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Outcast's Lament and Other Poems by Ahmed Abdel-Rahim Pdf
These poems come from my deepest and darkest feelings during a difficult time in my life. I was inspired to publish them after receiving support from all those who read them. Outcast's Lament And Other Poems reflect the trials and experiences I faced while growing up. I hope they capture the deepest and the darkest. These are the thoughts most of us feel, but may not vocalize. My poems mostly come as stream of thought, and in truth, they are never finished. First-time author Ahmed Abdel-Rahim of Alexandria, Egypt, is a dentist. He writes music lyrics and is fascinated with history, romantic poetry and fantasy. His next project is writing a fantasy novel. Publisher's Website: http: //sbpra.com/AhmedAbdelRahim
"I served not in defense of the bourgeois order, but only for a crumb of bread since I was burdened with five small children.""From 1923 to 1925 I worked as a musician but later my earnings weren't steady and I quickly stopped. Without an income to live on, I was drawn to the nonlaboring path.""As a man almost completely illiterate and therefore not prepared for any kind of work, I was forced to return to my craft as a barber.""I am as ignorant as a pipe."Golfo Alexopoulos focuses on the lishentsy ("outcasts") of the interwar USSR to reveal the defining features of alien and citizen identities under Stalin's rule. Although portrayed as "bourgeois elements," lishentsy actually included a wide variety of people, including prostitutes, gamblers, tax evaders, embezzlers, and ethnic minorities, in particular, Jews. The poor, the weak, and the elderly were frequent targets of disenfranchisement, singled out by officials looking to conserve scarce resources or satisfy their superiors with long lists of discovered enemies.Alexopoulos draws heavily on an untapped resource: an archive in western Siberia that contains over 100,000 individual petitions for reinstatement. Her analysis of these and many other documents concerning "class aliens" shows how Bolshevik leaders defined the body politic and how individuals experienced the Soviet state. Personal narratives with which individuals successfully appealed to officials for reinstatement allow an unusual view into the lives of "outcasts." From Kremlin leaders to marked aliens, many participated in identifying insiders and outsiders and challenging the terms of membership in Stalin's new society.
Excerpt from The Outcast: And Other Poems By these proud chieftains of the tossing plume How gallant leaders glorious fought and bled, And found in Syria's soil a holy tomb. No! 'tis a page perchance thine eye hath scorned, By no proud deeds of chivalry adorned. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
Early Welsh and Old English poetry are rarely spoken of together, but when they are, they have been described as like or different from one another. Sarah Higley breaks this cycle of mutual marginalization by examining what it means to read otherness or sameness into a text, concluding that too much of our reading is "anglo-centric" in its expectations and dictated by invisible ideological agendas. Examinations of the Llywarch Hen Corpus, for instance, have sought comparisons among the Old English elegies, but mainly for the purpose of demonstrating how the Welsh are of a color with them: derived from the same penitential genre merely less explicit in their penitential thrust. Scholars have been reluctant to acknowledge the secular nature of these Welsh laments, which are discomfitingly silent about divine solace and which, like the Old English poems, do not cooperate with our efforts to categorize them. The author reexamines notions of genre, category, and poetic "explicitness" and how they snare us. Higley sees the English and Welsh traditions as foils to one another rather than as template and variation, and she starts with the connection of natural image and emotion, employed differently in these two contiguous but separate traditions. She shows how the English poems, long thought to be disjointed and cryptic, are invested in explanation and disclosure to a degree that the Welsh are not. The Welsh "omissions" might be better understood as dynamic juxtapositions wherein other poetic aspects (metrics, imagery, context) serve to link ideas, perhaps even to disrupt them. She sees difficulty, ambiguity, and dialogism as loci of power - neither accidents of our reading distance nor defects in other classical standards of wholeness. Reading the English and the Welsh together with a respect for the mutual differences helps us to get beyond some of the cliche's about what is English and "familiar" and what is Celtic and "other." Her argument revolves around the plight of the lone human as he or she is depicted in these texts in a precarious state of connection with the rest of the world: caught between society and wilderness, inside and outside, sacred and secular, meaning and nonmeaning. This focus on connection informs the title as well: "between languages" expresses our position as readers reading two different cultures together, reading ancient literature mediated through modern poetic theory, and the position of medieval scholarship in its struggle between traditional and postmodern approaches. Between Languages brings obscure and moving poems into a wider academic orbit, offering new editions and translations of Old English and Early Welsh elegies, wisdom poems, and enigmata, including one of the few complete English translations in this century of a vatic text from The Book of Taliesin.
Lamentations in Ancient and Contemporary Cultural Contexts by Nancy C. Lee,Carleen Mandolfo Pdf
Personal tragedy and communal catastrophe up to the present day are universal human experiences that call forth lament. Lament singers--from the most ancient civilizations to traditional oral poets to the biblical psalmists and poets of Lamentations to popular singers across the globe--have always raised the cry of human suffering, giving voice to the voiceless, illuminating injustice, or pleading for divine help. This volume gathers an international collection of essays on biblical lament and Lamentations, illuminating their genres, artistry, purposes, and significant place in the history and theologies of ancient Israel. It also explores lament across cultures, both those influenced by biblical traditions and those not, as the practices of composition, performance, and interpretation of life's suffering continue to shed light on our knowledge of biblical lament. --From publisher's description.
Lament in Jewish Thought by Ilit Ferber,Paula Schwebel Pdf
Lament, mourning, and the transmissibility of a tradition in the aftermath of destruction are prominent themes in Jewish thought. The corpus of lament literature, building upon and transforming the biblical Book of Lamentations, provides a unique lens for thinking about the relationships between destruction and renewal, mourning and remembrance, loss and redemption, expression and the inexpressible. This anthology features four texts by Gershom Scholem on lament, translated here for the first time into English. The volume also includes original essays by leading scholars, which interpret Scholem’s texts and situate them in relation to other Weimar-era Jewish thinkers, including Walter Benjamin, Franz Rosenzweig, Franz Kafka, and Paul Celan, who drew on the textual traditions of lament to respond to the destruction and upheavals of the early twentieth century. Also included are studies on the textual tradition of lament in Judaism, from biblical, rabbinic, and medieval lamentations to contemporary Yemenite women’s laments. This collection, unified by its strong thematic focus on lament, shows the fruitfulness of studying contemporary and modern texts alongside the traditional textual sources that informed them.
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
