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Citizen Kane is arguably the most admired and significant film since the advent of talking pictures. No other film is quite so interesting from both artistic and political points of view. To study it even briefly is to learn a great deal about American history, motion-picture style, and the literary aspects of motion-picture scripts. Rather than presenting a sterile display of critical methodologies, James Naremore has gathered a set of essays that represent the essential writings on the film. It gives the reader a lively set of critical interpretations, together with the necessary production information, historical background, and technical understanding to comprehend the film's larger cultural significance. Selections range from the anecdotal --Peter Bogdanovich's interview with Orson Welles--to the critical, with discussions on the scripts and sound track, and a discussion of what accounts for the film's enduring popularity. Contributors include James Naremore, Peter Bogdanovich, Jonathan Rosenbaum, Robert L. Carringer, François Thomas, Michael Denning, Laura Mulvey, Peter Wollen, and Paul Arthur.
Walking Shadows dramatically dissects the wild, high-profile battle between newspaper tycoon William Randolph Hearst and famous young actor, director, and filmmaker Orson Welles over Welles's groundbreaking film Citizen Kane. In 1940 and 1941 it became the center of public controversy and scandal, especially in Hollywood where Welles's own stark honesty and blatant self-confidence heightened the drama. Citizen Kane portrayed the ruthless career of an all-powerful magnate bearing (not accidentally) a striking resemblance to Hearst, who immediately tried to kill the picture. John Evangelist Walsh here illuminates the conflict between these two outsize personalities and for the first time brings Hearst's vengeful anti-Kane campaign to the fore. Walsh provides thorough documentation, supplemental notes, and an extended bibliography.
"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.
William Randolph Hearst, Orson Welles, and Citizen Kane: The History of the Men Behind One of America's Most Famous Movies by Charles River Editors Pdf
*Includes pictures *Includes online resources and a bibliography for further reading When William Randolph Hearst was in his late 50s and at the height of his power, journalist Robert Duffuss observed, "His career is unique in American history, or, for that matter, all history. Compared with him the Bennetts and even the Pulitzers are small...his acquaintances...credit him with personal charm, but do not deny his ruthlessness in business operations. Shopkeepers and his nearest rivals are simply not in his class. Here is success on a dizzying and truly American scale. Here is journalism as large as the Rocky Mountains or the Painted Desert." However, despite his massive success, and perhaps in large measure because of it, many of Heart's contemporaries depicted him in negative ways. As Duffuss also noted, when it came to the newspaper magnate's reputation, there was "a curious suggestion of lath and plaster about it, and far from being universally honored and admired as other self-made men have been, Mr. Hearst is regarded by multitudes of his fellow citizens with extreme aversion and distrust. Indeed, his career is almost never examined dispassionately and for this reason some of the salient facts about him are worth setting down in a somewhat cold-blooded manner." It is only right to keep every positive and negative viewpoint in mind when looking at the life of a man who built his own fortune with money inherited from a father who literally grubbed it out of the ground with his own hands. While the senior Hearst may never have gotten the soil of old California from under his nails, William Randolph would never know what it felt like to live a life of manual labor; instead, he founded his empire on another kind of dirt, that which he was able to dig up and publish about the people, great and small, of his day. He would also stir up a good bit of dirt himself. When it comes to Hollywood and the entertainment industry, perhaps nobody catapulted to fame as quickly or as strangely as Orson Welles, and it was due in large measure to the man who hated him more than anyone else in the world. Though Welles he had worked on stage productions from an early age and seamlessly transitioned into radio, few were familiar with his work until a legendary 1938 radio broadcast of H.G. Wells' The War of the Worlds, during which some people who heard Welles narrating the work truly believed that an alien invasion was underway. As Welles famously apologized at the end of the broadcast, "This is Orson Welles, ladies and gentlemen, out of character, to assure you that The War of the Worlds has no further significance than as the holiday offering it was intended to be; The Mercury Theatre's own radio version of dressing up in a sheet and jumping out of a bush and saying 'Boo!'" Although the alleged widespread hysteria caused by that broadcast is mostly overstated, the notorious broadcast made Welles a household name, and he only followed it up with one of the greatest movies ever made: Citizen Kane. As the co-writer, producer, director, and main star of the film, a biting social critique of William Randolph Hearst, Welles' first movie would end up being his most famous and critically acclaimed. Of course, it also ensured that he would continue to work across every entertainment medium for the next 4 decades, juggling radio, the stage, movies, and television throughout the rest of his illustrious career. William Randolph Hearst, Orson Welles, and Citizen Kane: The History of the Men Behind One of America's Most Famous Movies examines the various roles Hearst played in American journalism and politics during his life, and how he "inspired" Welles to make one of America's most important films. Along with pictures depicting important people, places, and events, you will learn about the story of Hearst, Welles, and Citizen Kane like never before.
