On The Origins Of The Cartouche And Encircling Symbolism In Old Kingdom Pyramids
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On the Origins of the Cartouche and Encircling Symbolism in Old Kingdom Pyramids by David Ian Lightbody Pdf
This study suggests the development of the cartouche was closely related to the monumental encircling symbolism incorporated into the architectural designs of the Old Kingdom pyramids. By employing a new architectural style and a new iconographic symbol, the pharaoh sought to elevate his status above that of the members of his powerful court.
On the Origins of the Cartouche and Encircling Symbolism in Old Kingdom Pyramids by David Ian Lightbody Pdf
This study suggests the development of the cartouche was closely related to the monumental encircling symbolism incorporated into the architectural designs of the Old Kingdom pyramids. By employing a new architectural style and a new iconographic symbol, the pharaoh sought to elevate his status above that of the members of his powerful court.
This volume offers the first comprehensive overview of the evolution over time of a foundational concept of the Egyptian afterlife beliefs, the Duat, or netherworld. The Duat is a complicated, multifaceted notion, which was never canonized into a single version of the beyond, but offered instead a variety of alternatives attempting to describe the metaphysical realms beyond the visible world, and beyond life. Theological speculations gave rise to a rich textual and visual repertoire, which underwent a process of evolution over thousands of years, during which newer ideas and images were constantly introduced. Through the analysis of royal and non-royal funerary texts from the late Old Kingdom to the end of the New Kingdom, this book traces the development of the conceptualization of the notion of Duat, outlining what it encompassed and where it was imagined to be located. In addition to the translation and discussion of the most significant passages of the texts analyzed, each chapter also provides an overview of the individual compositions and of the relevant theological, cosmological, and astronomical notions complementing the conceptual framework, of which the Duat formed but a part. Additionally, discussions of concurrent changes in Egyptian culture, society, and ideology are included in order to clarify the context in which afterlife beliefs and related texts evolved. An analysis of the correlation between funerary compositions and their material supports complements the study, emphasizing the Egyptians' belief in a magical synergy between texts, images, and their contexts in the activation of a suitable, effective afterlife for the recipients of the texts.
Author : William H. Stiebing Jr.,Susan N. Helft Publisher : Taylor & Francis Page : 684 pages File Size : 46,7 Mb Release : 2023-07-03 Category : History ISBN : 9781000880663
Ancient Near Eastern History and Culture by William H. Stiebing Jr.,Susan N. Helft Pdf
Ancient Near Eastern History and Culture offers an historical overview of the civilizations of the ancient Near East spanning ten thousand years of history. This new edition is a comprehensive introduction to the history and culture of the Near East, from prehistory and the beginnings of farming to the fall of Achaemenid Persia. Through text, images, maps, and historical documents, readers discover the material, social, and political world of cultures from Egypt to India, allowing students to see how these intertwined cultures interacted throughout history. Now fully updated and incorporating the latest scholarship on society, religion, and the economy, this book highlights the changing fortunes of these great civilizations. A special feature of this book is its many "Debating the Evidence" sections, where the reader becomes familiar with scholarly disputes concerning the interpretation of textual and archaeological evidence on a variety of topics and case studies. The fourth edition of Ancient Near Eastern History and Culture remains a crucial textbook for undergraduates and general readers studying the ancient Near East, particularly the political and social history of ancient Egypt and Mesopotamia, as well as students of archaeology and biblical studies who are working on the region.
Author : David I. Lightbody Publisher : BAR International Series Page : 120 pages File Size : 44,5 Mb Release : 2008 Category : Architecture ISBN : STANFORD:36105131635026
Egyptian Tomb Architecture by David I. Lightbody Pdf
This thesis, sure to prove controversial, examines the geometry of Old Kingdom Royal tomb architecture, arguing for far greater levels of mathematical sophistication than hitherto admitted. Adding his own contribution to the Black Athena debate, Lightbody also claims that the debts in measurement, geometry and mathematics which the Greeks owe to the Egyptians has also not been fully recognised, not least due to an overfocusing on philological evidence.
