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This is the deliciously entertaining memoir by the coal miner's son who became an international star of stage, screen, and television. Keel speaks his mind about his many co-stars, including Judy Garland, Betty Hutton, Tammy Grimes and Katherine Greyson, to name a few.
It's amateur night at the members-only Caloosa Club on the Fort Myers, Florida, riverfront. Trouble begins when the fat lady sings. Hours later, the diva lies near death in a hotel room upstairs, the victim of a vicious beating. Hotel manager Dan Ewing and his sidekick, Lee County Detective Bud Wright, soon discover that this was no lady and that a variety of unsavory characters hoped to dance on the dead diva's grave.
Nita Nolan came to Hollywood in 1921, star-struck, beautiful, and broke, like thousands of other young girls who dreamed of becoming the next Mary Pickford, Mabel Normand, or Theda Bara. Nita made her first screen appearance as a pie-throwing cutie in a comedy two-reeler, but soon, with the help of comedian Billy Bowers, she became a member of the dazzling, glamorous movie-star world she’d only read about. Nita learned, however, that Hollywood’s glittering surface concealed a morass of depravity and violence unlike anything she’d ever experienced. Drugs, bootleg booze, and sexual permissiveness threatened to destroy both her movie career and the new love she’d found with screen idol Eric Gray. Sensuality Level: Behind Closed Doors
Dyer's whole life is nothing but a game of play pretend. When he attempts to drag Derrick into his make-believe world, it tips on its axis. Suddenly Dyer doesn't want to play anymore. Dyer Cambell could escape all his troubles with a starring role in a new gay dramedy. At least he thinks so. Unfortunately, the producers want to cast true to script actors. Simple enough, Dyer will make them believe he's gay. Problem solved. Enter his best friend's brother. Derrick Verns had no intention of being Dyer's personal show and tell prop. But there is something about Dyer that is oddly compelling. Derrick wants to find out who the real Dyer is—the one that doesn't play make believe all the time.
The next mystery book—with a touch of paranormal women's fiction—in an amusing historical cozy series! With a string of suspicious deaths threatening her guests, a horribly depressing love life, and a handsome detective on her doorstep, the last thing Lady Adelaide needs to deal with is the ghost of her dead husband. Gloucestershire, 1925. A week-long house party in the country—why not? Lady Adelaide has nothing else to do, now that her year of mourning for her unfaithful husband is up and her plans to rekindle her romantic life have backfired. But when her hostess is found dead on the conservatory floor, Addie knows just who to call—Detective Inspector Devenand Hunter of Scotland Yard. Dev may not want to kiss Addie again, but he's anxious to solve the crime. Who would want to kill Pamela, the beautiful wife of one of Britain's greatest Great War heroes? Certainly not her devoted and wheelchair-bound husband, Sir Hugh Fernald. The other guests seem equally innocent and improbable. But despite all appearances, something is very wrong at Fernald Hall—there's a body buried in the garden, and the governess has fallen down the stairs to her death. Who's next? Addie and Dev find themselves surrounded by Scotland ghosts and must work together to stop another murder, with some help from Rupert, Addie's late and unlamented husband. Rupert needs to make amends for his louche life on earth, and what better way to earn his celestial wings than catch a killer? The Lady Adelaide Mysteries: Nobody's Sweetheart Now (Book 1) Who's Sorry Now? (Book 2) Just Make Believe (Book 3)
Derrick Jensen takes no prisoners in The Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyrical A Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.
Molly Make-Believe by Eleanor Hallowell Abbott Pdf
They say absence makes the heart grow fonder, but that adage is put to its test in Molly Make-Believe, a charming romance novel from Eleanor Hallowell Abbott. When up-and-coming businessman Carl Stanton falls ill and is prescribed weeks of bed rest, his fiancee Cornelia decides to go ahead with her plans to visit relatives in the South. A flurry of love letters follow -- but their true provenance leads the ailing Carl down an unexpected path.
