Out Of This Century The Informal Memoirs Of Peggy Guggenheim
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Out of This Century: The Informal Memoirs of Peggy Guggenheim by Peggy Guggenheim Pdf
In her captivating memoir, Out of This Century: The Informal Memoirs of Peggy Guggenheim, the renowned art collector and socialite takes readers on a fascinating journey through her extraordinary life. From her bohemian upbringing to her pivotal role in shaping the modern art world, Guggenheim's story is one of passion, resilience, and an unwavering commitment to the avant-garde. This intimate and candid account offers a rare glimpse into the mind of a visionary who left an indelible mark on the cultural landscape of the 20th century.
Confessions of an Art Addict by Peggy Guggenheim Pdf
A patron of art since the 1930s, Peggy Guggenheim, in a candid self-portrait, provides an insider's view of the early days of modern art, with revealing accounts of her eccentric wealthy family, her personal and professional relationships, and often surprising portrayals of the artists themselves Peggy Guggenheim was born into affluence and a lavish lifestyle. Bored with her seemingly "pedestrian" life in New York, she headed for Europe in 1921, where she woudl sow the seeds for a future as one of modern art's most important and influential figures. In the midst of Europe's avant-garde circles, she reveled in her love affairs with prominent artists and also became a serious collector. Her Guggenheim Jeune gallery in London brought figures such as Brancusi, Cocteau, Kandinsky, and Arp to the forefront of the art scene. Later, her New York gallery would launch the careers of Jackson Pollock and Robert Motherwell, among others. In her own inimitable and bawdy style, Peggy Guggenheim gives us an insider's glimpse into the modern art world with intimate, often surprising portrayals of its most significant players. Candid, clever, and always entertaining, here is a memoir that captures a valuable chapter in the history of modern art, as well as the spirit of one of its greatest advocates.
Louise Nevelson: Light and Shadow by Laurie Wilson Pdf
The most complete biography of the iconic sculptor Louise Nevelson, the groundbreaking artist and fixture of New York’s art world based on hours of interviews the author conducted at the height of Nevelson’s fame In 1929, Louise Nevelson was a disappointed housewife with a young son, surrounded by New York’s vibrant artistic community but unable to fully engage with it. By 1950, she was an artist living on her own, financially dependent on her family, but she had received a glimmer of recognition from the establishment: inclusion in a group show at the Whitney Museum of American Art. In 1980, Nevelson celebrated her second Whitney retrospective. Her work was held in public collections around the world; her massive steel sculptures appeared in public spaces in seventeen states, including the Louise Nevelson Plaza in New York City’s Financial District. The story of Nevelson’s artistic, spiritual, even physical transformation (she developed a taste for outrageous outfits and false eyelashes made of mink) is dramatic, complex, and inseparable from major historical and cultural shifts of the twentieth century, particularly in the art world. Art historian and psychoanalyst Laurie Wilson brings a unique and sensitive perspective to Nevelson’s story, drawing on hours of interviews she conducted with Nevelson and her circle. Over 100 images, many of them drawn from personal archives and never before published, make this the most visually and narratively comprehensive biography of this remarkable artist yet published.
Kay Boyle, Artist and Activist by Sandra Whipple Spanier Pdf
This first critical assessment of Kay Boyle's long career is both a portrait of the artists and a perceptive appraisal of her work. Boyle has lent her cooperation and support to Spanier's efforts to gather biographical material. Particularly enriching for this study were several meetings and extensive correspondence between author and critic. Spanier draws on hundreds of pages of letters containing a wealth of new information about Boyle's life, works, literary relationships, and current activities. Boyle has provided Spanier with unpublished documents and works in progress, yellowed news clippings and book reviews, and detailed notes in which she reacted to this work. Balancing her role of biographer and critic, Spanier has created a vital, perceptive, and integrated study of the life and work of a remarkable woman. -- From publisher's description.
Rick Steves Venice by Rick Steves,Gene Openshaw Pdf
You can count on Rick Steves to tell you what you really need to know when visiting the island city of Venice. Following the self-guided tours in this book, you'll explore Venice's most important landmarks and cruise the Grand Canal for a close-up look at the elegant palaces, bridges, and churches. You'll discover picturesque lanes, enjoy the best city views, and tour outlying islands in the lagoon. Dine at a romantic canal-side restaurant, or join the locals at a characteristic cicchetti bar and munch seafood-on-a-toothpick. As the stars shine over St. Mark's Square, sway to the free music of café orchestras. Rick's candid, humorous advice will guide you to good-value hotels and restaurants. You'll learn how to explore Venice hassle-free and get up-to-date advice on what's worth your time and money. More than just reviews and directions, a Rick Steves guidebook is a tour guide in your pocket.
Jackson Pollock's Mural by Yvonne Szafran,Laura Rivers,Alan Phenix,Thomas Learner,Ellen G. Landau,Steve Martin Pdf
Jackson Pollock's (1912–1956) first large-scale painting, Mural, in many ways represents the birth of Pollock, the legend. The controversial artist’s creation of this painting has been recounted in dozens of books and dramatized in the Oscar-winning film Pollock. Rumors—such as it was painted in one alcohol-fueled night and at first didn’t fit the intended space—abound. But never in doubt was that the creation of the painting was pivotal, not only for Pollock but for the Abstract Expressionists who would follow his radical conception of art —“no limits, just edges.” Mural, painted in 1943, was Pollock’s first major commission. It was made for the entrance hall of the Manhattan duplex of Peggy Guggenheim, who donated it to the University of Iowa in the 1950s where it stayed until its 2012 arrival for conservation and study at the Getty Center. This book unveils the findings of that examination, providing a more complete picture of Pollock’s process than ever before. It includes an essay by eminent Pollock scholar Ellen Landau and an introduction by comedian Steve Martin. It accompanies an exhibition of the painting on view at the J. Paul Getty Museum from March 11 through June 1, 2014.
