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Augustan love elegy represents one of the most important and most distinctive Roman contributions to European and world literature. This volume presents the first detailed commentary in any language on Ovid's Amores Book 3, the last collection of love poems composed in the Augustan age. Aimed at both students and scholars, the commentary has been written to be as accessible to as many readers as possible, with all quotations from ancient Greek and modern languages being translated. It includes an Introduction for the general reader which pays particular attention not only to the book's poetic design and the distinctive features of Ovid's style, but the relationship of the whole three-book collection to earlier love elegy and its handling of political and social questions. It offers an edition of the text of Book 3 based on printed editions together with a translation designed to clarify the surface meaning of the Latin. P. J. Davis's commentary focuses on topics including Ovid's engagement with the works of earlier poets, his use of rhetoric and wit, his employment of verbal and metrical patterns, textual difficulties, and, of course, the elucidation of linguistic problems. Amores Book 3 takes love elegy in new directions giving us, for example, a dream-vision poem, a dutiful husband's account of a religious pilgrimage, and the speech of a pickup artist trying to seduce a girl at the races. Perhaps its most striking feature is its shift away from obsession with a single mistress to reflection on the poet's place in the tradition of Latin love poetry, with poems explicitly devoted to issues raised by Catullus, Tibullus, and Propertius.
Ovid: Amores III, a Selection: 2, 4, 5, 14 by Jennifer Ingleheart,Katharine Radice Pdf
Introductory essays by Jennifer Ingleheart discuss Ovid's historical and literary context, and offer an overview of the Amores as a whole. In addition, each poem is accompanied by an exploratory essay. The Latin text is supplied, and at the back of the book are extensive language and explanatory notes. All words not included in the GCSE Defined Vocabulary List are glossed.
Augustan love elegy represents one of the most important and most distinctive Roman contributions to European and world literature. This volume presents the first detailed commentary in any language on Ovid's Amores Book 3, the last collection of love poems composed in the Augustan age. Aimed at both students and scholars, the commentary has been written to be as accessible to as many readers as possible, with all quotations from ancient Greek and modern languages being translated. It includes an Introduction for the general reader which pays particular attention not only to the book's poetic design and the distinctive features of Ovid's style, but the relationship of the whole three-book collection to earlier love elegy and its handling of political and social questions. It offers an edition of the text of Book 3 based on printed editions together with a translation designed to clarify the surface meaning of the Latin. P. J. Davis's commentary focuses on topics including Ovid's engagement with the works of earlier poets, his use of rhetoric and wit, his employment of verbal and metrical patterns, textual difficulties, and, of course, the elucidation of linguistic problems. Amores Book 3 takes love elegy in new directions giving us, for example, a dream-vision poem, a dutiful husband's account of a religious pilgrimage, and the speech of a pickup artist trying to seduce a girl at the races. Perhaps its most striking feature is its shift away from obsession with a single mistress to reflection on the poet's place in the tradition of Latin love poetry, with poems explicitly devoted to issues raised by Catullus, Tibullus, and Propertius.
Author : Caroline A. Perkins,Maureen B. Ryan Publisher : University of Oklahoma Press Page : 200 pages File Size : 42,7 Mb Release : 2012-10-09 Category : Foreign Language Study ISBN : 9780806186337
Ovid's Amores, Book One by Caroline A. Perkins,Maureen B. Ryan Pdf
Students of Latin have long enjoyed the poetry of Ovid, but his love poems, aptly titled Amores, have proved more difficult to introduce into the classroom. Curricular changes and increased appreciation of sophisticated love poetry are finally making room for the Amores. This edition of the first book of the Amores—the only one available for both intermediate- and advanced-level classes—addresses the needs of students of varying abilities and experience, helping them comprehend, and more fully enjoy, the rich complexities of Ovid's poetry. In their introduction to the volume, Maureen B. Ryan and Caroline A. Perkins recount Ovid's career as a poet, describe the elegiac genre, and explain elegiac meter and style. For the Latin text, they briefly introduce each poem, acquainting students with relevant subject matter and themes. Their commentary provides helpful notes clarifying grammatical constructions, word order, ellipsis, and other complexities of the Latin language that can challenge even the most experienced student. On the assumption that students will gain skills as they work through each poem, Ryan and Perkins give extensive and repeated assistance at the beginning of the text, tapering off as the student's facility increases. Throughout their commentary, they highlight thematic points of interest; explain mythological, cultural, and literary allusions; and stress the importance of Ovid's literary innovations. In addition to the critical apparatus accompanying each poem, this volume features a glossary of literary terms, a comprehensive Latin-to-English vocabulary, and an up-do-date bibliography.
