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Mythomania: Tales of Our Times, from Apple to Isis by Peter Conrad Pdf
Weaves ancient myth into modern celebrity and consumerist culture to expose the absurdity and occasional insanity of twenty-first-century society, economy, and politics Despite a proclaimed respect for scientific reason, humans are still as intrigued by myth as their remote ancestors. Laptops and smartphones are sold under a logo that invokes the forbidden fruit of the Garden of Eden; skimpily clad classical nymphs cavort in TV reality shows; Narcissus makes a comeback whenever we snap a selfie. Mythical creatures such as handsome vampires abound in best-selling novels. Myth has also invaded the political realm, now that terrorists brandish black flags and recite theological mantras as they martyr themselves. In twenty-seven self-contained entries, Conrad illuminates in his own remarkable way subjects from the British Queen to the Kardashians, via Banksy, vaping, and the inception of the Large Hadron Collider. In Judge Judy, he shows a matronly Roman goddess dispensing justice with a fly swatter. In the metamorphosis of Caitlyn Jenner from Olympic athlete and paterfamilias into idealized female form, he finds parallels to the transformations of the residents of Mount Olympus. Myths used to tell us where we came from. Now, alarmed but also elated by the pace of change in our society, we need them to tell us where we are going.
Mythomania, uncovering the compulsive liar. by Juan Moises de la Serna Pdf
Sometimes we find ourselves with people who tell us something that then turns out to be not true, that may not stop being an anecdote, but when lies are constant, we may be before a mythomaniac, that is, a person who lies almost compulsively, also known as a pathological liar. With this text you will learn what it is, how to differentiate it from other cases that show similar symptoms of lies and how to deal with this problem.
Seeking the Queen Finding Starwalker by Betina Brandes,Kerstin Peters,Henry Svensson,Calle Nyman Pdf
Seeking the Queen. Finding Starwalker is a documentary about finding true contactees for extraterrestrial visitors. The authors' first journey had been into the world that Channie, the founder of the healing method UWTH, had presented. The attraction was that they would be get to travel extraterrestrially, which she had promised for over 10 years. It never happened. And just when they thought they were done with everything extraterrestrial, Kerstin shared a dream that completely opened all doors to what they had stopped believing in existed. That they would meet both contactees, incarnated extraterrestrials and also be prepared for their own extraterrestrial contact and journey, they could not possibly imagine. The authors found three unique sources that led them: Anna. She had all the material saved from the co-founder of UWTH whose name we do not reveal here. He is never mentioned by Channie and was therefore extra exciting to get to know. Anna led the authors to Channie's Mentor. Channies Mentor. Channie never mentions that he was also incarnated on Earth. He was a living legend they got many hours with. He also had access to the secret diaries. The Secret Diaries turned everything the authors believed in upside down was when they read Channie's handwritten diaries. There they found out what had really happened without beautification. What the authors tells us in the last chapter is not only what they experienced during their extraterrestrial visit, but perhaps mostly what they understood from their entire journey. It is therefore their wish that you read the book from the beginning. They want you to follow them all the way to the dimensional space journey and their unforgettable encounter.
Mythomania: A Psychodrama by Michael Mangold MD Pdf
How can we lead sane lives in a world gone mad? How do we create a sane world when we are sick ourselves? Dr. Mangold interweaves politics, medicine, and psychology in a real-life account of how he was broken by forces fueled by fear and lies. This heart-felt and transparent account takes us on a personal journey into a world that is flying upside and on the verge of crashing soon. This true story recounts the struggles Dr. Mangold faced not only from an uncaring and unforgiving government but also from a wife whose own psycho-pathologies prevented her from performing the two tasks he needed so desperately during those struggles: love and support. It is more than an account of persecution and victimization. It is a story of falling and discovering that the rescue rope had been severed by those entrusted to throw it in the first place.
