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In humans, the perception of odours adds a fourth dimension to life, from the scent of flowers, the aroma of foods, and all the subtle smells in the environment. But how many types of odours can we distinguish? Why do we like the food we like? Which are the most powerful odorants, and how well does the human sense of smell perform compared with that of a dog or a butterfly? The sense of smell is highly complex, and such complexity discouraged scientists for a long time, leaving the world of smell in an atmosphere of mystery. Only recently, thanks to the new tools furnished by molecular biology and neuroscience, are we beginning to answer these questions, uncovering the hidden secrets of our sense of smell, and decoding the language used by most animals to communicate. In this book, Paolo Pelosi, one of the leading figures in the development of the science of olfaction, recounts how the chemical alphabet behind smell has been pieced together over the past three decades. Drawing on anecdotes from his own scientific career, and celebrating the rich variety of smells from herbs to flowers to roast coffee and freshly baked bread, he weaves together an engaging and remarkable account of the science behind the most elusive of our senses.
Erica Bauermeister, the national bestselling author of The School of Essential Ingredients, presents a moving and evocative coming-of-age novel about childhood stories, families lost and found, and how a fragrance conjures memories capable of shaping the course of our lives. Emmeline lives an enchanted childhood on a remote island with her father, who teaches her about the natural world through her senses. What he won’t explain are the mysterious scents stored in the drawers that line the walls of their cabin, or the origin of the machine that creates them. As Emmeline grows, however, so too does her curiosity, until one day the unforeseen happens, and Emmeline is vaulted out into the real world--a place of love, betrayal, ambition, and revenge. To understand her past, Emmeline must unlock the clues to her identity, a quest that challenges the limits of her heart and imagination. Lyrical and immersive, The Scent Keeper explores the provocative beauty of scent, the way it can reveal hidden truths, lead us to the person we seek, and even help us find our way back home.
Kazim Ali introduces five autofiction novellas by Kristjana Gunnars--available in the U.S. for the first time, in a single, handsome volume Between the late eighties and late nineties, Kristjana Gunnars published five transgeneric novels comprised of a scintillating blend of fiction, autobiography, literary theory, and philosophy. Elusive and poetic... rigorous yet passionate...these books were treasured by a devoted readership and have been lauded by critics throughout the years since. -- Kazim Ali, from the introduction From a childhood in Cold War Iceland to love affairs and deaths, these short works document a life of perpetual motion, told a discontinuous, subversive style to reflect the singular, feminist, nomadic life of the narrator. It is a life of thought, an ongoing engagement with writers from Proust to Kierkegaard to Kristeva, seeking and often finding a companionship in the writing of others. These five spellbinding narratives act as a bending bow, open to what life has to offer day by day and taking the gentler course, wherein nothing is forced and life's big questions remain beautifully unanswered. The Prowler is a reminiscence of childhood spent in Iceland, seen from a distance with the Cold War as a backdrop, just before the hyper-modernization of the mid-sixties, when the air of the past was still discernible. When an orange was a delicacy against the darkness. This is Gunnars' most lauded novella. Zero Hour is a contemplation and remembrance of the narrator's father and his death. The narrative traces the course of the father's illness and final moments, and confronts the reality and grief of absolute endings. The Substance of Forgetting is ultimately about happiness. Set in a lush valley in central B.C., the narrator begins to awaken to possibilities of love and transcendence. The Rose Garden is set in Germany and the narrator is on an academic exchange wherein all that happens are things that are not supposed to happen. Night Train to Nykøbing is a darker exploration of life's (and love's) unknowns and the dangers inherent in choices we make. The narrator is travelling between Vancouver and Oslo in a continuous back and forth that gives rise to a sense of the liminality of life itself. "The intimacy, grace, and intelligence of these narratives is remarkable. The mystery and quietude honours the beauty of the everyday as it passes, while simultaneously gesturing to vast other worlds. Often I was taken by its openings and distances, and a marvellous, almost translucent quality that permeates the texts. Oddly, at times it felt as if I were inside a whispering many-chambered shell - resonant, enclosed, pearlescent - the pleasure afforded, enormous." -Carole Maso, author of Ghost Dance "From 1989 to 1998, the Icelandic-Canadian writer Kristjana Gunnars published five novellas, each detailing specific moments in the writer's life. Gathered here for the first time, they offer a significant new strand of thinking about the rise of autofiction and the history of innovative women's writing in Canada. If you loved discovering Annie Ernaux, you'll love discovering Kristjana Gunnars." -Sina Queyras, author of Lemon Hound
In humans, the perception of odours adds a fourth dimension to life, from the scent of flowers, the aroma of foods, and all the subtle smells in the environment. But how many types of odours can we distinguish? Why do we like the food we like? Which are the most powerful odorants, and how well does the human sense of smell perform compared with that of a dog or a butterfly? The sense of smell is highly complex, and such complexity discouraged scientists for a long time, leaving the world of smell in an atmosphere of mystery. Only recently, thanks to the new tools furnished by molecular biology and neuroscience, are we beginning to answer these questions, uncovering the hidden secrets of our sense of smell, and decoding the language used by most animals to communicate. In this book, Paolo Pelosi, one of the leading figures in the development of the science of olfaction, recounts how the chemical alphabet behind smell has been pieced together over the past three decades. Drawing on anecdotes from his own scientific career, and celebrating the rich variety of smells from herbs to flowers to roast coffee and freshly baked bread, he weaves together an engaging and remarkable account of the science behind the most elusive of our senses.
