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Voyages in the Underworld of Orpheus Black by Marcus Sedgwick,Julian Sedgwick Pdf
Harry Black is lost between the world of war and the land of myth in this illustrated novel that transports the tale of Orpheus to World War II–era London. Brothers Marcus and Julian Sedgwick team up to pen this haunting tale of another pair of brothers, caught between life and death in World War II. Harry Black, a conscientious objector, artist, and firefighter battling the blazes of German bombing in London in 1944, wakes in the hospital to news that his soldier brother, Ellis, has been killed. In the delirium of his wounded state, Harry’s mind begins to blur the distinctions between the reality of war-torn London, the fiction of his unpublished sci-fi novel, and the myth of Orpheus and Eurydice. Driven by visions of Ellis still alive and a sense of poetic inevitability, Harry sets off on a search for his brother that will lead him deep into the city’s Underworld. With otherworldly paintings by Alexis Deacon depicting Harry’s surreal descent further into the depths of hell, this eerily beautiful blend of prose, verse, and illustration delves into love, loyalty, and the unbreakable bonds of brotherhood as it builds to a fierce indictment of mechanized warfare.
Son of a muse, the young musician Orpheus has everything: talent, beauty, courage, love. Then, in a moment, everything is lost. His bride Eurydice is killed in a terrible accident on their wedding night. Armed only with his lyre, Orpheus enters the desolate Underworld, where no mortal has ever gone before. He's determined to achieve the impossible—bring his wife back to life, restore their happiness, and ensure he's never in danger of losing her again. This gorgeous book retells the tragedy of Orpheus and Eurydice in a way newly relatable to young readers. Through its epic illustrations and captivating, carefully researched text, it earns its place in the canon.
A Song for the Underworld by Adam Alexander Haviaras Pdf
Long ago, when gods and heroes walked the earth in triumph and tragedy, true love and epic deeds were set among the stars... In the ancient land of Greece, at a time when kings warred and the people suffered, the Fates fixed their timeless eyes upon the son of a muse, and his story inspired hope and beauty in a ravaged world. Raised by the daughters of Zeus in the shadow of Mount Olympus, Orpheus is filled with a love of the world, of creation, and of song. Wherever he goes, whatever he does, he inspires mortals, birds, beasts, and even the Gods with his music. He is blessed with a humility and unmatched skill that make him the greatest musician of the age. However, when the god Apollo tells Orpheus that he has more to learn, the young man leaves the safety of his home to wander the world in search of his destiny. Having travelled alone into the vast northern forests of Thrace, Orpheus discovers that elusive gift granted to few mortals or gods: True Love. In the love and friendship of the nymph, Eurydice, Orpheus comes to understand one of the greatest mysteries of the world. He is inspired in all things, and his music reaches unimagined heights of beauty. But the Fates can be cruel, the world barbarous, and the greatest gifts given, including love, can be taken away. When Eurydice’s light is suddenly extinguished from Orpheus’ life, the musician must make a choice. He can live a life without his only love and let the world tear itself to pieces, or he can make a journey that would terrify even the bravest of heroes to rescue his love and bring her back into the light. Will Orpheus be able to cross the dark plains of the Underworld and bring Eurydice back? Or will he lose his soul, and his love, for daring to challenge the Fates? The only way he can succeed is to plumb the depths of his deepest emotions and play like he has never played before... A Song for the Underworld is an epic retelling of the story of Orpheus and Eurydice from Greek mythology. It is the third book in the Mythologia fantasy series by best-selling and award-winning author and historian, Adam Alexander Haviaras. If you enjoy books by Madeline Miller, Stephen Fry, Natalie Haynes or Jennifer Saint then you will love the Mythologia series. Read A Song for the Underworld today and experience the greatest love story of the ancient world!
