Opera As Hypermedium

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Opera as Hypermedium

Tereza Havelková
Opera as Hypermedium Book PDF

Author : Tereza Havelková
Publisher : Oxford University Press
Page : 240 pages
File Size : 45,8 Mb
Release : 2021-02-15
Category : Music
ISBN : 9780190091279

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Opera as Hypermedium by Tereza Havelková Pdf

Drawing on the concept of hypermediacy from media studies, this book situates opera within the larger context of contemporary media practices, and particularly those that play up the multiplicity, awareness and enjoyment of media. It is driven by the underlying question of what politics of representation and perception opera performs within this context. This entails approaching operas as audiovisual events (rather than works or texts) and paying attention to what they do by visual means, along with the operatic music and singing. The book concentrates on events that foreground their use of media and technology, drawing attention to opera's inherently hypermedial aspects. It works with the recognition that such events nevertheless engender powerful effects of immediacy, which are not contingent on illusionism or the seeming transparency of the medium. It analyzes how effects like presence, liveness and immersion are produced, contesting some critical claims attached to them. It also sheds light on how these effects, often perceived as visceral or material in nature, are related to the production of meaning in opera. The discussion pertains to contemporary pieces such as Louis Andriessen and Peter Greenaway's Rosa and Writing to Vermeer, as well as productions of the canonical repertory such as Wagner's Ring Cycle by Robert Lepage at the Met and La Fura dels Baus in Valencia.

Opera as Hypermedium

Tereza Havelková
Opera as Hypermedium Book PDF

Author : Tereza Havelková
Publisher : Oxford University Press
Page : 240 pages
File Size : 51,9 Mb
Release : 2021-02-15
Category : Music
ISBN : 9780190091286

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Opera as Hypermedium by Tereza Havelková Pdf

Drawing on the concept of hypermediacy from media studies, this book situates opera within the larger context of contemporary media practices, and particularly those that play up the multiplicity, awareness and enjoyment of media. It is driven by the underlying question of what politics of representation and perception opera performs within this context. This entails approaching operas as audiovisual events (rather than works or texts) and paying attention to what they do by visual means, along with the operatic music and singing. The book concentrates on events that foreground their use of media and technology, drawing attention to opera's inherently hypermedial aspects. It works with the recognition that such events nevertheless engender powerful effects of immediacy, which are not contingent on illusionism or the seeming transparency of the medium. It analyzes how effects like presence, liveness and immersion are produced, contesting some critical claims attached to them. It also sheds light on how these effects, often perceived as visceral or material in nature, are related to the production of meaning in opera. The discussion pertains to contemporary pieces such as Louis Andriessen and Peter Greenaway's Rosa and Writing to Vermeer, as well as productions of the canonical repertory such as Wagner's Ring Cycle by Robert Lepage at the Met and La Fura dels Baus in Valencia.

A Poetics of Handel's Operas

Nathan Link
A Poetics of Handel s Operas Book PDF

Author : Nathan Link
Publisher : Oxford University Press
Page : 393 pages
File Size : 55,9 Mb
Release : 2023
Category : Opera
ISBN : 9780197651346

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A Poetics of Handel's Operas by Nathan Link Pdf

"A Poetics of Handel's Operas investigates the rich representational fabric of Handel's stories, drawing upon musicology, narratology, drama, and film in offering a study with appeal to scholars, producers and performers, opera afficionados, and anyone fascinated by storytelling. In most storytelling genres, we often distinguish between the story, on the one hand, and the way that story is represented, on the other, without a second thought. We know that a character in a film hears neither her own voice-over nor the ambient music that accompanies it, and that she does not really build a house from the ground up in the three minutes spanned by the cinematic montage that depict its construction. In opera, however, many commentators to this day characterize the medium as "unrealistic," since we know, for example, that people in the real world do not sing to each other, nor does orchestral music accompany their utterances. This said, the vocal and orchestral music, while not literally present in the world of the story surely have a great deal to tell us about the opera's story and its characters, and if we distinguish the performance we see and hear on the stage and in the orchestra pit from the story represented, we enable ourselves to construct stories that are no less coherent than those conveyed by other media. By avoiding conflation of the story and its representation, we enable ourselves to engage more meaningfully with the significance of these and many other unique aspects of operatic storytelling"--

