Neglected American Women Writers Of The Long Nineteenth Century

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Neglected American Women Writers of the Long Nineteenth Century

Author : Verena Laschinger,Sirpa Salenius
Publisher : Routledge
Page : 311 pages
File Size : 48,6 Mb
Release : 2019-04-02
Category : Literary Criticism
ISBN : 9780429513930

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Neglected American Women Writers of the Long Nineteenth Century by Verena Laschinger,Sirpa Salenius Pdf

Neglected American Women Writers of the Long Nineteenth Century, edited by Verena Laschinger and Sirpa Salenius, is a collection of essays that offer a fresh perspective and original analyses of texts by American women writers of the long nineteenth century. The essays, which are written both by European and American scholars, discuss fiction by marginalized authors including Yolanda DuBois (African American fairy tales), Laura E. Richards (children’s literature), Metta Fuller Victor (dime novels/ detective fiction), and other pioneering writers of science fiction, gothic tales, and life narratives. The works covered by this collection represent the rough and ragged realities that women and girls in the nineteenth century experienced; the writings focus on their education, family life, on girls as victims of class prejudice as well as sexual and racial violence, but they also portray girls and women as empowering agents, survivors, and leaders. They do so with a high-voltage creative charge. As progressive pioneers, who forayed into unknown literary terrain and experimented with a variety of genres, the neglected American women writers introduced in this collection themselves emerge as role models whose innovative contribution to nineteenth-century literature the essays celebrate.

Doing Literary Business

Author : Susan M. Coultrap-McQuin
Publisher : Unknown
Page : 271 pages
File Size : 41,9 Mb
Release : 2024-06-07
Category : Electronic
ISBN : 0608086134

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Doing Literary Business by Susan M. Coultrap-McQuin Pdf

Nineteenth-Century Southern Women Writers

Author : Melissa Walker Heidari,Brigitte Zaugg
Publisher : Routledge
Page : 212 pages
File Size : 51,5 Mb
Release : 2019-08-12
Category : Literary Criticism
ISBN : 9781000586947

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Nineteenth-Century Southern Women Writers by Melissa Walker Heidari,Brigitte Zaugg Pdf

The essays in this book explore the role of Grace King’s fiction in the movement of American literature from local color and realism to modernism and show that her work exposes a postbellum New Orleans that is fragmented socially, politically, and linguistically. In her introduction, Melissa Walker Heidari examines selections from King’s journals and letters as views into her journey toward a modernist aesthetic—what King describes in one passage as "the continual voyage I made." Sirpa Salenius sees King’s fiction as a challenge to dominant conceptualizations of womanhood and a reaction against female oppression and heteronormativity. In his analysis of "An Affair of the Heart," Ralph J. Poole highlights the rhetoric of excess that reveals a social satire debunking sexual and racial double standards. Ineke Bockting shows the modernist aspects of King’s fiction through a stylistic analysis which explores spatial, temporal, biological, psychological, social, and racial liminalities. Françoise Buisson demonstrates that King’s writing "is inspired by the Southern oral tradition but goes beyond it by taking on a theatrical dimension that can be quite modern and even experimental at times." Kathie Birat claims that it is important to underline King’s relationship to realism, "for the metonymic functioning of space as a signifier for social relations is an important characteristic of the realist novel." Stéphanie Durrans analyzes "The Story of a Day" as an incest narrative and focuses on King’s development of a modernist aesthetics to serve her terrifying investigation into social ills as she probes the inner world of her silent character. Amy Doherty Mohr explores intersections between regionalism and modernism in public and silenced histories, as well as King’s treatment of myth and mobility. Brigitte Zaugg examines in "The Little Convent Girl" King’s presentation of the figure of the double and the issue of language as well as the narrative voice, which, she argues, "definitely inscribes the text, with its understatement, economy and quiet symbolism, in the modernist tradition." Miki Pfeffer closes the collection with an afterword in which she offers excerpts from King’s letters as encouragement for "scholars to seek Grace King as a primary source," arguing that "Grace King’s own words seem best able to dialogue with the critical readings herein." Each of these essays enables us to see King’s place in the construction of modernity; each illuminates the "continual voyage" that King made.

