Ornament And Abstraction

Author : Markus Brüderlin,Fondation Beyeler
Publisher : Dumont
Page : 255 pages
File Size : 46,5 Mb
Release : 2001
Category : Art
ISBN : 0300092261

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Ornament and Abstraction by Markus Brüderlin,Fondation Beyeler Pdf

"This book is an in-depth study of this major theme in 20th century art history. It begins with the innovative pictorial conception of Philipp Otto Runge, whose early 19th century paintings featured the last genuine form in the history of ornament, the arabesque. The arabesque had an influence via Symbolism (Maurice Denis, Paul Gauguin) and Art Nouveau (Henry van de Velde, Gustav Klimt, Josef Hoffmann) on painting's move towards abstraction (Vasily Kandinsky, Frantisek Kupka, Adolf Hoelzel), which resulted on the one hand in a non-figurative, geometric structure of lines (Mondrian), and on the other, in the swirls of Matisse and Jackson Pollock. Side by side with the "royal way" of Cubism, arabesque abstraction therefore opens up a second doorway to the world of non-figurative art." "Significant influences also result from the modern artists' preoccupation with the ornamentation found in distant cultures, such as Matisse with the Orient and Oceania, Ad Reinhardt with Asian culture, and American painting with pre-Columbian ornament (Josef Albers, Barnett Newman). Referring also to Minimalism, new media, digital technology, the Renaissance and the Rococo, the book celebrates the impact of ornament on abstract art, as well as showcasing a remarkable array of masterpieces."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author : Elina Gertsman
Publisher : Amsterdam University Press
Page : 386 pages
File Size : 43,6 Mb
Release : 2021-01-26
Category : Architecture
ISBN : 9789048542673

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Abstraction in Medieval Art by Elina Gertsman Pdf

Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of image from what it purports to represent, abstraction as a vehicle for signification, and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological.

Author : Anna Katz
Publisher : Yale University Press
Page : 329 pages
File Size : 42,5 Mb
Release : 2019-01-01
Category : Art
ISBN : 9780300239942

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With Pleasure by Anna Katz Pdf

A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement's defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement's feminist methods and values, including Miriam Schapiro's "femmage" practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.

Author : Gülru Necipoğlu,Alina Payne
Publisher : Princeton University Press
Page : 464 pages
File Size : 42,9 Mb
Release : 2016-03-08
Category : Architecture
ISBN : 9780691167282

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Histories of Ornament by Gülru Necipoğlu,Alina Payne Pdf

This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).

Author : Rosalind Galt
Publisher : Columbia University Press
Page : 410 pages
File Size : 40,5 Mb
Release : 2011
Category : Performing Arts
ISBN : 9780231153478

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Pretty by Rosalind Galt Pdf

Film culture often rejects visually rich images, treating simplicity, austerity, or even ugliness as the more provocative, political, and truly cinematic choice. Cinema may challenge traditional ideas of art, but its opposition to the decorative represents a long-standing Western aesthetic bias against feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal, colonial perspective--which treats decorative style as foreign or sexually perverse--filmmakers, critics, and theorists have often denigrated colorful, picturesque, and richly patterned visions in cinema. Condemning the exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-scène, painterly framing, and arabesque camera movements-styles increasingly central to world cinema. From European art cinema to the films of Wong Kar-wai and Santosh Sivan, from the experimental films of Derek Jarman to the popular pleasures of Moulin Rouge!, the pretty is a vital element of contemporary cinema, communicating distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, uniquely able to figure cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art theory, film theory, and philosophy, Galt reclaims prettiness as a radically transgressive style, shimmering with threads of political agency.

Author : Owen Jones
Publisher : Unknown
Page : 618 pages
File Size : 41,6 Mb
Release : 1868
Category : Decoration and ornament
ISBN : PSU:000001613032

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The Grammar of Ornament by Owen Jones Pdf

Author : Henry van de Velde
Publisher : Getty Publications
Page : 394 pages
File Size : 53,8 Mb
Release : 2022-10-25
Category : Art
ISBN : 9781606067963

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Henry van de Velde by Henry van de Velde Pdf

The first English collection of writings by Henry van de Velde, one of the most influential designers and theorists of the twentieth century. Belgian artist, architect, designer, and theorist Henry van de Velde (1863–1957) was a highly original and influential figure in Europe beginning in the 1890s. A founding member of the Art Nouveau and Jugendstil movements, he also directed the Grand-Ducal Saxon School of Arts and Crafts in Weimar, Germany, which eventually became the Bauhaus under Walter Gropius. This selection of twenty-six essays, translated from French and German, includes van de Velde’s writings on William Morris and the English Arts and Crafts movement, Neo-Impressionist painting, and relationships between ornament, line, and abstraction in German aesthetics. The texts trace the evolution of van de Velde’s thoughts during his most productive period as a theorist in the artistic debates in France, Germany, Belgium, and the Netherlands. Katherine M. Kuenzli expertly guides readers to see how van de Velde’s writings reconcile themes of aesthetics and function, and expression and reason, throughout the artistic periods and regions represented by these texts. With introductory discussions of each essay and full annotations, this is an essential volume for a broad range of scholars and students of the history of fine and applied arts and ideas.