"Come along ... come, a little closer ... ladyboys, rats, Brahmans, incestuous brothers, arrogant scientists, royal jesters, suicidal late-weaned adolescents, Diogenes-style rebels, obsessional mythical creatures, repressed psychoanalysts, overfed baby boys ... Indulge in a journey of contiguity, ambiguity, taboo and uncertainty, liberated perversities, an overload of emotional entanglements, little personal disasters, and ego-diseases ... Here is where psychotic machines, apparatuses and fragments, bodies in verse, and bodies-becoming are meeting in the story-assemblage of their solitary symptoms." mythomaniaS is a catalog of case studies in the form of film stills, architectural fragments, stage props, texts, and images culled from the experiments of MindMachineMakingMyths (Lab M4, part of the New Territories architecture studio, Bankgok, Thailand), a collaboration begun in 2012 between Camille Lacadee and François Roche to construct environmental-architectural psycho-scapes as laboratory-shelters for exploring and deconstructing the supposed rifts between realism and speculative fiction (myth), psyche and environment, body and mind. Bringing together architecture, Deleuze and Guatarri's schizoanalysis and deterritorialization, and Alfred Jarry's pataphysics (the "science of imaginary solutions which symbolically attributes the properties of objects, described by their virtuality, to their lineaments"), Lacadee and Roche (and their tribe, Ezio Blasetti, Stephan Henrich, Danielle Willems, Gwyll Jahn, and many others) enacted and filmed mise-en-abymes in which certain scripted para-psychic narratives and architectural structures merge in the pursuit of reclaiming resilience - described by Roche as a tactic for merging refusal and vitality into a schizophrenic logic able to navigate the antagonism between the bottom-up and top-down conditions of the globalized world. In these fabricated schizoid psycho-nature-machine-scapes, the human being is no longer a bio-ecological consumer but a psycho-computing animal that emerges co-dependently with its environment in a hyper-local haecceity ("this-ness"). In the vein of Situationist psychogeography ("the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals"), each scenario fabulates geo-architectural conditions of human exile, solitude, and pathology drawn from narratives of the forbidden and taboo: the true story of an old Indian book collector exiled from his community on the suspicion of atheism, who finds refuge in a tear-collecting shelter ("Would Have Been My Last Complaint"); a scientist captured by a water spirit who remains trapped like a fish in the mindscape of a fish butcher (Although (in) Hapnea); a monster-boy endomorph constantly overfed and protected by a claustrophilic antidote-jacket produced by the excess of his incestuous mother's love ((beau)strosity); Ariadne, labyrinth overseer, floating between two macho spirals, testosteroned Theseus and alcoholic Dionysus (Naxos, Terra Insola); the feral child - innocent, naïve, and obscene - in the deep jungle, auscultated by a scientistic voyeurism (The Offspring); etc. Each of these scenarios (designed as "shelters" where mind, environment, and architecture co-map each other) unfolds a "mythomania" in which each character transforms, and is transformed, para-psychically, by the environment, in a sort of biotope (habitat) feedback experiment. Ultimately, Lacadee and Roche want to create - via architecture and design, myth (literature), and psycho-geography - various conditions for schizoid passages between realism and fiction, expertise and knowledge, mind and built environment, narrative and topology, in order to bring about new strategic-tragic co-dependencies as forms of schizoid resistance to the usual identity regimes, and to also reboot architecture as a form of psycho-social praxis and non-necrotic speculati
Ethics of Contemporary Art by Theo Reeves-Evison Pdf
What happens when the shock of artistic transgression wears off, when scandal dissipates, when outrage becomes a tired routine? In this original new book, Theo Reeves-Evison argues that transgressive art no longer succeeds on its own terms in societies where language, prohibition and morality have become increasingly malleable. This compels us to rethink the relationship between contemporary art and ethics, and focus our attention on the potential of artworks to propose new values rather than simply challenge pre-existing moral codes. Assembling a novel theoretical framework from the writings of Félix Guattari, Jacques Lacan and others, Ethics of Contemporary Art narrates a journey away from transgression towards a new critical paradigm for the relationship between ethics and aesthetics that places questions of subjectivity centre stage. Along the way artworks by Kader Attia, Artur Zmijewski, Dora Garcia and others serve as springboards launching discussions of the varied pathways along which a renewed ethics of contemporary art might develop.
"The seven tones of the great scale, with the wonderful rhythms of the fire, resound in the entire universe." - Samael Aun Weor Wherever there is motion, there is sound. At every level of the universe, creation is movement, sound, a vibration of energy. That is why all the ancient scriptures exclaim that creation begins with a sound, symbolized by the Word of God that says, "Let there be Light." Spiritual light-insight, understanding, and personal experience of the Divine-is also created by means of sound, by the motion of energy within us. Spiritual elevation depends upon laws of nature that humanity ignores. Learn how the forces of creation flow in all of nature, especially within us. By conscious use of the energy that pulses within us, we can open our spiritual eyes and ears to the creative power of sound. This leads us to personal experience of the truth: genuine spiritual experience. • Explains the practical steps towards acquiring personal experience of the truth • Rooted in ancient scriptures and long-protected knowledge • Useful for students of any religion or mysticism
She's the love of his life, the object of his affection. Too bad she doesn't know it yet. Isla Montgomery is a normal fan. She supports her favorite K-pop group and swoons over them like every other fangirl. But one Saturday morning her life changes forever when Matoi Jaemin announces to the world that he's in love . . . and with her, a girl he's never even met. He isn't who anyone thought he was, isn't that same smiling man she's used to. Jaemin Matoi is a yandere: a delusional, obsessive, lovesick man whose only medicine is Isla.
