Notes And Sources For Folk Songs Of The Catskills Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Notes And Sources For Folk Songs Of The Catskills book. This book definitely worth reading, it is an incredibly well-written.
Author : Norman Cazden,Herbert Haufrecht,Norman Studer Publisher : State University of New York Press Page : 208 pages File Size : 52,8 Mb Release : 1983-06-30 Category : History ISBN : 9780791498644
Notes and Sources for Folk Songs of the Catskills by Norman Cazden,Herbert Haufrecht,Norman Studer Pdf
Notes and Sources to Folk Songs of the Catskills, also published by the State University of New York Press, is the companion volume to Folk Songs of the Catskills. It contains extensive reference notes that exemplify and support detailed citations in the commentary preceding each song. The book also includes a comprehensive list of sources, including books, broadsides or pocket songsters, disc recordings, music publications, periodicals, tape archives, and other miscellaneous material, as well as information on variants, adaptations, comments or references, texts, and tunes. These notes are designed to provide succinct reference information.
Folk Songs of the Catskills by Norman Cazden,Herbert Haufrecht,Norman Studer Pdf
Traditional songs from the Catskill area of New York State are accompanied by detailed discusssions of their roots, development, musical structure, and subject matter
Author : Norman Cazden,Herbert Haufrecht,Norman Studer Publisher : State University of New York Press Page : 672 pages File Size : 52,5 Mb Release : 1983-06-30 Category : History ISBN : 9780791498637
Folk Songs of the Catskills by Norman Cazden,Herbert Haufrecht,Norman Studer Pdf
Part of the ancient Appalachians and just a few miles up the road from a massive metropolitan area, the Catskills have been home to the variety of people who have made the history of the New World. The songs collected here reflect this history. They are songs of rafting and lumbering, war and railroads, prison and hard times, and nonsense and drinking. And they are songs of love—tragic love, thwarted love, foolish love—and sometimes even true love. Collecting the songs began in 1941 when educator Norman Studer and composer Herbert Haufrecht led a group of young people on folklore trips through the mountains. The distinguished musician Norman Cazden continued the collection, adding his research and scholarship. The book is the cumulative work of these three colleagues. Useful as an annotated archive of regional lore, Folk Songs of the Catskills traces roots to early Scottish, Irish, Welsh, English, and American sources. Both texts and musical structure are compared to other traditional songs. Extended search for tune relatives is directed towards tracing the known use of each tune strain, whether in variants with similar texts or quite different texts. Some of the Catskill versions of tunes have not been found elsewhere, and others are rarely encountered. Whether related to others or unique to the Catskills, the commentary on the songs in this collection contributes to a more general theory of the nature of traditional tunes and their transformation. The late composer/musicologist and university professor, Norman Cazden, worked meticulously over a period of many years to trace traditional melodies and texts. Both Cazden and fellow composer Herbert Haufrecht were music directors of Camp Woodland, a unique summer school in the Catskill Mountains which acquainted students with the folklore of this musically rich region. The late Norman Studer, one of the founders and for many years the director of Camp Woodland, was also an ardent folklorist who spent much of his life in the hills and hollows of the Catskills looking for folksingers and yarnspinners. Together, these devoted scholars have created a work that is as enjoyable as it is rare.
Old-Time Music Makers of New York State by Simon J. Bronner Pdf
Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.
Sam Henry's Songs of the People by Gale Huntington,Lani Herrmann Pdf
The story of Ireland—its graces and shortcomings, triumphs and sorrows—is told by ballads, dirges, and humorous songs of its common people. Music is a direct and powerful expression of Irish folk culture and an aspect of Irish life beloved throughout the rest of the world. Incredibly, the largest single gathering of Irish folk songs had been almost inaccessible because, originally newspaper based, it was available in only three libraries, in Belfast, Dublin, and Washington D.C. Sam Henry's “Songs of the People” makes the music available to a wider audience than the collector ever imagined. Comprising nearly 690 selections, this thoroughly annotated and indexed collection is a treasure for anyone who performs, composes, studies, collects, or simply enjoys folk music. It is valuable as an outstanding record of Irish folk songs before World War II, demonstrating the historical ties between Irish and Southern folk culture and the tremendous Irish influence on American folk music. In addition to the songs themselves and their original commentary, Sam Henry's “Songs of the People” includes a glossary, bibliography, discography, index of titles and first lines, melodic index, index of the original sources of the songs and information about them, geographical index of sources, and three appendixes related to the original song series in the Northern Constitution.
An American Singing Heritage by Norm Cohen,Carson Cohen,Anne Dhu McLucas Pdf
This edition brings together representative transcriptions of folk songs and ballads in the British-Irish-American oral tradition that have enjoyed widespread familiarity throughout twentieth-century America. Within are the one hundred folk songs that most frequently occurred in a methodical survey of Roud’s Folk Song Index, catalogues of commercial early country (or "hillbilly") recordings, and relevant archival collections. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from (1) commercial recordings of "hillbilly" musicians, and (2) field recordings in the collection of the Library of Congress’s Archive of American Folk Song, now part of the Archive of Folk Culture. Each transcription is accompanied by a brief contextualizing essay discussing the song’s history and influence, recording and performance information (whenever available), and an examination of the tune. The edition begins with a substantive essay about the history of folk song recordings and folk song scholarship, and the nature of traditional vocal music in the United States.
Author : Bill Hullfish With Dave Ruch Publisher : Arcadia Publishing Page : 240 pages File Size : 54,9 Mb Release : 2019 Category : History ISBN : 9781467142090
Erie Canal Sings, The: A Musical History of New York’s Grand Waterway by Bill Hullfish With Dave Ruch Pdf
Life working along the banks of the Erie Canal is preserved in the songs of America's rich musical history. Thomas Allen's "Low Bridge, Everybody Down" has achieved iconic status in the American songbook, but its true story has never been told until now. Erie songs such as "The E-ri-e Is a-Risin'" would transform into "The C&O Is a-Risin'" as the song culture spread among a network of other canals, including the Chesapeake and Ohio and the Pennsylvania Main Line. As motors replaced mules and railroads emerged, the canal song tradition continued on Broadway stages and in folk music recordings. Author Bill Hullfish takes readers on a musical journey along New York's historic Erie Canal.
The Nordic Storyteller by Susan Brantly,Thomas A. DuBois Pdf
The Nordic Storyteller: Essays in Honour of Niels Ingwersen consists of a set of nineteen research essays plus an introduction, written by colleagues and admirers of Niels and Faith Ingwersen, leaders in the field of Scandinavian Studies in North America for some four decades. A first section of seven essays, entitled “Songs and Tales in Oral Tradition,” presents research in the area of folklore studies, including balladry, saints’ lives, incantations, healing, legendry, and personal experience narrative. Articles take up such issues as classification, thematics, cultural and historical change, and the effects of technology on daily life. A closely related second section, “From Oral Tradition to Literature” includes three essays which examine the adaptation of oral tradition to literary forms, focusing on the works of P. Chr. Asbjørnsen, Esias Tegnér, Elias Lönnrot, F. R. Kreutzwald, and the illustrations of Arthur Rackham—all figures important in the rise of folklore as a key interest of Romantic nationalism. A further set of nine essays grouped under the title “Tales in Literary Form” examine aspects of the writings of some of the greatest storytellers of the nineteenth and twentieth centuries, including H. C. Andersen, Herman Bang, Henrik Ibsen, Jóhann Magnús Bjarnason, Charles Dickens, Thomas Mann, Isak Dinesen, Martin Andersen Nexø, Billy August, Hans Scherfig, Peter Høeg, Klaus Rifbjerg, Leif Panduro, and Kjartan Fløgstad. Articles address topics including autobiography, source criticism, symbolism, personal and national identities, and the representation of political ideals. Together the essays of this volume demonstrate the unflagging salience of narrative—of storytelling—in the personal lives and social experiences of Scandinavians and their neighbors, past and present.
Author : Terry E. Miller Publisher : New York : Garland Pub. Page : 462 pages File Size : 45,9 Mb Release : 1986 Category : Folk music ISBN : IND:39000005576686
This useful bibliography includes books, dissertations, scholarly articles in journals and Festschrifts, and some encyclopedia articlesalmost all published in English since 1900, with emphasis on recently published items. Annotations are succinct and helpful. Short essays introduce each section of the book, allowing Miller to defend his inclusion of topics like "the singing school'' and "the folk revival.'' The listing includes works on numerous ethnic musics, in addition to the literature on Anglo, black, and Indian music. There are both subject and author indexes.
If you've ever wanted to know the "correct" words to "Roll Me Over," or wondered where the melody of "Sweet Betsy from Pike" came from, this book can answer your questions. Extensively revised and including forty more songs than its predecessor, this new edition of The Erotic Muse is a unique scholarly collection of bawdy or forbidden American folksongs. Ed Cray presents the full texts of some 125 songs, with melodies for most of them and detailed annotations for all. His lively commentary places the songs in historical, social, and, where appropriate, psychological context.