What Ever Happened to Orson Welles? by Joseph McBride Pdf
At the age of twenty-five, Orson Welles (1915–1985) directed, co-wrote, and starred in Citizen Kane, widely regarded as the greatest film ever made. But Welles was such a revolutionary filmmaker that he found himself at odds with the Hollywood studio system. His work was so far ahead of its time that he never regained the wide popular following he had once enjoyed as a young actor-director on the radio. What Ever Happened to Orson Welles?: A Portrait of an Independent Career challenges the conventional wisdom that Welles’s career after Kane was a long decline and that he spent his final years doing little but eating and making commercials while squandering his earlier promise. In this intimate and often surprising personal portrait, Joseph McBride shows instead how Welles never stopped directing radical, adventurous films and was always breaking new artistic ground as a filmmaker. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet little-known later period in the United States (1970–1985), when McBride knew and worked with him. McBride reports on Welles's daringly experimental film projects, including the legendary 1970–1976 unfinished film The Other Side of the Wind, Welles’s satire of Hollywood during the “Easy Rider era”; McBride gives a unique insider perspective on Welles from the viewpoint of a young film critic playing a spoof of himself in a cast headed by John Huston and Peter Bogdanovich. To put Welles’s widely misunderstood later years into context, What Ever Happened to Orson Welles? reexamines the filmmaker’s entire life and career. McBride offers many fresh insights into the collapse of Welles’s Hollywood career in the 1940s, his subsequent political blacklisting, and his long period of European exile. An enlightening and entertaining look at Welles's brilliant and enigmatic career as a filmmaker, What Ever Happened to Orson Welles? serves as a major reinterpretation of Welles’s life and work. McBride clears away the myths that have long obscured Welles’s later years and have caused him to be falsely regarded as a tragic failure. McBride’s revealing portrait of this great artist will change the terms of how Orson Welles is understood as a man, an actor, a political figure, and a filmmaker.
In One-Man Band, the third volume in his epic survey of Orson Welles’ life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another – theatre, radio, film, television, even, at one point, ballet – in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles’ self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?
A comprehensive history of the trials, tribulations, and triumphs behind the creation of one of the greatest films of all time, Citizen Kane. CITIZEN KANE: A Filmmaker's Journey is an updated and expanded softcover of Lebo's 2016 hardcover that traces the creation of Orson's Welles's classic film. This filmland history is itself a sinister tale of conspiracy, blackmail, and Coummunist witch hunts, while detailing the extraordinary rise of Welles, the legend who, at 23 years old, defied the studio system and became a Hollywood icon simply by making the greatest film of all time.
It is only in the editing studio that he possesses "absolute control." With scholarly erudition, Welles revels in the plays of Shakespeare and discusses their adaptation to stage and screen. He assesses rival directors and eminent actors, offers penetrating analyses of Citizen Kane, Touch of Evil, Chimes at Midnight, and The Third Man, and declares that he never made a film that lacked an ethical point-of-view. Book jacket.
Author : Robert L. Carringer Publisher : Univ of California Press Page : 204 pages File Size : 43,7 Mb Release : 1996-10-24 Category : Performing Arts ISBN : 0520205677
The Making of Citizen Kane, Revised Edition by Robert L. Carringer Pdf
Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs.
Citizen Kane's reputation as one of the greatest films of all time is matched only by the accumulation of critical commentary that surrounds it. What more can there be to say about a masterpiece so universally acknowledged? Laura Mulvey, in a fresh and original reading, illuminates the richness of the film, both thematically and stylistically, relating it to Welles's political background and its historical context. In a lucid and perceptive critique she also investigates the psychoanalytic structure that underlies the film's presentation of Kane's biography, for once taking seriously what Orson Welles himself disparagingly referred to as 'dollar-book Freud.' In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Laura Mulvey focuses on the film's politics, highlighting the contemporary 'rhymes' in Kane's portrayal of a scandal-prone press baron in a time of economic crisis.
George Orson Welles (1915–1985) is considered to be among the greatest and most influential filmmakers of all time. At just twenty-five years old, he cowrote, produced, directed, and starred in his Academy Award–winning debut film Citizen Kane (1941). His innovative and distinctive directorial style—nonlinear narratives, unusual camera angles, deep focus shots, and long takes—continues to be emulated by directors and cinematographers to this day. The brilliant yet provocative Welles won multiple Grammys, a Golden Globe, and the greatest honor the Directors Guild of America bestowed: the D. W. Griffith Award. His final film, The Other Side of the Wind, was released in 2018, 33 years after his death. In Citizen Welles: A Biography of Orson Welles, author Frank Brady presents a comprehensive and complete picture of the artist and auteur. Painstakingly researched, Brady delves into Welles's creative achievements, from his critically acclaimed film Citizen Kane and controversial radio broadcast "The War of the Worlds" (1938) to his starring turn on Broadway in Shaw's Heartbreak House (for which he made the cover of Time). Brady also explores other notable films, including The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1965). This all-encompassing work also details the personal side of Welles's life, including his romances with Rita Hayworth and Dolores Del Rio and the confounding tragedy of his final years. Presented is a captivating and compelling encapsulation of the revered and respected artist.
Citizen Kane. Orson Welles. 1941. Sandra Joxe. Préface de Jean Douchet. L’ascension sociale et la déchéance de Charles Foster Kane, héros porteur de contradictions et d’ambiguïtés. Le portrait d’une Amérique où le pouvoir de l’argent et de la presse domine et corrompt la vie publique. Dossiers : Welles et les médias – Les tours de magie de C. Kane. Image par Image s’adresse aux lycéens du baccalauréat A3, aux étudiants et au grand public cinéphile. Dans cette collection conçue à partir de l’émission Image par Image proposée par Radha-Rajen Jaganathen et Makiko Suzuki, des critiques parlent du cinéma avec le langage du cinéma (travelling, champ, contrechamp, panoramique...). Cette analyse stylistique qui démonte des séquences ou des plans du film met en évidence sa structure intime. Les contextes historique, social et culturel du film, et des dossiers thématiques accompagnent cette étude. Une cassette vidéographique de l’analyse Image par Image est disponible chez Quintet Films.
