Onstage And Offstage Worlds In Shakespeare S Plays

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Onstage and Offstage Worlds in Shakespeare's Plays

Anthony Brennan
Onstage and Offstage Worlds in Shakespeare s Plays Book PDF

Author : Anthony Brennan
Publisher : Routledge
Page : 323 pages
File Size : 45,9 Mb
Release : 2021-03-30
Category : Literary Criticism
ISBN : 9781000350142

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Onstage and Offstage Worlds in Shakespeare's Plays by Anthony Brennan Pdf

Originally published in 1989, this book focuses on the handling of the relationship between the onstage world and the offstage world, between the world that Shakespeare shows us and the one he tells us about. It is developed in two parts. Initially examined is the way reports are used in Shakespeare to relate the offstage and onstage worlds, building from simple examples within individual scenes in various plays to related sequences of reports which can be evaluated as part of broader strategies effecting the structure of a whole play. In the second part the author examines the ways in which several, or all, of these strategies work in individual plays, and what combined effect the prominent employment of them has in shaping the effect of the plays. In all cases the author is concerned to indicate why Shakespeare chose to handle matters as he does rather than in other ways available in the sources or in the speculative alternative methods which can be imaginatively constructed.

Onstage and Offstage Worlds in Shakespeare's Plays

Anthony Brennan
Onstage and Offstage Worlds in Shakespeare s Plays Book PDF

Author : Anthony Brennan
Publisher : Taylor & Francis
Page : 334 pages
File Size : 42,7 Mb
Release : 2021-03-30
Category : Literary Criticism
ISBN : 9781000349924

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Onstage and Offstage Worlds in Shakespeare's Plays by Anthony Brennan Pdf

Originally published in 1989, this book focuses on the handling of the relationship between the onstage world and the offstage world, between the world that Shakespeare shows us and the one he tells us about. It is developed in two parts. Initially examined is the way reports are used in Shakespeare to relate the offstage and onstage worlds, building from simple examples within individual scenes in various plays to related sequences of reports which can be evaluated as part of broader strategies effecting the structure of a whole play. In the second part the author examines the ways in which several, or all, of these strategies work in individual plays, and what combined effect the prominent employment of them has in shaping the effect of the plays. In all cases the author is concerned to indicate why Shakespeare chose to handle matters as he does rather than in other ways available in the sources or in the speculative alternative methods which can be imaginatively constructed.

Playwright, Space and Place in Early Modern Performance

Mr Tim Fitzpatrick
Playwright Space and Place in Early Modern Performance Book PDF

Author : Mr Tim Fitzpatrick
Publisher : Ashgate Publishing, Ltd.
Page : 328 pages
File Size : 51,7 Mb
Release : 2013-05-28
Category : Performing Arts
ISBN : 9781409478980

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Playwright, Space and Place in Early Modern Performance by Mr Tim Fitzpatrick Pdf

Analyzing Elizabethan and Jacobean playtexts for their spatial implications, this innovative study discloses the extent to which the resources and constraints of public playhouse buildings affected the construction of the fictional worlds of early modern plays. The study argues that playwrights were writing with foresight, inscribing the constraints and resources of the stages into their texts. It goes further, to posit that Shakespeare and his playwright-contemporaries adhered to a set of generic conventions, rather than specific local company practices, about how space and place were to be related in performance: the playwrights constituted thus an overarching virtual 'company' producing playtexts that shared features across the acting companies and playhouses. By clarifying a sixteenth- to seventeenth-century conception of theatrical place, Tim Fitzpatrick adds a new layer of meaning to our understanding of the plays. His approach adds a new dimension to these particular documents which–though many of them are considered of great literary worth–were not originally generated for any other reason than to be performed within a specific performance context. The fact that the playwrights were aware of the features of this performance tradition makes their texts a potential mine of performance information, and casts light back on the texts themselves: if some of their meanings are 'spatial', these will have been missed by purely literary tools of analysis.