Longlisted for the PEN Translation Prize From one of Argentina’s greatest contemporary storytellers, this collection gathers twenty-five of her most remarkable and incandescent short stories in English for the first time The Scent of Buenos Aires offers the first book-length English translation of Uhart’s work, drawing together her best vignettes of quotidian life: moments at the zoo, the hair salon, or a cacophonous homeowners association meeting. She writes in unconventional, understated syntax, constructing a delightfully specific perspective on life in South America. These stories are marked by sharp humor and wit: discreet and subtle—yet filled with eccentric and insightful characters. Uhart’s narrators pose endearing questions about their lives and environments—one asks “Bees—do you know how industrious they are?” while another inquires, “Are we perhaps going to hell in a hand basket?” “Uhart’s stories are concise and filled with both dry and conversational wit and flashes of poignant insight . . . slice-of-life writer . . . ” —Thrillist
2003 Commonwealth Writers Prize for Best First Book (Caribbean & Canada Region) 2002 City of Calgary W. O. Mitchel Book Award 2001 Canongate Prize for short fiction The Scent of a Lie is a book of fourteen inter-connected stories set in two charismatic towns in Portugal where characters weave in and out of the narrative. The book can be read as a novel in fragments. This is a remarkable debut collection of tales told by a true storyteller. The Scent of a Lie received the 2003 Commonwealth Writers Prize for Best First Book in the Caribbean & Canada region and the 2002 City of Calgary Book Award. One of the stories received the 2001 Canongate Prize for short fiction at the International Book Festival in Edinburgh, Scotland. The Scent Of A Lie, (...) marks the debut of a remarkable writer. - John Terauds, Toronto Star With this book of linked stories, Paulo Da Costa adds piquant new spice to the CanLit broth. Paying homage to a fabulist tradition running from Marquez and Borges and Carlos Fuentes all the way back to Cervantes, Da Costa evokes his God-beset, earthbound peasants, priests and villagers with palpable, redolent precision. Jim Bartley, The Globe and Mail The reader can see just how well da Costa writes: the language here is lyrical and flowing, and the imaginativeness of the stories speaks for itself. Da Costa is clearly a writer to watch. Tim McNamara, Edmonton Journal The most uniformly fresh, sprightly, meaty work of Canadian fiction I’ve read in a long time. Vue weekly, Print Culture - Christopher Wiebe
Can a drop of perfume tell the story of the twentieth century? Can a smell bear the traces of history? What can we learn about the history of the twentieth century by examining the fate of perfumes? In this remarkable book, Karl Schlögel unravels the interconnected histories of two of the world’s most celebrated perfumes. In tsarist Russia, two French perfumers – Ernest Beaux and Auguste Michel – developed related fragrances honouring Catherine the Great for the 300th anniversary of the Romanov dynasty. During the Russian Revolution and Civil War, Beaux fled Russia and took the formula for his perfume with him to France, where he sought to adapt it to his new French circumstances. He presented Coco Chanel with a series of ten fragrance samples in his laboratory and, after smelling each, she chose number five – the scent that would later go by the name Chanel No. 5. Meanwhile, as the perfume industry was being revived in Soviet Russia, Auguste Michel used his original fragrance to create Red Moscow for the tenth anniversary of the Revolution. Piecing together the intertwined histories of these two famous perfumes, which shared a common origin, Schlögel tells a surprising story of power, intrigue and betrayal that offers an altogether unique perspective on the turbulent events and high politics of the twentieth century. This brilliant account of perfume and politics in twentieth-century Europe will be of interest to a wide general readership.
At the Scent of Water (The Second Chances Collection Book #3) by Linda Nichols Pdf
Life is rewarding for Samuel Truelove. He's a gifted surgeon, he's married to the love of his life, and he has a beautiful daughter. But when he's called to perform an emergency surgery, a deadly cascade of events is set in motion, and his picture-perfect life begins to unravel.... Annie Truelove, hoping to escape painful reminders of her grief, leaves her beloved home in the mountains of North Carolina and begins a new life in faraway Seattle. But a disturbing headline takes her back home, where memories of both joy and sorrow come flooding back. What will it take to heal two broken hearts?
