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This is a dual language ( German/English ) reprint of the now extremely rare and expensive book, Neue Deutsche Baukunst, published in 1941 to showcase the architectural beauty of the building programme instituted by National Socialist Germany. Book consists of photographs of these new structures with details of the architect or artist involved in the project.
In this portrait of contemporary architecture in Germany, well-known authors in the field describe 26 buildings and projects by German architects from 1990, from 11 architectural firms. It provides an overview of the most important movements in German architecture since 1975.
Colonialism and Modern Architecture in Germany by Itohan Osayimwese Pdf
Over the course of the nineteenth century, drastic social and political changes, technological innovations, and exposure to non-Western cultures affected Germany’s built environment in profound ways. The economic challenges of Germany’s colonial project forced architects designing for the colonies to abandon a centuries-long, highly ornamental architectural style in favor of structural technologies and building materials that catered to the local contexts of its remote colonies, such as prefabricated systems. As German architects gathered information about the regions under their influence in Africa, Asia, and the Pacific—during expeditions, at international exhibitions, and from colonial entrepreneurs and officials—they published their findings in books and articles and organized lectures and exhibits that stimulated progressive architectural thinking and shaped the emerging modern language of architecture within Germany itself. Offering in-depth interpretations across the fields of architectural history and postcolonial studies, Itohan Osayimwese considers the effects of colonialism, travel, and globalization on the development of modern architecture in Germany from the 1850s until the 1930s. Since architectural developments in nineteenth-century Germany are typically understood as crucial to the evolution of architecture worldwide in the twentieth century, this book globalizes the history of modern architecture at its founding moment.
The New German Architecture by Gerhard G. Feldmeyer Pdf
"The reunification of Germany has propelled the country to the forefront of the European community, and has generated an immense amount of new building projects, bringing a new focus and clarity to German architecture. This lavishly illustrated volume presents a showcase of the latest and best of these works." "The architects featured range from internationally known practitioners, such as Josef Paul Kleihues (Pre- and Early History Museum in Frankfurt), O. M. Ungers (Town Portal Buildings in Frankfurt, Baden Regional Library in Karlsruhe), Daniel Libeskind (Berlin Museum), Gottfried Bohm (Deutsche Bank in Luxembourg), and Gunter Behnisch (German Postal Museum and German Federal Bank, both in Frankfurt), to architects who have gained great renown within Germany to young and rising talents. The wide variety of projects presented includes Meinhard von Gerkan's Airport Terminal in Stuttgart and Elbschlucht Complex in Hamburg, Karljosef Schattner's varied projects in Eichstatt, and Christoph Langhof's Pressehaus in Berlin. The comprehensive essays examine Germany's architectural history and postwar urban planning, as well as the ramifications of reunification."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This is an account of the Battle of Stalingrad's later stages, written from the perspective of a radio operator in a platoon leader's, later squadron commander's tank. Obergefreiter Panse's chances of survival are vastly superior to that of a simple soldier in the Infantry divisions consumed in the battle for Stalingrad. Of the 145 men who started the campaign in his squadron only six survived to the surrender on the 2nd of February 1943.
German Architecture for a Mass Audience by Kathleen James-Chakraborty Pdf
This book vividly illustrates the ways in which buildings designed by many of Germany's most celebrated twentieth century architects were embedded in widely held beliefs about the power of architecture to influence society. German Architecture for a Mass Audience also demonstrates the way in which these modernist ideas have been challenged and transformed, most recently in the rebuilding of central Berlin.
For years following reunification, Berlin was the largest construction site in Europe, with striking new architecture proliferating throughout the city in the 1990s and early 2000s. Among the most visible and the most contested of the new projects were those designed for the national government and its related functions. Berlin Contemporary explores these buildings and plans, tracing their antecedents while also situating their iconic forms and influential designers within the spectacular world of global contemporary architecture. Close studies of these sites, including the Reichstag, the Chancellery, and the reconstruction of the Berlin Stadtschloss (now known as the Humboldt Forum), demonstrate the complexity of Berlin's political and architectural “rebuilding”-and reveal the intricate historical negotiations that architecture was summoned to perform.
In What Style Should We Build? by Heinrich Hubsch Pdf
Hubsch's argument that the technical progress and changed living habits of the nineteenth century rendered neoclassical principles antiquated is presented here along with responses to his essay by architects, historians, and critics over two decades.
The decision to move Germany's government seat from Bonn to Berlin by the year 2000 poses an epic architectural challenge and has fostered an international debate on which building styles are appropriate to represent German national identity. Capital Dilemma investigates the political decisions and historical events behind the redesign of Berlin's official architecture. It tells a complex and exciting drama of politics, memory, cultural values, and architecture, in which Helmut Kohl, Albert Speer, Sir Norman Foster, and I. M. Pei all figure as players. If capital city design projects are symbols of national identity and historical consciousness, Berlin is the supreme example. In fact, architecture has played a pivotal role throughout Germany's turbulent twentieth-century history. After the fall of the monarchy, Germany gave birth to the Bauhaus, whose founders argued that their own revolutionary designs could shape human destiny. The century's warring ideologies, Nazism and Communism, also used architecture for their own political ends. In its latest incarnation, Berlin will become the capital of the fifth German state in this century to be ruled from that city. How will the official architecture of reunified Berlin, a democratic capital being built amid totalitarian remains, be different this time around? Th e Federal Republic of Germany, a highly stable democracy in stark contrast to its predecessors, has been struggling with burdensome architectural legacies. In the process, it has considered remedies as varied as outright destruction, refurbishment, and, in the case of the former Nazi Central Bank now being converted into the new Foreign Ministry, physical concealment.
National Romanticism and Modern Architecture in Germany and the Scandinavian Countries by Barbara Miller Lane Pdf
This book provides a comprehensive examination of one of the most important modernist traditions. Offering a new interpretation of its origins, Barbara Miller Lane focuses on the movement called 'National Romanticism', which flourished in Germany and Scandinavia from about 1890 to 1920. During this period, painters, interior designers, city planners and architects created a new kind of domestic architecture and interior design, as well as monumental architecture. Drawing upon local and regional folk traditions, and encouraging a simple way of life, architects such as Eliel Saarinen, Hans Poelzig, and Martin Nyrop, looked back to medieval and even prehistoric times for their models, as they also tried to create a new architecture for the new millennium. Their buildings encouraged new kinds of social and political relationships and have had a profound influence in the architecture of Germany and Scandinavia.
Building Nazi Germany by Joshua Hagen,Robert C. Ostergren Pdf
This richly illustrated book details the wide-ranging construction and urban planning projects launched across Germany after the Nazi Party seized power. The authors show that it was an intentional program to thoroughly reorganize the country's economic, cultural, and political landscapes in order to create a dramatically new Germany, saturated with Nazi ideology.
Esra Akcan describes the introduction of modern architecture into Turkey after the Kemalist political elite took power in 1923 and invited German architects to redesign the new capital of Ankara.
