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Cultural Expression in the Old Kingdom Elite Tomb by Sasha Verma Pdf
Cultural Expression in the Old Kingdom Elite Tomb considers the material and immaterial culture left behind by the ancient Egyptian elite in their tombs starting some 5000 years ago. The book intends to understand this culture reflecting the intention of the ancient Egyptians. All these intentions are now inaccessible to us, a paradox indeed.
The Iconography of Family Members in Egypt’s Elite Tombs of the Old Kingdom by Jing Wen Pdf
In The Iconography of Family Members in Egypt’s Elite Tombs of the Old Kingdom, Jing Wen offers a comprehensive survey of the depiction of family members and provides a new perspective to explain its meaning.
This book explores the development of tombs as a cultural phenomenon in ancient Egypt and examines what tombs reveal about ancient Egyptian culture and Egyptians' belief in the afterlife. Investigates the roles of tombs in the development of funerary practices Draws on a range of data, including architecture, artifacts and texts Discusses tombs within the context of everyday life in Ancient Egypt Stresses the importance of the tomb as an eternal expression of the self
Iconography of Old Kingdom Elite Tombs by René van Walsem Pdf
What is presented here is a preliminary crystallization of thinking about questions, problems, and aspects that presented themselves during research into the iconography of Old Kingdom elite tombs in the so-called Leiden Mastaba Project (LMP), started in 1980 for teaching advanced students. Since the Egyptian culture has been given shape mainly in connection with the residences of the kings, the elite tombs of the Memphite area only were incorporated into the database. The original paper database consists of individual files on each tomb, giving a plan, wall scheme, a concise description of each sub-theme and its accompanying texts (if present). For details on the set-up, the original questions, the intention and some preliminary results on the partially collected material in 1985, see Van Walsem, Mastaba project. The core of this essay is a combination of and an elaboration of two former lectures by the author entitled: "Some un(der)exposed aspects in the study and interpretation of mastaba scenes" and "Religious iconography of Ancient Egypt: methodological and theoretical problems".
The Tekenu and Ancient Egyptian Funerary Ritual by Glennise West Pdf
Attested from the Fifth Dynasty until, and including, the Saite Period, the Tekenu is a puzzling icon depicted within funerary scenes in the tombs of some ancient Egyptian nobles. In this work four distinct types of Tekenu are identified and classified and then a Corpus Catalogue is formed.
Community and Identity in Ancient Egypt by Deborah Vischak Pdf
"This book examines a group of twelve ancient Egyptian tombs (c. 2300 BCE) in the elite Old Kingdom cemetery of Elephantine at Qubbet el-Hawa in modern Aswan. It develops an interdisciplinary approach to the material--drawing on methods from art history, archaeology, anthropology, and sociology, including agency theory, the role of style, the reflexive relationship between people and landscape, and the nature of locality and community identity. A careful examination of the architecture, setting, and unique text and image programs of these tombs in context provides a foundation for considering how ancient Egyptian provincial communities bonded to each other, developed shared identities within the broader Egyptian world, and expressed these identities through their personal forms of visual and material culture"--
Osiris, god of the dead, was one of ancient Egypt's most important deities. The earliest secure evidence for belief in him dates back to the fifth dynasty (c.2494-2345BC), but he continued to be worshipped until the fifth century AD. Following Osiris is concerned with ancient Egyptian conceptions of the relationship between Osiris and the deceased, or what might be called the Osirian afterlife, asking what the nature of this relationship was and what the prerequisites were for enjoying its benefits. It does not seek to provide a continuous or comprehensive account of Egyptian ideas on this subject, but rather focuses on five distinct periods in their development, spread over four millennia. The periods in question are ones in which significant changes in Egyptian ideas about Osiris and the dead are known to have occurred or where it has been argued that they did, as Egyptian aspirations for the Osirian afterlife took time to coalesce and reach their fullest form of expression. An important aim of the book is to investigate when and why such changes happened, treating religious belief as a dynamic rather than a static phenomenon and tracing the key stages in the development of these aspirations, from their origin to their demise, while illustrating how they are reflected in the textual and archaeological records. In doing so, it opens up broader issues for exploration and draws meaningful cross-cultural comparisons to ask, for instance, how different societies regard death and the dead, why people convert from one religion to another, and why they abandon belief in a god or gods altogether.