Re(dis)covering Our Foremothers

Author : Lorraine McMullen
Publisher : University of Ottawa Press
Page : 212 pages
File Size : 42,7 Mb
Release : 1990
Category : Literary Collections
ISBN : 9780776601977

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Re(dis)covering Our Foremothers by Lorraine McMullen Pdf

The modern literary searchlight has flushed out Canada's long neglected nineteenth century female writers. New critical approaches are advocated and others are encouraged to take on the difficulties - and rewards - of research into the lives of our foremothers. Published in English.

Scribbling Women

Author : Elaine Showalter
Publisher : Rutgers University Press
Page : 566 pages
File Size : 44,6 Mb
Release : 1997
Category : Fiction
ISBN : 0813523931

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Scribbling Women by Elaine Showalter Pdf

From the Publisher: A new mother longing to write is judged "hysterical" and confined to her bedroom where she slowly loses herself in horrific fantasy. A young girl stirred by two beings--a handsome young man and an ethereal white heron--is forced to make a choice between them. A love affair quashed by convention ignites during a sudden storm. These tales of remarkable and ordinary lives in nineteenth-century America are told throughout women's voices that call out from the kitchen hearth, the solitary room, the prison cell. Stories by Louisa May Alcott, Willa Cather, Kate Chopin, and Edith Wharton, as well as by others less familiar, reveal a universe of emotions hidden beneath parochial scenes. American writers claimed the short story as their national genre in the nineteenth century, and women writers made it the most important outlet for their particular experiences. A unique selection, with an introduction, notes, selected criticism, and a chronology of the authors' lives and times.

Frances Power Cobbe

Author : Alison Stone
Publisher : Oxford University Press
Page : 273 pages
File Size : 41,9 Mb
Release : 2022-02-17
Category : History
ISBN : 9780197628225

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Frances Power Cobbe by Alison Stone Pdf

This volume brings together essential writings by the unjustly neglected nineteenth-century philosopher Frances Power Cobbe (1822-1904). A prominent ethicist, feminist, champion of animal welfare, and critic of Darwinism and atheism, Cobbe was well known and highly regarded in the Victorian era. This collection of her work introduces contemporary readers to Cobbe and shows how her thought developed over time, beginning in 1855 with her Essay on Intuitive Morals, in which she set out her duty-based moral theory, arguing that morality and religion are indissolubly connected. This work provided the framework within which she addressed many theoretical and practical issues in her prolific publishing career. In the 1860s and early 1870s, she gave an account of human duties to animals; articulated a duty-based form of feminism; defended a unique type of dualism in the philosophy of mind; and argued against evolutionary ethics. Cobbe put her philosophical views into practice, campaigning for women's rights and for first the regulation and later the abolition of vivisection. In turn her political experiences led her to revise her ethical theory. From the 1870s onwards she increasingly emphasized the moral role of the emotions, especially sympathy, and she theorized a gradual historical progression in sympathy. Moving into the 1880s, Cobbe combatted secularism, agnosticism, and atheism, arguing that religion is necessary not only for morality but also for meaningful life and culture. Shedding light on Cobbe's philosophical perspective and its applications, this volume demonstrates the range, systematicity and philosophical character of her work and makes her core ethical theory and its central applications and developments available for teaching and scholarship.

The Nineteenth-Century French Short Story

Author : Allan H. Pasco
Publisher : Routledge
Page : 226 pages
File Size : 49,9 Mb
Release : 2019-07-03
Category : Literary Collections
ISBN : 9781000134742

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The Nineteenth-Century French Short Story by Allan H. Pasco Pdf

The 19th-Century French Short Story, by eminent scholar, Allan H. Pasco, seeks to offer a more comprehensive view of the definition, capabilities, and aims of short stories. The book examines general instances of the genre specifically in 19th-century France by recognizing their cultural context, demonstrating how close analysis of texts effectively communicates their artistry, and arguing for a distinction between middling and great short stories. Where previous studies have examined the writers of short stories individually, The 19th-Century French Short Story takes a broader lens to the subject, and looks at short story writers as they grapple with the artistic, ethical, and social concerns of their day. Making use of French short story masterpieces, with reinforcing comparisons to works from other traditions, this book offers the possibility of a more adequate appreciation of the under-valued short story genre.