Screening the Operatic Stage

Christopher Morris
Screening the Operatic Stage Book PDF

Author : Christopher Morris
Publisher : University of Chicago Press
Page : 269 pages
File Size : 52,7 Mb
Release : 2024-03-29
Category : Music
ISBN : 9780226831282

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Screening the Operatic Stage by Christopher Morris Pdf

An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera’s engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. If these screen cultures reveal how inherently “technological” opera is as a medium, they also highlight a deep suspicion among opera producers and audiences toward the intervention of media technology. Ultimately, Screening the Operatic Stage shows how the conventions of televisual representation employed in opera have masked the mediating effects of technology in the name of fidelity to live performance.

What Does it Mean to Be Human? Was heißt es, Mensch zu sein?

Brigitte Buchhammer, Bettina Zehetner
What Does it Mean to Be Human Was hei t es Mensch zu sein Book PDF

Author : Brigitte Buchhammer, Bettina Zehetner
Publisher : LIT Verlag Münster
Page : 646 pages
File Size : 52,9 Mb
Release : 2024-06-17
Category : Electronic
ISBN : 9783643511973

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What Does it Mean to Be Human? Was heißt es, Mensch zu sein? by Brigitte Buchhammer, Bettina Zehetner Pdf

This celebratory publication is an expression of deepest gratitude to Herta Nagl-Docekal. With this volume, colleagues, graduates and friends want to celebrate her philosophical oeuvre. Her entire life’s work has been characterized by both humanitarian and humanist commitment: to seek the principles of justice in the co-existence of human beings, but that philosophy also provides the basic yardstick, to highlight distortions on recent theories. Her philosophical work is alive with the commitment to a philosophy which is compelled to seek the principles of greater justice and solidarity

Opera Cinema

Joseph Attard
Opera Cinema Book PDF

Author : Joseph Attard
Publisher : Bloomsbury Publishing USA
Page : 248 pages
File Size : 51,7 Mb
Release : 2022-06-16
Category : Performing Arts
ISBN : 9781501370342

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Opera Cinema by Joseph Attard Pdf

Since 2006, leading opera companies have beamed their shows to thousands of cinema screens all over the world – live. 'Opera cinema' is the most successful marriage of this elaborate, esoteric artform and the silver screen. In the twenty-first century, more people watch opera on cinema screens than the stage. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid artform in its own right, or merely a new way of engaging with an old one? Is it bringing new opera fans into the fold? Is there a danger it could one day eclipse the stage altogether? This book deals with these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture and inviting a group of 'opera virgins' to give their impressions on this developing cultural experience.

The Legacy of Opera.

Dominic Symonds,Pamela Karantonis
The Legacy of Opera Book PDF

Author : Dominic Symonds,Pamela Karantonis
Publisher : Rodopi
Page : 261 pages
File Size : 47,7 Mb
Release : 2013
Category : Electronic
ISBN : 9789401209502

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The Legacy of Opera. by Dominic Symonds,Pamela Karantonis Pdf

The Legacy of Opera: Reading Music Theatre as Experience and Performance is the first volume in a series of books compiled by the Music Theatre Working Group of the International Federation for Theatre Research. The series explores the widening of the meaning of the term “music theatre” to reflect new ways of thinking about this creative practice beyond the genres circumscribed by discourses of theatre studies and musicology. Specifically it interrogates the experience of music theatre and its performance energies for contemporary audiences who engage with the emergence of new expressive idioms, new performative paradigms, new technologies and new ways of thinking. The Legacy of Opera considers some of the ways in which opera’s influence has informed our understanding of and approach to the musical stage, from the multiple perspectives of the ideological, historical, corporeal and artistic. With contributions from international scholars in music theatre, its chapters explore both canonic and experimental examples of music theatre, spanning a period from the seventeenth century to the present day.

