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A lighthearted account by the award-winning producer and director of such productions as Laverne & Shirley and Pretty Woman traces his Bronx childhood, role in shaping A-list celebrity careers and personal philosophies about life and entertainment. 60,000 first printing.
"This true tale of a Hollywood childhood, a fairytale role in one of television's all-time most popular shows, and a journey to dynamic and radiant health through a living-foods diet reveals author Cathy Silvers to be as enthusiastic an advocate of healthy living as "Jenny Piccolo" was boy-crazy"--Provided by publisher.
Singing to a Bulldog presents the practical and motivational lessons Anson Williams, an accomplished actor, director, singer and producer gleaned from his life experience and words of wisdom from the head janitor at one of his first jobs. Growing up in 1950s California, young Anson William Heimlich showed very little promise. Clumsy, unsure of himself, and made to feel like a failure by his disappointed artist of a dad, Anson started working odd jobs as a teenager to help support his family. His boss at one of these jobs, an aging African-American janitor named Willie, unexpectedly became a mentor—and the lessons he taught young Anson proved to be invaluable throughout his subsequent career as an actor, director, and entrepreneur. In Singing to a Bulldog, Anson Williams (as he came to be known) relates both these lessons and the never-before-revealed stories of the many seminal TV series he has worked on and the famous (and not-so-famous) folks he’s encountered during his 40 years in Hollywood, including: • being directed by Steven Spielberg in his first dramatic role • getting kidnapped by Gerald Ford’s daughter at the White House • subbing for Sammy Davis, Jr., as a headliner with Bill Cosby • being humbled by Sunny, a young volunteer for the Cerebral Palsy National Organization • mentoring Shailene Woodley on the set of The Secret Life of the American Teenager and many more. This compelling read has a cross-generational and broad appeal, combining all the fun of a celebrity memoir with the emotional impact of an inspirational bestseller. With Singing to a Bulldog, Anson Williams brings his gift of storytelling to a new medium in a book that is sure to touch readers’ hearts and lives as profoundly as Willie once touched his.
For eleven seasons, she was head of one of America's favorite television households. Now meet the lovable real-life woman behind the Happy Days mom. Before she was affectionately known to millions as “Mrs. C.,” Marion Ross began her career as a Paramount starlet who went on to appear in nearly every major TV series of the 1950s and 1960s—including Love, American Style, in which she donned an apron that would cinch her career. Soon after came the phone call that changed her life . . . In this warm and candid memoir, filled with recollections from the award-winning Happy Days team—from break-out star Henry Winkler to Cunningham “wild child” Erin Moran—Ross shares what it was like to be a starry-eyed young girl with dreams in poor, rural Minnesota, and the resilience it took to make them come true. She recalls her early years in the business, being in the company of such luminaries as Humphrey Bogart and Lauren Bacall, yet always feeling the Hollywood outsider—an invisibility that mirrored her own childhood. She reveals the joys of playing a wife and mother on TV, and the struggles of maintaining those roles in real life. But among Ross's most heart-rending recollections are those of finally finding a soulmate—another hope made true beyond her expectations. Featuring producer Garry Marshall's final interview—as well as a touching foreword from her “TV son” Ron Howard, and a conversation with her real-life son and daughter, Marion Ross's inspiring story is also a glowing tribute to all those who fulfilled her dreams—and in turn, gave us some of the happiest days of our own lives.
A lighthearted account by the producer and director of such productions as "Laverne & Shirley" and "Pretty Woman" traces his Bronx childhood, role in shaping A-list celebrity careers, and personal philosophies about life and entertainment.
Acclaimed 60 Minutes commentator and true-crime author Shana Alexander turns her journalist’s eye to her own unconventional family—and herself—in this fascinating, moving memoir Shana Alexander spent most of her life trying to figure out her enigmatic parents. Milton Ager was a famous songwriter whose creations included “Ain’t She Sweet” and “Happy Days Are Here Again.” Cecelia Ager was a film critic and Variety columnist. They were a glamorous Jazz Age couple that moved in charmed circles with George and Ira Gershwin, Dorothy Parker, and Jerome Kern. They remained together for fifty-seven years, and yet they lived separate lives. This wise, witty, unflinchingly candid memoir is also a revealing account of Alexander’s own life, from her successful career as a writer and national-news commentator to her troubled marriages and emotionally wrenching love affairs. She shares insights about growing up with a cold, hypercritical mother, her relationship with her younger sister, the suicide of her adopted daughter, and her reconciliation with her parents after a twenty-year estrangement. “I had to do a lot of detective work to uncover the truth about my parents’ lives,” Alexander said. “I knew almost nothing about them as people. But by the end they really did become my best friends.”
INSTANT NEW YORK TIMES BESTSELLER “This extraordinary book is not only a chronicle of Ron’s and Clint’s early careers and their wild adventures, but also a primer on so many topics—how an actor prepares, how to survive as a kid working in Hollywood, and how to be the best parents in the world! The Boys will surprise every reader with its humanity.” — Tom Hanks "I have read dozens of Hollywood memoirs. But The Boys stands alone. A delightful, warm and fascinating story of a good life in show business.” — Malcolm Gladwell Happy Days, The Andy Griffith Show, Gentle Ben—these shows captivated millions of TV viewers in the ’60s and ’70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors. “What was it like to grow up on TV?” Ron Howard has been asked this question throughout his adult life. in The Boys, he and his younger brother, Clint, examine their childhoods in detail for the first time. For Ron, playing Opie on The Andy Griffith Show and Richie Cunningham on Happy Days offered fame, joy, and opportunity—but also invited stress and bullying. For Clint, a fast start on such programs as Gentle Ben and Star Trek petered out in adolescence, with some tough consequences and lessons. With the perspective of time and success—Ron as a filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor—the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents, Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors. Rance put aside his ego and ambition to become Ron and Clint’s teacher, sage, and moral compass. Jean became their loving protector—sometimes over-protector—from the snares and traps of Hollywood. By turns confessional, nostalgic, heartwarming, and harrowing, THE BOYS is a dual narrative that lifts the lid on the Howard brothers’ closely held lives. It’s the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived “child-actor syndrome” to become fulfilled adults.
