Palestrina And The German Romantic Imagination

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Palestrina and the German Romantic Imagination

James Garratt
Palestrina and the German Romantic Imagination Book PDF

Author : James Garratt
Publisher : Cambridge University Press
Page : 334 pages
File Size : 45,9 Mb
Release : 2002-07-18
Category : Music
ISBN : 9781139433938

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Palestrina and the German Romantic Imagination by James Garratt Pdf

Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival.

Medievalism and Nationalism in German Opera

Michael S. Richardson
Medievalism and Nationalism in German Opera Book PDF

Author : Michael S. Richardson
Publisher : Routledge
Page : 198 pages
File Size : 47,9 Mb
Release : 2020-11-29
Category : Music
ISBN : 9781351806367

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Medievalism and Nationalism in German Opera by Michael S. Richardson Pdf

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

Brahms's A German Requiem

R. Allen Lott
Brahms s A German Requiem Book PDF

Author : R. Allen Lott
Publisher : Eastman Studies in Music
Page : 511 pages
File Size : 48,9 Mb
Release : 2020
Category : Music
ISBN : 9781580469869

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Brahms's A German Requiem by R. Allen Lott Pdf

Examines in detail the contexts of Brahms's masterpiece and demonstrates that, contrary to recent consensus, it was performed and received as an inherently Christian work during the composer's life.

Verdi and the Germans

Gundula Kreuzer
Verdi and the Germans Book PDF

Author : Gundula Kreuzer
Publisher : Cambridge University Press
Page : 383 pages
File Size : 40,8 Mb
Release : 2010-08-26
Category : Music
ISBN : 9780521519199

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Verdi and the Germans by Gundula Kreuzer Pdf

This book explores how the reception of Italian opera, epitomised by Verdi, influenced changing ideas of German musical and national identity.

The Cambridge Companion to Music and Romanticism

Benedict Taylor
The Cambridge Companion to Music and Romanticism Book PDF

Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 403 pages
File Size : 42,6 Mb
Release : 2021-08-26
Category : History
ISBN : 9781108475433

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The Cambridge Companion to Music and Romanticism by Benedict Taylor Pdf

A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.

Sacred and Secular Intersections in Music of the Long Nineteenth Century

Eftychia Papanikolaou,Markus Rathey
Sacred and Secular Intersections in Music of the Long Nineteenth Century Book PDF

Author : Eftychia Papanikolaou,Markus Rathey
Publisher : Rowman & Littlefield
Page : 439 pages
File Size : 47,8 Mb
Release : 2022-06-21
Category : Music
ISBN : 9781666906059

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Sacred and Secular Intersections in Music of the Long Nineteenth Century by Eftychia Papanikolaou,Markus Rathey Pdf

Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.

The Cambridge History of Nineteenth-Century Music

Jim Samson
The Cambridge History of Nineteenth Century Music Book PDF

Author : Jim Samson
Publisher : Cambridge University Press
Page : 796 pages
File Size : 55,8 Mb
Release : 2001-12-03
Category : Music
ISBN : 0521590175

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The Cambridge History of Nineteenth-Century Music by Jim Samson Pdf

The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.

Brahms in the Priesthood of Art

Laurie McManus
Brahms in the Priesthood of Art Book PDF

Author : Laurie McManus
Publisher : Oxford University Press
Page : 277 pages
File Size : 42,9 Mb
Release : 2021-01-05
Category : Music
ISBN : 9780190083298

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Brahms in the Priesthood of Art by Laurie McManus Pdf

Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion) and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or "priest of music," with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms's bourgeois existence. While such German Romantic notions of art religion informed the thinking on musical purity and performance, after the failed socio-political revolutions of 1848/49, and in the face of scientific developments, the very concept of musical priesthood was questioned as outmoded. Furthermore, its essential gender ambiguity, accommodating such performing mothers as Clara Schumann and Amalie Joachim, could suit the bachelor Brahms but leave the composer open to speculation. Supportive critics combined elements of masculine and feminine values with a muddled rhetoric of prophets, messiahs, martyrs, and other art-religious stereotypes to account for the special status of Brahms and his circle. Detractors tended to locate these stereotypes in a more modern, fin-de-siècle psychological framework that questioned the composer's physical and mental well-being. In analyzing these receptions side by side, this book revises the accepted image of Brahms, recovering lost ambiguities in his reception. It resituates him not only in a romanticized priesthood of art, but also within the cultural and gendered discourses overlooked by the absolute music paradigm.

Medieval Music and the Art of Memory

Anna Maria Busse Berger
Medieval Music and the Art of Memory Book PDF

Author : Anna Maria Busse Berger
Publisher : University of California Press
Page : 304 pages
File Size : 47,5 Mb
Release : 2019-10-08
Category : Music
ISBN : 9780520314276

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Medieval Music and the Art of Memory by Anna Maria Busse Berger Pdf

Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.

Allusion as Narrative Premise in Brahms's Instrumental Music

Jacquelyn E. C. Sholes
Allusion as Narrative Premise in Brahms s Instrumental Music Book PDF

Author : Jacquelyn E. C. Sholes
Publisher : Indiana University Press
Page : 276 pages
File Size : 52,8 Mb
Release : 2018-05-24
Category : Music
ISBN : 9780253033161

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Allusion as Narrative Premise in Brahms's Instrumental Music by Jacquelyn E. C. Sholes Pdf

Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.

Music, Libraries, and the Academy

James P. Cassaro
Music Libraries and the Academy Book PDF

Author : James P. Cassaro
Publisher : A-R Editions, Inc.
Page : 279 pages
File Size : 44,7 Mb
Release : 2007-01-01
Category : Music
ISBN : 9780895796127

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Music, Libraries, and the Academy by James P. Cassaro Pdf

This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.

Franz Liszt

Michael Saffle
Franz Liszt Book PDF

Author : Michael Saffle
Publisher : Routledge
Page : 538 pages
File Size : 49,6 Mb
Release : 2009
Category : Music
ISBN : 9780415998390

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Franz Liszt by Michael Saffle Pdf

First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.

Tanz und Musik

Christelle Cazaux,Agnese Pavanello,Martina Papiro
Tanz und Musik Book PDF

Author : Christelle Cazaux,Agnese Pavanello,Martina Papiro
Publisher : Schwabe Verlag (Basel)
Page : 442 pages
File Size : 54,7 Mb
Release : 2023-11-13
Category : Music
ISBN : 9783796549731

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Tanz und Musik by Christelle Cazaux,Agnese Pavanello,Martina Papiro Pdf

Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.

Mendelssohn, the Organ, and the Music of the Past

Jürgen Thym
Mendelssohn the Organ and the Music of the Past Book PDF

Author : Jürgen Thym
Publisher : Boydell & Brewer
Page : 352 pages
File Size : 52,6 Mb
Release : 2014
Category : Music
ISBN : 9781580464741

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Mendelssohn, the Organ, and the Music of the Past by Jürgen Thym Pdf

Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death.

History in Mighty Sounds

Barbara Eichner
History in Mighty Sounds Book PDF

Author : Barbara Eichner
Publisher : Boydell Press
Page : 312 pages
File Size : 52,9 Mb
Release : 2012
Category : History
ISBN : 9781843837541

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History in Mighty Sounds by Barbara Eichner Pdf

An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.