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Orality, Form, and Lyric Unity by Beverley Nadin Pdf
Orality, Form, and Lyric Unity examines the poetic works of Michael Donaghy and Don Paterson and their advancement of a poetics of sound and sense. Observing Donaghy’s critical perspectives on orality, tradition, and memory, and Don Paterson’s systems of collective relation and “lyric unity”, this volume explores the intellectual curiosity of both poets from the classical to the contemporary, in relation to music, literature, philosophy, scientific thought, and the rituals and austerities of the transcendent. This text also explores the tensions occupying their work between craft and spontaneity, and between the intellect and intuition, that arise from a fundamental respect for form as the poet’s guiding principle. Orality, Form, and Lyric Unity exposes persuasive rhetoric and pursues a nuanced understanding of the enigmatic complexity of poetic language and its critical context. This volume interrogates valuable insights into form, language, and poetics, and clarifies and reframes these, with a focus on the creative process, for readers interested in poetry and the practical and critical perspectives of these poets.
Forensic Storytelling and the Literary Roots of Early Modern Feminism by Barbara Abrams Pdf
The writing of letters and the rise of the novel provided a way for some women to express themselves at a time when the all-male French Academy defined the very parameters of French literary acceptability and tradition. Women who were consigned to convents, workhouses or prisons were in most respects deprived of agency, yet many found ways to respond to the legal documents served against them. The letters and associated materials preserved in their legal files provide evidence that these women did not remain quiet, as they found means to resist authority. The forensic storytelling examined in this book supports the conclusion that the documents written in these constrained circumstances have both historical and literary merit and form the core of an understudied genre of literature.
Billy Lynn’s Long Halftime Walk by Lisa Ferguson Pdf
This book examines how the game of football and militarism have historically overlapped due to their shared celebration of strength, might, and besting a clear and definitive foe. Nevertheless, since September 11, a variety of staged patriotic vignettes dominated most NFL broadcasts, giving the once easy and unforced union a stilted feel. That the War on Terror became a fixture of modern- day Super Bowls was easy to portend; what was more difficult to predict was the imprint it would leave on U.S. citizens and American politics. Ben Fountain’s award- winning novel, Billy Lynn’s Long Halftime Walk, reveals what passes for patriotism in a country that has reduced the sober and stark reality of combat to pageantry and production for the crowd back home, leaving our troops to unwittingly play the part of entertainers, destined to be sexualized just like the cheerleaders and dancers so frequently performing alongside them.
Bosnian Authors in a European Window by Keith Doubt Pdf
The study compares three Bosnian authors with three European titans: The poet Mak Dizdar to Homer, the novelist Meša Selimović to Fyodor Dostoevsky, and the novelist Ivo Andrić to Leo Tolstoy. The purpose is to move the appreciation of the writing of the most important Bosnian writers of the 20th century closer to the European literary community and to the wholeness of the literary phenomenon. Secondary literature on the Bosnian authors is too narrow, focusing on their ethnic heritages and the Balkan milieu in which they write and missing something essential to a critical appreciation of their works. The study creates not only affinities but, more importantly, amitiés between the authors. The discipline of comparative literature reveals what is missing in the secondary literature, namely, a vision of the literary universe, inclusive and comprehensive.
This book presents my concept of poetic thinking in the context of debates around the anthropological question, that is ‘what is being human?’, building on ‘thinking language’ and dialogical thinking, developing a poetological anthropology. It evokes political and social issues to demonstrate why poetics is of general relevance for our times. The chapters relate these questions to insights of quantum physics and neurosciences and discuss aspects of contemporary technology, media and medicine, employing notions such as atmospheres, immanent transcendence, silence and presence from contemporary thinkers. Poetic thinking considers the world in its togetherness, offering an alternative to the opposition of subject and object. It demonstrates the transformative power in the interaction of the form of language and the form of life. Poetic thinking takes place when a subject constitutes itself in creative and dialogical language, transforming its ways of feeling and thinking, in short, its way of perceiving the world.
