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Author : Christopher Grose,George Sandys
Publisher : Unknown
Page : 154 pages
File Size : 43,9 Mb
Release : 1981
Category : Fables, Latin
ISBN : 0890030731
Author : Christopher Grose
Publisher : Unknown
Page : 0 pages
File Size : 52,5 Mb
Release : 1981
Category : Electronic
ISBN : OCLC:1433103314
Author : Goran V. Stanivukovic
Publisher : University of Toronto Press
Page : 308 pages
File Size : 48,9 Mb
Release : 2001-01-01
Category : Literary Collections
ISBN : 0802035159
This collection of original essays uses contemporary theory to examine Renaissance writers' reworking of Ovid's texts in order to analyze the strategies in the construction of the early modern discourses of gender, sexuality, and writing.
Author : James Ellison
Publisher : DS Brewer
Page : 302 pages
File Size : 50,6 Mb
Release : 2002
Category : Literary Criticism
ISBN : 0859917509
The Caroline poet George Sandys had an exceptionally interesting early career as traveller and colonist; this study of his work following his return to England sheds new light on the expression of religious and political moderation prior to the Civil War. The poet George Sandys is one of the most interesting figures of the Renaissance period, his life and career encompassing a number of varied aspects. As a colonialist leader in Virginia he and his colleagues pursued a lenient policy towards the Indians which nearly cost the colony its existence. Returning to England, and settling at Great Tew along with other poets such as William Chillingworth and Lord Falkland, he won limited favour at the Caroline court; although he was loyal to the king, and adopted a richly Laudian style for his religious verse, he was implacably opposed to the divisive and confrontational policies of the Laudian church, and became an increasingly outspoken critic of absolutist government. His last work, a translation of a Latin religious play by Hugo Grotius, was the first in a series of literary attacks by moderate Royalists on Archbishop Laud.This book, the first recent examination of his life and work, sheds new light both on an unjustly neglected figure, and on the literature of religious and political moderation prior to the Civil War. JAMES ELLISON is Honorary Research Fellow at the University of Strathclyde.
Author : Stephen Orgel,Sean Keilen
Publisher : Taylor & Francis
Page : 452 pages
File Size : 49,9 Mb
Release : 1999
Category : Drama
ISBN : 0815329636
Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the popular press. On television, he advertises everything from cars to fast food. His birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New Globe, in its second season, is already a far bigger business than the old Globe could ever have hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimagining his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central text for analysis and explication, the foundation of the western literary canon and the measure of literary excellence.The Shakespeare the essays collected in these volumes reveal is fully as multifarious as the Shakespeare of theme parks, movies and television. Indeed, it is part of the continuing reinvention of Shakespeare. The essays are drawn for the most part from work done in the past three decades, though a few essential, enabling essays from an earlier period have been included. They not only chart the directions taken by Shakespeare studies in the recent past, but they serve to indicate the enormous and continuing vitality of the enterprise, and the extent to which Shakespeare has become a metonym for literary and artistic endeavor generally.
Author : Gina Bloom
Publisher : University of Pennsylvania Press
Page : 286 pages
File Size : 41,5 Mb
Release : 2013-04-19
Category : Literary Criticism
ISBN : 9780812201314
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction. Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century texts—including anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of Ovid—Bloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world. Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.
Author : Anonim
Publisher : Unknown
Page : 522 pages
File Size : 52,5 Mb
Release : 2003
Category : Criticism
ISBN : UOM:39015055578085
Author : Gunnar Sorelius
Publisher : Uppsala University
Page : 228 pages
File Size : 53,5 Mb
Release : 1993
Category : Drama
ISBN : UCAL:B3917287
Author : George Sandys
Publisher : Unknown
Page : 314 pages
File Size : 41,7 Mb
Release : 1872
Category : Electronic
ISBN : OXFORD:300078959
Author : Deborah Rubin
Publisher : Unknown
Page : 212 pages
File Size : 52,5 Mb
Release : 1985
Category : Latin language
ISBN : UOM:39015011688671
Author : Christopher Grose
Publisher : Unknown
Page : 180 pages
File Size : 53,9 Mb
Release : 1981
Category : Literary Criticism
ISBN : UCSC:32106006617234
Author : Anonim
Publisher : Unknown
Page : 448 pages
File Size : 50,5 Mb
Release : 1963
Category : English philology
ISBN : UOM:39015043652992
Author : Richard Hooper
Publisher : BoD – Books on Demand
Page : 326 pages
File Size : 42,7 Mb
Release : 2023-03-24
Category : Fiction
ISBN : 9783382152130
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author : Anonim
Publisher : Unknown
Page : 1032 pages
File Size : 49,7 Mb
Release : 1983
Category : Union catalogs
ISBN : STANFORD:36105117240999
Author : George Sandys
Publisher : Unknown
Page : 314 pages
File Size : 47,8 Mb
Release : 1872
Category : Bible
ISBN : CORNELL:31924013123033
