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Only at Comic-Con examines the relationship between exclusivity and the proliferation of media industry promotion at the San Diego Comic-Con, from the convention's founding in 1970 to its current status as a destination for hundreds of thousands of pop culture fans and a hub of Hollywood hype and buzz.
THE 1964 NEW YORK COMICON: THE TRUE STORY BEHIND THE WORLD'S FIRST COMIC CONVENTION tells the greatest story never told: the story of the first comic con ever held. This event was never reported by any radio channel, tv station, magazine, or newspaper. Bits and pieces of the story can be found in old fanzines, but, until now, the majority of this story has only existed in the memories of the original 56 attendees of the show. Now, at last - for the first time - the full story of the world's first comic book convention is finally told. The story of the 1964 New York Comicon is the story of Bernie Bubnis, Ron Fradkin, Art Tripp, and Ethan Roberts. Four boys who, like an early 1960s Kirby kid gang of boy commandoes, took Comic Fandom by storm by writing and publishing their own fanzines, pillaging used-book stores and flea markets for back-issue comics, visiting the offices of Marvel, DC, and Gold Key Comics, and meeting with Jack Kirby, Steve Ditko, Stan Lee, Julius Schwartz, Bill Harris, Flo Steinberg, Curt Swan, Mike Sekowsky, Don Heck, Gil Kane, and Joe Giella. Tired of hearing about other fans' failed attempts to stage a convention for years, these four boys took it upon themselves to make a convention happen. They pooled their resources and used their contacts with the comic professionals they knew to get them to attend and donate door prizes that included stacks of original art pages. They even convinced Spider-man artist Steve Ditko to attend the con - and to this day it is the only con Steve Ditko has ever attended. (Find out why.) This book tells the stories of the first comic collectors ever and how they traveled from all over the country and converged on New York City on that hot summer day in July 1964 to attend this historic event. All the earliest-known comic dealers attended that day, including Howard Rogofsky, Bill Thailing, Claude Held, Phil Seuling, Doug Berman, Don Foote, Marc Nadel, Malcolm Willits, and Tom Wilson. 34 pages of their original price lists from 1964 are reprinted to show what comics were for sale that day and what they were selling for. This book presents a complete blow-by-blow account of the convention - in the attendees' own words. It includes over 300 photographs and 45 pages of biographical information about this amazing group of 56 original attendees that includes a fifteen-year-old future GAME OF THRONES writer George R. R. Martin, the world-famous radio host Paul Gambaccini, and a young Len Wein, co-creator of Wolverine and Swamp Thing -- to name just a few of the comic book fans and who attended the con. Research for this book includes dozens of interviews with original attendees and all four organizers as well as information mined from complete runs of old 1960s comic book fanzines, such as The Rocket's Blast, Alter-Ego, The Comicollector, The Comic Reader, Jeddak, Comic Art, Masquerader, Hero, Yancy Street Journal - and more. Featured in this book are complete and unedited early 1960s interviews with Steve Ditko, Jack Kirby, Julius Schwartz, Mike Sekowsky, Joe Giella, and Gold Key editor Bill Harris. Also included is long-lost art by Steve Ditko, Jack Kirby, and Curt Swan. In addition, this book contains the only published art ever drawn by George R.R. Martin along with the first three writings he ever published, and they are each reprinted in their entirety. A digitally-restored copy of the complete 1964 New York Comicon program booklet is reprinted in its entirety as well for the first time since 1964. Also reprinted in their entirety are Progress Report #1 (8 pages) and Progress Report #2 (2 pages) and all ads for the convention. The story of early comic book fans' struggle to organize their first comic convention is a tale of epic proportions - one that is long overdue to be told - for it is Comic Fandom's greatest story. And now, for the first time, comic fans everywhere can read about the convention that started it all: the 1964 New York Comicon.
Since 1970, when a small group of comic book lovers organized the first show, Comic-Con International has been the place to check out the latest comics creations and connect with legions of fans. Comic-Con documents this cultural phenomenon. Lavishly illustrated pages feature rarely seen photos and images from the Comic-Con archives. Quotes, anecdotes, and profiles of luminaries make for a veritable who's who of the entertainment world.
Until now, her past has stayed buried. But when Rapture bearer Tom Judge and Darkness bearer Jackie Estacado come a knocking, Sara risks the discovery that her new life in Chi-town may not have been a decision that she made for herself.
Archie in “Welcome to Mirrordale”—A date night with Betty turns into an inter-universe collision when the Madhouse Carnival comes to Riverdale! Archie has a lot to reflect on when he takes a trip to the House of Mirrors, but little does he know those mirrors are more than they appear! He’s catapulted into a world where everything seems familiar to home—just a bit different! Can Archie make it back to his date in Riverdale, or is he doomed to switch places with his mirror-world counterpart forever? There’s only one way to find out!
Comic-Con and the Business of Pop Culture: What the World’s Wildest Trade Show Can Tell Us About the Future of Entertainment by Rob Salkowitz Pdf
The Comic-Con phenomenon—and what it means for your business The annual trade show Comic-Con International isn’t just fun and games. According to award-winning business author and futurist Rob Salkowitz it’s a “massive focus group and marketing megaphone” for Hollywood—and in Comic-Con and the Business of Pop Culture, he examines the business of popular culture through the lens of Comic-Con. Salkowitz offers an entertaining and substantive look at the show, providing a close look at the comic-book and videogame industries’ expanding influence on marketing, merchandising, and the entertainment industry. Rob Salkowitz is founder and Principle Consultant for the communications firm MediaPlant, LLC.
