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Narrating Death by Daniel K. Jernigan,Walter Wadiak,Michelle Wang Pdf
Drawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.
#1 NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times. When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time. “The kind of book that can be life-changing.” —The New York Times “Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.
Jia Pingwa's novels have caused both fame and controversy throughout the Chinese speaking world. This pioneering study examines the corpus of Pingwa's writings, emphasizing his importance, prominence and relevance to modern Chinese society.
Narrating South Asian Partition by Anindya Raychaudhuri Pdf
The history of the 1947 Indian/Pakistani partition is one of separation: a country and people newly divided. However, in telling this story, Anindya Raychaudhuri, the son of a partition participant, looks to unity, joining for the first time the public and private memory narratives of this pivotal moment in time. Narrating Partition features in-depth interviews with more than 120 individuals across India, Pakistan, Bangladesh, and the United Kingdom, each reflecting on a direct or inherited experience of the 1947 Indian/Pakistani partition. Through the collection of these oral history narratives, Raychaudhuri is able to place them into comparison with the literary, cinematic, and artistic representations of partition, and in doing so, examine the ways this event is remembered, re-interpreted, and reconstructed--and the narrator's role in this process. These stories also reflect on the themes of home, family, violence, childhood, trains, and rivers within these public and private narratives. Crucially, Raychaudhuri is the first writer to use oral history in addressing the Bengal/Punjab partition as part of this same event, examining the memorial legacy in both the Bengali and Punjabi communities.
Narrating History, Home, and Dyaspora by Maia L. Butler,Joanna Davis-McElligatt,Megan Feifer Pdf
Contributions by Cécile Accilien, Maria Rice Bellamy, Gwen Bergner, Olga Blomgren, Maia L. Butler, Isabel Caldeira, Nadège T. Clitandre, Thadious M. Davis, Joanna Davis-McElligatt, Laura Dawkins, Megan Feifer, Delphine Gras, Akia Jackson, Tammie Jenkins, Shewonda Leger, Jennifer M. Lozano, Marion Christina Rohrleitner, Thomás Rothe, Erika V. Serrato, Lucía Stecher, and Joyce White Narrating History, Home, and Dyaspora: Critical Essays on Edwidge Danticat contains fifteen essays addressing how Edwidge Danticat’s writing, anthologizing, and storytelling trace, (re)construct, and develop alternate histories, narratives of nation building, and conceptions of home and belonging. The prolific Danticat is renowned for novels, collections of short fiction, nonfiction, and editorial writing. As her experimentation in form expands, so does her force as a public intellectual. Danticat’s literary representations, political commentary, and personal activism have proven vital to classroom and community work imagining radical futures. Among increasing anti-immigrant sentiment and containment and rampant ecological volatility, Danticat’s contributions to public discourse, art, and culture deserve sustained critical attention. These essays offer essential perspectives to scholars, public intellectuals, and students interested in African diasporic, Haitian, Caribbean, and transnational American literary studies. This collection frames Danticat’s work as an indictment of statelessness, racialized and gendered state violence, and the persistence of political and economic margins. The first section of this volume, “The Other Side of the Water,” engages with Danticat’s construction and negotiation of nation, both in Haiti and the United States; the broader dyaspora; and her own, her family’s, and her fictional characters’ places within them. The second section, “Welcoming Ghosts,” delves into the ever-present specter of history and memory, prominent themes found throughout Danticat’s work. From origin stories to broader Haitian histories, this section addresses the underlying traumas involved when remembering the past and its relationship to the present. The third section, “I Speak Out,” explores the imperative to speak, paying particular attention to the narrative form with which such telling occurs. The fourth and final section, “Create Dangerously,” contends with Haitians’ activism, community building, and the political and ecological climate of Haiti and its dyaspora.
Do liminal embodied experiences such as illness, death and dying affect literary form? In recent years, the concept of embodiment has been theorized from various perspectives. Gender studies have been concerned with the cultural implications of embodiment, arguing to move away from viewing the body as a prediscursive phenomenon to regarding it as an acculturated body. Age studies have extended this view to the embodied experience of ageing, while drawing attention to the ways in which the ageing body, through its materiality and plasticity, restricts the possibilities of (de)constructing subjectivity. These current debates on embodiment find a strong counterpart in literary representation. The contributions to this anthology investigate how and to what extend physical borderline experiences affect literary form.
