The Function Of Ornament

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The Function of Ornament

Author : Farshid Moussavi
Publisher : Actar D, Inc.
Page : 193 pages
File Size : 49,7 Mb
Release : 2022-02-04
Category : Architecture
ISBN : 9781638409557

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The Function of Ornament by Farshid Moussavi Pdf

Architecture needs mechanisms that allow it to become connected to culture. It achieves this by continually capturing the forces that shape society as material to work with. Architecture's materiality is therefore a composite one, made up of visible forces (structural, functional, physical) as well as invisible forces (cultural, political, temporal). Architecture progresses through new concepts that connect with these forces, manifesting itself in new aesthetic compositions and affects. Ornament is the by-product of this process, through which architectural material is organized to transmit unique affects. This book is a graphic guide to ornaments in the twentieth century. It unveils the function of ornament as the agent for specific affects, dismantling the idea that ornament is applied to buildings as a discrete or non-essential entity. Each case operates through greater or lesser depth to exploit specific synergies between the exterior and the interior, constructing an internal order between ornament and material. These internal orders produce expressions that are contemporary, yet whose affects are resilient in time.

The Function of Form

Author : Farshid Moussavi
Publisher : Actar
Page : 520 pages
File Size : 42,8 Mb
Release : 2018-06-30
Category : Architecture
ISBN : 1940291887

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The Function of Form by Farshid Moussavi Pdf

Comprehensively compiles a set of material systems, analyzing ways in which they can be tessellated to produce novel forms.

Louis Sullivan

Author : Wim De Wit,David Van Zanten
Publisher : W. W. Norton
Page : 224 pages
File Size : 43,6 Mb
Release : 1986
Category : Design
ISBN : 0393304981

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Louis Sullivan by Wim De Wit,David Van Zanten Pdf

"One of the best-designed architecture books to appear in recent memory . . ., handsomely illustrated with a fuller selection of historical views of Sullivan's work than can be found in any other book now in print, and supplemented by a fine new set of color photographs of Sullivan's most important surviving buildings." -Martin Filler, New York Review of Books

The Function of Style

Author : Farshid Moussavi
Publisher : Actar D, Inc.
Page : 601 pages
File Size : 45,7 Mb
Release : 2021-04-15
Category : Architecture
ISBN : 9781638409335

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The Function of Style by Farshid Moussavi Pdf

What is the function of style today? If the 1970s were defined by Postmodernism and the 1980s by Deconstruction, how do we characterize the architecture of the 1990s to the present? Some built forms transmit affects of curvilinearity, others of crystallinity; some transmit multiplicity, others unity; some transmit cellularity, others openness; some transmit dematerialization, others weight. Does this immense diversity reflect a lack of common purpose? In this book, acclaimed architect and theorist Farshid Moussavi argues that this diversity should not be mistaken for an eclecticism that is driven by external forces. The Function of Style presents the architectural landscape as an intricate web in which individual buildings are the product of ideas which have been appropriated from other buildings designed for the different activities of everyday life, ideas which are varied to produce singular buildings that are related to one another but also different. This network of connections is illustrated on the cover of this book (and in more detail inside). Moussavi argues that, by embracing everyday life as a raw material, architects can change the conventions of how buildings are assembled, to ground style, and the aesthetic experience of buildings, in the micro-politics of the everyday. The third volume in Moussavi’s ‘Function’ series, The Function of Style provides an updated approach to style which can be used as an invaluable and highly productive tool by architects today. Assistant Editors: Marco Ciancarella, Jonathan A. Scelsa, Mary Crettier, Kate Kilalea

Ornament

Author : James Trilling
Publisher : University of Washington Press
Page : 306 pages
File Size : 52,5 Mb
Release : 2003
Category : Architecture
ISBN : 0295981482

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Ornament by James Trilling Pdf

This text is a wide-ranging consideration of the cultural and symbolic significance of ornament, its rejection by modernism and its subsequent reinvention. Trilling explains how ornament works, why it has to be explained and why it matters.

The Articulate Surface

Author : Ben Pell
Publisher : Walter de Gruyter
Page : 200 pages
File Size : 41,8 Mb
Release : 2012-11-05
Category : Architecture
ISBN : 9783034612166

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The Articulate Surface by Ben Pell Pdf

Ornament is currently acquiring a renewed status in architecture. As contemporary technologies of design and fabrication introduce unprecedented opportunities to intertwine the constructive logics and expressive articulations of buildings, ornament has re-emerged as a means to explore the interactions between function and decoration, volume and surface, structure and envelope. This book gives a systematic account of the technologies employed in the production of ornament and the strategies of its application today, examining a range of international built examples. Architects with particularly advanced approaches to the question of ornament contribute reports and reflections on their experiences: Sam Jacob of Fashion Architecture Taste (FAT), London; Andreas Hild of Hild und K Architekten, Munich; and Alejandro Zaera-Polo of Foreign Office Architects (FOA), London.

Histories of Ornament

Author : Gülru Necipoğlu,Alina Payne
Publisher : Princeton University Press
Page : 464 pages
File Size : 55,7 Mb
Release : 2016-03-08
Category : Architecture
ISBN : 9780691167282

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Histories of Ornament by Gülru Necipoğlu,Alina Payne Pdf

This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).

