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Author : James J. Winchester
Publisher : State University of New York Press
Page : 236 pages
File Size : 55,8 Mb
Release : 1994-11-04
Category : Philosophy
ISBN : 1438424205
This clearly written book, intended for both specialists and nonspecialists, focuses on Nietzsche's later writings, where he appears unsystematic and indifferent to questions of truth.
Author : Thomas Jovanovski
Publisher : Peter Lang
Page : 206 pages
File Size : 51,7 Mb
Release : 2008
Category : Literary Criticism
ISBN : 0820420026
In this provocative work, Thomas Jovanovski presents a contrasting interpretation to the postmodernist and feminist reading of Nietzsche. As Jovanovski maintains, Nietzsche's written thought is above all a sustained endeavor aimed at negating and superseding the (primarily) Socratic principles of Western ontology with a new table of aesthetic ethics - ethics that originate from the Dionysian insight of Aeschylean tragedy. Just as the Platonic Socrates perceived a pressing need for, and succeeded in establishing, a new world-historical ethic and aesthetic direction grounded in reason, science, and optimism, so does Nietzsche regard the rebirth of an old tragic mythos as the vehicle toward a cultural, political, and religious metamorphosis of the West. However, Jovanovski contends that Nietzsche does not advocate such a radical social turning as an end in itself, but as only the most consequential prerequisite to realizing the culminating object of his «historical philosophizing» - the phenomenal appearance of the Übermensch.
Author : Nikolas Kompridis
Publisher : Bloomsbury Publishing USA
Page : 320 pages
File Size : 53,5 Mb
Release : 2014-04-10
Category : Political Science
ISBN : 9781441196699
The growing exploration of political life from an aesthetic perspective has become so prominent that we must now speak of an “aesthetic turn” in political thought. But what does it mean and what makes it an aesthetic turn? Why now? This diverse and path-breaking collection of essays answers these questions, provoking new ways to think about the possibilities and debilities of democratic politics. Beginning from the premise that politics is already “aesthetic in principle,” the contributions to The Aesthetic Turn in Political Thought from some of the world's leading political theorists and philosophers, disclose a distinct set of political problems: the aesthetic problems of modern politics. The aesthetic turn in political thought not only recognizes that these problems are different in kind from the standard problems of politics, it also recognizes that they call for a different kind of theorizing – a theorizing that is itself aesthetic. A major contribution to contemporary theoretical debates, The Aesthetic Turn in Political Thought will be essential reading to anyone interested in the interdisciplinary crossroads of aesthetic and politics.
Author : Daniel Came
Publisher : Oxford University Press
Page : 266 pages
File Size : 52,8 Mb
Release : 2014-04
Category : Philosophy
ISBN : 9780199545964
Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims—to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy.
Author : Nicholas Martin
Publisher : Oxford University Press
Page : 240 pages
File Size : 55,7 Mb
Release : 1996
Category : Literary Criticism
ISBN : 0198159137
This book, the first to attempt a thorough comparison of Nietzsche's and Schiller's thought, examines their programmes to reform the individual through aesthetic experience, with reference primarily to Nietzsche's Die Geburt der Tragodie and Schiller's Asthetische Briefe. It counters the prejudice that Nietzsche and Schiller represent a black-and-white contrast, draws a convincing picture of their shared cultural heritage and assumptions, and assesses the nature and implications of their claims for the 'untimeliness' of aesthetic experience and of their proposed reforms to man and society.
Author : Salim Kemal,Ivan Gaskell,Daniel W. Conway
Publisher : Cambridge University Press
Page : 372 pages
File Size : 51,5 Mb
Release : 2002-08-08
Category : Philosophy
ISBN : 0521522722
This collection of essays examines Nietzsche's aesthetic account of the origins and ends of philosophy.
Author : Michael Allen Gillespie,Tracy B. Strong
Publisher : University of Chicago Press
Page : 252 pages
File Size : 50,6 Mb
Release : 1988
Category : Philosophy
ISBN : 0226293793
Nietzsche's New Seas makes available for the first time in English a representative sample of the best recent Nietzsche scholarship from Germany, France, and the United States. Michael Allen Gillespie and Tracy B. Strong have brought together scholars from a variety of disciplines—philosophy, history, literary criticism, and musicology—and from schools of thought that differ both methodologically and ideologically. The contributors—Karsten Harries, Robert Pippin, Eugen Fink, Hans-Georg Gadamer, Kurt Paul Janz, Sarah Kofman, Jean-Michel Rey, and the editors themselves—take a new approach to Nietzsche, one that begins with the claim that his enigmatic utterances can best be understood by examining the style or structure of his thought.
Author : Julian Young
Publisher : Cambridge University Press
Page : 196 pages
File Size : 40,6 Mb
Release : 1992
Category : Art
ISBN : 0521455758
This is a clear and lucid account of Nietzsche's philosophy of art.