The People of the Cobra Province in Egypt by Wolfram Grajetzki Pdf
The book delivers a history from below for the first half of Egyptian history covering the earliest settlements, state formation and the pyramid age. The focus is on the Wadjet province, about 350 km south of modern Cairo in Upper Egypt. Herearchaeological records provide an especially rich dataset for the material culture of farmers. Histories of Ancient Egypt have focussed heavily on the kings, monuments and inscriptions, while the working population is hardly mentioned. The book investigates the life of people far from the centres of power. One main aim of the book is the interaction between farmers and the ruling classes at the centres of power and locally. How did decisions at the royal centre affect the life of ordinary people? The Introduction offers a critical survey of Egyptologists and their attitudes towards the working class. The social and cultural background of these researchers is analysed to assess how heavily they are influenced by time and their political and cultural background. The First chapter then describes the location and gives a history of previous research and excavations. The archaeological sites and the recorded ancient place names of the province are presented to provide a geographical framework for the book. The following chapters are arranged in chronological order, mainly according to the archaeological phases visible in the province. It appears that in phases of a weak central government, people in the provinces were much better off, while in phases of a strong central government burials of poorer people are almost absent. The reasons for this are discussed. A substantial part of the book comprises descriptions of single burials and the material culture in the province. The archaeology of the poorer people is the main focus. Burial customs and questions of production are discussed. For a fuller picture, evidence from other parts of Egypt is also taken into account. Thus settlement sites in other regions are presented to provide contemporary evidence for living conditions in particular periods. As the book will focus on the lower classes, the Tributary Mode of Production will be used as the main theoretical framework. The Tributary Mode of Production (previously known as the Asiatic Mode of Production) is a term that goes back to Karl Marx, but was mainly used in the 20th century to describe ancient societies whose economies were not based on slaves. A constant question will be the status of the working population. Were they slaves,serfs or free citizens? It will be argued that they were most often in a dependent position comparable to that of serfs, while there is little evidence for slavery. The numerous burials presented in the volume are important for highlighting the diversity of burials in the different periods. Many will be placed in special subchapters. Readers can skip these chapters when they prefer to concentrate on the main text.
Self-presentation is the oldest and most common component of ancient Egyptian high culture. It arose in the context of private tomb records, where the character and role of an individual—invariably a well-to-do non-royal elite official or administrator—were presented purposefully: published by inscription and image, to a contemporary audience and to posterity. Living Forever: Self-presentation in Ancient Egypt looks at how and why non-royal elites in ancient Egypt represented themselves, through language and art, on monuments, tombs, stelae, and statues, and in literary texts, from the Early Dynastic Period to the Thirtieth Dynasty. Bringing together essays by international Egyptologists and archaeologists from a range of backgrounds, the chapters in this volume offer fresh insight into the form, content, and purpose of ancient Egyptian presentations of the self. Applying different approaches and disciplines, they explore how these self-representations, which encapsulated a discourse with gods and men alike, yield rich historical and sociological information, provide examples of ancient rhetorical devices and repertoire, and shed light on notions of the self and collective memory in ancient Egypt.
