Old Papermaking In China And Japan Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Old Papermaking In China And Japan book. This book definitely worth reading, it is an incredibly well-written.
The classic work on papermaking, this book traces the craft's history from its invention in China to its introductions in Europe and America. The foremost authority on the subject covers tools and materials; hand moulds; pressing, drying, and sizing; hand- and machine-made paper; watermarking; and more. Over 320 illustrations.Reprint of the second, revised, and enlarged 1947 edition.
Science and Civilisation in China, Part 1, Paper and Printing by Joseph Needham,Tsien Tsuen-Hsuin Pdf
Part one of the fifth volume of Joseph Needham's great enterprise is written by one of the project's collaborators. Professor Tsien Tsuen-Hsuin, working in regular consultation with Dr Needham, has written the most comprehensive account of every aspect of paper and printing in China to be published in the West. From a close study of the vast mass of source material, Professor Tsien brings order and illumination to an area of technology which has been of profound importance in the spread of civilisation. The main body of the book is a detailed study of the invention, technology and aesthetic development of printing in China. From the growth and ultimate refinements of early woodcut printing to the spread of printing from movable type and the development of book-binding, Professor Tsien carries the story forward to the beginning of the nineteenth century when 'more printed pages existed in Chinese than in all other languages put together'.
Since at least the early sixth century C.E., ink rubbings of stone, metal, clay tiles, and wood inscriptions and pictorial images have been used in China to make precise copies of culturally valued material. These paper copies sometimes are all that remain of original works that have become illegible through erosion, or that have been destroyed by war or development, or have been rendered inaccessible through events such as flooding resulting from dam construction. Chinese rubbing techniques are used throughout East Asia to create copies that often also are prized in themselves as works of art. Despite the primary importance of this technology to history, art, archaeology, printing, and many other fields of knowledge, Black Tigers is the first comprehensive study of rubbings in a Western language, and as such will be welcomed by both scholars and collectors. In Black Tigers, Kenneth Starr recounts what he has seen and learned in fifty years of fascination with rubbings and travels to China in search of the early inscriptions from which they came. The book is a history of rubbings, a guide to connoisseurship, and a technical handbook on the materials and techniques used to make rubbings. Now readers of English, with the author as their affable guide, can gain rich insight into a rigorous discipline of classical scholarship, the way in which traditional scholars viewed their world, and some of the exquisite subtleties of Chinese high culture and connoisseurship. Black Tigers will be an essential resource for students of Chinese art, history, calligraphy, archaeology, and the history of printing.
Author : Welford Dunaway Taylor Publisher : David R. Godine Publisher Page : 140 pages File Size : 40,6 Mb Release : 1999 Category : Art ISBN : 1567920497
The Woodcut Art of J.J. Lankes by Welford Dunaway Taylor Pdf
Taylor (English, U. of Richmond) paints a rich portrait of Lankes, arguably the first genuine native-born American woodcut artist who was the sole creator of about 1,300 b&w images used on everything from book jackets to theater posters. He presents Lankes' varied and striking renditions of the peop
The Aztec and Maya Papermakers by Victor Wolfgang Von Hagen Pdf
First scholarly work devoted to Aztec and Maya papermaking. Chosen by the American Institute of Graphic Arts as one of the fifty best books of 1944, it thoroughly discusses the processes and materials used by these ancient craftsmen. Extensive editorial apparatus. Essential reading for historians, anthropologists, and students.
Where would we be without paper? We’d have no books or magazines, no paper money, and no material on which to paint or draw. But fortunately, paper has been around for thousands of years—and we have ancient China to thank for that! This detailed volume explains the history of paper, from its likely origins with hemp fiber to its use for books and documents and its growing spread to other areas of the world. Photos of historical artifacts bring history to life, and further sources encourage readers to learn more.
