

Musical Performance

Author : Stan Godlovitch
Publisher : Routledge
Page : 188 pages
File Size : 51,6 Mb
Release : 2002-01-31
Category : Philosophy
ISBN : 9781134654390

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Musical Performance by Stan Godlovitch Pdf

Most music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered. Musical Performance: A Philosophical Study considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do, Stan Godlovitch takes up the problem of how the tradition of active music playing and performing has been challenged by technology and what problems this poses for philosophical aesthetics. Where does does the value of musical performance lie? Is human performance of music a mere transfer medium? Is the performance of music more expressive than recorded music? Musical Performance poses questions such as these to develop a fascinating account of music today. musicians - but via some recording medium on which sound has been stored.

Musical Meaning and Expression

Author : Stephen Davies
Publisher : Cornell University Press
Page : 436 pages
File Size : 48,8 Mb
Release : 1994
Category : Music
ISBN : 0801481511

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Musical Meaning and Expression by Stephen Davies Pdf

We talk not only of enjoying music, but of understanding it. Music is often taken to have expressive import--and in that sense to have meaning. But what does music mean, and how does it mean? Stephen Davies addresses these questions in this sophisticated and knowledgeable overview of current theories in the philosophy of music. Reviewing and criticizing the aesthetic positions of recent years, he offers a spirited explanation of his own position. Davies considers and rejects in turn the positions that music describes (like language), or depicts (like pictures), or symbolizes (in a distinctive fashion) emotions. Similarly, he resists the idea that music's expressiveness is to be explained solely as the composer's self-expression, or in terms of its power to evoke a response from the audience. Music's ability to describe emotions, he believes, is located within the music itself; it presents the aural appearance of what he calls emotion characteristics. The expressive power of music awakens emotions in the listener, and music is valued for this power although the responses are sometimes ones of sadness. Davies shows that appreciation and understanding may require more than recognition of and reaction to music's expressive character, but need not depend on formal musicological training.

A Chronicle of First Broadcast Performances of Musical Works in the United Kingdom, 1923-1996

Author : Alastair Mitchell
Publisher : Routledge
Page : 575 pages
File Size : 54,6 Mb
Release : 2019-06-04
Category : Music
ISBN : 9781351791243

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A Chronicle of First Broadcast Performances of Musical Works in the United Kingdom, 1923-1996 by Alastair Mitchell Pdf

First published in 2001, this work provides detailed information taken from the ’Programmes-as-Broadcast’ daily log of output held at the BBC Written Archives Centre in Caversham. Arranged in chronological order, entries are given for broadcasts of first performances of musical works in the United Kingdom, and include details of: the date of the broadcast, the composer, the title of the work, performers and conductor. In addition to its usefulness as a reference tool, the Chronicle enables us to gauge the trends in twentieth-century British musical life, and the role of the BBC in their promotion.

A Chronicle of First Broadcast Performances of Musical Works in the United Kingdom, 1923-1996

Author : Alastair Mitchell
Publisher : Routledge
Page : 798 pages
File Size : 49,6 Mb
Release : 2019-06-04
Category : Music
ISBN : 9781351791250

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A Chronicle of First Broadcast Performances of Musical Works in the United Kingdom, 1923-1996 by Alastair Mitchell Pdf

First published in 2001, this work provides detailed information taken from the ’Programmes-as-Broadcast’ daily log of output held at the BBC Written Archives Centre in Caversham. Arranged in chronological order, entries are given for broadcasts of first performances of musical works in the United Kingdom, and include details of: the date of the broadcast, the composer, the title of the work, performers and conductor. In addition to its usefulness as a reference tool, the Chronicle enables us to gauge the trends in twentieth-century British musical life, and the role of the BBC in their promotion.