The Grammar of Ornament

Author : Owen Jones
Publisher : Unknown
Page : 618 pages
File Size : 46,9 Mb
Release : 1868
Category : Decoration and ornament
ISBN : PSU:000001613032

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The Grammar of Ornament by Owen Jones Pdf

The Mediation of Ornament

Author : Oleg Grabar
Publisher : Princeton University Press
Page : 330 pages
File Size : 46,8 Mb
Release : 2023-08-15
Category : Art
ISBN : 9780691252766

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The Mediation of Ornament by Oleg Grabar Pdf

How ornamentation enables a direct and immediate encounter between viewers and art objects Based on universal motifs, ornamentation occurs in many artistic traditions, though it reaches its most expressive, tangible, and unique form in the art of the Islamic world. The Mediation of Ornament shares a veteran art historian’s love for the sheer sensuality of Islamic ornamentation, but also uses this art to show how ornament serves as a consistent intermediary between viewers and artistic works from all cultures and periods. Oleg Grabar analyzes early and medieval Islamic objects, ranging from frontispieces in Yemen to tilework in the Alhambra, and compares them to Western examples, treating all pieces as testimony of the work, life, thought, and emotion experienced in one society. The Mediation of Ornament is essential reading for admirers of Islamic art and anyone interested in the ways of perceiving and understanding the arts more broadly.

Ornament

Author : Antoine Picon
Publisher : John Wiley & Sons
Page : 168 pages
File Size : 54,9 Mb
Release : 2014-05-29
Category : Architecture
ISBN : 9781118588246

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Ornament by Antoine Picon Pdf

Once condemned by Modernism and compared to a‘crime’ by Adolf Loos, ornament has made a spectacularreturn in contemporary architecture. This is typified by the worksof well-known architects such as Herzog & de Meuron, SauerbruchHutton, Farshid Moussavi Architecture and OMA. There is no doubtthat these new ornamental tendencies are inseparable frominnovations in computer technology. The proliferation ofdevelopments in design software has enabled architects toexperiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, AntoinePicon argues that some significant traits in ornament persist fromearlier Western architectural traditions. These he defines as the‘subjective’ – the human interaction thatornament requires in both its production and its reception –and the political. Contrary to the message conveyed by the foundingfathers of modern architecture, traditional ornament was not meantonly for pleasure. It conveyed vital information about thedesignation of buildings as well as about the rank of their owners.As such, it participated in the expression of social values,hierarchies and order. By bringing previous traditions in ornamentunder scrutiny, Picon makes us question the political issues atstake in today’s ornamental revival. What does it tell usabout present-day culture? Why are we presently so fearful ofmeaning in architecture? Could it be that by steering so vehementlyaway from symbolism, contemporary architecture is evading anyexplicit contribution to collective values?

Ornament and Order

Author : Dr Rafael Schacter
Publisher : Ashgate Publishing, Ltd.
Page : 313 pages
File Size : 46,5 Mb
Release : 2014-09-28
Category : Architecture
ISBN : 9781472410009

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Ornament and Order by Dr Rafael Schacter Pdf

Over the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists’ lifeworlds.

The Principles of Ornament

Author : James Ward
Publisher : Unknown
Page : 284 pages
File Size : 49,5 Mb
Release : 1896
Category : Architecture
ISBN : CHI:25749395

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The Principles of Ornament by James Ward Pdf

The Ethical Function of Architecture

Author : Karsten Harries
Publisher : MIT Press
Page : 428 pages
File Size : 42,9 Mb
Release : 1998-07-31
Category : Architecture
ISBN : 026258171X

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The Ethical Function of Architecture by Karsten Harries Pdf

Can architecture help us find our place and way in today's complex world? Can it return individuals to a whole, to a world, to a community? Developing Giedion's claim that contemporary architecture's main task is to interpret a way of life valid for our time, philosopher Karsten Harries answers that architecture should serve a common ethos. But if architecture is to meet that task, it first has to free itself from the dominant formalist approach, and get beyond the notion that its purpose is to produce endless variations of the decorated shed. In a series of cogent and balanced arguments, Harries questions the premises on which architects and theorists have long relied—premises which have contributed to architecture's current identity crisis and marginalization. He first criticizes the aesthetic approach, focusing on the problems of decoration and ornament. He then turns to the language of architecture. If the main task of architecture is indeed interpretation, in just what sense can it be said to speak, and what should it be speaking about? Expanding upon suggestions made by Martin Heidegger, Harries also considers the relationship of building to the idea and meaning of dwelling. Architecture, Harries observes, has a responsibility to community; but its ethical function is inevitably also political. He concludes by examining these seemingly paradoxical functions.

Examples of Chinese Ornament

Author : Owen Jones
Publisher : Unknown
Page : 420 pages
File Size : 50,8 Mb
Release : 1867
Category : Decoration and ornament
ISBN : BML:37001102504870

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Examples of Chinese Ornament by Owen Jones Pdf

Ornament and Crime

Author : Adolf Loos
Publisher : Penguin UK
Page : 352 pages
File Size : 48,9 Mb
Release : 2019-05-30
Category : Architecture
ISBN : 9780141392981

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Ornament and Crime by Adolf Loos Pdf

Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck