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The Oxford Handbook of European Romanticism by Paul Hamilton Pdf
The Oxford Handbook of European Romanticism focuses on the period beginning with the French Revolution and extending to the uprisings of 1848 across Europe. It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian, Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comparative dynamic. These chapters highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of understanding, and the Enlightenment encyclopaedic project. Discourses typically push their individual claims to resume European culture, collaborating and trying to assimilate each other in the process. The main examples featuring here are history, geography, drama, theology, language, geography, philosophy, political theory, the sciences, and the media. Each chapter offers original and individual interpretation of individual aspects of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide a comprehensive and unique overview of European Romanticism.
The Oxford Handbook of European Romanticism by Paul Hamilton Pdf
TThe Oxford Handbook to European Romanticism brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The book focuses on the cultural history of the period extending from the French Revolution to the uprisings of 1848. It begins with a series of chapters examining key texts written by major writers in languages including: French; German; Italian; Spanish; Russian; Hungarian; Greek; and Polish amongst others. A second section then explores the naturally inter-disciplinary quality of Romanticism, exemplified by the different discourses with which writers of the time set up an internal, comparative dynamic. These chapters highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of self-understanding of the time. Discourses typically advance their own claims to resume European culture, collaborating with and at the same time trying to assimilate each other in the process. The main examples featured here are: history; geography; drama; theology; language; philosophy; political theory; the sciences; and the media. Each chapter offers an original and individual interpretation of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide a comprehensive and provocative overview of European Romanticism.
Romantic Fiction and Literary Excess in the Minerva Press Era by Hannah Doherty Hudson Pdf
Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Romantic Epics and the Mission of Empire by Matthew Leporati Pdf
Matthew Leporati examines the explosive Romantic revival of epic alongside the contemporary revival of missionary activity. His study contributes to charged political debates around British imperialism. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Experimentalism in Wordsworth's Later Poetry by Tim Fulford Pdf
"Experimentalism in Wordsworth's Later Poetry Tim Fulford provides detailed readings of a range of little-known, late and difficult poems which together present an alternative Wordsworth to the one we are used to. This newly-revealed Wordsworth continued experimenting with form, genre and style as his career progressed so as to ponder the challenging experiences presented by later life. Fulford invites the reader to engage, through Wordsworth's poetry, with such broadly-felt concerns as quarantine, isolation, mental illness and bereavement. Focused yet broad in chronological scope, this study also considers the literature of Wordsworth's old age in relation to his earlier work. Tim Fulford is the author of many books and articles on the literature and history of the Romantic Period (1780-1840), and is the editor of The New Cambridge Companion to Coleridge (2022). His monograph Wordsworth's Poetry 1815-45 (2019) won the Robert Penn Warren/Cleanth Brooks Award for Literary Scholarship 2020. His edition The Collected Letters of Sir Humphry Davy (co-edited with Sharon Ruston) (2020) won an honourable mention in the MLA biennial Morton N. Cohen Award For A Distinguished Edition Of Letters"--
Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion, and cultural theory to future studies, neuroscience, video games, and art history. Aiming to increase and diversify current critical engagement and highlight the contemporary relevance of the Romantics’ multivalent preoccupation with the future, this collection renews the dialogue between Romanticism and our critical relation to its contemporaneity, especially as it speaks to current understandings of the future in the sciences, arts, and humanities.
Coleridge and the Geometric Idiom by Ann C. Colley Pdf
When Coleridge described the landscapes he passed through while scrambling among the fells, mountains, and valleys of Britain, he did something unprecedented in Romantic writing: to capture what emerged before his eyes, he enlisted a geometric idiom. Immersed in a culture still beholden to Euclid's Elements and schooled by those who subscribed to its principles, he valued geometry both for its pragmatic function and for its role as a conduit to abstract thought. Indeed, his geometric training would often structure his observations on religion, aesthetics, politics, and philosophy. For Coleridge, however, this perspective never competed with his sensitivity to the organic nature of his surroundings but, rather, intermingled with it. Situating Coleridge's remarkable ways of seeing within the history and teaching of mathematics and alongside the eighteenth century's budding interest in non-Euclidean geometry, Ann Colley illuminates the richness of the culture of walking and the surprising potential of landscape writing.
Caricature and Realism in the Romantic Novel by Olivia Ferguson Pdf
What was caricature to novelists in the Romantic period? Why does Jane Austen call Mr Dashwood's wife 'a strong caricature of himself'? Why does Mary Shelley describe the body of Frankenstein's creature as 'in proportion', but then 'distorted in its proportions' – and does caricature have anything to do with it? This book answers those questions, shifting our understanding of 'caricature' as a literary-critical term in the decades when 'the English novel' was first defined and canonised as a distinct literary entity. Novels incorporated caricature talk and anti-caricature rhetoric to tell readers what different realisms purported to show them. Recovering the period's concept of caricature, Caricature and Realism in the Romantic Novel sheds light on formal realism's self-reflexivity about the 'caricature' of artifice, exaggeration and imagination. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
The Birth of European Romanticism by John Claiborne Isbell Pdf
It was through Staël's bestseller, De l'Allemagne, that the term "Romanticism," coined in Germany, reached Europe and America. Around this term, Staël built a new and universal agenda: her manifesto offered Napoleon's Europe an alternative to everything he stood for. In this ground-breaking work, John Claiborne Isbell reasserts Staël's place in history and analyzes her vast agenda, which covers every Classical and Romantic divide in art, philosophy, religion and society from 1789 to 1815. This investigation sheds new light on the two different revolutions that created modern Europe, as seen here by a leader of both.
British Romanticism in European Perspective by Steve Clark,Tristanne Connolly Pdf
What, and when, is British Romanticism, if seen not in island isolation but cosmopolitan integration with European Romantic literature, history and culture? The essays here range from poetry and the novel to science writing, philosophy, visual art, opera and melodrama; from France and Germany to Italy and Bosnia.