The Oxford Handbook of Shakespeare and Dance

Lynsey McCulloch,Brandon Shaw
The Oxford Handbook of Shakespeare and Dance Book PDF

Author : Lynsey McCulloch,Brandon Shaw
Publisher : Oxford University Press
Page : 904 pages
File Size : 45,5 Mb
Release : 2019-01-28
Category : Music
ISBN : 9780190498795

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The Oxford Handbook of Shakespeare and Dance by Lynsey McCulloch,Brandon Shaw Pdf

Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.

Shakespeare as Prompter

Murray Cox,Alice Theilgaard
Shakespeare as Prompter Book PDF

Author : Murray Cox,Alice Theilgaard
Publisher : Jessica Kingsley Publishers
Page : 482 pages
File Size : 47,7 Mb
Release : 1994
Category : Literary Criticism
ISBN : 1853021598

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Shakespeare as Prompter by Murray Cox,Alice Theilgaard Pdf

Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with "inaccessible" patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision.

Who Hears in Shakespeare?

Laury Magnus,Walter W. Cannon
Who Hears in Shakespeare Book PDF

Author : Laury Magnus,Walter W. Cannon
Publisher : Lexington Books
Page : 285 pages
File Size : 53,6 Mb
Release : 2012
Category : Literary Criticism
ISBN : 9781611474749

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Who Hears in Shakespeare? by Laury Magnus,Walter W. Cannon Pdf

This volume, examining the ways in which Shakespeare's plays are designed for hearers as well as spectators, has been prompted by recent explorations of the auditory dimension of early modern drama by such scholars as Andrew Gurr, Bruce Smith, and James Hirsh. To look at the dynamics of hearing in Shakespeare's plays involves a paradigm shift that changes how we understand virtually everything about them, from the architecture of the buildings, to playing spaces, to blocking, and to larger interpretative issues, including our understanding of character based on players' responses to what they hear, mishear, or refuse to hear. Who Hears in Shakespeare? Auditory Worlds on Stage and Screen is comprised of three sections on Shakespeare's texts and performance history: "The Poetics of Hearing and the Early Modern Stage"; "Metahearing: Hearing, Knowing, and Audiences, Onstage and Off"; and "Transhearing: Hearing, Whispering, Overhearing, and Eavesdropping in Film and Other Media." Chapters by noted scholars explore the complex reactions and interactions of onstage and offstage audiences and show how Shakespearean stagecraft, actualized on stage and adapted on screen, revolves around various situations and conventions of hearing--soliloquies, asides, avesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing. The volume ends with Stephen Booth's afterword, his inspiring meditation on hearing that considers Shakespearean "audiences" and their responses to what they hear--or don't hear--in Shakespeare's plays.

The Complete Works of William Shakespeare (abridged) [revised]

Adam Long,Daniel Singer,Jess Winfield
The Complete Works of William Shakespeare abridged revised Book PDF

Author : Adam Long,Daniel Singer,Jess Winfield
Publisher : Hal Leonard Corporation
Page : 80 pages
File Size : 54,9 Mb
Release : 2011-02-01
Category : Performing Arts
ISBN : 9781476850559

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The Complete Works of William Shakespeare (abridged) [revised] by Adam Long,Daniel Singer,Jess Winfield Pdf

(Applause Books). To celebrate the 20th anniversary of the Reduced Shakespeare Company's classic farce, two of its original writer/performers (Daniel Singer and Jess Winfield) have thoroughly revised the show to bring it up to date for 21st-century audiences, incorporating some of the funniest material from the numerous amateur and professional productions that have been performed around the world. The cultural touchstone that is The Complete Works of William Shakespeare (abridged) was born when three inspired, charismatic comics, having honed their pass-the-hat act at Renaissance fairs, premiered their preposterous masterwork at the Edinburgh Festival Fringe in 1987. It quickly became a worldwide phenomenon, earning the title of London's second-longest-running comedy after a decade at the Criterion Theatre. The Complete Works of William Shakespeare (abridged) is one of the world's most frequently produced plays, and has been translated into several dozen languages. Featured are all 37 of Shakespeare's plays, meant to be performed in 97 minutes, by three actors. Fast paced, witty, and physical, it's full of laughter for Shakespeare lovers and haters alike.