The Operatic Archive

Colleen Renihan
The Operatic Archive Book PDF

Author : Colleen Renihan
Publisher : Routledge
Page : 307 pages
File Size : 55,7 Mb
Release : 2020-04-03
Category : Music
ISBN : 9780429649134

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The Operatic Archive by Colleen Renihan Pdf

The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera’s powerful potential for historical impact and engagement in late twentieth- and twenty-first-century works by American composers. Considering opera’s ability to serve as a vehicle for memory, historical experience, affect, presence, and the historical sublime, this volume demonstrates how opera’s ability to represent and evoke historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations). Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of opera studies and performance studies.

Designing Hypermedia for Learning

David H. Jonassen,Heinz Mandl
Designing Hypermedia for Learning Book PDF

Author : David H. Jonassen,Heinz Mandl
Publisher : Springer Science & Business Media
Page : 466 pages
File Size : 47,9 Mb
Release : 2012-12-06
Category : Computers
ISBN : 9783642759451

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Designing Hypermedia for Learning by David H. Jonassen,Heinz Mandl Pdf

This most unusual book results from the NATO Advanced Research Work shop, "Designing Hypertext/Hypermedia for Learning", held in Rottenburg am Neckar, FRO, from July 3-8, 1989. The idea for the workshop resulted from the burgeoning interest in hypertext combined with the frustrating lack of literature on leaming applications for hypertext. There was little evidence in 1988 that hypertext could successfully support learning out comes. A few projects were investigating hypertext for learning, but few conclusions were available and little if any advice on how to design hyper text for learning applications was available. Could hypertext support learning objectives? What mental processing requirements are unique to learning outcomes? How would the processing requirements of learning outcomes interact with unique user processing requirements of browsing and constructing hypertext? Should hypertext information bases be restruc tured to accommodate learning outcomes? Should the user interface be manipulated in order to support the task functionality of learning outcomes? Does the hypertext structure reflect the intellectual requirements of learning outcomes? What kinds of learning-oriented hypertext systems were being developed and what kinds of assumptions were these systems making? These and other questions demonstrated the need for this workshop. The workshop included presentations, hardware demonstrations, sharing and browsing of hypertexts, and much discussion about all of the above. These were the experiences that you, the reader of this book, unfortunately did not experience.

Political Cyberformance

Christina Papagiannouli
Political Cyberformance Book PDF

Author : Christina Papagiannouli
Publisher : Springer
Page : 122 pages
File Size : 43,9 Mb
Release : 2016-04-30
Category : Performing Arts
ISBN : 9781137577047

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Political Cyberformance by Christina Papagiannouli Pdf

Written from a practice-based perspective, this book focuses on the political character of 'cyberformance': the genre of digital performance that uses the Internet as a performance space. The Etheatre Project comprises a series of experimental cyberformances aiming to reconsider the characteristics of theatre in the Internet age.

The New Book of Opera Anecdotes

Ethan Mordden
The New Book of Opera Anecdotes Book PDF

Author : Ethan Mordden
Publisher : Oxford University Press
Page : 288 pages
File Size : 47,9 Mb
Release : 2020-04-03
Category : Music
ISBN : 9780190877705

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The New Book of Opera Anecdotes by Ethan Mordden Pdf

Building on the long-established success of Ethan Mordden's Opera Anecdotes, The New Book Of Opera Anecdotes continues where the original left off, bringing into view the new corps of major singers that arose after the first book's publication in 1985 -- artists such as Renee Fleming, Roberto Alagna, Deborah Voigt, Jonas Kaufmann, Kathleen Battle, and Jane Eaglen (who tested her family with Turandot's three riddles and got a very original answer). There are also fresh adventures with opera's fabled great -- Rossini, Wagner, Toscanini (whose temper tantrums are always good for a story), Franco Corelli, Luciano Pavarotti, Leontyne Price (who, when the Met's Rudolf Bing offered her the voice-killing role of Abigaille in Verdi's Nabucco, said, "Man, are you crazy?"). Almost all the stories in The New Book Of Opera Anecdotes are completely new, whether from the present or the past, taking in many historical developments, from the rise of the conductor to the appearance of the gymmed-up "bari-hunk" who refuses to play any role in which he can't appear shirtless. While most of Mordden's anecdotes are humorous, some are emotionally touching, such as one recounting a Met production of Mozart's The Marriage Of Figaro in which Renee Fleming sang alongside her own six-year-old daughter. Other tales are suspenseful, as when Tito Gobbi shows off his ability to make anyone turn around simply by staring at his or her back. He tries it on Nazi monster Joseph Goebbels, who does turn around, and then starts to move toward Gobbi, seething with rage, step by step... Mordden recounts these stories in his own unique voice, amplifying events for reading pleasure and adding in background material so the opera newcomer can play on the same field as the aficionado. Witty, dramatoic, and at times a little shocking, The New Book Of Opera Anecdotes will be a welcome addition to any opera fan's library.

