Owner Of A Lonely Heart Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Owner Of A Lonely Heart book. This book definitely worth reading, it is an incredibly well-written.
"From the award-winning author of Stealing Buddha's Dinner, a powerful memoir of a mother-daughter relationship fragmented by war and resettlement. At the end of the Vietnam War, when Beth Nguyen was eight months old, she and her father, sister, grandmother, and uncles fled Saigon for America. Beth's mother stayed-or was left-behind, and they did not meet again until Beth was nineteen. Over the course of her adult life, she and her mother have spent less than twenty-four hours together. Owner of a Lonely Heart is a memoir about parenthood, absence, and the condition of being a refugee: the story of Beth's relationship with her mother. Framed by a handful of visits over the course of many years-sometimes brief, sometimes interrupted, sometimes with her mother alone and sometimes with her sister-Beth tells a coming-of-age story that spans her own Midwestern childhood, her first meeting with her mother, and becoming a parent herself. Vivid and illuminating, Owner of a Lonely Heart is a deeply personal story of family, connection, and belonging: as a daughter, a mother, and as a Vietnamese refugee in America"--
From the author of How to Save a Life comes a heartfelt story of two people finding the courage to choose love, no matter how hard it may be. Gemma thought she had her future all mapped out. She had a wonderful husband, a cute apartment, and plans to start a family. But just months after their wedding, illness took her husband from her. And now she finds herself trying to think up new dreams, when all she really wants are her old ones back. Across town, Dan’s also rethinking his life. He’s about to meet his twelve-year-old daughter, Casey, for the very first time. She’s tracked him down because she needs a place to stay for the summer while she receives treatment for a brain tumor at the city hospital, and Dan is terrified he won’t be up to the task of taking care of her; after all, he’s structured his entire life so that no one has to rely on him. But when fate (with the help of Gemma’s scruffy terrier, Bear) brings these three strangers together one scorching July morning, there’s an instant connection among them. And it soon becomes clear that this summer could change everything—if only they’ll let it. Will Gemma, Dan, and Casey be brave enough to let love in and build a new life together? Or will they let fear keep everything they’ve ever wanted just out of reach?
Few styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music's sense of space and monumental scope with rock's raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins. In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This "golden age" reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air. In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself. An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.
Close to the Edge: The Story of Yes by Chris Welch Pdf
Yes have now been on the rock circuit for an incredible 34 years. Jon Anderson, Steve Howe, Rick Wakeman, Chris Squire and Bill Bruford are just some of the star players who helped to make the band one of the greatest-ever names in classic rock. Their turbulent story spans the early days of pub and club gigs, international supergroup status in the heyday of rock, and various line-ups since.Chris Welch's definitive biography of Yes is once again updated to include the historic return of Rick Wakeman to the classic Yes line up during 2002 and their subsequent highly successful tour of America.
Universal Access in Human-Computer Interaction. Access to the Human Environment and Culture by Margherita Antona,Constantine Stephanidis Pdf
The four LNCS volume set 9175-9178 constitutes the refereed proceedings of the 9th International Conference on Learning and Collaboration Technologies, UAHCI 2015, held as part of the 17th International Conference on Human-Computer Interaction, HCII 2015, in Los Angeles, CA, USA in August 2015, jointly with 15 other thematically similar conferences. The total of 1462 papers and 246 posters presented at the HCII 2015 conferences were carefully reviewed and selected from 4843 submissions. These papers of the four volume set address the following major topics: LNCS 9175, Universal Access in Human-Computer Interaction: Access to today's technologies (Part I), addressing the following major topics: LNCS 9175: Design and evaluation methods and tools for universal access, universal access to the web, universal access to mobile interaction, universal access to information, communication and media. LNCS 9176: Gesture-based interaction, touch-based and haptic Interaction, visual and multisensory experience, sign language technologies and smart and assistive environments LNCS 9177: Universal Access to Education, universal access to health applications and services, games for learning and therapy, and cognitive disabilities and cognitive support and LNCS 9178: Universal access to culture, orientation, navigation and driving, accessible security and voting, universal access to the built environment and ergonomics and universal access.