Nineteenth-century American Women Writers

Author : Karen L. Kilcup
Publisher : Unknown
Page : 601 pages
File Size : 46,7 Mb
Release : 1997
Category : American literature
ISBN : OCLC:1150951681

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Nineteenth-century American Women Writers by Karen L. Kilcup Pdf

Decadent Aesthetics and the Acrobat in French Fin de siècle

Author : Jennifer Forrest
Publisher : Routledge
Page : 206 pages
File Size : 55,9 Mb
Release : 2019-08-28
Category : Literary Criticism
ISBN : 9781000682465

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Decadent Aesthetics and the Acrobat in French Fin de siècle by Jennifer Forrest Pdf

In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme’s 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the unappreciated artist found echoes in the work of literary counterparts like Charles Baudelaire and his "Vieux saltimbanque" who seeks in vain a responsive public. For some, the attraction of the acrobatic clown for the creative imagination may have been his ability to embody the plight of the artist: these artistes generally led an ambulatory and uncertain existence. Other artists and writers, however, particularly the Decadents, perceived in the circus acrobat – including the acrobatic clown – a conceptual and performative tool for liberating their points of view from the prison-house of aesthetic convention. If authors’ protagonists were themselves sometimes failures, their aesthetic innovations often produced exhilarating artistic triumphs. Among the works examined in this study are the circus posters of Jules Chéret, Thomas Couture’s Pierrot and Harlequin paintings, Honoré Daumier’s saltimbanque paintings, Edgar Degas’s Miss Lala au Cirque Fernando, Édouard Manet’s Un bar au Folies-Bergère, the pantomimes of the Hanlon-Lees troupe, and novels, short stories, and poems by Théodore de Banville, Edmond de Goncourt, J. K. Huysmans, Gustave Kahn, Jules Laforgue, Catulle Mendès, Octave Mirbeau, Jean Richepin, Edouard Rod, and Marcel Schwob.

Victorian Contagion

Author : Chung-jen Chen
Publisher : Routledge
Page : 315 pages
File Size : 55,9 Mb
Release : 2019-08-29
Category : Literary Criticism
ISBN : 9781000691542

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Victorian Contagion by Chung-jen Chen Pdf

Victorian Contagion: Risk and Social Control in the Victorian Literary Imagination examines the literary and cultural production of contagion in the Victorian era and the way that production participated in a moral economy of surveillance and control. In this book, I attempt to make sense of how the discursive practice of contagion governed the interactions and correlations between medical science, literary creation, and cultural imagination. Victorians dealt with the menace of contagion by theorizing a working motto in claiming the goodness and godliness in cleanliness which was theorized, realized, and radicalized both through practice and imagination. The Victorian discourse around cleanliness and contagion, including all its treatments and preventions, developed into a culture of medicalization, a perception of surveillance, a politics of health, an economy of morality, and a way of thinking. This book is an attempt to understands the literary and cultural elements which contributed to fear and anticipation of contagion, and to explain why and how these elements still matter to us today.

Genres and Provenance in the Comedy of W.S. Gilbert

Author : Richard Moore
Publisher : Routledge
Page : 340 pages
File Size : 46,5 Mb
Release : 2019-10-28
Category : Literary Criticism
ISBN : 9781000699890

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Genres and Provenance in the Comedy of W.S. Gilbert by Richard Moore Pdf

In The Progress of Fun W.S. Gilbert was considered, not as a ‘classic Victorian’, but as part of an on-going comedic continuum stretching from Aristophanes to Joe Orton and beyond. Pipes and Tabors continues the story, covering the comedic experience differently by reference to genres. Here – treated in relation to a line of significant others – we discover how Gilbert responded to areas such as the Pastoral, the Irish drama, nautical scenarios, melodrama, sensation-theatre, the nonsensemode, pantomime spectaculars, fairy plays, and classical farce. Also included is a wider look at his relation to various European musical forms and (for instance) to the English line of wit and the Elizabethan pamphleteers. To consider a writer not so much by a study of individual works as by threads of linking generic modes tells us a great deal about cultural interconnections and the richly textured nature of theatrical experience. Pipes and Tabors offers a tapestry of overlapping genres and treatments, showing not just the design of the finished products but the shreds and patches which form the underside of the weave. According to Dorothy L. Sayers, life itself offers us the apparent loose ends of a design which will only be revealed from the front after death. In terms of Gilbertian comedy, we are privileged to be able to track both the effort of the weave and the skill of the finished product. On the way we will also discover some new links and sub-text implications about other 19th century denigrated groups which were buried from sight for too long.