Investigating Musical Performance

Author : Gianmario Borio,Giovanni Giuriati,Alessandro Cecchi,Marco Lutzu
Publisher : Taylor & Francis
Page : 257 pages
File Size : 41,6 Mb
Release : 2020-05-21
Category : Art
ISBN : 9780429651755

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Investigating Musical Performance by Gianmario Borio,Giovanni Giuriati,Alessandro Cecchi,Marco Lutzu Pdf

Investigating Musical Performance considers the wide range of perspectives on musical performance made tangible by the cross-disciplinary studies of the last decades and encourages a comparison and revision of theoretical and analytical paradigms. The chapters present different approaches to this multi-layered phenomenon, including the results of significant research projects. The complex nature of musical performance is revealed within each section which either suggests aspects of dialogue and contiguity or discusses divergences between theoretical models and perspectives. Part I elaborates on the history, current trends and crucial aspects of the study of musical performance; Part II is devoted to the development of theoretical models, highlighting sharply distinguished positions; Part III explores the relationship between sign and sound in score-based performances; finally, the focus of Part IV centres on gesture considered within different traditions of musicmaking. Three extra chapters by the editors complement Parts I and III and can be accessed via the online Routledge Music Research Portal. The volume shows actual and possible connections between topics, problems, analytical methods and theories, thereby reflecting the wealth of stimuli offered by research on the musical cultures of our times.

Musical Performance

Author : John Rink
Publisher : Cambridge University Press
Page : 264 pages
File Size : 49,9 Mb
Release : 2002-12-12
Category : Music
ISBN : 0521788625

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Musical Performance by John Rink Pdf

Table of contents

A Chronicle of First Broadcast Performances of Musical Works in the United Kingdom, 1923-1996

Author : Alastair Mitchell
Publisher : Routledge
Page : 798 pages
File Size : 53,8 Mb
Release : 2020-08-26
Category : Electronic
ISBN : 1138635480

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A Chronicle of First Broadcast Performances of Musical Works in the United Kingdom, 1923-1996 by Alastair Mitchell Pdf

This title was first published in 2001. This work provides detailed information taken from the 'Programmes-as-Broadcast' daily log of output held at the BBC Written Archives Centre in Caversham. Arranged in chronological order, entries are given for broadcasts of first performances of musical works in the United Kingdom, and include details of: the date of the broadcast, the composer, the title of the work, performers and conductor. In addition to its usefulness as a reference tool, the Chronicle enables us to gauge the trends in twentieth-century British musical life, and the role of the BBC in their promotion.

Performing Popular Music

Author : David Cashman,Waldo Garrido
Publisher : Routledge
Page : 154 pages
File Size : 52,9 Mb
Release : 2019-11-21
Category : Art
ISBN : 9780429012662

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Performing Popular Music by David Cashman,Waldo Garrido Pdf

This book explores the fundamentals of popular music performance for students in contemporary music institutions. Drawing on the insights of performance practice research, it discusses the unwritten rules of performances in popular music, what it takes to create a memorable performance, and live popular music as a creative industry. The authors offer a practical overview of topics ranging from rehearsals to stagecraft, and what to do when things go wrong. Chapters on promotion, recordings, and the music industry place performance in the context of building a career. Performing Popular Music introduces aspiring musicians to the elements of crafting compelling performances and succeeding in the world of today’s popular music.

Musical Understandings

Author : Stephen Davies
Publisher : OUP Oxford
Page : 228 pages
File Size : 42,7 Mb
Release : 2011-08-25
Category : Philosophy
ISBN : 9780191619458

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Musical Understandings by Stephen Davies Pdf

Musical Understandings presents an engaging collection of essays on the philosophy of music, written by Stephen Davies—one of the most distinguished philosophers in the field. He explores a range of topics in the philosophy of music, including how music expresses emotion and what is distinctive to the listener's response to this expressiveness; the modes of perception and understanding that can be expected of skilled listeners, performers, analysts, and composers and the various manners in which these understandings can be manifest; the manner in which musical works exist and their relation to their instances or performances; and musical profundity. As well as reviewing the work of philosophers of music, a number of the chapters both draw on and critically reflect on current work by psychologists concerning music. The collection includes new material, a number of adapted articles which allow for a more comprehensive, unified treatment of the issues at stake, and work published in English for the first time.

Reading Musical Interpretation

Author : Julian Hellaby
Publisher : Ashgate Publishing, Ltd.
Page : 224 pages
File Size : 51,5 Mb
Release : 2009
Category : Music
ISBN : 0754666670

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Reading Musical Interpretation by Julian Hellaby Pdf

Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance. This book presents a structured approach to analyzing the interpretation of a musical work from the perspective of a musically informed listener.