Reflections on life and art from the legendary filmmaker-novelist-poet-genius. By the time he published The Difficulty of Being in 1947, Jean Cocteau had produced some of the most respected films and literature of the twentieth century, and had worked with the foremost artists of his time, including Proust, Gide, Picasso and Stravinsky. This memoir tells the inside account of those achievements and of his glittering social circle. Cocteau writes about his childhood, about his development as an artist, and the peculiarity of the artist’s life, about his dreams, friendships, pain, and laughter. He probes his motivations and explains his philosophies, giving intimate details in soaring prose. And sprinkled throughout are anecdotes about the elite and historic people he associated with. Beyond illuminating a truly remarkable life, The Difficulty of Being is an inspiring homage to the belief that art matters.
Recently, there has been a renewal of interest in the broad and loosely bounded range of phenomena called deception and self-deception. This volume addresses this interest shared by philosophers, social and clinical psychologists, and more recently, neuroscientists and cognitive scientists. Expert contributors provide timely, reliable, and insightful coverage of the normal range of errors in perception, memory, and behavior. They place these phenomena on a continuum with various syndromes and neuropsychiatric diseases where falsehood in perception, self-perception, cognition, and behaviors are a peculiar sign. Leading authorities examine the various forms of "mythomania," deception, and self-deception ranging from the mundane to the bizarre such as imposture, confabulations, minimization of symptomatology, denial, and anosognosia. Although the many diverse phenomena discussed here share a family resemblance, they are unlikely to have a common neurological machinery. In order to reach an explanation for these phenomena, a reliable pattern of lawful behavior must be delineated. It would then be possible to develop reasonable explanations based upon the underlying neurobiological processes that give rise to deficiencies designated as the mythomanias. The chapters herein begin to provide an outline of such a development. Taken as a whole, the collection is consistent with the emerging gospel indicating that neither the machinery of "nature" nor the forces of "nurture" taken alone are capable of explaining what makes cognition and behaviors aberrant.
Myth-O-Mania: Nice Shot, Cupid! by Kate McMullan Pdf
The story about the handsome Greek god Cupid and how he met Psyche? Just another lie from that myth-o-maniac Zeus! The truth is, when Cupid met Psyche he was a gawky teen god with bad skin and braces. Psyche was so beautiful, Cupid was scared to even approach her. Instead, he and Zeus cooked up a plan to kidnap Psyche. Hades, King of the Underworld, is here to shine some light on what really happened.
The System of Objects is a tour de force—a theoretical letter-in-a-bottle tossed into the ocean in 1968, which brilliantly communicates to us all the live ideas of the day. Pressing Freudian and Saussurean categories into the service of a basically Marxist perspective, The System of Objects offers a cultural critique of the commodity in consumer society. Baudrillard classifies the everyday objects of the “new technical order” as functional, nonfunctional and metafunctional. He contrasts “modern” and “traditional” functional objects, subjecting home furnishing and interior design to a celebrated semiological analysis. His treatment of nonfunctional or “marginal” objects focuses on antiques and the psychology of collecting, while the metafunctional category extends to the useless, the aberrant and even the “schizofunctional.” Finally, Baudrillard deals at length with the implications of credit and advertising for the commodification of everyday life. The System of Objects is a tour de force of the materialist semiotics of the early Baudrillard, who emerges in retrospect as something of a lightning rod for all the live ideas of the day: Bataille’s political economy of “expenditure” and Mauss’s theory of the gift; Reisman’s lonely crowd and the “technological society” of Jacques Ellul; the structuralism of Roland Barthes in The System of Fashion; Henri Lefebvre’s work on the social construction of space; and last, but not least, Guy Debord’s situationist critique of the spectacle.
The Satyricon of Petronius, a comic novel written in the first century A.D., is famous today primarily for its amazing banquet tale, "Trimalchio's Feast." But this episode is only one part of the larger picture of life during Nero's rule presented in the work. In this accessible discussion of Petronius's masterful use of parody, Gian Biagio Conte offers an interpretation of the Satyricon as a whole. He combines the scholarly precision of close reading with a significant, original theoretical model. At the heart of his interpretation, Conte reveals the technique of the "hidden author" that Petronius employs at the expense of his characters, in particular the teller of the story, Enclopius. By remaining hidden outside the narrative, Petronius invites the reader to smile at the folies de grandeur that occur in a culture of scholars and declaimers. Yet as Conte shows, behind the parody and inexhaustible humor of the Satyricon lies an unexpectedly serious lament. For those familiar with the Satyricon, as well as for new readers, Conte's book will be a reliable, enjoyable guide to the wonders the Satyricon contains.