Incorporation, Authorship, and Anglo-American Literature (1815–1918)

Author : Jasper Schelstraete
Publisher : Routledge
Page : 198 pages
File Size : 49,9 Mb
Release : 2019-06-25
Category : Literary Collections
ISBN : 9781000357196

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Incorporation, Authorship, and Anglo-American Literature (1815–1918) by Jasper Schelstraete Pdf

Incorporation, Authorship, and Anglo-American Literature (1815–1918) is concerned with the new ways in which nineteenth-century authors came to imagine nationhood in response to the emergent global market. It investigates how authors negotiated a largely unregulated global economic space, both imaginatively—in their representations of it—and pragmatically, through author-publisher agreements to circumvent the lack of transnational copyright or through market-driven self-censorship for different audiences. Until now, scholarship has struggled to find a single dynamic from which to consider the Anglo-American transatlantic cultural field, and transnational fields more generally. This volume offers that single dynamic through an innovative and interdisciplinary approach that brings together the research areas of literary and transnational studies with economic history. It shows how the positional national identities constructed by nineteenth-century texts were informed by economic self-interest in the emergent global marketplace. Through a series of case studies the book analyses how contemporary economic innovations determined nineteenth-century concepts of national and cultural self-identification. Presented within four main body chapters, each considers two case studies of nineteenth-century authors that are in productive contrast, including pairings between Herman Melville and Washington Irving, E.D.E.N. Southworth and Anthony Trollope, Charles Dickens and Harriet Beecher Stowe, and finally Thomas Hardy and Joseph Conrad.

Women Writing Wonder

Author : Julie L. J. Koehler,Shandi Lynne Wagner,Anne E. Duggan,Adrion Dula
Publisher : Wayne State University Press
Page : 483 pages
File Size : 42,7 Mb
Release : 2021-10-05
Category : Fiction
ISBN : 9780814345023

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Women Writing Wonder by Julie L. J. Koehler,Shandi Lynne Wagner,Anne E. Duggan,Adrion Dula Pdf

Critical anthology of fairy tales by nineteenth-century British, French, and German women writers.

Nineteenth-Century American Women's Serial Novels

Author : Dale M. Bauer
Publisher : Cambridge University Press
Page : 195 pages
File Size : 53,5 Mb
Release : 2019-12-05
Category : Literary Criticism
ISBN : 9781108486545

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Nineteenth-Century American Women's Serial Novels by Dale M. Bauer Pdf

Recovers the careers of four US women serial writers, and establishes a new archive for American literary studies.

W.S. Gilbert and the Context of Comedy

Author : Richard Moore
Publisher : Routledge
Page : 290 pages
File Size : 48,7 Mb
Release : 2019-06-03
Category : Literary Collections
ISBN : 9780429859618

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W.S. Gilbert and the Context of Comedy by Richard Moore Pdf

To what extent is a great comic writer the product of his time? How far is he (or she) influenced by factors of personal psychology upbringing and environment? To what is the writing actually part of a long continuum in which there is continuity within change and change within continuity? The Progress of Fun considers principally the last of these areas, focussing on the case of W.S. Gilbert and challenging the frequently held view that he is pre-eminently a typical Victorian. This it does by tracing his roots back to Ancient Greek comedy and to the various comedic developments that have dominated Western Europe thereafter. Also included is a careful examination of the constraints and limitations that in various forms have long affected comedy-writing, and an evaluation of Gilbert’s particular skills and legacy within the on-going process. The whole is a suitable prelude to a second volume (Pipes and Tabors) which will consider Genre in W.S. Gilbert, again relating it to comedic precedents and the universally timeless within the particular.