This selection of poems from the third book of Ovid's Amores is designed to meet the needs of those studying or teaching the verse literature prescription for OCR Latin AS level, 2012-2014.
Ovid: Ars Amatoria, Book III by Ovid,Publius Ovidius Naso Pdf
This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.
During Shakespeare's lifetime, Henry IV was his most popular play. Today, Sir John Falstaff still towers above Shakespeare's other comic inventions. This edition considers the play in the context of various critical approaches, offers a history of the play in performance from Shakespeare's time to ours, and provides useful information on its historical background. Readers will also find detailed commentary on individual words and phrases, and selections from Shakespeare's sources.
The most sophisticated and daring poetic ironist of the early Roman Empire, Publius Ovidius Naso, is perhaps best known for his oft-imitated Metamorphoses. But the Roman poet also wrote lively and lewd verse on the subjects of love, sex, marriage, and adultery—a playful parody of the earnest erotic poetry traditions established by his literary ancestors. The Amores, Ovid's first completed book of poetry, explores the conventional mode of erotic elegy with some subversive and silly twists: the poetic narrator sets up a lyrical altar to an unattainable woman only to knock it down by poking fun at her imperfections. Ars Amatoria takes the form of didactic verse in which a purportedly mature and experienced narrator instructs men and women alike on how to best play their hands at the long con of love. Ovid's Erotic Poems offers a modern English translation of the Amores and Ars Amatoria that retains the irreverent wit and verve of the original. Award-winning poet Len Krisak captures the music of Ovid's richly textured Latin meters through rhyming couplets that render the verse as playful and agile as it was meant to be. Sophisticated, satirical, and wildly self-referential, Ovid's Erotic Poems is not just a wickedly funny send-up of romantic and sexual mores but also a sharp critique of literary technique and poetic convention.
Witty, erotic, sceptical and subversive, Ovid (c. 43BC-AD17) has been a seminal presence in English literature from the time of Chaucer and Caxton to Ted Hughes and Seamus Heaney. This superb selection brings together complete elegies from the Amores, Heroides and poems of exile as well as many self-contained episodes from the longer works, vividly revealing both the sheer variety of Ovid's genius and the range of his impact on the English imagination.
Contains a continuous running commentary suited to short poems. This book contains the commentary to promote in sixth-formers and undergraduates, not just an understanding of the Latin but also an appreciation of literary quality.
The Amores or, Amours by Ovid - Literally Translated into English Prose, with Copious Notes, by Henry T. Riley - Amores is Ovid's first completed book of poetry, written in elegiac couplets. It was first published in 16 BC in 5 books, but Ovid by his own account later edited it down into the 3-book edition that has come down to us. The book follows the popular model of the erotic elegy, as made famous by figures such as Tibullus or Propertius, but is often subversive and humorous with these tropes, exaggerating common motifs and devices to the point of absurdity. Speculations as to Corinna's real identity are many, if indeed she lived at all. It has been argued that she is a poetic construct copying the puella-archetype from other works in the love elegy genre. The name Corinna may have been a typically Ovidian pun based on the Greek word for "maiden", "kore". Though most of this book is rather tongue-in-cheek, some people didn't take it that way and this could be the reason or part of the reason why Ovid was banished from Rome. However, his banishment probably has more to do with the Ars Amatoria, written later, which offended Augustus. There is also a connection between Ovid and Augustus' daughter, Julia, who was also exiled.