Reveals how the only hard evidence that dates the Great Pyramid--the quarry marks discovered by Colonel Vyse in 1837--was forged • Includes evidence from the time of the discovery of the marks: Vyse’s private field notes, surveys, facsimile drawings, and eye-witness testimony • Explains why Vyse was driven to perpetrate a fraud inside the Great Pyramid • Examines recent chemical analysis of the marks and high-definition photos to reveal errors and other anomalies within the forged Khufu cartouche Despite millennia of fame, the origins of the Great Pyramid of Giza are shrouded in mystery. Believed to be the tomb of an Egyptian king, even though no remains have ever been found, its construction date of roughly 2550 BCE is tied to only one piece of evidence: the crudely painted marks within the pyramid’s hidden chambers that refer to the 4th Dynasty king Khufu, discovered in 1837 by Colonel Howard Vyse and his team. Using evidence from the time of the discovery of these “quarry marks”--including surveys, facsimile drawings and Vyse’s private field notes--along with high definition photos of the actual marks, Scott Creighton reveals how and why the marks were faked. He investigates the anomalous and contradictory orthography of the quarry marks through more than 75 photos and illustrations, showing how they radically depart from the established canon of quarry marks from this period. He explains how the orientation of the Khufu cartouche contradicts ancient Egyptian writing convention and how one of the signs is from a later period. Analyzing Vyse’s private diary, he reveals Vyse’s forgery instructions to his two assistants, Raven and Hill, and what the anachronistic sign should have been. He examines recent chemical analysis of the marks along with the eye-witness testimony of Humphries Brewer, who worked with Vyse at Giza in 1837 and saw forgery take place. Exploring Vyse’s background, including his electoral fraud to become a member of the British Parliament, he explains why he was driven to perpetrate a fraud inside the Great Pyramid. Proving Zecharia Sitchin’s claim that the quarry marks are forgeries and removing the only physical evidence that dates the Great Pyramid’s construction to the reign of Khufu, Creighton’s study strikes down one of the most fundamental assertions of orthodox Egyptologists and reopens long-standing questions about the Great Pyramid’s true age, who really built it, and why.
THE PYRAMID TEXTS The king offers an offering! Anubis gives the offering! From the highlands come to thee your thousand young antelope with bowed heads. What a gift! Anubis gives this offering! Thank you for your thousand loaves! Thank you for your thousand beers! From the palace hall, you sent forth a thousand incenses! Everything pleasant in thy thousand! There are a thousand cattle in your herd! Everything thou eatest you eat in a thousand, on which thy desire is set! In addition to his work on the Berlin dictionary, Sethe's most significant contribution to Egyptology was an edition of hand-copied hieroglyphs, translations, and commentaries of all texts engraved in pyramids at the time. Sethe's edition has been the foundation of virtually every discussion of the readers of the pyramids: he is, in fact, the one who first named those texts, collectively, 'Pyramidentexten' - Pyramid Texts. For each verse of the pyramids' texts in Maspero's Les inscriptions des pyramides de Saqqarah, he provided a translation of its meaning based on his understanding of the funerary texts of later ages since there was nothing else with which to compare them. Due to their mysterious nature, Maspero's work was quite subtle, but one which he readily acknowledged was primarily based on intuition derived from extensive studies of ancient Egypt and its religion.
The Pyramid Builders of Ancient Egypt by Dr A Rosalie David,Rosalie David Pdf
In Dr David's study, the builders of the pyramids are revealed as simple people with ordinary preoccupations: who worried about their families, grumbled about working conditions - and even planned a strike to improve them.
"Symbolic symbols played an important role in Egyptian culture because ancient Egyptians believed that, through ceremony, one could influence the gods and the otherworld."--Cover.
