The Oxford Handbook Of Shakespeare And Dance

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The Oxford Handbook of Shakespeare and Dance

Author : Lynsey McCulloch,Brandon Shaw
Publisher : Oxford University Press
Page : 904 pages
File Size : 43,9 Mb
Release : 2019-01-28
Category : Music
ISBN : 9780190498795

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The Oxford Handbook of Shakespeare and Dance by Lynsey McCulloch,Brandon Shaw Pdf

Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.

The Oxford Handbook of Dance and Reenactment

Author : Mark Franko
Publisher : Oxford University Press
Page : 681 pages
File Size : 48,7 Mb
Release : 2017
Category : Music
ISBN : 9780199314201

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The Oxford Handbook of Dance and Reenactment by Mark Franko Pdf

Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the notion of preservation and representation associated with reconstruction is transformed by reenactment into historical experience and affective relation to the past in the present. In other terms: How does dance convey historical meaning through sensuous form? Danced reenactment poses the problem of history and historicity in relation to the troubled temporality inherent to dance itself. Ephemerality as the central trope of dance is hence displaced in favor of dance as a reiterative practice that confounds categories of chronological time and opens up a theoretical space of history that is often invisibilized by ideologies of immediacy traditionally attributed to dancing.

The Oxford Handbook of Dance and the Popular Screen

Author : Melissa Blanco Borelli
Publisher : Oxford Handbooks
Page : 497 pages
File Size : 45,8 Mb
Release : 2014
Category : Literary Criticism
ISBN : 9780199897827

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The Oxford Handbook of Dance and the Popular Screen by Melissa Blanco Borelli Pdf

This text offers new ways of understanding dance on the popular screen in new scholarly arguments drawn from dance studies, performance studies, and film and media studies. Through these arguments, it demonstrates how this dance in popular film, television, and online videos can be read and considered through the different bodies and choreographies being shown.

The Oxford Handbook of Shakespeare and Music

Author : Christopher R. Wilson,Mervyn Cooke
Publisher : Oxford University Press
Page : 1289 pages
File Size : 52,7 Mb
Release : 2022
Category : Drama
ISBN : 9780190945145

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The Oxford Handbook of Shakespeare and Music by Christopher R. Wilson,Mervyn Cooke Pdf

"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--

The Oxford Handbook of Dance and Theater

Author : Nadine George-Graves
Publisher : Oxford Handbooks
Page : 1057 pages
File Size : 41,7 Mb
Release : 2015
Category : Music
ISBN : 9780199917495

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The Oxford Handbook of Dance and Theater by Nadine George-Graves Pdf

This handbook brings together genres, aesthetics, cultural practices and historical movements that provide insight into humanist concerns at the crossroads of dance and theatre, broadening the horizons of scholarship in the performing arts and moving the fields closer together.

The Oxford Handbook of Dance and Politics

Author : Rebekah J. Kowal,Gerald Siegmund,Randy Martin
Publisher : Oxford University Press
Page : 657 pages
File Size : 41,8 Mb
Release : 2017
Category : Performing Arts
ISBN : 9780199928187

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The Oxford Handbook of Dance and Politics by Rebekah J. Kowal,Gerald Siegmund,Randy Martin Pdf

The Oxford Handbook of Dance and Politics presents cutting edge research investigating not only how dance achieves its politics, but also how notions of the political are themselves expanded when viewed from the perspective of dance.

The Oxford Handbook of Dance and Competition

Author : Sherril Dodds
Publisher : Oxford Handbooks
Page : 689 pages
File Size : 45,9 Mb
Release : 2018-12-03
Category : Music
ISBN : 9780190639082

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The Oxford Handbook of Dance and Competition by Sherril Dodds Pdf

In the twenty-first century, values of competition underpin the free-market economy and aspirations of individual achievement shape the broader social world. Consequently, ideas of winning and losing, success and failure, judgment and worth, influence the dance that we see and do. Across stage, studio, street, and screen, economies of competition impact bodily aesthetics, choreographic strategies, and danced meanings. In formalized competitions, dancers are judged according to industry standards to accumulate social capital and financial gain. Within the capitalist economy, dancing bodies compete to win positions in prestigious companies, while choreographers hustle to secure funding and attract audiences. On the social dance floor, dancers participate in dance-offs that often include unspoken, but nevertheless complex, rules of bodily engagement. And the media attraction to the drama and spectacle of competition regularly plays out in reality television shows, film documentaries, and Hollywood cinema. Drawing upon a diverse collection of dances across history and geography, The Oxford Handbook of Dance and Competition asks how competition affects the presentation and experience of dance and, in response, how dancing bodies negotiate, critique, and resist the aesthetic and social structures of the competition paradigm.