Playwright, Space and Place in Early Modern Performance

Tim Fitzpatrick
Playwright Space and Place in Early Modern Performance Book PDF

Author : Tim Fitzpatrick
Publisher : Routledge
Page : 328 pages
File Size : 49,6 Mb
Release : 2016-04-22
Category : Performing Arts
ISBN : 9781317079781

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Playwright, Space and Place in Early Modern Performance by Tim Fitzpatrick Pdf

Analyzing Elizabethan and Jacobean playtexts for their spatial implications, this innovative study discloses the extent to which the resources and constraints of public playhouse buildings affected the construction of the fictional worlds of early modern plays. The study argues that playwrights were writing with foresight, inscribing the constraints and resources of the stages into their texts. It goes further, to posit that Shakespeare and his playwright-contemporaries adhered to a set of generic conventions, rather than specific local company practices, about how space and place were to be related in performance: the playwrights constituted thus an overarching virtual 'company' producing playtexts that shared features across the acting companies and playhouses. By clarifying a sixteenth- to seventeenth-century conception of theatrical place, Tim Fitzpatrick adds a new layer of meaning to our understanding of the plays. His approach adds a new dimension to these particular documents which-though many of them are considered of great literary worth-were not originally generated for any other reason than to be performed within a specific performance context. The fact that the playwrights were aware of the features of this performance tradition makes their texts a potential mine of performance information, and casts light back on the texts themselves: if some of their meanings are 'spatial', these will have been missed by purely literary tools of analysis.

Site Unscene

Jonathan Walker
Site Unscene Book PDF

Author : Jonathan Walker
Publisher : Northwestern University Press
Page : 200 pages
File Size : 40,9 Mb
Release : 2017-05-15
Category : Performing Arts
ISBN : 9780810135031

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Site Unscene by Jonathan Walker Pdf

Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers’ sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama’s nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage. Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama. Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies.

Playwright, Space and Place in Early Modern Performance

Tim Fitzpatrick
Playwright Space and Place in Early Modern Performance Book PDF

Author : Tim Fitzpatrick
Publisher : Ashgate Publishing, Ltd.
Page : 329 pages
File Size : 55,7 Mb
Release : 2011-01-01
Category : Performing Arts
ISBN : 9781409428282

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Playwright, Space and Place in Early Modern Performance by Tim Fitzpatrick Pdf

Analyzing Elizabethan and Jacobean playtexts for their spatial implications, this innovative study discloses the extent to which the resources and constraints of public playhouse buildings affected the construction of the fictional worlds of early modern plays. The study argues that playwrights were writing with foresight, inscribing the constraints and resources of the stages into their texts. It goes further, to posit that Shakespeare and his playwright-contemporaries adhered to a set of generic conventions, rather than specific local company practices, about how space and place were to be related in performance: the playwrights constituted thus an overarching virtual 'company' producing playtexts that shared features across the acting companies and playhouses. By clarifying a sixteenth- to seventeenth-century conception of theatrical place, Tim Fitzpatrick adds a new layer of meaning to our understanding of the plays. His approach adds a new dimension to these particular documents which - though many of them are considered of great literary worth - were not originally generated for any other reason than to be performed within a specific performance context. The fact that the playwrights were aware of the features of this performance tradition makes their texts a potential mine of performance information, and casts light back on the texts themselves: if some of their meanings are 'spatial', these will have been missed by purely literary tools of analysis.