Contemporary Irish Masculinities by Angelos Bollas Pdf
By examining portrayals of male homosociality in Sally Rooney's novels, the book documents how male relationships are formed, challenged, and often disavowed and the profound negative effects this can have for the wellbeing of men. The book also highlights the importance of the sociocultural context within which male relationships are formed and supports that the potential for healthy and meaningful relationships between men depends on how they are brought up to view themselves as men and their role in the society they live in. That is, despite the many examples whereby space for authentic and meaningful male homosociality is limited and well concealed, the book also offers a more optimistic potential for men's relationships by illustrating the significance of broader understandings of masculinity, unfettered by homophobia and misogyny, in allowing for male homosociality with the potential of emancipating men from heteropatriarchal norms which dictate their behaviour toward themselves and others.
Milton and Music is the first study to juxtapose John Milton’s poetry on music with later musical adaptations of his work. In Part I: Milton on Music, Seth Herbst shows that writing about music galvanized Milton’s intellectual development towards animist materialism, the belief that everything in the universe—even the human soul—is made of matter. The Milton who emerges is a forward-thinking visionary who leaped past his contemporaries in conceiving music as a material phenomenon that exists simultaneously as sound and metaphor. Part II: Milton in Music follows two daring composers in investigating whether Milton’s visionary concept of music can be realized in actual musical sound. In Samson, an oratorio adaptation of Milton’s Samson Agonistes, Handel resists Miltonic music theory, suggesting that music struggles to function as both sound and metaphor. By contrast, the twentieth-century Polish composer Krzysztof Penderecki composes an iconoclastic opera of Paradise Lost that develops a soundworld of fractured dissonance in which music acts as both sound and metaphor. Recovering Milton’s own high estimation of music from a critical tradition that has subordinated it to the poet’s political and religious convictions, Herbst reveals Milton as an interdisciplinary thinker and overlooked figure in the study of words and music. Driven by bold claims about the comparative treatment of literature and music, Milton and Music revises our understanding of what makes this canonical poet an intellectual revolutionary.
Writing in-Between lies at intersections: between theory and praxis; between fiction and non-fiction; between author and reader; between the personal and the political. Beginning with a conceptual glossary that prepares readers for their journey through the book, Dinesh offers two central texts to invite readers to become co-creators. The first, F for _____, is written as an “academic novella” and culminates with an interactive section that is composed of guided invitations for the reader/co-creator. The second text, Julys, takes the form of a “dramatic memoir” and intersperses invitations for readers/co-creators between each of its chapters. Dinesh brings these threads together in an entirely interactive concluding chapter, where her hopes for collaborative meaning making take centre stage. In all of its unique invitations to engage, Dinesh’s readers/co-creators can either choose to craft their creations in personal notebooks or blank spaces in this work’s physical copy, or to engage more publicly via virtual forums that can be accessed via QR codes and accompanying links that are scattered throughout the book. Guided by questions about writing can “do” — questions that have shaped Dinesh’s work as an artist, scholar, and educator for almost two decades — Writing in Between embodies one central tenet: that the significance of performative writing might be most powerfully experienced through a collaborative process of meaning making between a text’s author and its readers turned co-creators.
Supernatural Creatures in Arabic Literary Tradition by Ahmed Al-Rawi Pdf
This volume explores the cultural meaning of several supernatural creatures in Arabia, tracing the historical development of these creatures and their recent representations in the Western world. Utilizing a variety of old and new Arabic, English and French sources, the text explores creatures including the Ghoul and its derivations, the Rukh bird, and the dragon. Unlike other texts, which primarily focus on Genies or Jinns, this volume explores other supernatural and mythical creatures that have been popular in the Middle East and Arabia for centuries but are less known to Western audiences. Dr. Al-Rawi argues that many of these creatures have pre-Islamic roots, and that they served an important function in connecting the past with the present, offering a popular vehicle to articulate and imagine the supernatural dimension of existence which helps in consolidating religious views.
In his Essay of 1815, Wordsworth asserts that ‘a pure and refined scheme of harmony’ must prevail in all ‘higher poetry’. This idea of a structured and complex form of ‘harmony’ was similarly noted earlier in The Prelude (1805), where Wordsworth famously claimed that the human mind is ‘framed even like the breath / And harmony of music’. Musical Wordsworth presents an original understanding of Wordsworthian harmony by examining an organised but dynamic sense of musicality that shapes his poetic theory and practice. This book is the first study to draw on music psychology and aesthetics to interpret the function and mechanism of Wordsworth’s aural structure and movement. Engaging with scholarship from the fields of literature and music, it defines Wordsworth’s poetry and the imagination through musical conceptions, and establishes various modes and forms of poetic listening as experiences of musical performance and appreciation. Each chapter explores a pair of musical abstractions – Lyricism and Musicality; Breath and Harmony; Repetition and Resonance; Expectation and Surprise; Rhythm and Dynamics; Rest and Silence. Musical Wordsworth will be of interest to students and researchers of Romantic poetry, long nineteenth-century literature, and music.