Set in the beautiful port city of Genoa, Italy, at the turn-of-the-century, The Scent of Rosa's Oil is a magical story that attests to the strength of longing, the consequences of betrayal, and the nostalgic memories only a one-of-a-kind fragrance can evoke . . . The only home Rosa has ever known is the Luna brothel, where she's lovingly cared for by Madam C and all the women who work there. Madam C shelters Rosa from what really goes on at the Luna by telling her they play a game with the men who visit. Naturally, Rosa is curious and can't wait until she grows up so she can also play the game. But when a twist-of-fate forces Rosa to leave the Luna after her sixteenth birthday, she goes to stay with her new friend Isabel, an old woman who distills oils. The strange smells and smoke that emanate from Isabel's shack have deemed her a witch to the locals, but only Rosa sees a lonely, tender woman with a passion for making beautifully-scented oils. Enchanted by the intoxicating fragrances around her, Rosa becomes Isabel's apprentice, learning the art of extracting a flower's essence and selling the oils in the town square. Soon everyone in Genoa is talking about the pretty, young girl with the lush locks of red hair who sells aromatic oils in the piazza. Some say she has the oil to cure whatever ailment one has, while others say her oils will capture the heart of a special person. Indeed, Rosa has learned Isabel's secret for creating her own "perfect oil"--a unique fragrance that holds a mysterious power. Now Rosa needs a miracle to make Renato, the man she has fallen in love with, see past the ugly rumors he's heard about her and the Luna brothel. Disguising herself with a black wig and dabbing her special fragrance on her wrists, Rosa sets out to win Renato. But how long can Rosa keep her true identity hidden? And when destiny intervenes, challenging their love in unforeseeable ways, they'll need a magic even greater than the scent of Rosa's oil. . . A timeless, moving tale, The Scent of Rosa's Oil transports readers on an enthralling, unforgettable journey. . .
Read The Case Against Fragrance and you will never think about fragrance in the same way again. If you have been suffering fragrance in silence, you will know you are not alone.’ Conversation Kate Grenville had always associated perfume with elegance and beauty. Then the headaches started. Like perhaps a quarter of the population, Grenville reacts badly to the artificial fragrances around us: other people’s perfumes, and all those scented cosmetics, cleaning products and air fresheners. On a book tour in 2015, dogged by ill health, she started wondering: what’s in fragrance? Who tests it for safety? What does it do to people? The more Grenville investigated, the more she felt this was a story that should be told. The chemicals in fragrance can be linked not only to short-term problems like headaches and asthma, but to long-term ones like hormone disruption and cancer. Yet products can be released onto the market without testing. They’re regulated only by the same people who make and sell them. And the ingredients don’t even have to be named on the label. This book is based on careful research into the science of scent and the power of the fragrance industry. But, as you’d expect from an acclaimed novelist, it’s also accessible and personal. The Case Against Fragrance will make you see—and smell—the world differently. When I was little, my mother had a tiny, precious bottle of perfume on her dressing-table and on special occasions she’d put a dab behind her ears. The smell of Arpege was always linked in my mind with excitement and pleasure–Mum with her hair done, wearing her best dress and her pearls, off for a night out with Dad. When I got old enough to have my own special occasions I also had my favourite perfume. I loved the bottles: those sensuous shapes. I loved the names and the labels, so evocative of all things glamorous. Kate Grenville is one of Australia’s most celebrated writers. Her bestselling novel The Secret River received the Commonwealth Writers’ Prize, and was shortlisted for the Man Booker Prize and the Miles Franklin Literary Award. The Idea of Perfection won the Orange Prize. Grenville’s other novels include Sarah Thornhill, The Lieutenant, Lilian’s Story, Dark Places and Joan Makes History. Kate lives in Sydney and her most recent works are the non-fiction books One Life: My Mother’s Story and The Case Against Fragrance. ‘One spritz of aftershave or perfume can leave other people retching and clutching their heads—you never see that in the ads.’ Kaz Cooke ‘Beginning with her own physical reaction to fragrance that begins with a headache a lot of us know ourselves, she investigates the fragrance industry and its side-effects and interweaves these facts with the personal to create an accessible work of non-fiction.’ ArtsHub ‘Fact-dense and extensively referenced, the book is a delight to read and never gets bogged down...While some of the science has been simplified, the book generally conveys the sense of it correctly...Well developed and thoughtful. Read The Case Against Fragrance and you will never think about fragrance in the same way again. If you have been suffering fragrance in silence, you will know you are not alone.’ Conversation ‘Grenville sets out to unlock the dark science—the volatile compounds, conspiracies and carcinogens—hiding in perfume, the ingredients of which are regularly listed as alcohol, water and the mysterious catch-all “fragrance”.’ New Statesman ‘In this appealingly written exploration, Kate uncovers the dark side of the fragrance industry, from the carcinogens in after-shave to the hormone disruptors in perfume that mimic oestrogen.’ Child ‘An insightful and frightening book.’ Readings ‘Readable, interesting and informative.’ Big Book Club ‘Grenville expresses hope though that our society will find solutions to the fragrant violation of personal space based on courtesy and civility rather than on regulation and policy.’ Australian Book Review ‘You may be familiar with Australian novelist Kate Grenville’s work but she enters new territory here. After exposure to perfumes and scents delivered ill-health her way, Grenville got curious as to why...The result is a fascinating (and worrying) exposé of the potentially damaging health effects of fragrances and the laxity of their regulation. Grenville digs into the science of scent as well as the intrigue of a multi-billion-dollar industry and makes it beautifully accessible in the process.’ WellBeing ‘The Orange Prize-winning novelist’s discovery that she reacts badly to the artificial fragrances all around us led her to investigate what is in fragrances, what it does to people and whether it is properly tested for safety...The result is this accessible and personal book on the science of fragrance’ Bookseller ‘[Grenville] raises valuable questions about the potentially harmful chemicals surrounding us every day and why we so unabashedly live in ignorance of them.’ Reader’s Digest UK, Best New Books to Read This Summer ‘In some places, though, the danger [of fragrance] is beginning to be taken as seriously as passive smoking 30 years ago...it sounds silly, until you read Kate Grenville’s explosive exposé and wonder why no one ever told you this stuff before.’ Mail on Sunday ‘An accessible, intelligent, seriously researched—and terrifying—book’ Daily Mail UK
In his philosophical reflections on the art of lingering, acclaimed cultural theorist Byung-Chul Han argues that the value we attach today to the vita activa is producing a crisis in our sense of time. Our attachment to the vita activa creates an imperative to work which degrades the human being into a labouring animal, an animal laborans. At the same time, the hyperactivity which characterizes our daily routines robs human beings of the capacity to linger and the faculty of contemplation. It therefore becomes impossible to experience time as fulfilling. Drawing on a range of thinkers including Heidegger, Nietzsche and Arendt, Han argues that we can overcome this temporal crisis only by revitalizing the vita contemplativa and relearning the art of lingering. For what distinguishes humans from other animals is the capacity for reflection and contemplation, and when life regains this capacity, this art of lingering, it gains in time and space, in duration and vastness.
Powerfully phrased, elegantly structured and uniquely presented. This book constitutes a new era in the evolution of poetry. It is a great contribution to the global recognition of Canadian literature. A reference against which poetry will be measured. - K. Cohien, Editor The depth of the exceptionally rich imagery in this book, and the stunning use of the language promise a very successful and enjoyable book. Though no great poet in history was fully and truly appreciated in his days, if not sooner - it may only take the next generation's library to crown the author the unsurpassed poet of all times. It is an honor to introduce this book. - W. S. Martin, M.A. Author. Having dazzled the imagination of poetry with his previous book "Intoxicated Emotions" - Paul Gouda - in "The scent of the full moon" has written his name in history with the very few elite giants of recorded literature. Having taught advanced literature at graduate level for 18 years, I believe I am qualified to make this very bold statement: "This book has confidently earned its place within the unique category of the greatest literature ever written.." This is not a statement anyone would make lightly. I am confident that history will prove this testimonial to be true. Brilliant material. - Timothy Bucha, Ph.D. Th.D.
The Scent Hound Vol. II. - A Complete Anthology of the Breeds by Various Pdf
The Scent Hound Vol. II. - A Complete Anthology of the Dog gathers together all the best early writing on the breeds from our library of scarce, out-of-print antiquarian books and documents and reprints it in a quality, modern edition. This anthology includes chapters taken from a comprehensive range of books, many of them now rare and much sought-after works, all of them written by renowned breed experts of their day. These books are treasure troves of information about the breeds - The physical points, temperaments, and special abilities are given; celebrated dogs are discussed and pictured; and the history of each breed and pedigrees of famous champions are also provided. The contents were well illustrated with numerous photographs of leading and famous dogs of that era and these are all reproduced to the highest quality. Books used include: My Dog And I by H. W. Huntington (1897), The Show Dog by H. W. Huntington (1901), The Book Of Dogs by Stanley West (1935) and many others. The breeds included in this Volume are: The Dachshund, the Elkhound, the Foxhound, the Harrier, the Otterhound and the Rhodesian Ridgeback.