Newspapers of the World Online by Hartmut Walravens Pdf
Digitisation has been a hot topic in newspaper librarianship for some years now; it came as a godsend for many bulky and space-consuming collections. The major part of this volume comprises the papers given at the international conference on newspaper digitisation held at the University of Utah, Salt Lake City (May 2006) and presents the state of the art, including experiences from current British and North American projects. This material is complemented by presentations from the World Library and Information Congress in Seoul (August 2006), focusing on the East Asian Newspaper situation.
From the eleventh through the seventeenth centuries, the publishers of Jianyang in Fujian province played a conspicuous role in the Chinese book trade. Unlike the products of government and educational presses, their publications were destined for the retail book market. These publishers survived by responding to consumer demands for dictionaries, histories, geographies, medical texts, encyclopedias, primers, how-to books, novels, and anthologies. Their publications reflect the varied needs of the full range of readers in late imperial China and allow us to study the reading habits, tastes, and literacy of different social groups. The publishers of Jianyang were also businessmen, and their efforts to produce books efficiently, meet the demands of the market, and distribute their publications provide a window on commerce and industry and the growth of regional and national markets. The broad cultural, historical, and geographical scope of the Jianyang book trade makes it an ideal subject for the study of publishing in China. Based on an extensive study of Jianyang imprints, genealogies of the leading families of printers, local histories, documents, and annotated catalogs and bibliographies, Lucille Chia has written not only a history of commercial printing but also a wide-ranging study of the culture of the book in traditional China.
In response to the present day revival of interest in fine printing and binding, this unique volume highlights several of North America's special collections focusing on various aspects of the history and art of the book. Experts describe the scope, value, and utility of diverse collections in Canada, New York, California, Washington, New Jersey, and more, that reflect the collecting interests of librarians and private donors. Bibliophiles will be fascinated by the historical overviews of the collections on calligraphy, papermaking, bookbinding, printing, and illustration and the insight into the future direction of library acquisitions. The addition of a list of readings provides a basic framework and helpful suggestions for further reading on the topics covered in this definitive book.
The Dictionary of the Book by Sidney E. Berger Pdf
Named a Library Journal Best Reference of 2023 - From Library Journal's Starred Review: "This ambitious and entertaining update solidifies Berger’s volume as a must-have title for librarians, booksellers, collectors, and students of the book arts and book history." This new edition of The Dictionary of the Book adds more than 700 new entries and many new illustrations and brings the vocabulary and theory of bookselling and collecting into the modern commercial and academic world, which has been forced to adjust to a new reality. The definitive glossary of the book covers all the terms needed for a thorough understanding of how books are made, the materials they are made of, and how they are described in the bookselling, book collecting, and library worlds. Every key term—more than 2,000—that could be used in booksellers’ catalogs, library records, and collectors’ descriptions of their holdings is represented in this dictionary. This authoritative source covers all areas of book knowledge, including: The book as physical object Typeface terminology Paper terminology Printing Book collecting Cataloging Book design Bibliography as a discipline, bibliographies, and bibliographical description Physical Condition and how to describe it Calligraphy Language of manuscripts Writing implements Librarianship Legal issues Parts of a book Book condition terminology Pricing of books Buying and selling Auctions Items one will see an antiquarian book fairs Preservation and conservation issues, and the notion of restoration Key figures, presses / publishers, and libraries in the history of books Book collecting clubs and societies How to read and decipher new and old dealers’ catalogs And much more The Dictionary also contains an extensive bibliography—more than 1,000 key readings in the book world and it gives current (and past) definitions of terms whose meaning has shifted over the centuries. More than 200 images accompany the entries, making the work even more valuable for understanding the terms described.
Exploring Written Artefacts by Jörg B. Quenzer Pdf
This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’.
This book is the first comprehensive work about all facets of the Dard Hunter life. It has captured the essence of Hunter, his world, and his vision. He was a unique blend of craftsman and scholar. He was not only a designer in the Arts & Crafts Movement in the early decades of this century, but also a private press printer, paper historian, author, collector, and museum director. He traveled the world between the two world wars collecting tools, equipment, raw materials, and paper specimens, which now comprise the Dard Hunter Research Center at the Robert C. Williams American Museum of Papermaking in Atlanta, Georgia.