The Oxford Handbook of Shakespeare's Poetry

Author : Jonathan Post
Publisher : OUP Oxford
Page : 784 pages
File Size : 45,7 Mb
Release : 2013-07-18
Category : Literary Criticism
ISBN : 9780191665059

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The Oxford Handbook of Shakespeare's Poetry by Jonathan Post Pdf

The Oxford Handbook of Shakespeare's Poetry contains thirty-eight original essays written by leading Shakespeareans around the world. Collectively, these essays seek to return readers to a revivified understanding of Shakespeare's verbal artistry in both the poems and the drama. The volume understands poetry to be not just a formal category designating a particular literary genre but to be inclusive of the dramatic verse as well, and of Shakespeare's influence as a poet on later generations of writers in English and beyond. Focusing on a broad set of interpretive concerns, the volume tackles general matters of Shakespeare's style, earlier and later; questions of influence from classical, continental, and native sources; the importance of words, line, and rhyme to meaning; the significance of songs and ballads in the drama; the place of gender in the verse, including the relationship of Shakespeare's poetry to the visual arts; the different values attached to speaking 'Shakespeare' in the theatre; and the adaptation of Shakespearean verse (as distinct from performance) into other periods and languages. The largest section, with ten essays, is devoted to the poems themselves: the Sonnets, plus 'A Lover's Complaint', the narrative poems, Venus and Adonis and The Rape of Lucrece, and 'The Phoenix and the Turtle'. If the volume as a whole urges a renewed involvement in the complex matter of Shakespeare's poetry, it does so, as the individual essays testify, by way of responding to critical trends and discoveries made during the last three decades.

The Oxford Handbook of Contemporary Ballet

Author : Kathrina Farrugia-Kriel,Jill Nunes Jensen
Publisher : Oxford University Press
Page : 1013 pages
File Size : 46,7 Mb
Release : 2021
Category : Performing Arts
ISBN : 9780190871499

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The Oxford Handbook of Contemporary Ballet by Kathrina Farrugia-Kriel,Jill Nunes Jensen Pdf

"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--

The Oxford Handbook of Improvisation in Dance

Author : Vida L. Midgelow
Publisher : Oxford University Press
Page : 800 pages
File Size : 54,8 Mb
Release : 2019-02-21
Category : Performing Arts
ISBN : 9780190925604

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The Oxford Handbook of Improvisation in Dance by Vida L. Midgelow Pdf

From the dance floor of a tango club to group therapy classes, from ballet to community theatre, improvised dance is everywhere. For some dance artists, improvisation is one of many approaches within the choreographic process. For others, it is a performance form in its own right. And while it has long been practiced, it is only within the last twenty years that dance improvisation has become a topic of critical inquiry. With The Oxford Handbook of Improvisation in Dance, dancer, teacher, and editor Vida L. Midgelow provides a cutting-edge volume on dance improvisation in all its facets. Expanding beyond conventional dance frameworks, this handbook looks at the ways that dance improvisation practices reflect our ability to adapt, communicate, and respond to our environment. Throughout the handbook, case studies from a variety of disciplines showcase the role of individual agency and collective relationships in improvisation, not just to dancers but to people of all backgrounds and abilities. In doing so, chapters celebrate all forms of improvisation, and unravel the ways that this kind of movement informs understandings of history, socio-cultural conditions, lived experience, cognition, and technologies.

The Oxford Handbook of Screendance Studies

Author : Douglas Rosenberg
Publisher : Oxford University Press
Page : 817 pages
File Size : 48,9 Mb
Release : 2016
Category : Music
ISBN : 9780199981601

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The Oxford Handbook of Screendance Studies by Douglas Rosenberg Pdf

The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.

