Offstage Space Narrative And The Theatre Of The Imagination

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Offstage Space, Narrative, and the Theatre of the Imagination

W. Gruber
Offstage Space Narrative and the Theatre of the Imagination Book PDF

Author : W. Gruber
Publisher : Springer
Page : 192 pages
File Size : 54,8 Mb
Release : 2010-03-01
Category : Performing Arts
ISBN : 9780230105645

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Offstage Space, Narrative, and the Theatre of the Imagination by W. Gruber Pdf

Offstage Space, Narrative, and the Theatre of the Imagination is a study of extrascenic space and how playwrights have used narrative as an alternative to conventional scenic enactment. The book covers the work of writers as diverse as Euripides, Plautus, Shakespeare, Susan Glaspell, Gertrude Stein, Bertolt Brecht, Samuel Beckett, Marguerite Duras, Brian Friel, and Thomas Bernhard. William Gruber offers a wide-ranging overview of the dramaturgical choices dramatists make when they substitute imagined events for perceptual ones.

Site Unscene

Jonathan Walker
Site Unscene Book PDF

Author : Jonathan Walker
Publisher : Northwestern University Press
Page : 200 pages
File Size : 40,8 Mb
Release : 2017-05-15
Category : Performing Arts
ISBN : 9780810135031

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Site Unscene by Jonathan Walker Pdf

Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers’ sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama’s nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage. Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama. Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies.

Space, Time and Ways of Seeing

Mundoli Narayanan
Space Time and Ways of Seeing Book PDF

Author : Mundoli Narayanan
Publisher : Taylor & Francis
Page : 244 pages
File Size : 55,8 Mb
Release : 2021-08-23
Category : Social Science
ISBN : 9781000425260

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Space, Time and Ways of Seeing by Mundoli Narayanan Pdf

This volume explores the constitutive role played by space in the performance of Kutiyattam. The only surviving form of Sanskrit theatre, Kutiyattam is distinctive in terms of its performance conventions and its unique culture of extensive elaboration and interpretation. Drawing upon the concepts of phenomenology on the processes of perception, particularly on the works of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, it analyses the role of space in the communicative structures of performance of Kutiyattam and its contribution to the production of meaning in theatre, especially in the context of contemporary theatre. The book explores the theatrical event as a phenomenon that comes into existence through a triangular relationship among the ‘ways of being’ of the performers, the ‘ways of seeing’ of the audience, and the space which brings them together. Based on this formulation, Kutiyattam is approached as a ‘theatre of elaboration,’ made possible by the ‘intimate,’ ‘proximal’ ways of seeing of the audience, in the particular theatrical space of the kūttampalaṃs, the temple theatres, where Kutiyattam has customarily been performed for more than five centuries. This volume will be of great interest to scholars and researchers of cultural studies, theatre and performance studies, cultural anthropology, phenomenology and South Asian studies.

Dark Matter

Andrew Sofer
Dark Matter Book PDF

Author : Andrew Sofer
Publisher : University of Michigan Press
Page : 243 pages
File Size : 44,6 Mb
Release : 2013-10-28
Category : Performing Arts
ISBN : 9780472052042

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Dark Matter by Andrew Sofer Pdf

Dark Matter maps the invisible dimension of theater whose effects are felt everywhere in performance. Examining phenomena such as hallucination, offstage character, offstage action, sexuality, masking, technology, and trauma, Andrew Sofer engagingly illuminates the invisible in different periods of postclassical western theater and drama. He reveals how the invisible continually structures and focuses an audience’s theatrical experience, whether it’s black magic in Doctor Faustus, offstage sex in A Midsummer Night’s Dream, masked women in The Rover, self-consuming bodies in Suddenly Last Summer, or surveillance technology in The Archbishop’s Ceiling. Each discussion pinpoints new and striking facets of drama and performance that escape sight. Taken together, Sofer’s lively case studies illuminate how dark matter is woven into the very fabric of theatrical representation. Written in an accessible style and grounded in theater studies but interdisciplinary by design, Dark Matter will appeal to theater and performance scholars, literary critics, students, and theater practitioners, particularly playwrights and directors.

