Nomadic Modernisms And Diasporic Journeys Of Djuna Barnes And Jane Bowles
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Nomadic Modernisms and Diasporic Journeys of Djuna Barnes and Jane Bowles by Pavlina Radia Pdf
This book argues that Djuna Barnes and Jane Bowles counter the critical trend associating American modernity primarily with urban spaces, and instead locate the nomadic thrust of their times in the (post)colonial history of the American frontier.
Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century by Natalie Pollard Pdf
This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.
One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others. On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
Food and Appetites by Ann McCulloch,Pavlina Radia Pdf
This book traces the various configurations of food as hunger, desire, and appetite which point to the complex dialectic of consumption and consummation of ideas and forms underpinning the arts. It examines the relationship between nature and science, space and the act of artistic creation, desire and the arts, appetite and hunger. One of the aims of the book is to explore established theoretical and historical conceptions of “nature” in the arts and re-think their relationship to appetite in the globalized world. Examining the many guises and figurations of hunger in literature and the arts, this book gives an overview of the themes that emerge from the idea of the Hunger Artist alongside the fact of food: the latter’s significance as a barometer of social class; its rich source as a metaphor in literature and art; its unequal distribution throughout the world; and the means by which its consumption can lead to gluttony and further exploitation of the “hungry.” One of the great strengths of this book is the trans-disciplinary nature of the contributions achieved by mapping how the arts in their representation of social, psychological, political, and philosophical perspectives draw attention to the problems associated with excessive human cravings.
Mobilities, Literature, Culture by Marian Aguiar,Charlotte Mathieson,Lynne Pearce Pdf
This is the first book dedicated to literary and cultural scholars’ engagement with mobilities scholarship. As such, the volume both advances new theoretical approaches to the study of culture and furthers the recent “humanities turn” in mobilities studies. The book’s scholarship is deeply informed by cultural geography’s vision of a mobilised reconceptualisation of space and place, but also by the contribution of literary scholars in articulating questions of travel, technologies of transport, (post)colonialism and migration through a close engagement with textual materials. A comprehensive introduction maps pre-histories and emerging directions of this exciting interdisciplinary endeavor while taking up the theoretical and methodological challenges of the burgeoning subfield. Contributions range across geographical and disciplinary boundaries to address questions of embodied subjectivities, mobility and the nation, geopolitics of migration, and mobilities futures.
Why Do Things Break? by R.A. Goodrich,Ann M McCulloch Pdf
This study interrogates the breakages that occur in peoples’ lives such as psychological breakdowns, political ruptures, and the effects of history evolving ideologically such that the axioms of the past are overturned and people subsequently lose their sense of identity or purpose. The book combines creative writing pieces in which writers draw from personal experiences to demonstrate the impact of breakages with more discursive essays that question artificial breakdowns between disciplines and the imperative that underpins all knowledge: its provisional nature in conflict with the human need to categorize and define. It focuses on the psychologies that haunt creative autobiographical pieces, as well as the plight of broken minds and bodies in the face of trauma, historical change and political events. It also looks directly at the ideas of thinkers and artists from the past and the impact their work may still have despite shifting paradigms, ruptures and re-formations. Furthermore, it queries new formations by directly asking: why did former ideas break and why the need for salvaging the past (or authenticating the present) by identifying precursors?
The Future of Humanity by Pavlina Radia,Sarah Fiona Winters,Laurie Kruk Pdf
What is the future of humanity? What does it mean to be ‘human’ in the posthuman age? What responsibility does humankind have towards others and their environments? How are the stories that humans tell themselves implicated in the very power asymmetries and eco-political challenges that they bemoan? Taking a cross-disciplinary approach to the posthuman age, the essays in this collection speak to the multifaceted geographies and counter-geographies of humanity, probing into the possible futures we face as planetary species. Some of these include: ecological issues generated by centuries of neglecting our environment(s); power asymmetries stemming from economic and cultural globalization; violence and its affective politics informed by cultural, ethnic, and racial genocides; religious disputes; social inequities produced by consumerism; gender normativity; and the increasing impact of digital and AI (artificial intelligence) technology on the human body, as well as historical, socio-political, not to mention ethical relations.