Author : Farshid Moussavi
Publisher : Actarbirkhauser
Page : 192 pages
File Size : 48,7 Mb
Release : 2015-06
Category : Architecture
ISBN : 1940291690

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The Function of Ornament by Farshid Moussavi Pdf

A graphic guide to ornaments of 20th century building envelopes.

Author : Ahmed Achrati
Publisher : Routledge
Page : 226 pages
File Size : 40,7 Mb
Release : 2021-11-30
Category : Religion
ISBN : 9781000469066

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An Anthropology of the Qur’an by Ahmed Achrati Pdf

This book presents an anthropological study of the Qur’an, offering an unprecedented challenge to some of the epistemological and metaphysical assumptions of the tawḥīdic discourses. Combining primary textual materials and anthropological analysis, this book examines transcendence as a core principle of the Qur’an, uniquely signified in the divine name al-Quddūs (the Holy). It shows how the tawḥīdic representations of Allah constitute an inversion of this attribute; examines how this inversion has been conceived, authorized, and maintained; and demonstrates how it has affected Islamic thinking and practices, especially as relates to authority. This book also explores how a return to the Qur’anic primacy of God’s otherness as al-Quddūs can influence Islamic thinking and practices moving forward. Therefore, it will be highly useful to scholars of Islamic Studies, philosophical theology, Qur’anic studies, political science, ethics, anthropology, and religious studies.

Author : James Trilling
Publisher : University of Washington Press
Page : 306 pages
File Size : 47,5 Mb
Release : 2003
Category : Architecture
ISBN : 0295981482

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Ornament by James Trilling Pdf

This text is a wide-ranging consideration of the cultural and symbolic significance of ornament, its rejection by modernism and its subsequent reinvention. Trilling explains how ornament works, why it has to be explained and why it matters.

Author : Larry Wood
Publisher : Unknown
Page : 148 pages
File Size : 45,9 Mb
Release : 1983
Category : Decoration and ornament, Architectural
ISBN : UCAL:C2935830

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Ornament by Larry Wood Pdf

Author : David Moos,Inverleith House. Edinburgh,Lucy Richards,Royal Botanic Garden, Edinburgh,Edwin A. Ulrich Museum of Art
Publisher : Unknown
Page : 48 pages
File Size : 43,9 Mb
Release : 1977
Category : Painting, Modern
ISBN : 1872291376

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Theories of the Decorative by David Moos,Inverleith House. Edinburgh,Lucy Richards,Royal Botanic Garden, Edinburgh,Edwin A. Ulrich Museum of Art Pdf

Author : Carol Belanger Grafton
Publisher : Courier Corporation
Page : 143 pages
File Size : 43,8 Mb
Release : 2013-12-31
Category : Design
ISBN : 9780486133966

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Treasury of Art Nouveau Design & Ornament by Carol Belanger Grafton Pdf

577 authentic Art Nouveau designs ranging in size from full-page illustrations to borders, headpieces, tailpieces, and initials. Designs include florals, landscapes, and figures, from artists such as Klimt, Bradley, Auriol, and Larcombe.

Author : Lambert Wiesing
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 52,9 Mb
Release : 2016-09-22
Category : Philosophy
ISBN : 9781474232661

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The Visibility of the Image by Lambert Wiesing Pdf

Now available in English for the first time, The Visibility of the Image explores the development of an influential aesthetic tradition through the work of six figures. Analysing their contribution to the progress of formal aesthetics, from its origins in Germany in the 1880s to semiotic interpretations in America a century later, the six chapters cover: Robert Zimmermann (1824-1898), the first to separate aesthetics and metaphysics and approach aesthetics along the lines of formal logic, providing a purely syntactic way of using signs, regardless of objective content; Alois Riegl (1858-1905), who went on to further develop aesthetics on the model of formal logic, creating a theory of style in response to Zimmermann's call for an aesthetics oriented toward formal logic; Heinrich Wölfflin (1864-1945), who represents a step toward an understanding of consciousness by using pictures as cognitive tools; Konrad Fiedler (1841-1895), the Saxon philosopher who considered the possibility that some kinds of images are made and viewed not for what they show, but for their visibility's sake alone; Maurice Merleau-Ponty (1908-1961), responsible for taking up the connections between the problems of reducing the range of potential meanings and contexts of a given image down to just the picture surface; Charles William Morris (1901-1979), who set out to establish whether a picture with no objective reference, such as an abstract painting, still counts as a sign, and if so, in what sense. Bringing these thinkers together and interlinking their ideas, Lambert Wiesing presents an engaging history of formal aesthetics, while reconstructing the philosophical foundations for the appearance of new image forms in the 20th century, including the video-clip, abstract collage, digital simulation and virtual reality. Using this original approach, The Visibility of the Image introduces the rise of modern image theory and provides a valuable account of our engagement with pictures in the 21st century.

Author : Walter Frisch
Publisher : Univ of California Press
Page : 335 pages
File Size : 54,8 Mb
Release : 2005
Category : Music
ISBN : 9780520251489

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German Modernism by Walter Frisch Pdf

In this volume the author explores the relationships between music and early modernism in the Austro-German sphere.