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Oscar Wilde and the Art of Lying by D.D. Desjardins Pdf
Utilizing Wilde’s own characters “Vivian” and “Cyril,” this critique in play format begins by discussing the playwright’s ideas on the relation of Art to Life, exploring his pronouncements on the artist’s true purpose. Wilde’s statement about the artist as a “creator of beauty”, found in his “Preface to the Picture of Dorian Gray”, is then examined with regard to his last and most popular play, The Importance of Being Earnest. Discussing …Earnest in extensis, this book discovers whether the elegant artificiality and epigrammatic conceits of contemporary farce prevail as beauty per Wilde’s earlier theories as expressed in The Decay of Lying. The consequence of Wilde’s assault on Victorian values is considered in terms of its social contribution to perceptions of beauty and the way in which we might appreciate both the playwright and …Earnest now.
The Cambridge Companion to Oscar Wilde by Peter Raby Pdf
The Cambridge Companion to Oscar Wilde offers an essential introduction to one of the theatre's most important and enigmatic writers. Although a general overview, the volume also offers some of the latest thinking on the dramatist and his impact on the twentieth century. Part One places Wilde's work within the cultural and historical context of his time and includes an opening essay by Wilde's grandson, Merlin Holland. Further chapters also examine Wilde and the Victorians and his image as a Dandy. Part Two looks at Wilde's essential work as playwright and general writer, including his poetry, critiques, and fiction, and provides detailed analysis of such key works as Salome and The Importance of Being Earnest among others. The third group of essays examines the themes and factors which shaped Wilde's work and includes Wilde and his view of the Victorian woman, Wilde's sexual identities, and interpreting Wilde on stage. This 1997 volume also contains a detailed chronology of Wilde's work, a guide to further reading, and illustrations from important productions.
Could it be that people who never lie are devoid of creativity? If that’s true, then all creative art must be founded in lies. ‘The Decay of Lying’ is a beguiling essay on the nature of art, in all its forms. Set in the library of a country house in Nottinghamshire, and written as a dialogue between Cyril and Vivian, ‘The Decay of Lying’ sets out to prove just how creative we can all be, as long as we defy societal conventions. Referencing everyone from the Ancient Greeks to Shakespeare, this is Wilde at his most thoughtful and mischievous. For anyone interested in art or witty debate. Oscar Wilde (1854 – 1900) was an Irish novelist, poet, playwright, and wit. He was an advocate of the Aesthetic movement, which extolled the virtues of art for the sake of art. During his career, Wilde wrote nine plays, including ‘The Importance of Being Earnest,’ ‘Lady Windermere’s Fan,’ and ‘A Woman of No Importance,’ many of which are still performed today. His only novel, ‘The Picture of Dorian Gray’ was adapted for the silver screen, in the film, ‘Dorian Gray,’ starring Ben Barnes and Colin Firth. In addition, Wilde wrote forty-three poems, and seven essays. His life was the subject of a film, starring Stephen Fry.
The Decay of Lying: An Observation By Oscar Wilde"The Decay of Lying - An Observation" is an essay by Oscar Wilde included in his collection of essays titled Intentions, published in 1891. This is a significantly revised version of the article that first appeared in the January 1889 issue of The Nineteenth Century.Wilde presents the essay in a Socratic dialogue between with Vivian and Cyril, two characters named after his own sons. Their conversation, though playful and whimsical, promotes Wilde's view of Romanticism over Realism. Vivian tells Cyril of an article he has been writing called "The Decay Of Lying: A Protest". According to Vivian, the decay of Lying "as an art, a science, and a social pleasure" is responsible for the decline of modern literature, which is excessively concerned with the representation of facts and social reality. He writes, "if something cannot be done to check, or at least to modify, our monstrous worship of facts, Art will become sterile and beauty will pass away from the land." Moreover, Vivian defends the idea that Life imitates Art far more than vice versa. Nature, he argues, is no less an imitation of Art than Life. Vivian also contends that Art is never representative of a time or place: rather, "the highest art rejects the burden of the human spirit [...] She develops purely on her own lines. She is not symbolic of any age." Vivian thus defends Aestheticism and the concept of "art for art's sake". At Cyril's behest, Vivian briefly summarizes the doctrines of the "new aesthetics" in the following terms: Art never expresses anything but itself.All bad art comes from returning to Life and Nature, and elevating them into ideals.Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art.Lying, the telling of beautiful untrue things, is the proper aim of Art.The essay ends with the two characters going outside, as Cyril asked Vivian to do at the beginning of the essay. Vivian finally complies, saying that twilight nature's "chief use" may be to "illustrate quotations from the poets."As Michèle Mendelssohn points out, "in an era when sociology was still in its infancy, psychology wasn't yet a discipline, and theories of performativity were still a long way off, Wilde's essay touched on a profound truth about human behaviour in social situations. The laws of etiquette governing polite society were, in fact, a mask. Tact was merely an elaborate art of impression management."
‘Are there not books that can make us live more in one single hour than life can make us live in a score of shameful years?’ In this brilliant collection of essays, Oscar Wilde talks about art, literature, and criticism as only he can. The topics range from discussions of Shakespeare’s use of costumes and stage design to elevate his dramas, to condemnations of realism, and celebration of criticism as an art form in itself. ‘Intentions’ is bold, insightful, and witty. Its ideas show why Wilde was considered one of the most unique voices of his time and many of the topics are still fiercely debated today, such as whether art should have a moral message or simply exist to be artistic. These essays truly show Wilde at his best and lay a clear foundation for the ideas and beliefs that would shape his later writings. ‘Intentions’ provides an unparalleled look into the mind of a great artist and should be read by any fans of Wilde or aspiring artists. Oscar Wilde (1854-1900) was a popular Irish playwright, novelist, essayist, and poet. Some of his most celebrated and well-read works are ‘The Picture of Dorian Gray’ and ‘The Importance of Being Earnest’. Wilde’s life ended in tragedy as he was sentenced to prison due to acts of gross indecency with men and died at a young age shortly after being released. Although Wilde’s life was cut short, his influence lives on to this day and he is celebrated as one of the finest writers of his time. His work has been adapted for stage and screen many times, including an announced ‘Dorian Gray’ film directed by musician St. Vincent.
A selection of Oscar Wilde's writings that underscore his notion that "Life imitates Art far more than Art imitates Life" The Decay of Lying includes two of Wilde's most comprehensive--and witty--explorations of his aesthetic philosophy: The Decay of Lying and The Critic as Artist. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives--and upended them. Now Penguin brings you a new set of the acclaimed Great Ideas, a curated library of selections from the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
The Decay of Lying: An Observation By Oscar Wilde "The Decay of Lying - An Observation" is an essay by Oscar Wilde included in his collection of essays titled Intentions, published in 1891. This is a significantly revised version of the article that first appeared in the January 1889 issue of The Nineteenth Century.Wilde presents the essay in a Socratic dialogue between with Vivian and Cyril, two characters named after his own sons. Their conversation, though playful and whimsical, promotes Wilde's view of Romanticism over Realism. Vivian tells Cyril of an article he has been writing called "The Decay Of Lying: A Protest". According to Vivian, the decay of Lying "as an art, a science, and a social pleasure" is responsible for the decline of modern literature, which is excessively concerned with the representation of facts and social reality. He writes, "if something cannot be done to check, or at least to modify, our monstrous worship of facts, Art will become sterile and beauty will pass away from the land." Moreover, Vivian defends the idea that Life imitates Art far more than vice versa. Nature, he argues, is no less an imitation of Art than Life. Vivian also contends that Art is never representative of a time or place: rather, "the highest art rejects the burden of the human spirit [...] She develops purely on her own lines. She is not symbolic of any age." Vivian thus defends Aestheticism and the concept of "art for art's sake". At Cyril's behest, Vivian briefly summarizes the doctrines of the "new aesthetics" in the following terms: Art never expresses anything but itself.All bad art comes from returning to Life and Nature, and elevating them into ideals.Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art.Lying, the telling of beautiful untrue things, is the proper aim of Art.The essay ends with the two characters going outside, as Cyril asked Vivian to do at the beginning of the essay. Vivian finally complies, saying that twilight nature's "chief use" may be to "illustrate quotations from the poets."As Michèle Mendelssohn points out, "in an era when sociology was still in its infancy, psychology wasn't yet a discipline, and theories of performativity were still a long way off, Wilde's essay touched on a profound truth about human behaviour in social situations. The laws of etiquette governing polite society were, in fact, a mask. Tact was merely an elaborate art of impression management."