Samuel Beckett in Confinement

James Little
Samuel Beckett in Confinement Book PDF

Author : James Little
Publisher : Bloomsbury Publishing
Page : 342 pages
File Size : 46,9 Mb
Release : 2020-05-14
Category : Literary Criticism
ISBN : 9781350112346

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Samuel Beckett in Confinement by James Little Pdf

Confinement appears repeatedly in Samuel Beckett's oeuvre – from the asylums central to Murphy and Watt to the images of confinement that shape plays such as Waiting for Godot and Endgame. Drawing on spatial theory and new archival research, Beckett in Confinement explores these recurring concepts of closed space to cast new light on the ethical and political dimensions of Beckett's work. Covering the full range of Beckett's writing career, including two plays he completed for prisoners, Catastrophe and the unpublished 'Mongrel Mime', the book shows how this engagement with the ethics of representing prisons and asylums stands at the heart of Beckett's poetics. "James Little's Beckett in Confinement offers a brilliant analysis of the politics behind Beckett's production of closed space, both as a writer and as a director. It carefully examines the move from writing about closed space to creating an art of confinement. To argue that Beckett's use of confined space is central to the political dynamics of his works, James Little also superbly employs genetic criticism to open up the confined space of the published text and bring highly relevant draft materials back into the critical conversation." Dirk Van Hulle, Professor of Bibliography and Modern Book History, University of Oxford, UK "The many characters Beckett invented share one characteristic: they are all imprisoned or trapped in some way, no matter where they are. Samuel Beckett in Confinement: The Politics of Closed Space draws on untapped riches from Beckett's correspondence and the archives to reconsider the obsession with entrapment, coercion and detention central to Beckett's varied oeuvre. In this exciting and illuminating analysis, James Little offers a fresh and original reading of the work's ethical and political dimensions, and shows us why we need to stop thinking about confinement as a metaphysical metaphor." Emilie Morin, Professor of Modern Literature, University of York, UK "Little breaks new ground in this expansive investigation to explore how confinement is a central component of Beckett's political aesthetics ... The reader is guided by a crisp and easy style of writing as Little demonstrates a command of sources which are broad in scope, but negotiated to form a compelling and impactful study." Journal of Beckett Studies

Circumstantial Shakespeare

Lorna Hutson
Circumstantial Shakespeare Book PDF

Author : Lorna Hutson
Publisher : OUP Oxford
Page : 256 pages
File Size : 49,5 Mb
Release : 2015-10-16
Category : Literary Criticism
ISBN : 9780191650857

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Circumstantial Shakespeare by Lorna Hutson Pdf

Shakespeare's characters are thought to be his greatest achievement—imaginatively autonomous, possessed of depth and individuality, while his plots are said to be second-hand and careless of details of time and place. This view has survived the assaults of various literary theories and has even, surprisingly, been revitalized by the recent emphasis on the collaborative nature of early modern theatre. But belief in the autonomous imaginative life of Shakespeare's characters depends on another unexamined myth: the myth that Shakespeare rejected neoclassicism, playing freely with theatrical time and place. Circumstantial Shakespeare explodes these venerable critical commonplaces. Drawing on sixteenth-century rhetorical pedagogy, it reveals the importance of topics of circumstance (of Time, Place, and Motive, etc.) in the conjuring of compelling narratives and vivid mental images. 'Circumstances' — which we now think of as incalculable contingencies — were originally topics of forensic inquiry into human intention or passion. In drawing on the Roman forensic tradition of circumstantial proof, Shakespeare did not ignore time and place. His brilliant innovation was to use the topics of circumstance to imply offstage actions, times and places in terms of the motives and desires we attribute to the characters. His plays thus create both their own vivid and coherent dramatic worlds and a sense of the unconscious feelings of characters inhabiting them. Circumstantial Shakespeare offers new readings of Romeo and Juliet, King Lear, Lucrece, Two Gentlemen of Verona and Macbeth, as well as new interpretations of Sackville and Norton's Gorboduc and Beaumont and Fletcher's The Maid's Tragedy. It engages with eighteenth-century Shakespeare criticism, contemporary Shakespeare criticism, semiotics of theatre, Roman forensic rhetoric, humanist pedagogy, the prehistory of modern probability, psychoanalytic criticism and sixteenth-century constitutional thought.

The Transformations of Tragedy

Fionnuala O’Neill Tonning,Erik Tonning,Jolyon Mitchell
The Transformations of Tragedy Book PDF

Author : Fionnuala O’Neill Tonning,Erik Tonning,Jolyon Mitchell
Publisher : BRILL
Page : 340 pages
File Size : 49,7 Mb
Release : 2019-11-26
Category : Religion
ISBN : 9789004416543

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The Transformations of Tragedy by Fionnuala O’Neill Tonning,Erik Tonning,Jolyon Mitchell Pdf

The Transformations of Tragedy explores different Christian influences, from the Early Modern to Modern periods, upon the development of post-classical Western tragedy.

Immersive Theatre and Audience Experience

Rose Biggin
Immersive Theatre and Audience Experience Book PDF

Author : Rose Biggin
Publisher : Springer
Page : 225 pages
File Size : 42,6 Mb
Release : 2017-09-06
Category : Performing Arts
ISBN : 9783319620398

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Immersive Theatre and Audience Experience by Rose Biggin Pdf

This book is the first full-length monograph to focus on Punchdrunk, the internationally-renowned theatre company known for its pioneering approach to immersive theatre. With its promises of empowerment, freedom and experiential joy, immersive theatre continues to gain popularity - this study brings necessary critical analysis to this rapidly developing field. What exactly do we mean by audience “immersion”? How might immersion in a Punchdrunk production be described, theorised, situated or politicised? What is valued in immersive experience - and are these values explicit or implied? Immersive Theatre and Audience Experience draws on rehearsals, performances and archival access to Punchdrunk, providing new critical perspectives from cognitive studies, philosophical aesthetics, narrative theory and computer games. Its discussion of immersion is structured around three themes: interactivity and game; story and narrative; environment and space. Providing a rigorous theoretical toolkit to think further about the form’s capabilities, and offering a unique set of approaches, this book will be of significance to scholars, students, artists and spectators.

Theatre Through the Camera Eye

Laura Sava
Theatre Through the Camera Eye Book PDF

Author : Laura Sava
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 42,8 Mb
Release : 2019-06-24
Category : Performing Arts
ISBN : 9780748697489

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Theatre Through the Camera Eye by Laura Sava Pdf

Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media.

Performance of Absence in Theatre, Performance and Visual Art

Sylwia Dobkowska
Performance of Absence in Theatre Performance and Visual Art Book PDF

Author : Sylwia Dobkowska
Publisher : Routledge
Page : 204 pages
File Size : 46,9 Mb
Release : 2021-12-30
Category : Performing Arts
ISBN : 9781000519563

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Performance of Absence in Theatre, Performance and Visual Art by Sylwia Dobkowska Pdf

This research project investigates the concepts of absence across the disciplines of theatre, visual art, and performance. Absence in the centre of an ideology frees the reader from the dominant meaning. The book encourages active engagement with theatre theory and performances. Reconsideration of theories and experiences changes the way we engage with performances, as well as social relations and traditions outside of theatre. Sylwia Dobkowska examines and theorises absence and presence through theatre, performance, and visual arts practices. This book will be of great interest to students and scholars of theatre, visual art, and philosophy.

Spectral Characters

Sarah Balkin
Spectral Characters Book PDF

Author : Sarah Balkin
Publisher : University of Michigan Press
Page : 199 pages
File Size : 45,6 Mb
Release : 2019-07-31
Category : Performing Arts
ISBN : 9780472131488

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Spectral Characters by Sarah Balkin Pdf

Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don’t appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism.

Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry

Leo Shtutin
Spatiality and Subjecthood in Mallarm Apollinaire Maeterlinck and Jarry Book PDF

Author : Leo Shtutin
Publisher : Oxford University Press
Page : 200 pages
File Size : 50,7 Mb
Release : 2019-02-07
Category : Literary Criticism
ISBN : 9780192554932

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Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry by Leo Shtutin Pdf

This study explores the interrelationship between spatiality and subjecthood in the work of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry. Concerned with various modes of poetry and drama, it also examines the cross-pollination that can occur between these modes, focusing on a range of core texts including Mallarmé's Igitur and Un Coup de dés; Apollinaire's 'Zone' and various of his calligrammes; Maeterlinck's early one-act plays: L'Intruse, Les Aveugles, and Intérieur; and Jarry's Ubu roi and César-Antechrist.. The poetic and dramatic practices of these four authors are assessed against the broader cultural and philosophical contexts of the fin de siècle. The fin de siècle witnessed a profound epistemological shift: the Newtonian-Cartesian paradigm, increasingly challenged throughout the nineteenth century, was largely dismantled, with ramifications beyond physics, philosophy, and psychology. Chapter 1 introduces three foundational notions—Newtonian absolute space, the unitary Cartesian subject, and subject-object dualism—that were challenged and ultimately overthrown in turn-of-the-century science and art. Developments in theatre architecture and typographic design are examined against this philosophical backdrop with a view to establishing a diachronic and interdisciplinary framework of the authors in question. Chapter 2 focuses on the spatial dimension of Mallarmé's Un Coup de dés and Apollinaire's calligrammes—works which defamiliarise page-space by undermining various (naturalised) conventions of paginal configuration. In Chapter 3, the notion of liminality is implemented in an analysis of character and diegetic space as constructed in Jarry's Ubu roi and Maeterlinck's one-acts. Chapters 4 and Chapter 5 undertake a more abstract investigation of parallel inverse processes-the subjectivisation of space and the spatialisation of the subject—manifest not only in the works of Mallarmé, Maeterlinck, Apollinaire, and Jarry, but in the period's poetry and drama more generally.

Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry

Leo Shtutin
Spatiality and Subjecthood in Mallarm Apollinaire Maeterlinck and Jarry Book PDF

Author : Leo Shtutin
Publisher : Oxford University Press
Page : 200 pages
File Size : 53,6 Mb
Release : 2019-02-14
Category : Literary Criticism
ISBN : 9780192554949

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Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry by Leo Shtutin Pdf

This study explores the interrelationship between spatiality and subjecthood in the work of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry. Concerned with various modes of poetry and drama, it also examines the cross-pollination that can occur between these modes, focusing on a range of core texts including Mallarmé's Igitur and Un Coup de dés; Apollinaire's 'Zone' and various of his calligrammes; Maeterlinck's early one-act plays: L'Intruse, Les Aveugles, and Intérieur; and Jarry's Ubu roi and César-Antechrist.. The poetic and dramatic practices of these four authors are assessed against the broader cultural and philosophical contexts of the fin de siècle. The fin de siècle witnessed a profound epistemological shift: the Newtonian-Cartesian paradigm, increasingly challenged throughout the nineteenth century, was largely dismantled, with ramifications beyond physics, philosophy, and psychology. Chapter 1 introduces three foundational notions—Newtonian absolute space, the unitary Cartesian subject, and subject-object dualism—that were challenged and ultimately overthrown in turn-of-the-century science and art. Developments in theatre architecture and typographic design are examined against this philosophical backdrop with a view to establishing a diachronic and interdisciplinary framework of the authors in question. Chapter 2 focuses on the spatial dimension of Mallarmé's Un Coup de dés and Apollinaire's calligrammes—works which defamiliarise page-space by undermining various (naturalised) conventions of paginal configuration. In Chapter 3, the notion of liminality is implemented in an analysis of character and diegetic space as constructed in Jarry's Ubu roi and Maeterlinck's one-acts. Chapters 4 and Chapter 5 undertake a more abstract investigation of parallel inverse processes-the subjectivisation of space and the spatialisation of the subject—manifest not only in the works of Mallarmé, Maeterlinck, Apollinaire, and Jarry, but in the period's poetry and drama more generally.

Performing the Unstageable

Karen Quigley
Performing the Unstageable Book PDF

Author : Karen Quigley
Publisher : Bloomsbury Publishing
Page : 273 pages
File Size : 50,6 Mb
Release : 2020-02-20
Category : Performing Arts
ISBN : 9781350055469

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Performing the Unstageable by Karen Quigley Pdf

From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure examines this phenomenon of what the theatre cannot do or has not been able to do at various points in its history. The book explores four principal areas to which unstageability most frequently pertains: stage directions, adaptations, violence and ghosts. Karen Quigley incorporates a wide range of case studies of both historical and contemporary theatrical productions including the Wooster Group's exploration of Hamlet via the structural frame of John Gielgud's 1964 filmed production, Elevator Repair Service's eight-hour staging of Fitzgerald's The Great Gatsby and a selection of impossible stage directions drawn from works by such playwrights as Eugene O'Neill, Philip Glass, Caryl Churchill, Sarah Kane and Alistair McDowall. Placing theatre history and performance analysis in such a context, Performing the Unstageable values what is not possible, and investigates the tricky underside of theatre's most fundamental function to bring things to the place of showing: the stage.

Civic and Medical Worlds in Early Modern England

E. Decamp
Civic and Medical Worlds in Early Modern England Book PDF

Author : E. Decamp
Publisher : Springer
Page : 277 pages
File Size : 43,9 Mb
Release : 2016-06-15
Category : Literary Criticism
ISBN : 9781137471567

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Civic and Medical Worlds in Early Modern England by E. Decamp Pdf

Through its rich foray into popular literary culture and medical history, this book investigates representations of regular and irregular medical practice in early modern England. Focusing on the prolific figures of the barber, surgeon and barber-surgeon, the author explores what it meant to the early modern population for a group of practitioners to be associated with both the trade guilds and an emerging professional medical world. The book uncovers the differences and cross-pollinations between barbers and surgeons' practices which play out across the literature: we learn not only about their cultural, civic, medical and occupational histories but also about how we should interpret patterns in language, name choice, performance, materiality, acoustics and semiology in the period. The investigations prompt new readings of Shakespeare, Jonson, Middleton and Beaumont, among others. And with chapters delving into early modern representations of medical instruments, hairiness, bloodletting procedures, waxy or infected ears, wart removals and skeletons, readers will find much of the contribution of this book is in its detail, which brings its subject to life.