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Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
This compilation of essays and reviews, gathered posthumously from the New York Times Book Review and other publications, solidifies John Gardner's legacy as a consummate teacher and controversial critic with a provocative sense of humor. Writing about his fellow craftsmen, John Gardner offers piercing insights into those whose works he admired and those whose works he didn't. In exacting unapologetic evaluations upon such writers as Saul Bellow, Vladimir Nabokov, Philip Roth, John Cheever, Larry Woiwode, Joyce Carol Oates, and John Updike, Gardner separates genuine fiction from fakery, careful not to spare his own writings in the process, and in doing so, he displays his influences and wide–reaching observations of the literary life. Refreshingly unpredictable and self–aware, this collection lays bare the core qualities of lasting fiction and is essential reading for anyone interested in American literature.
Your future as a writer is in your hands. Whether you are a newcomer or an accomplished professional, a novelist, story writer, or a writer of nonfiction, you will find this book a wealth of immediately useful guidance not available anywhere else. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of useable solutions-- how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place." You will find one of the great unspoken secrets of craftsmanship in Chapter 5, called "Markers: The Key to Swift Characterization." In Chapter 7, Stein reveals for he first time in print the wonderful system for creating instant conflict developed in the Playwrights Group of the Actors Studio, of which he was a founder. In "Secrets of Good Dialogue," the premier teacher of dialogue gives you the instantly useable techniques that not only make verbal exchanges exciting but that move the story forward immediately. You won't need to struggle with flashbacks or background material after you've read Chapter 14, which shows you how to bring background into the foreground. Writers of both fiction and nonfiction will relish the amphetamines for speeding up pace, and the many ways to liposuction flab, as well as how to tap originality and recognize what successful titles have in common. You'll discover literary values that enhance writing, providing depth and resonance. You'll bless the day you read Chapters 32 and 33 and discover why revising by starting at page one can be a serious mistake, and how to revise without growing cold on your manuscript. In the pages of this book, nonfiction writers will find a passport to the new revolution in journalism and a guide to using the techniques of fiction to enhance nonfiction. Fresh, useful, informative, and fun to read and reread, Stein on Writing is a book you will mark up, dog-ear, and cherish.
"From deeply personal perspectives, two dozen established writers ponder the mystery of their art and such fundamentals as: What is a genuine writing impulse? Why does good writing work? How is writing learned? What is the role of craft and technique? Who is meant to be a writer? How is close reading related to good writing? The volume is peppered with critical perspectives and practical advice, yet its special richness and inspiration lie in the wonderment and deep love for the act of writing expressed by each contributor. Each essay is a joy to read, blending storytelling, literary anecdotes gathered from a lifetime of avid reading, and the kind of shoptalk exchanged between colleagues. Writers will find here camaraderie and encouragement, teachers of writing will hear practical testimony to what works, and readers will come away with a renewed awe for the spell cast by good writing"--From back cover.
First published a decade ago, A Writer's Book of Days has become the ideal writing coach for thousands of writers. Newly revised, with new prompts, up-to-date Web resources, and more useful information than ever, this invaluable guide offers something for everyone looking to put pen to paper — a treasure trove of practical suggestions, expert advice, and powerful inspiration. Judy Reeves meets you wherever you may be on a given day with: • get-going prompts and exercises • insight into writing blocks • tips and techniques for finding time and creating space • ways to find images and inspiration • advice on working in writing groups • suggestions, quips, and trivia from accomplished practitioners Reeves's holistic approach addresses every aspect of what makes creativity possible (and joyful) — the physical, emotional, and spiritual. And like a smart, empathetic inner mentor, she will help you make every day a writing day.