Shakespeare Survey

Stanley Wells
Shakespeare Survey Book PDF

Author : Stanley Wells
Publisher : Cambridge University Press
Page : 282 pages
File Size : 41,9 Mb
Release : 2002-11-28
Category : Drama
ISBN : 0521523834

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Shakespeare Survey by Stanley Wells Pdf

The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.

As You Like It - William Shakespeare

Harold Bloom
As You Like It William Shakespeare Book PDF

Author : Harold Bloom
Publisher : Infobase Publishing
Page : 246 pages
File Size : 42,5 Mb
Release : 2009
Category : Comedy
ISBN : 9781438113661

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As You Like It - William Shakespeare by Harold Bloom Pdf

A collection of essays about Shakespeare's comedic play As you like it, addressing its structure, themes, and subject matter.

Routledge Library Editions: Study of Shakespeare

Various
Routledge Library Editions Study of Shakespeare Book PDF

Author : Various
Publisher : Routledge
Page : 3794 pages
File Size : 42,9 Mb
Release : 2021-11-01
Category : Literary Criticism
ISBN : 9781000519389

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Routledge Library Editions: Study of Shakespeare by Various Pdf

This 14-volume set contains titles originally published between 1926 and 1992. An eclectic mix, this collection examines Shakespeare’s work from a number of different perspectives, looking at history, language, performance and more it includes references to many of his plays as well as his sonnets.

Reading the Unseen

Stephen Ratcliffe
Reading the Unseen Book PDF

Author : Stephen Ratcliffe
Publisher : Counterpath Press
Page : 211 pages
File Size : 51,6 Mb
Release : 2010
Category : Drama
ISBN : 9781933996141

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Reading the Unseen by Stephen Ratcliffe Pdf

Drama. Literary Nonfiction. Literary Criticism. READING THE UNSEEN: (OFFSTAGE) HAMLET is about the presence and significance of offstage action in Hamlet, things we hear about in words but do not see performed physically onstage--things like King Hamlet's murder "while [he] was sleeping in [his] orchard," Ophelia's death in "the glassy stream," Hamlet's visit to Ophelia's "closet ... with his doublet all unbraced," Gertrude and Claudius having sex "in the rank sweat of an enseamed bed." In a series of brilliantly original "close readings," Ratcliffe examines how it is that passages such as these make physically absent things verbally "present," how they "show" us things we do not actually see, how they bring us face to face with the "Words, words, words" that are what Hamlet is, he argues, most of all about.

Narrating the Visual in Shakespeare

Richard Meek
Narrating the Visual in Shakespeare Book PDF

Author : Richard Meek
Publisher : Routledge
Page : 227 pages
File Size : 45,8 Mb
Release : 2017-03-02
Category : Literary Criticism
ISBN : 9781351915946

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Narrating the Visual in Shakespeare by Richard Meek Pdf

This book examines Shakespeare's fascination with the art of narrative and the visuality of language. Richard Meek complicates our conception of Shakespeare as either a 'man of the theatre' or a 'literary dramatist', suggesting ways in which his works themselves debate the question of text versus performance. Beginning with an exploration of the pictorialism of Shakespeare's narrative poems, the book goes on to examine several moments in Shakespeare's dramatic works when characters break off the action to describe an absent, 'offstage' event, place or work of art. Meek argues that Shakespeare does not simply prioritise drama over other forms of representation, but rather that he repeatedly exploits the interplay between different types of mimesis - narrative, dramatic and pictorial - in order to beguile his audiences and readers. Setting Shakespeare's works in their literary and rhetorical contexts, and engaging with contemporary literary theory, the book offers new readings of Venus and Adonis, The Rape of Lucrece, Hamlet, King Lear and The Winter's Tale. The book will be of particular relevance to readers interested in the relationship between verbal and visual art, theories of representation and mimesis, Renaissance literary and rhetorical culture, and debates regarding Shakespeare's status as a literary dramatist.