The Craft of Post-Narratology by Zeineb Derbali Pdf
The collection of articles compiled in this volume ponder narratological aspects, elements, and features and examine the extent to which the coinage “post-narratology” is applicable in contemporary literature, cultural studies, translation, etc. The contributors’ rethinking of narratology in relation to ethnicity, culture, history, and religion lead to significant implications as far as adherence to or departure from Western classical narratology is concerned. The notions of plot, storyline, point of view, voice, characters, narrators, and others, paradigmatically structured in the narratological classical model shaped by the Russian Formalists and polished by Tzvetan Todorov, Roland Barthes, and Gérard Genette, are stretched and modified to fit the cultural contexts of written works in various fields.
Narratives of Parental Death, Dying and Bereavement by Caroline Pearce,Carol Komaromy Pdf
This collection shows what happens when facing the inevitable and sometimes expected death of a parent, and how such an ordinary part of life as parental death might connect with the children left behind. In many ways, individual deaths are extraordinary and leave a unique legacy – a kind of haunting. The authors' accounts seek to make sense of death through witnessing its enactment and recording its detail. All the authors are experienced researchers in the field of death studies, and their collective expertise encompasses ethnography, psychology, sociology and anthropology. The individual descriptions of death and grief capture the everyday practicalities of managing death and dying, including, for example, the difficulties of caring responsibilities and the realities of dealing with strained family relationships. These accounts show the raw detail of death; they are deeply personal observations framed within critical theories. As established scholars and practitioners that have researched and worked in end-of-life and bereavement care, the authors in this anthology offer a unique perspective on how identity is shaped by a close bereavement. The book employs a strong editorial narrative that blends memoir with theoretical engagement, and will be of interest to death studies scholars, as well as practitioners involved in end-of-life care and bereavement care and anyone who has experienced the death of a parent.
Narrative Fiction and Death by Sabine Köllmann Pdf
Narrative Fiction and Death: Dying Imagined offers a new perspective on the study of death in literature. It focuses on narrative fiction that conveys the experience of dying from the internal perspective of a dying protagonist. Writers from Victor Hugo in the early 1800s to Elif Shafak in the present day have imagined the unknowable final moments on the threshold to death. This literary study examines the wide range of narrative strategies used to evoke the transition from life to death, and to what effect, revealing not only each writer’s unique way of representing the dying experience; the comparative reading also finds common concerns in these texts and uncovers surprising parallels and unexplored intertextual relations between works across time and space that will interest comparatists as well as specialists in the literatures discussed. Students of individual texts examined here will benefit from detailed analyses of these works. The fictional evocation of dying addresses our basic human fears, offering catharsis, consolation, and a greater cognitive and emotional understanding of that unknowable experience. Presented in an engaging and highly readable manner, this study argues for literature’s potential to challenge our assumptions about the end of life and change our approach to dying, an aspect that will interest students and researchers of the health humanities, palliative caregivers, and all those interested in questions of the end of life.
Social death occurs when the social existence of a person or group ceases. With an individual, it can occur before or after physical death. Scholars in a wide range of disciplines have applied the concept to very diverse issues – including genocide, slavery, dementia, hospitalisation, and bereavement. Social death relates to social exclusion, social capital, social networks, social roles and social identity, but its theorising is not united – scholars in one field are often unaware of its use in other fields. This is the first book to bring a range of perspectives together in a pioneering effort to bring to the field conceptual clarity rooted in empirical data. Preceded by an original theoretical discussion of the concept of social death, contributions from the UK, Romania, Sweden, and Israel analyse the fourth age, end of life policies, dying alone at home, suicide, photographs on gravestones, bereavement, and the agency of dead musicians. This book was originally published as a special issue of Contemporary Social Science.