This edition of "The Canadian Encyclopedia is the largest, most comprehensive book ever published in Canada for the general reader. It is COMPLETE: every aspect of Canada, from its rock formations to its rock bands, is represented here. It is UNABRIDGED: all of the information in the four red volumes of the famous 1988 edition is contained here in this single volume. It has been EXPANDED: since 1988 teams of researchers have been diligently fleshing out old entries and recording new ones; as a result, the text from 1988 has grown by 50% to over 4,000,000 words. It has been UPDATED: the researchers and contributors worked hard to make the information as current as possible. Other words apply to this extraordinary work of scholarship: AUTHORITATIVE, RELIABLE and READABLE. Every entry is compiled by an expert. Equally important, every entry is written for a Canadian reader, from the Canadian point of view. The finished work - many years in the making, and the equivalent of forty average-sized books - is an extraordinary storehouse of information about our country. This book deserves pride of place on the bookshelf in every Canadian Home. It is no accident that the cover of this book is based on the Canadian flag. For the proud truth is that this volume represents a great national achievement. From its formal inception in 1979, this encyclopedia has always represented a vote of faith in Canada; in Canada as a separate place whose natural worlds and whose peoples and their achievements deserve to be recorded and celebrated. At the start of a new century and a new millennium, in an increasingly borderless corporate world that seems ever more hostile to nationaldistinctions and aspirations, this "Canadian Encyclopedia is offered in a spirit of defiance and of faith in our future. The statistics behind this volume are staggering. The opening sixty pages list the 250 Consultants, the roughly 4,000 Contributors (all experts in the field they describe) and the scores of researchers, editors, typesetters, proofreaders and others who contributed their skills to this massive project. The 2,640 pages incorporate over 10,000 articles and over 4,000,000 words, making it the largest - some might say the greatest - Canadian book ever published. There are, of course, many special features. These include a map of Canada, a special page comparing the key statistics of the 23 major Canadian cities, maps of our cities, a variety of tables and photographs, and finely detailed illustrations of our wildlife, not to mention the colourful, informative endpapers. But above all the book is "encyclopedic" - which the "Canadian Oxford Dictionary describes as "embracing all branches of learning." This means that (with rare exceptions) there is satisfaction for the reader who seeks information on any Canadian subject. From the first entry "A mari usque ad mare - "from sea to sea" (which is Canada's motto, and a good description of this volume's range) to the "Zouaves (who mustered in Quebec to fight for the beleaguered Papacy) there is the required summary of information, clearly and accurately presented. For the browser the constant variety of entries and the lure of regular cross-references will provide hours of fasination. The word "encyclopedia" derives from Greek expressions alluding to a grand "circle of knowledge." Our knowledge has expandedimmeasurably since the time that one mnd could encompass all that was known.Yet now Canada's finest scientists, academics and specialists have distilled their knowledge of our country between the covers of one volume. The result is a book for every Canadian who values learning, and values Canada.
Biblical Foundations Book Awards Runner Up and Finalist In the biblical canon, two books lack any explicit reference to the name of God: Song of Songs and Esther. God's peculiar absence in these texts is unsettling, both for theological discourse and for believers considering implications for their own lived experience. Chloe T. Sun takes on the challenges of God's absence by exploring the often overlooked theological connections between these two Old Testament books. In Conspicuous in His Absence, Sun examines and reflects on the Song of Songs and Esther using theological interpretation. She addresses three main questions: What is the nature of God as revealed in texts that don't use his name? How do we think of God when he is perceived to be absent? What should we do when God is silent or hidden? The experience of God's absence or silence is an important part of the human condition. By exploring the distinct themes and perspectives of Song of Songs and Esther, as well as how they've been received in Jewish and Christian history, Sun demonstrates how both books serve as counter texts to the depiction of God and his work in the rest of the Hebrew Scriptures. Thus both contribute to a fuller picture of who God is and what it means to know him.
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.