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Author : Peter H. Spectre
Publisher : WoodenBoat Books
Page : 166 pages
File Size : 41,9 Mb
Release : 1995
Category : Crafts & Hobbies
ISBN : 0937822337
Well-known as the editor of the best-selling annual Mariner's Book of Days, Peter Spectre lives in Spruce Head, Maine.
Author : Charles MARTEL (pseud. [i.e. Thomas Delf.])
Publisher : Unknown
Page : 80 pages
File Size : 53,7 Mb
Release : 1860
Category : Electronic
ISBN : BL:A0026391941
Author : J. W. Neil
Publisher : Unknown
Page : 56 pages
File Size : 40,8 Mb
Release : 1824
Category : Guides
ISBN : HARVARD:32044034415711
Author : J. W. NEIL
Publisher : Unknown
Page : 48 pages
File Size : 42,8 Mb
Release : 1824
Category : Electronic
ISBN : BL:A0024337413
Author : United States. National Bureau of Standards
Publisher : Unknown
Page : 86 pages
File Size : 53,7 Mb
Release : 1917
Category : Paint
ISBN : UIUC:30112106600502
Author : Lance Mayer,Gay Myers
Publisher : Getty Publications
Page : 316 pages
File Size : 43,5 Mb
Release : 2013
Category : Art
ISBN : 9781606061350
"How paintings were made--in the most literal sense--is an important but largely unknown aspect of the story of American art. This book, like the authors' previous volume on American painting techniques from the colonial period to 1860, is based on descriptions of the materials and methods that painters used, as found in artists' notebooks, painting manuals, magazines, suppliers' catalogues, letters, diaries, books, and interviews. In interpreting this evidence, the authors have made use of their experience as conservators who have treated many important American paintings."--Book jacket.
Author : Pierre François Tingry
Publisher : Unknown
Page : 606 pages
File Size : 50,6 Mb
Release : 1804
Category : Paint
ISBN : HARVARD:32044108364506
Author : Joyce Hill Stoner,Rebecca Rushfield
Publisher : Routledge
Page : 916 pages
File Size : 50,6 Mb
Release : 2013-02-15
Category : Antiques & Collectibles
ISBN : 9781136000423
Conservation of Easel Paintings is the first comprehensive text on the history, philosophy, and methods of treatment of easel paintings that combines both theory with practice. With contributions from an international group of experts and interviews with important artists, this volume provides an all-encompassing guide to necessary background knowledge in technical art history, artists' materials, scientific methods of examination and documentation, with sections that present varying approaches and methods for treatment, including consolidation, lining, cleaning, retouching, and varnishing. The book concludes with a section featuring issues of preventive conservation, storage, shipping, exhibition, lighting, safety issues, and public outreach. Conservation of Easel Paintings is a crucial resource in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with invaluable information and guidance.
Author : Anonim
Publisher : Unknown
Page : 36 pages
File Size : 49,6 Mb
Release : 1939
Category : Bitumen
ISBN : UOM:39015095023720
Author : United States. National Bureau of Standards
Publisher : Unknown
Page : 34 pages
File Size : 53,8 Mb
Release : 1937
Category : Bitumen
ISBN : UOM:39015095023407
Author : Marjolijn Bol
Publisher : University of Chicago Press
Page : 323 pages
File Size : 45,5 Mb
Release : 2023-05-03
Category : Art
ISBN : 9780226820361
"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth, however, and after it was revealed as such, the remarkable verisimilitude of his work was attributed instead to a new translucent painting technique, a technique the artist could have only innovated with oil paint already at his disposal: the glaze. Today, most theories about how Van Eyck achieved his visual realism revolve around this idea: that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before and, moreover, that these two techniques were not only explored by painters but were developed by a variety of artisans as part of the medieval material culture of splendor. Artisans embellished metalwork and wood with varnishes and glazes to imitate gems and enamel; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of water, silk, and more. What's more, Bol shows how the explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by nature"--
Author : Anonim
Publisher : Unknown
Page : 26 pages
File Size : 41,6 Mb
Release : 1939
Category : Bituminous materials
ISBN : UOM:39015095023795
Author : Michael Friel
Publisher : Watson-Guptill
Page : 194 pages
File Size : 49,5 Mb
Release : 2010-09-28
Category : Art
ISBN : 9780823034086
The equivalent of a foundation course in traditional oil painting for beginning to intermediate level artists, this in-depth book uses the still life as a practical way to master oil techniques. The still life is a practical, forgiving genre as it does not require the likeness of a portrait or the accurate proportions of the figure and, unlike the landscape, it doesn’t change with the weather. Instead, it gives aspiring artists ample time to study and the opportunity to look closer. It can be used as a purely formal subject for drawing and painting techniques, or a platform for emotional expression using personal symbolism and imagery. However, though the still life is used throughout as a teaching tool, this is first and foremost a book about oil painting. It begins with simple compositions that build to more complex arrangements. Starting with essential information on how to best set up your studio—including lighting, equipment, materials (paints, solvents, brushes, mediums), and preparing your canvas and paper for oil painting—Still Life Painting Atelier then offers concrete lessons in a logical progressive sequence, with step-by-step illustrations, finished paintings, diagrams and tips. Chapters cover: • How to address composition through thumbnail sketches and line drawings • Using underpainting to study the characteristics of light and shade • The basics of color theory and color mixing • How to use a variety of brushes to create sharp and soft edges • Techniques that are helpful when painting metal and glass • How to apply glazing and scumbling to bring luminosity and texture
Author : Indiana
Publisher : Unknown
Page : 3448 pages
File Size : 53,5 Mb
Release : 1897
Category : Electronic
ISBN : STANFORD:36105117304555
Author : Anonim
Publisher : Unknown
Page : 1860 pages
File Size : 43,5 Mb
Release : 1880
Category : Catalogs, Publishers'
ISBN : CORNELL:31924078879560