‘The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility.’ Is lying simply an uncomfortable truth about life or something to be celebrated? In these dazzlingly witty pages we find deceptions of all kinds. From false names to imaginary friends to fictitious engagements, Wilde proves himself to be a connoisseur of creativity and argues that lying may be an art form in itself. Selected from The Importance of Being Earnest, The Decay of Lying and The Picture of Dorian Gray VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world’s greatest writers on the experiences that make us human Also in the Vintage Minis series: Murder by Arthur Conan Doyle Power by William Shakespeare Jealousy by Marcel Proust Ghosts by M. R. James
'The Decay of Lying' sees Oscar Wilde explore his deepest preoccupations about the relationship between life and art, and examine the work of such writers as Shakespeare and Balzac.
The Collected Works of Oscar Wilde by Oscar Wilde Pdf
Wilde's works are suffused with his aestheticism, brilliant craftsmanship, legendary wit and, ultimately, his tragic muse. He wrote tender fairy stories for children employing all his grace, artistry and wit, of which the best-known is The Happy Prince. Counterpoints to this were his novel The Picture of Dorian Gray, which shocked and outraged many readers of his day, and his stories for adults which exhibited his fascination with the relations between serene art and decadent life. Wilde took London by storm with his plays, particularly his masterpiece The Importance of Being Earnest. His essays - in particular De Profundis- and his Ballad of Reading Gaol, both written after his release from prison, strikingly break the bounds of his usual expressive range. His other essays and poems are all included in this comprehensive collection of the works of one of the most exciting writers of the late nineteenth century.
Intentions: The Decay of Lying, Pen, Pencil and Poison, the Critic as Artist, the Truth of Masks by Oscar Wilde,Percival Pollard Pdf
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Borrowing its title from Oscar Wilde's essay "The Decay of Lying," this study engages questions of fraudulent authorship in the literary afterlife of Oscar Wilde. The unique cultural moment of Wilde's early-twentieth-century afterlife, Gregory Mackie argues, afforded a space for marginal and transgressive forms of literary production that, ironically enough, Wilde himself would have endorsed. Beautiful Untrue Things recovers the careers of several forgers who successfully inhabited the persona of the Victorian era's most infamous homosexual and arguably its most successful dramatist. More broadly, this study tells a larger story about Oscar Wilde's continued cultural impact at a moment when he had fallen out of favour with the literary establishment. It probes the activities of a series of eccentric and often outrageous figures who inhabited Oscar Wilde's much-mythologized authorial persona - in forging him, they effectively wrote as Wilde - in order to argue that literary forgery can be reimagined as a form of performance. But to forge Wilde and generate "beautiful untrue things" in his name is not only an exercise in role-playing - it is also crucially a form of imaginative world-making, resembling what we describe today as fan fiction.
Oscar Wilde and the Cultures of Childhood by Joseph Bristow Pdf
This is the first collection of critical essays that explores Oscar Wilde’s interest in children’s culture, whether in relation to his famous fairy stories, his life as a caring father to two small boys, his place as a defender of children’s rights within the prison system, his fascination with youthful beauty, and his theological contemplation of what it means to be a child in the eyes of God. The collection also examines the ways in which Wilde’s works—not just his fairy stories—have been adapted for young audiences.