Author : John Richardson
Publisher : Oxford University Press
Page : 300 pages
File Size : 43,6 Mb
Release : 2004-10-14
Category : Philosophy
ISBN : 9780199883653
Nietzsche wrote in a scientific culture transformed by Darwin. He read extensively in German and British Darwinists, and his own works dealt often with such obvious Darwinian themes as struggle and evolution. Yet most of what Nietzsche said about Darwin was hostile: he sharply attacked many of his ideas, and often slurred Darwin himself as "mediocre." So most readers of Nietzsche have inferred that he must have cast Darwin quite aside. But in fact, John Richardson argues, Nietzsche was deeply and pervasively influenced by Darwin. He stressed his disagreements, but was silent about several core points he took over from Darwin. Moreover, Richardson claims, these Darwinian borrowings were to Nietzsche's credit: when we bring them to the surface we discover his positions to be much stronger than we had thought. Even Nietzsche's radical innovations are more plausible when we expose their Darwinian ground; we see that they amount to a "new Darwinism." The book's four chapters show how four of Nietzsche's most problematic ideas benefit from this Darwinian setting. These are: his claim that life is "will to power," his insistence that his values are "higher" yet also "just his," his disturbing ethics of selfishness and politics of inequality, and his elevation of aesthetic over moral values. Richardson argues that each of these Nietzschean ideas has a clearer and stronger sense when set on the scientific ground he takes from Darwin.
Author : Philip Pothen
Publisher : Routledge
Page : 243 pages
File Size : 49,9 Mb
Release : 2017-08-03
Category : Philosophy
ISBN : 9781351585033
This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.
Author : Geoff Waite
Publisher : Duke University Press
Page : 580 pages
File Size : 40,8 Mb
Release : 1996
Category : Literary Criticism
ISBN : 0822317192
Appearing between two historical touchstones--the alleged end of communism and the 100th anniversary of Nietzsche's death--this book offers a provocative hypothesis about the philosopher's afterlife and the fate of leftist thought and culture. At issue is the relation of the dead Nietzsche (corpse) and his written work (corpus) to subsequent living Nietzscheanism across the political spectrum, but primarily among a leftist corps that has been programmed and manipulated by concealed dimensions of the philosopher's thought. If anyone is responsible for what Geoff Waite maintains is the illusory death of communism, it is Nietzsche, the man and concept. Waite advances his argument by bringing Marxist--especially Gramscian and Althusserian--theories to bear on the concept of Nietzsche/anism. But he also goes beyond ideological convictions to explore the vast Nietzschean influence that proliferates throughout the marketplace of contemporary philosophy, political and literary theory, and cultural and technocultural criticism. In light of a philological reconstruction of Nietzsche's published and unpublished texts, Nietzsche's Corps/e shuttles between philosophy and everyday popular culture and shows them to be equally significant in their having been influenced by Nietzsche--in however distorted a form and in a way that compromises all of our best interests. Controversial in its "decelebration" of Nietzsche, this remarkable study asks whether the postcontemporary age already upon us will continue to be dominated and oriented by the haunting spectre of Nietzsche's corps/e. Philosophers, intellectual historians, literary theorists, and those interested in western Marxism, popular culture, Friedrich Nietzsche, and the intersection of French and German thought will find this book both appealing and challenging.
Author : Karl Ameriks
Publisher : Oxford University Press
Page : 380 pages
File Size : 41,8 Mb
Release : 2012-10-25
Category : Philosophy
ISBN : 9780199693689
Kant's Elliptical Path explores the main stages and key concepts in the development of Kant's Critical philosophy, from the early 1760s to the 1790s. Karl Ameriks devotes essays to each of the three Critiques, and explores post-Kantian developments in German Romanticism, accounts of tragedy up through Nietzsche, and contemporary philosophy.
Author : James J. Winchester
Publisher : Rowman & Littlefield
Page : 164 pages
File Size : 55,9 Mb
Release : 2002
Category : Philosophy
ISBN : 0742513912
James Winchester brings the western philosophical tradition into dialog with contemporary African-American thinkers in an attempt to bridge (or at least understand) the culture gap in aesthetic judgments. Visit our website for sample chapters!