Pros and (Comic) Cons by Hope Nicholson,Brian Bendis,Kieron Gillen Pdf
Following the bestselling The Secret Loves of Geeks comes this brand-new anthology featuring comics and prose stories by cartoonists and professional geeks about the world of comic book conventions from the guests who've attended them across the world. Featuring stories that are funny, sad, sweet, embarrassing, and heartfelt; of a geek culture life that shapes us, encourages us, and exhausts us every summer. Featuring work by Brian Michael Bendis (The Man of Steel), Jim Zub (Wayward), Kieron Gillen (The Wicked and the Divine), Sina Grace (Iceman), and many more.
Comics Will Break Your Heart by Faith Erin Hicks Pdf
A sweet, funny contemporary teen romance for the inner geek in all of us from graphic novelist Faith Erin Hicks. Miriam's family should be rich. After all, her grandfather was the co-creator of smash-hit comics series The TomorrowMen. But he sold his rights to the series to his co-creator in the 1960s for practically nothing, and now that's what Miriam has: practically nothing. And practically nothing to look forward to either-how can she afford college when her family can barely keep a roof above their heads? As if she didn't have enough to worry about, Miriam's life gets much more complicated when a cute boy shows up in town . . . and turns out to be the grandson of the man who defrauded Miriam's grandfather, and heir to the TomorrowMen fortune. In her endearing debut novel, cartoonist Faith Erin Hicks pens a sensitive and funny Romeo and Juliet tale about modern romance, geek royalty, and what it takes to heal the long-festering scars of the past (Spoiler Alert: love).
"Nate, Teddy, and Fiona are preparing for one of the biggest days of the year--Kanigher Kon, their city's annual comic convention. Meanwhile, Nate and Ultraviolet hear that someone has been auditioning supervillains for a big job. The challenge is to pull off the world's biggest heist. The day of the convention arrives and Nate and his friends discover that a group of supervillains have formed an alliance in an attempt to steal a valuable comic book. Who will swoop in to save the day?"--P. [4] of cover.
"Johnson astutely reveals that franchises are not Borg-like assimilation machines, but, rather, complicated ecosystems within which creative workers strive to create compelling 'shared worlds.' This finely researched, breakthrough book is a must-read for anyone seeking a sophisticated understanding of the contemporary media industry." —Heather Hendershot, author of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest While immediately recognizable throughout the U.S. and many other countries, media mainstays like X-Men, Star Trek, and Transformers achieved such familiarity through constant reincarnation. In each case, the initial success of a single product led to a long-term embrace of media franchising—a dynamic process in which media workers from different industrial positions shared in and reproduced familiar cultureacross television, film, comics, games, and merchandising. In Media Franchising, Derek Johnson examines the corporate culture behind these production practices, as well as the collaborative and creative efforts involved in conceiving, sustaining, and sharing intellectual properties in media work worlds. Challenging connotations of homogeneity, Johnson shows how the cultural and industrial logic of franchising has encouraged media industries to reimagine creativity as an opportunity for exchange among producers, licensees, and evenconsumers. Drawing on case studies and interviews with media producers, he reveals the meaningful identities, cultural hierarchies, and struggles for distinction that accompany collaboration within these production networks. Media Franchising provides a nuanced portrait of the collaborative cultural production embedded in both the media industries and our own daily lives.
You know about Noah, but what about the animals? Thimblerig is a little groundhog with big problems. He's a loner con-artist who's losing his mojo; the wild dogs who run the forest harass him at every turn; he's started having vivid nightmares of apocalyptic floods; and worst of all - he believes he sees unicorns when everyone knows unicorns are only the stuff of legend. But what one animal calls problems, Thimblerig calls opportunity. His problems inspire him to come up with the ultimate con: convincing a group of gullible animals that a world-ending flood is coming, that the fabled unicorns have told him where the only safe place will be, and that only he can lead them to safety. And all for a reasonable price, of course. But when the flood really does come, Thimblerig has a choice to make: either he really does save the ones who have trusted him, or he loses everything. And he discovers that his problems have only just begun.
A tale of love, heartbreak and surfing from an important new voice in comics. In Waves is Craig Thompson's Blankets meets William Finnegan's Barbarian Days. In this visually arresting graphic novel, surfer and illustrator AJ Dungo remembers his late partner, her battle with cancer, and their shared love of surfing that brought them strength throughout their time together. With his passion for surfing uniting many narratives, he intertwines his own story with those of some of the great heroes of surf in a rare work of nonfiction that is as moving as it is fascinating.
Dan in Space by Josh Rudloff,Jacqueline Rudloff Pdf
At the edge of explored space, technician Dan Johnson is stuck in a dead-end job. As melancholy as his life is, Dan is about to go on an adventure. He is not prepared, he is not armed, and he's running out of coffee. Vol 01 Contains the first 5 issues of Dan In Space
The master of the comic book mash-up finds the POTUS to be his ultimate super-villain 25% of net proceeds donated to the American Civil Liberties Union R. Sikoryak is famous for taking classic comics and mashing them with famous literature as he did in Masterpiece Comics or even using comics to visualize the iTunes Terms and Conditions contract. Now in these uncertain times, cartoonist R. Sikoryak draws upon the power of comics and satire to frame President Trump and his controversial declarations as the words and actions of the most notable villains and antagonists in comic book history. Reimagining the most famous comic covers, Sikoryak transforms Wonder Woman into Nasty Woman; Tubby Tompkins into Trump; Black Panther into the Black Voter; the Fantastic Four into the Hombres Fantasticos and Trump into Magneto fighting the Ex-Men. In perfect Trumpian fashion, The Unquotable Trump will be a 48-page treasury annual—needlessly oversized and garishly colored; a throw-back to the past when both Comics and America were Great. This will be the hugest comic, truly a great comic. You won’t want to miss this, trust me, you’ll see!