Music and Knowledge: A Performer's Perspective

Author : Per Dahl
Publisher : BRILL
Page : 171 pages
File Size : 49,7 Mb
Release : 2019-02-18
Category : Education
ISBN : 9789463008877

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Music and Knowledge: A Performer's Perspective by Per Dahl Pdf

FREELY AVAILABLE ONLINE AS OPEN ACCESS BOOK! This book illustrates the acquisition of knowledge in a musician’s performative practice, and how this can contribute to the development of Artistic Research. Using a broad understanding of ‘knowledge,’ the first part of the book presents aspects of the practitioner knowledge a musician develops through daily exercises and performances. Technical and practical skills, creativity and music reading are central topics. Part II describes four different methodologies of knowledge accumulation. First is the hypothetico-deductive method (music as object). Then the author asks, “Where is the musical work?” After an introduction to semiotics, the question that must follow is “Is music a language?” Following up methodologies focusing on intersubjective and contextual topics, the presentation of hermeneutics generates the question “What happens to the music when you are listening?” Being the most subjective, phenomenology is the last methodology to be presented. The question it poses is “Are analysis and interpretation two sides of the same coin?” Artistic research is a new perspective in knowledge acquisition, and the performing artist is the pivot point. The obvious insight positioning music beyond the score is elaborated into a critique of the representational theory as a relevant ontological discourse in music. As an alternative, the potential in embodied meaning theories is discussed through cognitive, linguistic and artistic approaches. Artistic expressions convey the subjective practitioner knowledge based on the difference between the objective sign and the intersubjective expression. This makes music as communication the ultimate topic. In conclusion, understanding the meaning construction and the conditions of artistic content are both of importance in artistic research.

Debussy in Performance

Author : James R. Briscoe
Publisher : Yale University Press
Page : 316 pages
File Size : 53,9 Mb
Release : 1999-01-01
Category : Music
ISBN : 9780300076264

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Debussy in Performance by James R. Briscoe Pdf

Claude Debussy, who composed works of major significance in a wide range of musical and theatrical genres, has exerted a fundamental influence on musicians of the twentieth century. This book explores how Debussy's compositions are brought to life in performance, investigating the composer's own expectations, the traditions surrounding the performance of his music, and the internal and contextual evidence that can give insight to performers of his works. Leading international scholars and interpreters of Debussy's music draw on his letters and music criticism as well as on the memoirs of performers close to him to discuss issues of performance forces, tempo and its flexibility, performer license, and the interpretation of expressive indications in the scores. They urge performers to recognize the symbolism and the value of silence in Debussy's work. And they show that it is particularly important to focus on aspects of timbre, voice-leading, and the musical arabesque, together with meter and phrase ambiguities, when playing his music. The book also includes the translation of an article on the opera Pelleas et Melisande In performance by one of Debussy's original conductors, Desire-Emile Inghelbrecht, and an interview with the composer-conductor Pierre Boulez on approaches to Pelleas and the orchestral works.

Virtue or Virtuosity?

Author : Jane O'Dea
Publisher : Bloomsbury Publishing USA
Page : 136 pages
File Size : 43,5 Mb
Release : 2000-09-30
Category : Social Science
ISBN : 9780313030680

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Virtue or Virtuosity? by Jane O'Dea Pdf

Drawing upon the past two decades of burgeoning literature in philosophy of music, this study offers a comprehensive, critical analysis of what is entailed in performance interpretation. It argues that integrity and other virtues offset the harm that virtuosity and rigid historical authenticity can impose on the perceptive judgment required of excellent musical interpretation. Proposed are challenging and provocative reassessments of the appropriate roles for virtuosity and historical authenticity in musical performance. Acknowledging the competitive ethos of the contemporary music scene, it details the kind of character a performer needs to develop in order to withstand those pressures and to achieve interpretive excellence. Performers are encouraged to examine and explore the ethical dimension of their art against their responsibilities to the diverse patrons they serve. Professional and student performers and instructors will appreciate this practical discussion of the ethical challenges performers confront when interpreting musical works. The ethical discourse applies to instrumental performance studies, the history and theory of music, general music pedagogy, and philosophy of music courses.