Author : Marek Kwiek
Publisher : Marek Kwiek
Page : 303 pages
File Size : 55,6 Mb
Release : 1996-04-01
Category : Philosophy
ISBN : 9788370920265
The present book is devoted to "European connections of Richard Rorty’s neopragmatism". Rorty can be connected to numerous controversies, polemics and discussions with European philosophy and within its framework, from Plato to Kant to Hegel to Habermas to Derrida. Rorty gets into European discussions with American freshness and intellectual breadth and therefore he was listened to carefully and read with great interest. His connections with European philosophical tradition are manifold, complicated and diversified; with a part of it he remains in a serious, deep controversy (Plato, Kant), with another part of it he remains in a cheerful agreement (young Hegel from Phenomenology, Nietzsche, the early Heidegger, the late Wittgenstein). It is also the case with his connections with contemporary European philosophy - apart from favorites (Derrida, Habermas) there are those he dislikes (the late Heidegger, Foucault). Rorty as a philosopher of the unprecedented erudition, in his philosophizing takes a stance towards the whole philosophy which, from our perspective of more than twenty five hundred years and Greek origins of philosophical conceptuality is European first and foremost. We refer here to a polemical context of Rorty’s writing; it gives us the possibility of showing him from the perspective of others and in comparison with others. The present book never had monographic intentions, it does not want to tell a complete story of its philosophical protagonist in the manner of a German Bildungsroman that presents its hero from the perspective of passing time, nor does it want to present the whole of Rorty’s work from a unifying viewpoint or to present particular stages of Rorty’s development (particular books), starting with the "early" Rorty, with the "medium" one to the "late" Rorty, if the first would be supposed to be Rorty until Philosophy and the Mirror of Nature, the second - Rorty from this book, and the latest - Rorty from Contingency, Irony, and Solidarity onwards. The book presented here intentionally is not a monograph, hence its poetics and architecture are different. Rorty is a philosopher who is still writing, and we intended to provide his past writings with a new dimension, presenting recontextualizations and redescriptions of them in the light of what he is thinking at the moment. We have assumed here the following principle: the work consists of chapters followed by "philosophical excursuses". The former are focused on Rorty’s philosophy, the latter show his philosophy in struggles with other contemporary and past philosophers, providing a more general philosophical background. Philosophers from "excursuses" as well as Rorty’s polemics with them throw as much light to his philosophy as chapters themselves. But they show it in a slightly different, wider perspective, necessary in my view for a more general and culturally significant understanding of importance of his philosophy. Thus, heroes of the excursuses presented here are Jacques Derrida, Jean-François Lyotard, Michel Foucault, Jürgen Habermas and Zygmunt Bauman, as well as such great past philosophical figures as G.W.F. Hegel and Plato. Why these philosophers rather than others? First of all, due to their importance to the development of Rorty’s philosophy - by means of defining its position with reference to their philosophical settlements or by means of philosophical tensions born between them. Two factors were decisive: the role played in Rorty’s philosophy as he can see it and the role played in it as we can see it. It is rather excursuses that provide most contextual material to Rorty’s work, it is them that trace in detail his European connections. The picture that emerges from them is fascinating due to Rorty’s versatility because it is something totally different that is at stake in Rorty’s struggles for fame and immortality with Derrida (as I am trying to outline the debate here), something else it at stake in his political discussions with Lyotard, and something still else in "merely philosophical", as he calls them, debates with Habermas. Without these contextual pieces I might be afraid that the book would be dry and devoid of the cultural surrounding of postmodernity in which Rorty’s work has been written. If Rorty’s philosophy takes its life juice from controversies with European philosophy, it is hard to imagine for me to cut them off in the present work; and they are essential in my view to show the significance of Rorty’s neopragmatism, they are in tune, I hope, with the Rortyan way of practising philosophy. CONTENTS Acknowledgments (5); Introduction (7); Chapter I. Philosophy of recontextualization, recontextualization of philosophy. General remarks (37); Philosophical Excursus I. Seriousness, play, and fame (on Rorty’s Derrida) (59); Chapter II. The question of self-creation (86); Philosophical Excursus II Rorty and Lyotard, or about conversation and tragedy (104); Chapter III Anti-Platonism of Rorty’s thought (133); Philosophical Excursus III Hegel’s presence in Rorty (159); Chapter IV Rorty and literature, or about the priority of the "wisdom of the novel” to the "wisdom of philosophy" (185); Philosophical Excursus IV The picture of an ironist who is unwilling to be a liberal, and of a liberal who is unwilling to be an ironist (Foucault and Habermas) (211); Chapter V Philosophy and politics, or about a romantic and a pragmatist (238); Philosophical Excursus V Rorty, Bauman, contingency, and solidarity (257); Bibliography (289).
Author : Paul S. Loeb
Publisher : Cambridge University Press
Page : 128 pages
File Size : 43,7 Mb
Release : 2010-04-15
Category : Philosophy
ISBN : 9781139486446
In this study of Nietzsche's Thus Spoke Zarathustra, Paul S. Loeb proposes a fresh account of the relation between the book's literary and philosophical aspects and argues that the book's narrative is designed to embody and exhibit the truth of eternal recurrence. Loeb shows how Nietzsche constructed a unified and complete plot in which the protagonist dies, experiences a deathbed revelation of his endlessly repeating life, and then returns to his identical life so as to recollect this revelation and gain a power over time that advances him beyond the human. Through close textual analysis and careful attention to Nietzsche's use of Platonic, biblical, and Wagnerian themes, Loeb explains how this novel design is the key to solving the many riddles of Thus Spoke Zarathustra - including its controversial fourth part, its obscure concept of the Übermensch, and its relation to Nietzsche's Genealogy of Morals.