Cultural Expression in the Old Kingdom Elite Tomb by Sasha Verma Pdf
Cultural Expression in the Old Kingdom Elite Tomb considers the material and immaterial culture left behind by the ancient Egyptian elite in their tombs starting some 5000 years ago. The book intends to understand this culture reflecting the intention of the ancient Egyptians. All these intentions are now inaccessible to us, a paradox indeed.
From the opulent splendour of the Pharaohs' tombs to hieroglyphic laundry lists, Ancient Egypt is a comprehensive look at two surviving symbols of the Ancient Egyptians' achievements - the pyramids and the hieroglyphs. Each and every royal pyramid in Ancient Egypt is covered, with information on its architecture and construction. A complete history of the hieroglyphs is also given, from the earliest marks on pottery to the last known example, and the intriguing story of how they were decoded and who made it possible. Authoritatively written by expert Egyptologist Dr Aidan Dodson, and beautifully illustrated with colour photographs of ancient sites, texts, artefacts and wall paintings, this book is a must for anyone interested in the culture and society of this great civilization.
The Pyramids and the Great Sphinx of Giza by Charles River Editors Pdf
*Includes pictures of the Sphinx and the pyramids. *Discusses the theories about their age, construction, and purpose. *Covers the archaeological and cultural history of the Sphinx and the pyramids. *Includes footnotes and a Bibliography. "When we find something new at Giza, we announce it to the world. The Sphinx and the Pyramids are world treasures. We are the guardian's of these treasures, but they belong to the world." - Zahi Hawass, Egyptologist The pyramids of Egypt are such recognizable symbols of antiquity that for millennia, people have made assumptions about what they are and why they exist, without full consideration of the various meanings these ancient symbolic structures have had over the centuries. Generations have viewed them as symbols of a lost past, which in turn is often portrayed as a world full of romance and mystery. This verbal meaning has become associated with the structures through the tourism industry, where intrigue obviously boosts ticket sales. In fact, the Egyptian pyramids are so old that they were also drawing tourists even in ancient times. In antiquity, the Great Pyramid of Giza was listed as one of Seven Ancient Wonders of the World, and it is the only one still surviving today. The age and structural integrity of the pyramids also make them symbols of longevity and power, which is only fitting because those are two purposes the ancient pharaohs who commissioned these works intended them to serve. For the pharaohs, the construction of these large monuments presented an opportunity for them to showcase their influence and become something to be remembered by, both in the society they ruled and in the annals of history that would follow. Even as new dynasties came and went, and even as Egypt was subjected to foreign domination and rulers from across the world, the pyramids have continued to stand as a prominent testament to Ancient Egypt's glorious past. The famous "Riddle of the Sphinx," told by Sophocles in his play Oedipus Rex in the 5th century B.C., characterized the sphinx as a clever and powerful creature, and even today young kids learn about the story. But the mysteries of the Egyptian statue were discussed even among the ancient Romans; Pliny the Elder, the famous Roman author and philosopher killed in Pompeii during the eruption of Mount Vesuvius in 79 A.D., wrote in his Natural Histories that contemporary Egyptians considered the Sphinx a "divinity" and "that King Harmais was buried in it." Nearly 2,000 years later, people still wonder about the origins of the statue, but most believe it was constructed around the middle of the 3rd millennium B.C. As anyone who has seen the statue is now aware, it has suffered weatherization damage, and even the sources of the damage has been debated and turned into the stuff of legend, as evidenced by the story of Napoleon's French soldiers shooting off the Sphinx's nose. In conjunction with that, there are mysteries over the archaeological history of the statue, including whether the ancient Egyptians themselves attempted to excavate the Sphinx and clear the sands that were beginning to cover it up. This book comprehensively covers the facts, mysteries, and theories surrounding the pyramids and the Sphinx. Along with pictures and a bibliography, you will learn about them like never before.
Architecture, Astronomy and Sacred Landscape in Ancient Egypt by Giulio Magli Pdf
This book examines the interplay between astronomy and dynastic power in the course of ancient Egyptian history, focusing on the fundamental role of astronomy in the creation of the pyramids and the monumental temple and burial complexes. Bringing to bear the analytical tools of archaeoastronomy, a set of techniques and methods that enable modern scholars to better understand the thought, religion and science of early civilizations, Giulio Magli provides in-depth analyses of the pyramid complexes at Giza, Abusir, Saqqara and Dahshur, as well as of the Early Dynastic necropolis at Abydos and the magnificent new Kingdom Theban temples. Using a variety of data retrieved from study of the sky and measurements of the buildings, he reconstructs the visual, symbolic and spiritual world of the ancient Egyptians and thereby establishes an intimate relationship among celestial cycles, topography and architecture. He also shows how they were deployed in the ideology of the pharaoh's power in the course of Egyptian history.
*Includes pictures *Includes a bibliography for further reading Africa may have given rise to the first human beings, and Egypt probably gave rise to the first great civilizations, which continue to fascinate modern societies across the globe nearly 5,000 years later. From the Library and Lighthouse of Alexandria to the Great Pyramid at Giza, the ancient Egyptians produced several wonders of the world, revolutionized architecture and construction, created some of the world's first systems of mathematics and medicine, and established language and art that spread across the known world. With world-famous leaders like King Tut and Cleopatra, it's no wonder that today's world has so many Egyptologists. The pyramids of Egypt are such recognizable symbols of antiquity that for millennia, people have made assumptions about what they are and why they exist, without full consideration of the various meanings these ancient symbolic structures have had over the centuries. Generations have viewed them as symbols of a lost past, which in turn is often portrayed as a world full of romance and mystery. This verbal meaning has become associated with the structures through the tourism industry, where intrigue obviously boosts ticket sales. In fact, the Egyptian pyramids are so old that they were also drawing tourists even in ancient times. In antiquity, the Great Pyramid of Giza was listed as one of Seven Ancient Wonders of the World, and it is the only one still surviving today. The age and structural integrity of the pyramids also make them symbols of longevity and power, which is only fitting because those are two purposes the ancient pharaohs who commissioned these works intended them to serve. For the pharaohs, the construction of these large monuments presented an opportunity for them to showcase their influence and become something to be remembered by, both in the society they ruled and in the annals of history that would follow. Even as new dynasties came and went, and even as Egypt was subjected to foreign domination and rulers from across the world, the pyramids have continued to stand as a prominent testament to ancient Egypt's glorious past. While the Great Pyramid of Giza is the most recognizable, the tradition of pyramid building was a long one in ancient Egypt occurring over hundreds of years, with techniques developing and improving, only to be forgotten and lost again. As a result, even as subsequent generations contributed new large-scale construction programs that changed the face of Egypt, they did so in quite different manners. The first of these was the Step Pyramid, located in the northwest of the city of Memphis in the Saqqara necropolis of Egypt. Today it is known as the Step Pyramid due to its stepped appearance, but in Egyptian times it was referred to as kbhw-ntrw. Commissioned by and made for the burial of the pharaoh Djoser, its design and construction was overseen by his vizier Imhotep. The name Imhotep has since become infused with popular culture through the popular series of Mummy movies, where the mummified remains of Imhotep are reanimated through the power of an ancient curse, leading to the shambling, linen-wrapped and decomposing undead monster haunting the hapless treasure seekers who dared disturb his resting place. In reality, the ancient Imhotep was a talented architect and builder who succeeded in creating something that had never been seen before. It was a design that would often be repeated, even improved upon, and it gave birth to an ancient industry dedicated to the afterlife, one that would leave an indelible mark on Egyptian life as well as death.
When the Pyramids Were Built by Dorothea Arnold Pdf
Masterworks from a golden era of ancient Egyptian culture are gathered in this volume, which accompanies a landmark exhibition organized by The Metropolitan Museum of Art in New York, running from September 16, 1999 through January 9, 2000. 130 color illustrations.