Author : Hal Leonard Corp. Publisher : Hal Leonard Corporation Page : 237 pages File Size : 40,5 Mb Release : 2007-06-01 Category : Music ISBN : 9781476862514
(Guitar Chord Songbook). Just the guitar chords and lyrics for 80 rock essentials, including: All Along the Watchtower * All the Young Dudes * Bang a Gong (Get It On) * Beast of Burden * Brass in Pocket * Cat Scratch Fever * Changes * Free Ride * Hot Blooded * La Grange * L.A. Woman * Layla * Money * Money for Nothing * Owner of a Lonely Heart * Rhiannon * Ridin' the Storm Out * Rock and Roll All Nite * Smokin' in the Boys Room * Start Me Up * Stray Cat Strut * The Stroke * Sweet Emotion * Take Me to the River * Walk on the Wild Side * You Shook Me All Night Long * and more.
Author : Hal Leonard Corp. Publisher : Hal Leonard Corporation Page : 1035 pages File Size : 50,9 Mb Release : 2001-01-01 Category : Music ISBN : 9781458428158
Guitar Tab White Pages - Volume 1 (Songbook) by Hal Leonard Corp. Pdf
(Guitar Book). If you're about to be stranded on a desert island and you can only take your guitar and one songbook with you, make sure it's The Guitar Tab White Pages ! This incredible second edition contains 150 note-for-note transcriptions straight from the original recordings over 1,000 pages of guitar tab! The primo songlist covers some of the best guitar songs ever from all styles of music. Songs include: All Day and All of the Night * American Woman * Change the World * Cliffs of Dover * Couldn't Stand the Weather * Dani California * Don't Fear the Reaper * Dust in the Wind * Free Ride * Gloria * Heartache Tonight * Hey Joe * Layla * Longer * Moonlight in Vermont * Mr. Jones * Name * Owner of a Lonely Heart * Papa's Got a Brand New Bag * Piece of My Heart * Rhiannon * Satin Doll * Sir Duke * The Space Between * Sunday Bloody Sunday * Sweet Child O' Mine * Time for Me to Fly * What I Like About You * You Give Love a Bad Name * You Were Meant for Me * and more! The largest collection ever of authentic guitar transcriptions!
Understanding Rock by John Covach,Graeme M. Boone Pdf
Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead.
How does the saying go? If you do what you've always done, you'll get what you've always got . . . Gemma is variously trying to keep busy, rebuild her life after a personal tragedy, and start a family. She's also, though she'd hate to admit it, lonely. Dan is attractive, laid back, and terrified of anyone getting to know the real him. He's lonely as well – not that you'd know it if you saw him out with his mates. Casey is Dan's daughter. She's undergoing treatment for a tumour and is lonely too, and scared, but desperately trying to pretend otherwise. When Gemma, Dan and Casey's paths cross one scorching July, they all have their reasons for keeping their distance; none of them would choose to be alone, but somehow the myriad little choices they made along the way have brought them to that point just the same. Now fate has brought them together, though, perhaps they'll be able to find the courage to make a different choice . . . A story of bravery in all its guises, Eva Carter's Owner of A Lonely Heart is about taking the plunge even when it terrifies you – because it's never too late to try doing something different.
Pop Music: Technology and Creativity - Trevor Horn and the Digital Revolution by Timothy Warner Pdf
This title was first published in 2003.This highly original and accessible book draws on the author’s personal experience as a musician, producer and teacher of popular music to discuss the ways in which audio technology and musical creativity in pop music are inextricably bound together. This relationship, the book argues, is exemplified by the work of Trevor Horn, who is widely acknowledged as the most important, innovative and successful British pop record producer of the early 1980s. In the first part of the book, Timothy Warner presents a definition of pop as distinct from rock music, and goes on to consider the ways technological developments, such as the transition from analogue to digital, transform working practices and, as a result, impact on the creative process of producing pop.
(Book). From its artful beginnings (Syd Barrett-era Pink Floyd, the Mothers of Invention, and those progressive forebearers, the Sgt. Pepper-era Beatles), through the towering guitar solos, monumental synthesizer banks, and mind-boggling special effects of the Golden Age of Prog (Rush, Pink Floyd, Yes, ELP, Genesis, Jethro Tull, King Crimson, UK), through the radio-friendly "pop era" (Asia, the Phil Collins-led Genesis, and a reformed Yes), and right up to the present state of the art (Marillion, Spock's Beard, and Mars Volta), this is a wickedly incisive tour of rock music at its most spectacular. This is indeed the book prog rock fans have been waiting for, the only one of its kind, as fantastic as the subjects it covers.
How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.