Above All Things is a heart-wrenchingly romantic historical novel by Tanis Rideout, based on British mountaineer George Mallory's fatal attempt to climb Everest, and his wife Ruth, who is left at home, waiting for him to return to her. In the Himalayas two climbers strike out for the summit of the Earth's highest mountain - aiming to be the first to the top, and reclaim a little of Britain's lost glory. In Cambridge, a wife collects the milk, gets three children out of bed and waits for a letter, a telegram - for news of her husband. It is 1924 and after months of setbacks and failures, George Mallory and Andrew "Sandy" Irvine are attempting to be the first to conquer Everest. Alone on the mountain they struggle against inhuman cold, violent winds, thin air - but climbing, putting one foot falteringly after another, they reach for the cloud-shrouded peak. At home Ruth Mallory goes about her day; visiting friends and comforting children she longs for news of George. She considers her marriage - the passion, the fights, the bitter absences, the loving reunions, all the snatched moments during the war and between expeditions. . She hides her doubts and the uncertainty about the future with or - god forbid - without him. A powerful, moving story of a husband driven to extraordinary lengths by his ambition and a wife terrified she will lose him to a cruel and pitiless rival, Above All Things is a timeless story of one of the great tragedies - and love stories - of the last century. 'Above All Things has it all: adventure, tragedy, mystery, and a deeply moving love story. It's gorgeously written and beautifully paced. I could not put it down. Prepare to be dazzled' Alison Pick, author of Far to Go 'A love story, a tale of adventure, and a study in obsession all at once, Above All Things is simply breathtaking. With Tanis Rideout's debut, a major new voice in Canadian fiction arrives' Joseph Boyden, author of Through Black Spruce 'Timeless romance, an unflinching love story that touches the very core of the human condition. Rideout leaves readers holding the book close to their chest, knowing that the purpose of life, above all else, is love' Telegraph 'A must-read for Everest buffs with a sensitive side, and for those who want to understand the anatomy of climbing accidents. It is also the perfect summer read for anyone lured by the romance of adventure, as the story goes well beyond the vast summit of Everest into much trickier terrain: the unmapped topography of the heart' Globe and Mail Tanis Rideout's work has appeared in numerous publications and been shortlisted for several prizes, including the Bronwen Wallace Memorial Award for Emerging Writers and the CBC Literary Award. In 2006, she was named the Poet Laureate for Lake Ontario by the environmental advocacy group Lake Ontario Waterkeeper and joined Gord Downie of The Tragically Hip on a tour to promote environmental justice on the lake. Born in Belgium, Tanis grew up in Bermuda and in Kingston, Ontario, and now lives in Toronto. She recently received her MFA from the University of Guelph-Humber. Above All Things is her first novel. www.tanisrideout.com.
Writing Alone, Writing Together by Judy Reeves Pdf
The lonely life of a writer need not be. There are ways to break that isolation and find encouragement and support within groups of like-minded people. Sections in Writing Alone, Writing Together include Writing Practice Groups, Creating Writing Prompts, Group Leadership, and even What to Do with the Bores, Whiners, Control Junkies, and Thugs. Whether the group is oriented toward writing the great American novel or a family memory book, this useful book offers an array of effective techniques to help writers achieve their goals.
Nobel Writers on Writing by Ottar G. Draugsvold Pdf
When in 1901 Alfred Nobel bequeathed to the world the funds to support the Nobel Prize, one of his few directives for the category of literature was that the artists selected be of "idealistic tendency." Since its inception, the prize has given a very public voice to some of the world's greatest writers, and their responses to the honor-their acceptance speeches-have themselves often been epochal within each author's body of literature. From the famed call to "arms" by William Faulkner to the multicultural song of Derek Walcott, from 1903's Bjørnstjerne Bjørnson to 1999's Günter Grass, this collection traces the ideals of the artists and the selection committee itself throughout the entirety of the 20th century. "Interestingly," writes Draugsvold, "none [of the writers] discuss the more technical aspects of their craft." Equally striking is the strength of the common thread of idealism found in these addresses-a firm belief in humankind and the power of art, in its role in "the service of truth and the service of liberty" as Albert Camus said in 1957. "I decline to accept the end of man" wrote the Old Man, William Faulkner. The speeches presented here were chosen not by subjective but rather by substantive criteria, with biographical presentations and brief statements of gratitude omitted. Included are an introduction to each of the 28 writers chosen, an excerpted copy of the speech or lecture and a bibliography of works in English. The work concludes with a complete list of prize winners in literature and a bibliography of sources cited in the writer's introductions.
The Courage to Write is an invaluable book and essential reading for anyone who wishes to learn how to write well. Katherine Anne Porter called courage "the first essential" for a writer. "I have to talk myself into bravery with every sentence," agreed Cynthia Ozick, "sometimes every syllable." E. B. White said he admired anyone who "has the guts to write anything at all."An author who has taught writing for more than thirty years, In The Courage to Write, Ralph Keyes, an author who has taught writing for more than thirty years, assures us that anxiety is felt by writers at every level, especially when they dare to do their best. He describes the sequence of "courage points" through which all writers must pass, from the challenge of identifying a worthwhile project to the mixture of pride and panic they feel when examining a newly published book or article. Keyes also offers specifics on how to root out dread of public "performance" and of the judgment of family and friends, make the best use of writers' workshops and conferences, and handle criticism of works in progress. Throughout, he includes the comments of many accomplished writers -- Pat Conroy, Amy Tan, Rita Dove, Isabel Allende, and others -- on how they transcended their own fears to produce great works.
In Advice to Writers, Jon Winokur, author of the bestselling The Portable Curmudgeon, gathers the counsel of more than four hundred celebrated authors in a treasury on the world of writing. Here are literary lions on everything from the passive voice to promotion and publicity: James Baldwin on the practiced illusion of effortless prose, Isaac Asimov on the despotic tendencies of editors, John Cheever on the perils of drink, Ivan Turgenev on matrimony and the Muse. Here, too, are the secrets behind the sleight-of-hand practiced by artists from Aristotle to Rita Mae Brown. Sagacious, inspiring, and entertaining, Advice to Writers is an essential volume for the writer in every reader.