Representations—in visual arts and in fiction—play an important part in our lives and culture. Kendall Walton presents here a theory of the nature of representation, which illuminates its many varieties and goes a long way toward explaining its importance. Drawing analogies to children’s make believe activities, Walton constructs a theory that addresses a broad range of issues: the distinction between fiction and nonfiction, how depiction differs from description, the notion of points of view in the arts, and what it means for one work to be more “realistic” than another. He explores the relation between appreciation and criticism, the character of emotional reactions to literary and visual representations, and what it means to be caught up emotionally in imaginary events. Walton’s theory also provides solutions to the thorny philosophical problems of the existence—or ontological standing—of fictitious beings, and the meaning of statements referring to them. And it leads to striking insights concerning imagination, dreams, nonliteral uses of language, and the status of legends and myths. Throughout Walton applies his theoretical perspective to particular cases; his analysis is illustrated by a rich array of examples drawn from literature, painting, sculpture, theater, and film. Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.
I will tell you a story that will make you believe in God." No story can guarantee being able to do this. Yet novelists can tell stories that make us think about what we believe about God and why. Despite repeated predictions of the death of the novel, thousands of works of fiction are published and read in Britain each year. Although Western society is less religiously observant than it was, many 21st-century novelists persist in pursuing theological, religious and spiritual themes. Make-Believe seeks to explain why. With chapters offering analyses of novels from several genres - so-called literary fiction, historical fiction, science fiction, fantasy and dystopia - David Dickinson discusses a wide spectrum of novelists. Authors who are avowedly atheistic and authors who have a vested interest in perpetuating biblical stories are both featured. Well-known writers such as Rushdie, McEwan, McCarthy and Martell rub shoulders with some you may be meeting for the first time. Appealing to literature students and people who simply enjoy reading, whether Christian or not, this study of God in novels invites us to open our minds and allow aspects of our culture to shape our understanding of God and to change our ways of talking about the divine.
Author : Douglas E. Cowan Publisher : University of California Press Page : 238 pages File Size : 49,9 Mb Release : 2019-01-29 Category : Religion ISBN : 9780520293991
Magic, Monsters, and Make-Believe Heroes by Douglas E. Cowan Pdf
Magic, Monsters, and Make-Believe Heroes looks at fantasy film, television, and participative culture as evidence of our ongoing need for a mythic vision—for stories larger than ourselves into which we write ourselves and through which we can become the heroes of our own story. Why do we tell and retell the same stories over and over when we know they can’t possibly be true? Contrary to popular belief, it’s not because pop culture has run out of good ideas. Rather, it is precisely because these stories are so fantastic, some resonating so deeply that we elevate them to the status of religion. Illuminating everything from Buffy the Vampire Slayer to Dungeons and Dragons, and from Drunken Master to Mad Max, Douglas E. Cowan offers a modern manifesto for why and how mythology remains a vital force today.
A week-long house party in the country--why not? Lady Adelaide has nothing else to do, now that her year of mourning for her unfaithful husband is up and her plans to rekindle her romantic life have backfired. But when her hostess is found dead on the conservatory floor, Addie knows just who to call--Detective Inspector Devenand Hunter of Scotland Yard. Dev may not want to kiss Addie again, but he's anxious to solve the crime. Who would want to kill Pamela, the beautiful wife of one of Britain's greatest Great War heroes? Certainly not her devoted and wheelchair-bound husband, Sir Hugh Fernald. The other guests seem equally innocent and improbable. But despite all appearances, something is very wrong at Fernald Hall--there's a body buried in the garden, and the governess has fallen down the stairs to her death. Who's next? Addie and Dev must work together to stop another murder, and they have some help thanks to Rupert, Addie's late and unlamented husband. Rupert needs to make amends for his louche life on earth, and what better way to earn his celestial wings than catch a killer?
Marcus offers this animated history of the visionaries--editors, illustrators, and others--whose books have transformed American childhood and American culture.
Literature, like the visual arts, poses its own philosophical problems. While literary theorists have discussed the nature of literature intensively, analytic philosophers have usually dealt with literary problems either within the general framework of aesthetics or else in a way that is accessible only to a philosophical audience. The present book is unique in that it introduces the philosophy of literature from an analytic perspective accessible to both students of literature and students of philosophy. Specifically, the book addresses: the definition of literature, the distinction between oral and written literature and the identity of literary works the nature of fiction and our emotional involvement with fictional characters the concept of imagination and its role in the apprehension of literary works theories of metaphor and postmodernist theory on the significance of the authors' intentions to the interpretationof their work an examination of the relevance of thruth and morality to literary appreciation Lucid and well organised and free from jargon, hilosophy of Literature: An Introduction offers fresh approaches to traditional problems and raises new issues in the philosophy of literature.