From her humble roots in the Bronx to Laverne and Shirley and her unlikely ascent in Hollywood, the beloved actor and director tells the story of her incredible life.
The Mother of Black Hollywood by Jenifer Lewis Pdf
National Book Club Conference ‘Book of the Year’ Award Winner From her more than three hundred appearances for film and television, stage and cabaret, performing comedy or drama, as an unforgettable lead or a scene stealing supporting character, Jenifer Lewis has established herself as one of the most respected, admired, talented, and versatile entertainers working today. This “Mega Diva” and costar of the hit sitcom black-ish bares her soul in this touching and poignant—and at times side-splittingly hilarious—memoir of a Midwestern girl with a dream, whose journey took her from poverty to the big screen, and along the way earned her many accolades. With candor and warmth, Jenifer Lewis reveals the heart of a woman who lives life to the fullest. This multitalented “force of nature” landed her first Broadway role within eleven days of her graduation from college and later earned the title “Reigning Queen of High-Camp Cabaret.” In the audaciously honest voice that her fans adore, Jenifer describes her transition to Hollywood, with guest roles on hits like The Fresh Prince of Bel-Air and Friends. Her movie Jackie’s Back! became a cult favorite, and as the “Mama” to characters portrayed by Whitney Houston, Tupac Shakur, Taraji P. Henson, and many more, Jenifer cemented her status as the “Mother of Black Hollywood.” When an undiagnosed menatl illness stymies Jenifer’s career, culminating in a breakdown while filming The Temptations, her quest for wholeness becomes a harrowing and inspiring tale, including revelations of bipolar disorder and sex addiction. Written with no-holds-barred honesty and illustrated with more than forty color photographs, this gripping memoir is filled with insights gained through a unique life that offers a universal message: “Love yourself so that love will not be a stranger when it comes.”
Singing to a Bulldog presents the practical and motivational lessons Anson Williams, an accomplished actor, director, singer and producer gleaned from his life experience and words of wisdom from the head janitor at one of his first jobs. Growing up in 1950s California, young Anson William Heimlich showed very little promise. Clumsy, unsure of himself, and made to feel like a failure by his disappointed artist of a dad, Anson started working odd jobs as a teenager to help support his family. His boss at one of these jobs, an aging African-American janitor named Willie, unexpectedly became a mentor—and the lessons he taught young Anson proved to be invaluable throughout his subsequent career as an actor, director, and entrepreneur. In Singing to a Bulldog, Anson Williams (as he came to be known) relates both these lessons and the never-before-revealed stories of the many seminal TV series he has worked on and the famous (and not-so-famous) folks he’s encountered during his 40 years in Hollywood, including: • being directed by Steven Spielberg in his first dramatic role • getting kidnapped by Gerald Ford’s daughter at the White House • subbing for Sammy Davis, Jr., as a headliner with Bill Cosby • being humbled by Sunny, a young volunteer for the Cerebral Palsy National Organization • mentoring Shailene Woodley on the set of The Secret Life of the American Teenager and many more. This compelling read has a cross-generational and broad appeal, combining all the fun of a celebrity memoir with the emotional impact of an inspirational bestseller. With Singing to a Bulldog, Anson Williams brings his gift of storytelling to a new medium in a book that is sure to touch readers’ hearts and lives as profoundly as Willie once touched his.
Why does our popular culture seem so consistently hostile to the values that most Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism? In this explosive book, one of the nation's best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbate every serious social problem we face, from teenage pregnancies to violence in the streets. Michael Medved powerfully argues that the entertainment business follows its own dark obsessions, rather than giving the public what it wants: In fact, the audience for feature films and network television has demonstrated its profound disillusionment in recent years, with disastrous consequences for many entertainment companies. Meanwhile, overwhelming numbers of our fellow citizens complain about the wretched quality of our popular culture--describing the offerings of the mass media as the worst ever. Medved asserts that Hollywood ignores--and assaults--the values of ordinary American families, pursuing a self-destructive and alienated ideological agenda that is harmful to the nation at large and to the industry's own interests. In hard-hitting chapters on "The Attack on Religion," "The Addiction to Violence," "Promoting Promiscuity," "The Infatuation with Foul Language," "Kids Know Best," "Motivations for Madness," and other subjects, Medved outlines the underlying themes that turn up again and again in our popular culture. He also offers conclusive evidence of the frightening real-world impact of these messages on our society and our children. Finally, Medved shows where and how Hollywood took a disastrous wrong turn toward its current crisis, and he outlines promising efforts both in and outside the industry to restore a measure of sanity and restraint to our media of mass entertainment. Sure to elicit strong response, whether it takes the form of cheers of support or howls of enraged dissent, Hollywood vs. America confronts head-on one of the most significant issues of our times.