In her debut novel, award-winning poet Brynne Rebele-Henry re-imagines the Orpheus myth as a love story between two teenage girls who are sent to conversion therapy after being caught together in an intimate moment. Abandoned by a single mother she never knew, 16-year-old Raya—obsessed with ancient myths—lives with her grandmother in a small conservative Texas town. For years Raya has fought to hide her feelings for her best friend and true love, Sarah. When the two are outed, they are sent to Friendly Saviors: a re-education camp meant to “fix” them and make them heterosexual. Upon arrival, Raya vows to assume the role of Orpheus, to return to the world of the living with her love—and after she, Sarah, and the other teen residents are subjected to abusive and brutal “treatments” by the staff, Raya only becomes more determined to escape. In a haunting voice reminiscent of Sylvia Plath and the contemporary lyricism of David Levithan, Brynne Rebele-Henry weaves a powerful inversion of the Orpheus myth informed by the disturbing real-world truths of conversion therapy. Orpheus Girl is a story of dysfunctional families, trauma, first love, heartbreak, and ultimately, the fierce adolescent resilience that has the power to triumph over darkness and ignorance. CW: There are scenes in this book that depict self-harm, homophobia, transphobia, and violence against LGBTQ characters.
“Eurydice is a luminous retelling of the Orpheus myth from his beloved wife’s point of view. Watching it, we enter a singular, surreal world, as lush and limpid as a dream—an anxiety dream of love and loss—where both author and audience swim in the magical, sometimes menacing, and always thrilling flow of the unconscious… Ruhl’s theatrical voice is reticent and daring, accurate and outlandish.” —John Lahr, New Yorker A reimagining of the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice journeys to the underworld, where she reunites with her beloved father and struggles to recover lost memories of her husband and the world she left behind.
"Working On A Song is one of the best books about lyric writing for the theater I've read."—Lin-Manuel Miranda Anaïs Mitchell named to TIME's List of the 100 Most Influential People in the World of 2020 An illuminating book of lyrics and stories from Hadestown—the winner of eight Tony Awards, including Best Musical—from its author, songwriter Anaïs Mitchell with a foreword by Steve Earle On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as “The best new musical of the season,” by The Wall Street Journal, and “Sumptuous. Gorgeous. As good as it gets,” by The New York Times, the show was a breakout hit, with its poignant social commentary, and spellbinding music and lyrics. In this book, Anaïs Mitchell takes readers inside her more than decade’s-long process of building the musical from the ground up—detailing her inspiration, breaking down the lyrics, and opening up the process of creation that gave birth to Hadestown. Fans and newcomers alike will love this deeply thoughtful, revealing look at how the songs from “the underground” evolved, and became the songs we sing again and again.
For at least two and a half millennia, the figure of Orpheus has haunted humanity. Half-man, half-god, musician, magician, theologian, poet and lover, his story never leaves us. He may be myth, but his lyre still sounds, entrancing everything that hears it: animals, trees, water, stones, and men. In this extraordinary work Ann Wroe goes in search of Orpheus, from the forests where he walked and the mountains where he worshipped to the artefacts, texts and philosophies built up round him. She traces the man, and the power he represents, through the myriad versions of a fantastical life: his birth in Thrace, his studies in Egypt, his voyage with the Argonauts to fetch the Golden Fleece, his love for Eurydice and journey to Hades, and his terrible death. We see him tantalising Cicero and Plato, and breathing new music into Gluck and Monteverdi; occupying the mind of Jung and the surreal dreams of Cocteau; scandalising the Fathers of the early Church, and filling Rilke with poems like a whirlwind. He emerges as not simply another mythical figure but the force of creation itself, singing the song of light out of darkness and life out of death.
A collection of essays on the Deresthai culture with accompanying extracts from the Dragon Court archives comprising the official history of the Dragon peoples.