how architecture can save the world from global climate change by Tommy Vince Pdf
Is finding your house sinking into the ground the next big thing within sustainable architecture? Well, if you find the arguments of this project strong enough, it might actually be a common sight in the near future. The field of architecture needs to respond to the IPCC's call for action for methods of C[O2] sequestration to help antagonize the developing global climate change. How architecture can save the world from global climate change is a bold project that responds to that call, proposing an architecture that both sequesters its embodied C[O2] mass and does so within a targeted time frame of a generation. Ultimately, gifting society and its protagonists with a possibility of producing a truthfully net positive [read C[O2] reductive] footprint. It succeeds in doing so by drawing knowledge from a local history of sinking Nordic timber log architecture and combining it with the theory of sequestration. Performed as projected, this pioneering project might just be the world's most sustainable architecture, ever designed. How architecture can save the world from global climate change is for anyone with an architectural fascination longing for a deeply illustrated and detailed read of sustainable architecture and Nordic timber log design. In a comprehensive way, it weaves architectural poetry together with hard data, science, construction details and ideological ambitions in a convincing argument for the benefit of society's bettered relationship to climate. In conclusion this book is more than just a coffe book blend of a scientific report, it is a piece of art, challenging the basic perception of what an architectural book can be. "An intensely original and highly provocative MA Thesis, executed with care; supported by an amazing body of research with attention to detail and scientific accuracy. A mythic construction, full of poetic notions that allows others to rethink change." Amalia Katapodis, University Lecturer, UMA
Historical and Archaeological Aspects of Egyptian Funerary Culture by Harco Willems Pdf
Historical and Archaeological Aspects of Egyptian Funerary Culture, a thoroughly reworked translation of Les textes des sarcophages et la démocratie published in 2008, challenges the widespread idea that the “royal” Pyramid Texts of the Old Kingdom after a process of “democratisation” became, in the Middle Kingdom, accessible even to the average Egyptian in the form of the Coffin Texts. Rather they remained an element of elite funerary culture, and particularly so in the Upper Egyptian nomes. The author traces the emergence here of the so-called “nomarchs” and their survival in the Middle Kingdom. The site of Dayr al-Barshā, currently under excavation, shows how nomarch cemeteries could even develop into large-scale processional landscapes intended for the cult of the local ruler. This book also provides an updated list of the hundreds of (mostly unpublished) Middle Kingdom coffins and proposes a new reference system for these.
Lives of the Ancient Egyptians: Pharaohs, Queens, Courtiers and Commoners by Toby Wilkinson Pdf
100 biographies reveal the true character and diversity of the ancient world's greatest civilization The biographies included here give voice not only to ancient Egypt's rulers but also to the people who built the great monuments, staffed government offices, farmed, served in the temples, and fought to defend the country's borders. Spanning thousands of years of ancient Egyptian history, the book offers a fresh perspective on an always fascinating civilization through the lives of: The god-kings, from great rulers like Khufu and Ramesses II to less famous monarchs such as Amenemhat I and Osorkon Egypt's queens: the powerful Tiye, the beautiful Nefertiti, Tutankhamun's tragic child-bride Ankhesenamun, and the infamous Cleopatra The officials who served the pharaoh: the architect Imhotep who designed the first pyramid, the court dwarf Perniankhu, and the royal sculptor Bak Ordinary women who are often overlooked in official accounts: Hemira, a humble priestess from a provincial Delta town, and Naunakht, whose will reveals the trials and tribulations of family life Commoners and foreigners such as the irascible farmer Hekanakht, the serial criminal Paneb, and Urhiya, the mercenary who rose to the rank of general in the Egyptian army. Lives of the Ancient Egyptians offers remarkable insights into the history and culture of the Nile Valley and very personal glimpses of a vanished world. Note: The ebook edition includes the complete text of the printed book without illustrations
A provocative and challenging new conceptual framework for the study of images This book builds on the groundbreaking theoretical framework established in Whitney Davis’s acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture. Davis argues that pictoriality—the depiction intended by its maker to be seen—emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the first step of the art historian’s craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including “bivisibility” (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases—Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi. A profound new theory of the work of both makers and viewers by one of the discipline’s most esteemed and engaged thinkers, Visuality and Virtuality is essential reading for art historians, architects, archaeologists, and philosophers of art and visual theory.
Middle Kingdom Palace Culture and Its Echoes in the Provinces by Alejandro Jiménez-Serrano,Antonio J. Morales Pdf
The chapters of Middle Kingdom Palace Culture and Its Echoes in the Provinces discuss the degree of influence that provincial developments played in reshaping the Egyptian state and culture during the Middle Kingdom. Contributors to the volume are Egyptologists from around the world who have developed their research following a conference held at the University of Jaén in Spain.
Community and Identity in Ancient Egypt by Deborah Vischak Pdf
This book examines an elite Old Kingdom cemetery at the southern boundary of ancient Egypt, where the local community developed a unique visual expression of texts, images, and architecture in their tombs. Deborah Vischak argues that localized communities are an important source of identity in ancient Egypt.