Dance and British Literature: An Intermedial Encounter

Maria Marcsek-Fuchs
Dance and British Literature An Intermedial Encounter Book PDF

Author : Maria Marcsek-Fuchs
Publisher : Hotei Publishing
Page : 306 pages
File Size : 46,9 Mb
Release : 2015-02-11
Category : Literary Criticism
ISBN : 9789004292581

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Dance and British Literature: An Intermedial Encounter by Maria Marcsek-Fuchs Pdf

What happens, when dance and literature meet; when movement is integrated into the literary world or even replaces verbal communication? This study explores dance in British literature from Shakespeare to Yeats, and illustrates the many ways in which these two forms of artistic expression can enter into various kinds of intermedial encounters and cultural alliances.

Shakespeare and the Challenge of the Contemporary

Francesca Clare Rayner
Shakespeare and the Challenge of the Contemporary Book PDF

Author : Francesca Clare Rayner
Publisher : Bloomsbury Publishing
Page : 225 pages
File Size : 50,8 Mb
Release : 2021-09-23
Category : Literary Criticism
ISBN : 9781350182172

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Shakespeare and the Challenge of the Contemporary by Francesca Clare Rayner Pdf

Contemporary performance is a particularly stimulating area for the study of how Shakespeare is produced and received in different cultural contexts. Francesca Clare Rayner's original and thought-provoking book highlights the diversity and experimentalism of contemporary performance practices through a focus on unexplored performances in Portugal. This book references key debates within contemporary performance studies on intermediality, globalization and political participation and analyses their particular configurations within the Portuguese context. These case studies represent clear alternatives to the market-driven view of the contemporary as the continual reproduction of the new and the topical for global consumers. Instead, they recast the contemporary as a site of disempowerment, crisis and erasure in a Europe fragmented by economic austerity, political divisions around Brexit, ecological vacillation and an anxious refashioning of global relations between North and South.

Intermedial Shakespeares on European Stages

A. Mancewicz
Intermedial Shakespeares on European Stages Book PDF

Author : A. Mancewicz
Publisher : Springer
Page : 181 pages
File Size : 43,8 Mb
Release : 2014-08-06
Category : Performing Arts
ISBN : 9781137360045

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Intermedial Shakespeares on European Stages by A. Mancewicz Pdf

Intermedial Shakespeares argues that intermediality has refashioned performances of Shakespeare's plays over the last two decades in Europe. It describes ways in which text and author, time and space, actor and audience have been redefined in Shakespearean productions that incorporate digital media, and it traces transformations in practice.

Great North American Stage Directors Volume 7

James Peck
Great North American Stage Directors Volume 7 Book PDF

Author : James Peck
Publisher : Bloomsbury Publishing
Page : 233 pages
File Size : 42,7 Mb
Release : 2024-01-25
Category : Performing Arts
ISBN : 9781350303683

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Great North American Stage Directors Volume 7 by James Peck Pdf

This volume focuses on three artists who embrace media and technology as essential elements of their theatrical expression: Elizabeth LeCompte, Ping Chong, and Robert Lepage. Diverse in their aesthetic interests, they nevertheless share an approach to directing that includes technological media on stage as central to a rigorously crafted production concept. Technological elements live alongside and negotiate with the theatre's human players, disclosing, shaping, and even intruding on the dramas they enact. The essays in this volume explore how all three directors have provided decisive responses to a question that has dogged the theatre for at least the last century: what relationship can theatre, an art form grounded in live, ephemeral, expression, have to technology? The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.