While modernity aspired to “fix” radical alienation through aesthetics by assigning an ethical value to narratives, contemporary literature and the arts are no longer immune to the impact of commodity culture amplified by globalization. In the world of commodity, corporate logic, and cyborgs, the very notion of identity is frequently turned into a spectacle. Yet, it is also simultaneously mobilized by the search for what Jean Baudrillard describes as the “ecstatic” form that materializes aesthetics. Ecstatic Consumption: The Spectacle of Global Dystopia in Contemporary American Literature investigates not only how these transformations affect gender, racial, and class relations, as well as how they impact the representation of historical events. Pop culture media and discourses of multiculturalism, both important venues of and vehicles for globalization, have had an extensive effect on contemporary writers like Don DeLillo, Marge Piercy, and Jane Smiley, as have the discourses of terrorism and assimilation on the works of Diana Abu-Jaber, Chang-Rae Lee, Shalom Auslander, and Alissa Torres. As the works of these authors show, the tendency to unify the world as a global village has been frequently complicit in perpetuating oppressive, neo-colonial ideologies. As these writers reveal, literature no longer provides a solid cure for the somnambulist culture of instant gratification. On the global stage, the body becomes the ultimate commodity: the fetish of ecstatic consumption, as it is persistently mobilized by the search for ecstatic avatar (anti)forms. Whether these forms provide an escape into a utopian space or further enhance the dystopian ecstasy is a crucial query framing this book. As it shows, the works of DeLillo, Smiley, Piercy, Abu-Jaber, Lee, Auslander, and Torres provide important and challenging commentaries on the ecstatic gaze of global dystopia, particularly its appetite for alterity and the tragic, often disguised as interchangeable metaphors of Otherness, fear, anxiety, terror, pain, and pleasure, titillation, exoticism, and ecstasy. Consequently, the book sheds light on the ways in which the culture of spectacle is ever-evolving, manipulating and affecting the global dependence on the ecstasy of consumption and its many different forms.
Beat Literature in Europe offers in-depth analyses of how European authors and intellectuals working in different kind of political contexts read, translated and appropriated American Beat literature from the late 1950s to the present.
In Interbellum Literature Cor Hermans offers an overview of modernist writing in the interwar years. The ideas embodied in the personalities and works of Proust, Woolf, Joyce, Kafka, Musil, Beckett, Céline and others are captured in a new synthesis.
For more than fifteen years, Nomadic Subjects has guided discourse in continental philosophy and feminist theory, exploring the constitution of contemporary subjectivity, especially the concept of difference within European philosophy and political theory. Rosi Braidotti's creative style vividly renders a productive crisis of modernity. From a feminist perspective, she recasts embodiment, sexual difference, and complex concepts through relations to technology, historical events, and popular culture. This thoroughly revised and expanded edition retains all but two of Braidotti's original essays, including her investigations into epistemology's relation to the "woman question;" feminism and biomedical ethics; European feminism; and the possible relations between American feminism and European politics and philosophy. A new piece integrates Deleuze and Guattari's concept of the "becoming-minoritarian" more deeply into modern democratic thought, and a chapter on methodology explains Braidotti's methods while engaging with her critics. A new introduction muses on Braidotti's provocative legacy.
In The Philosophical Baroque, Erik Roraback brings a fresh, interdisciplinary eye to a selection of texts from across modernity’s four hundred years—from the explosive energy of the early seventeenth century to the spectacle society of the present.
Djuna Barnes's great verse drama, written in part about her own family, was first published in 1958, and was last reprinted in her Selected Writings of 1962. Since that time the play has been out of print. The play certainly is a strange one; even the author observes in her cautionary note to the volume that 'a misreading of the Antiphon is not impossible'.
A radio presenter interprets one of his dreams as an initiation by the world of spirits into the role of a Manaschi, a Kyrgyz bard and shaman who recites and performs the epic poem, Manas, and is revered as someone connected with supernatural forces. Travelling to his native mountainous village, populated by Tajiks and Kyrgyz, and unravelling his personal and national history, our hero Bekesh instead witnesses a full re-enactment of the epic's wrath. Following on from the award winning The Devils' Dance and Of Strangers and Bees, this is the third and final book in Ismailov's informal Central Asia trilogy. --
Cultural Criticism in the Netherlands, 1933-1940 by Jacob Boas Pdf
In Cultural Criticism in the Netherlands, 1933-40, Jacob Boas offers a broad selection of the newspaper columns of legendary Dutch cultural critic Menno ter Braak noteworthy for their enduring literary and historical relevance.