A Ricoeurian Analysis of Identity Formation in Philippians by Scott Ying Lam Yip Pdf
Winner of the Outstanding Theological Research Book Award 2024 Scott Ying Lam Yip presents the first specialized narrative study devoted to the identity formation processes in Philippians, based on Paul Ricoeur's narrative theory. Yip demonstrates that the Christian identity of the Philippian community is shaped amidst competing narratives with divergent comprehensions, and suggests that it is within an intra-Jewish contestation of testimonies that Paul updates his understanding of God and contends with a group of Jewish Christian leaders regarding the meaning of his suffering. Yip argues that Paul faces a double contestation of narrative in which both the political authorities and a group of Jewish Christian leaders see his imprisonment as futile and unnecessary; alerting him to an emerging crisis in which the Philippian community's conviction in suffering with him has begun to decline. It is thus essential for Paul to synthesise and install a new paradigmatic story of Christ so that his suffering can be discerned as the defining mark of God's renewed manifestation in an era of Christ's eschatological Lordship. Yip explores the means by which Paul - in a contestation of authority for the re-appropriation of God's past work - contrasts the future-oriented temporality of his testimony with the past-oriented one of the Jewish Christian leaders. He concludes that Paul affirms the value of his present suffering in truthfulness and installs his testimony to be the exemplary story for the Philippian community.
Narrating the Self examines the historical formation of modern Japanese literature through a fundamental reassessment of its most characteristic form, the 'I-novel, ' an autobiographical narrative thought to recount the details of the writer's personal life thinly veiled as fiction. Closely analysing a range of texts from the late nineteenth century through to the present day, the author argues that the 'I-novel' is not a given form of text that can be objectively identified, but a historically constructed reading mode and cultural paradigm that not only regulated the production and reception of literary texts but also defined cultural identity and national tradition. Instead of emphasising, as others have, the thematic and formal elements of novels traditionally placed in this category, she explores the historical formation of a field of discourse in which the 'I-novel' was retroactively created and defined.
Liminal Dickens by Valerie Kennedy,Katerina Kitsi-Mitakou Pdf
Liminal Dickens is a collection of essays which cast new light on some surprisingly neglected areas of Dickens’s writings: the rites of passage represented by such transitional moments and ceremonies as birth/christenings, weddings/marriages, and death. Although a great deal of attention has been paid to the family in Dickens’s works, relatively little has been said about his representations of these moments and ceremonies. Similarly, although there have been discussions of Dickens’s religious beliefs, neither his views on death and dying nor his ideas about the afterlife have been analysed in any great detail. Moreover, this collection, arising from a conference on Dickens held in Thessaloniki in 2012, explores how Dickens’s preoccupation with these transitional phases reflects his own liminality and his varying positions regarding some main Victorian concerns, such as religion, social institutions, progress, and modes of writing. The book is composed of four parts: Part One concerns Dickens’s tendency to see birth and death as part of a continuum rather than as entirely separate states; Part Two looks at his unconventional responses to adolescence as a transitional period and to the marriage ceremony as an often unsuccessful rite de passage; Part Three analyses his partial divergence from certain widely held Victorian views about progress, evolution, sanitation, and the provisions made for the poor; and Part Four focuses on two of his novels which are seen as transgressing conventional genre boundaries.
Narrating, Doing, Experiencing by Annikki Kaivola-Bregenhøj,Barbro Klein,Ulf Palmenfelt Pdf
How do people tell of experiences, things and events that mean a lot to them and are unforgettable? Eight Nordic folklorists here examine personal experience stories and the way they are narrated in an attempt to gain an understanding of the people behind them and to reveal how these people handle their history, their lives and their cultural memory. All the articles are based on interviews and narrator-researcher collaboration. The stories tell about birth, sickness and miraculous cures, intergenerational relations, war, and matters not normally talked about. The analyses complement one another and the work may be used as a university course book.
The relationship between fiction and historiography in Francoist Spain (1939–1975) is a contentious one. The intricacies of this relationship, in which fiction works to subvert the regime’s authority to write the past, are the focus of David K. Herzberger’s book. The narrative and rhetorical strategies of historical discourse figure in both the fiction and historiography of postwar Spain. Herzberger analyzes these strategies, identifying the structures and vocabularies they use to frame the past and endow it with particular meanings. He shows how Francoist historians sought to affirm the historical necessity of Franco by linking the regime to a heroic and Christian past, while several types of postwar fiction—such as social realism, the novel of memory, and postmodern novels—created a voice of opposition to this practice. Focusing on the concept of writing history that these opposing strategies convey, Herzberger discloses the layering of truth and meaning that lies at the heart of postwar Spanish narrative from the early 1940s to the fall of Franco. His study clearly reveals how the novel in postwar Spain became a crucial form of dissent from the past as it was conceived and used by the State. Making a decisive intervention in the debate about the ways in which narration determines both the meaning and truth of history and fiction, Narrating the Past will be of special interest to students and scholars of the politics, history, and literature of twentieth-century Spain.