Captain Cook in the Underworld by Robert Sullivan Pdf
Originally commissioned as the libretto for a work by composer John Psathas for the 50th birthday celebration of the Orpheus Choir, this book-length poem offers fresh perspectives on the familiar story of Cook's Pacific explorations. Employing a broad bicultural approach to reinterpret the Orpheus myth for the South Pacific, Sullivan uses a wide range of styles—from 18th-century dialogue to 21st-century hip hop cadences—to create a revisionist Cook who must accept responsibility for the damage his expeditions have inflicted on the indigenous peoples of the Pacific.
This is a new edition of Friedman's classic examination of the myth of Orpheus in the late antique and medieval periods. Friedman discusses Christian, Jewish and romantic secular portraits' of Orpheus, and considers artistic, literary and philosophical sources. In this edition the original text remains unchanged, but the bibliography has been updated.
A poet journeys into the underworld to rescue his bride His name is Orpheus, and he is the greatest poet on Earth. With his lyre, he can make music so beautiful it causes the gods to weep, but they are not who he wants to impress. Orpheus has been in love with Eurydice ever since the first time he heard her voice, and to win her love he sings the most beautiful songs in history. On the day of their wedding, when Orpheus feels happiness just within his grasp, Eurydice is bitten by a snake and dies. The groom is heartbroken, but undaunted. He will rescue his beloved—even if he must battle death itself. Orpheus’s path is fraught with untold dangers, but he presses on—and a tragic yet beautiful love story emerges from this radical reworking of an ancient tale.
In this powerful and achingly beautiful novel, Janette Turner Hospital tackles head-on questions of national security, art, terrorism and love. From the moment Leela’s ear catches the first few bars of music in between the roar of subway trains, she’s entranced by its haunting beauty. Letting the music reel her in, in perfect fifths, it’s at the end of the inbound platform that she finds Mishka Bartok, singing Che farò senza Euridice and accompanying himself on the violin. He’s surrounded by a cluster of commuters, but hardly seems to notice they are there until he stops playing. Despite Mishka’s reluctance to talk, Leela discovers that he’s a graduate student at Harvard, studying composition. She’s a mathematician at MIT, researching the math of music. Their connection is immediate, and that night they embark on a steamy love affair. Living together in Boston, Leela and Mishka pursue their mutual passions — both academic and carnal — in a fog, as if the outside world does not exist. They have both distanced themselves from their families — Mishka from his mother and grandparents in Australia, Leela from her father and sister back in Promised Land, South Carolina. Both recoil from the reality of the city streets, where terrorists attack American civilians and a subway bombing under Harvard Square comes dangerously close to tearing their world apart. But that is ultimately the effect of the bombing, when Leela is grabbed off the street, thrust into a dark car, and taken to an interrogation room. There, she is questioned about the recent attacks by a masked man who tells her he’s a member of a private security force. He also asks directly about Mishka — who often visits an Arab café and a mosque that are under surveillance, and socializes with known instigators… all signs that he’s a terrorist, or at least aiding those responsible for the subway bombing. When Leela’s captor removes his mask at last, Cobb stands before her: the person she was perhaps closest to as a teenager back in Promised Land. Since leaving the army, after a long stint in the Middle East, he’s been involved in paramilitary work. Cobb knows from experience that photographs can be disastrously misinterpreted, but in his eyes, Mishka is guilty. Against her instincts, Leela thinks back to Mishka’s many unexplained disappearances, often around the time of such attacks. It’s then that she realizes the mystery and intensity at the heart of their relationship could be hiding much more than she’d thought. Mishka disappears again the next day, and doubt erodes Leela’s love as she embarks on her own investigation to find him and unravel the mystery of his life. Little does she know that her search will lead her across the globe and into an underworld of kidnapping, torture and despair. With this compelling re-imagining of the Orpheus story, Janette Turner Hospital again shows her genius, interweaving a literary thriller with a story of passion and the triumph of decency in confusing and dangerous times. It is at once a love story on a grand scale that spans America, Australia and the Middle East, and an exploration of how ghastly side effects of terrorism can wreak havoc on individual lives.