The Oxford Handbook of Shakespeare and Performance

Author : James C. Bulman
Publisher : Oxford University Press
Page : 705 pages
File Size : 53,9 Mb
Release : 2017
Category : Literary Criticism
ISBN : 9780199687169

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The Oxford Handbook of Shakespeare and Performance by James C. Bulman Pdf

The series statement "Oxford handbooks to Shakespeare" taken from dust jacket.

The Oxford Handbook of Dance and Ethnicity

Author : Anthony Shay,Barbara Sellers-Young
Publisher : Oxford University Press
Page : 128 pages
File Size : 42,7 Mb
Release : 2016-04-20
Category : Performing Arts
ISBN : 9780190493936

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The Oxford Handbook of Dance and Ethnicity by Anthony Shay,Barbara Sellers-Young Pdf

Dance intersects with ethnicity in a powerful variety of ways and at a broad set of venues. Dance practices and attitudes about ethnicity have sometimes been the source of outright discord, as when African Americans were - and sometimes still are - told that their bodies are 'not right' for ballet, when Anglo Americans painted their faces black to perform in minstrel shows, when 19th century Christian missionaries banned the performance of particular native dance traditions throughout much of Polynesia, and when the Spanish conquistadors and church officials banned sacred Aztec dance rituals. More recently, dance performances became a locus of ethnic disunity in the former Yugoslavia as the Serbs of Bosnia attended dance concerts but only applauded for the Serbian dances, presaging the violent disintegration of that failed state. The Oxford Handbook of Dance and Ethnicity brings together scholars from across the globe in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented by dance as an ethnicity. Newly-commissioned for the volume, the chapters of the book place a reflective lens on dance and its context to examine the role of dance as performed embodiment of the historical moments and associated lived identities. In bringing modern dance and ballet into the conversation alongside forms more often considered ethnic, the chapters ask the reader to contemplate previous categories of folk, ethnic, classical, and modern. From this standpoint, the book considers how dance maintains, challenges, resists or in some cases evolves new forms of identity based on prior categories. Ultimately, the goal of the book is to acknowledge the depth of research that has been undertaken and to promote continued research and conceptualization of dance and its role in the creation of ethnicity. Dance and ethnicity is an increasingly active area of scholarly inquiry in dance studies and ethnomusicology alike and the need is great for serious scholarship to shape the contours of these debates. The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.

The Oxford Handbook of Dance and Competition

Author : Dr. Sherril Dodds
Publisher : Oxford University Press
Page : 656 pages
File Size : 46,8 Mb
Release : 2018-11-01
Category : Music
ISBN : 9780190639105

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The Oxford Handbook of Dance and Competition by Dr. Sherril Dodds Pdf

In the twenty-first century, values of competition underpin the free-market economy and aspirations of individual achievement shape the broader social world. Consequently, ideas of winning and losing, success and failure, judgment and worth, influence the dance that we see and do. Across stage, studio, street, and screen, economies of competition impact bodily aesthetics, choreographic strategies, and danced meanings. In formalized competitions, dancers are judged according to industry standards to accumulate social capital and financial gain. Within the capitalist economy, dancing bodies compete to win positions in prestigious companies, while choreographers hustle to secure funding and attract audiences. On the social dance floor, dancers participate in dance-offs that often include unspoken, but nevertheless complex, rules of bodily engagement. And the media attraction to the drama and spectacle of competition regularly plays out in reality television shows, film documentaries, and Hollywood cinema. Drawing upon a diverse collection of dances across history and geography, The Oxford Handbook of Dance and Competition asks how competition affects the presentation and experience of dance and, in response, how dancing bodies negotiate, critique, and resist the aesthetic and social structures of the competition paradigm.

The Oxford Handbook of the Age of Shakespeare

Author : Robert Malcolm Smuts
Publisher : Oxford University Press
Page : 849 pages
File Size : 45,6 Mb
Release : 2016
Category : History
ISBN : 9780199660841

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The Oxford Handbook of the Age of Shakespeare by Robert Malcolm Smuts Pdf

This title offers literary scholars a variety of perspectives, insights and methodologies found in current historical work that inform the study of Shakespeare and his contemporaries.