American Culture in the 1940s by Jacqueline Foertsch Pdf
This book explores the major cultural forms of 1940s America - fiction and non-fiction; music and radio; film and theatre; serious and popular visual arts - and key texts, trends and figures, from Native Son to Citizen Kane, from Hiroshima to HUAC, and from Dr Seuss to Bob Hope. After discussing the dominant ideas that inform the 1940s the book culminates with a chapter on the 'culture of war'. Rather than splitting the decade at 1945, Jacqueline Foertsch argues persuasively that the 1940s should be taken as a whole, seeking out links between wartime and postwar American culture.
The Message of the City by Patricia E. Palermo Pdf
Dawn Powell was a gifted satirist who moved in the same circles as Dorothy Parker, Ernest Hemingway, renowned editor Maxwell Perkins, and other midcentury New York luminaries. Her many novels are typically divided into two groups: those dealing with her native Ohio and those set in New York. “From the moment she left behind her harsh upbringing in Mount Gilead, Ohio, and arrived in Manhattan, in 1918, she dove into city life with an outlander’s anthropological zeal,” reads a recent New Yorker piece about Powell, and it is those New York novels that built her reputation for scouring wit and social observation. In this critical biography and study of the New York novels, Patricia Palermo reminds us how Powell earned a place in the national literary establishment and East Coast social scene. Though Powell’s prolific output has been out of print for most of the past few decades, a revival is under way: the Library of America, touting her as a “rediscovered American comic genius,” released her collected novels, and in 2015 she was posthumously inducted into the New York State Writer’s Hall of Fame. Engaging and erudite, The Message of the City fills a major gap in in the story of a long-overlooked literary great. Palermo places Powell in cultural and historical context and, drawing on her diaries, reveals the real-life inspirations for some of her most delicious satire.
What ties western art together? This extended essay attempts to distill some of the basic ideas with which artists and observers of their art have grappled, ideas worthy of ongoing consideration and debate. The fostering of visual creativity as it has morphed from ancient Greece to the present day, the political and economic forces underpinning the commissioning and displacement of art, and the ways in which contemporary art relates to past periods of art history (and in particular, the Renaissance), are among the topics broached. Architecture, drawings, prints, films, painting, sculpture, and decorative arts from Europe and the US are considered and examined, often including nonstandard examples, occasionally including ones from the immediate surroundings of the author (who is based in New England). Although this book is primarily geared to those who would like a brief introduction to some basic aspects of a visual tradition spanning thousands of years, students of aesthetics might also discover useful benchmarks in this concise overview. The author places the emphasis on how art has been used and loved (or sometimes despised or ignored) more than on which works should be most famous.
The New York Times Book Review Editors' Choice • The incredible saga of the German-Jewish immigrants—with now familiar names like Goldman and Sachs, Kuhn and Loeb, Warburg and Schiff, Lehman and Seligman—who profoundly influenced the rise of modern finance (and so much more), from the New York Times best-selling author of Sons of Wichita Joseph Seligman arrived in the United States in 1837, with the equivalent of $100 sewn into the lining of his pants. Then came the Lehman brothers, who would open a general store in Montgomery, Alabama. Not far behind were Solomon Loeb and Marcus Goldman, among the “Forty-Eighters” fleeing a Germany that had relegated Jews to an underclass. These industrious immigrants would soon go from peddling trinkets and buying up shopkeepers’ IOUs to forming what would become some of the largest investment banks in the world—Goldman Sachs, Kuhn Loeb, Lehman Brothers, J. & W. Seligman & Co. They would clash and collaborate with J. P. Morgan, E. H. Harriman, Jay Gould, and other famed tycoons of the era. And their firms would help to transform the United States from a debtor nation into a financial superpower, capitalizing American industry and underwriting some of the twentieth century’s quintessential companies, like General Motors, Macy’s, and Sears. Along the way, they would shape the destiny not just of American finance but of the millions of Eastern European Jews who spilled off steamships in New York Harbor in the early 1900s, including Daniel Schulman’s paternal grandparents. In The Money Kings, Schulman unspools a sweeping narrative that traces the interconnected origin stories of these financial dynasties. He chronicles their paths to Wall Street dominance, as they navigated the deeply antisemitic upper class of the Gilded Age, and the complexities of the Civil War, World War I, and the Zionist movement that tested both their burgeoning empires and their identities as Americans, Germans, and Jews.
“[Perloff] has brilliantly adapted Wittgenstein’s conception of meaning and use to an analysis of contemporary language poetry.” —Linda Voris, Boston Review Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein’s remark that “philosophy ought really to be written only as a form of poetry,” Perloff begins by discussing Wittgenstein the “poet.” What we learn is that the poetics of everyday life is anything but banal. “This book has the lucidity and the intelligence we have come to expect from Marjorie Perloff.” —Linda Munk, American Literature “Wittgenstein’s Ladder offers significant insights into the current state of poetry, literature, and literary study. Perloff emphasizes the vitality of reading and thinking about poetry, and the absolute necessity of pushing against the boundaries that define and limit our worlds.” —David Clippinger, Chicago Review “Majorie Perloff has done more to illuminate our understanding of twentieth century poetic language than perhaps any other critic . . . Entertaining, witty, and above all highly original.” —Willard Bohn, SubStance
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.