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You Can Teach Yourself Pan Flute by COSTEL PUSCOIU Pdf
A very easy-to-understnad pan flute method. By following this book the beginner can successfully play the pan flute in a very short time. This text has been carefully written to provide maximum enjoyment and fun!
A very comprehensive book study into the pan flute. This book, made in cooperation with the Dutch Ministry of Culture, covers such topics as the history of the pan flute, today's pan flute, posture and embouchure, breathing, extending and improving tone quality, intervals, the technique of chromatics, staccato, legato, vibrato, diatonic scales, adjacent and nearby keys, arpeggios, difficultkeys, technical formulas, ornaments, chromatic scales and exercises, special effects, phrasing and difficult technical exercises. This is an essential book for the pan flutist
Gathering Hopewell by Christopher Carr,D. Troy Case Pdf
Among the most socially and personally vocal archaeological remains on the North American continent are the massive and often complexly designed earthen architecture of Hopewellian peoples of two thousand years ago, their elaborately embellished works of art made of glistening metals and stones from faraway places, and their highly formalized mortuaries. In this book, twenty-one researchers in interwoven efforts immerse themselves and the reader in this vibrant archaeological record in order to richly reconstruct the societies, rituals, and ritual interactions of Hopewellian peoples. By finding the faces, actions, and motivations of Hopewellian peoples as individuals who constructed knowable social roles, the authors explore, in a personalized and locally contextualized manner, the details of Hopewellian life: leadership, its sacred and secular power bases, recruitment, and formalization over time; systems of social ranking and prestige; animal-totemic clan organization, kinship structures, and sodalities; gender roles, prestige, work load, and health; community organization in its tri-scalar residential, symbolic, and demographic forms; intercommunity alliances and changes in their strategies and expanses over time; and interregional travels for power questing, pilgrimage, healing, tutelage, and acquiring ritual knowledge. This book is useful to scholars, graduate students, and advanced undergraduates interested in the workings and development of social complexity at local and interregional scales, recent theoretical developments in the anthropology of the topics listed above, the prehistory of eastern North America, its history of intellectual development, and Native American ritual, symbolism, and belief.
Library of Congress Subject Headings by Library of Congress,Library of Congress. Subject Cataloging Division,Library of Congress. Office for Subject Cataloging Policy Pdf
Author : Thomas K. Hubbard Publisher : University of Michigan Press Page : 410 pages File Size : 44,6 Mb Release : 1998 Category : History ISBN : 0472108557
Pastoral poetry highlights the didactic relationship of older and younger shepherds--as rivals or patron and successor. Departing from conventional views of the pastoral genre as an Arcadian escape from urban sophistication, THE PIPES OF PAN follows the connecting thread in the cultures of Alexandria and Rome, revealing that Theocritus and Vergil applied pastoral metaphor to represent the poetic community.
Author : Karl Gustav Izikowitz Publisher : Unknown Page : 474 pages File Size : 40,6 Mb Release : 1935 Category : Indians of South America ISBN : UOM:39015019964843
Authors, Authority and Interpreters in the Ancient Novel by Gareth L. Schmeling Pdf
For most of us there are many masters and varied causes for intellectual peregrinations. For the editors of this volume, for many scholars of the ancient novel, and for an uncounted number of students of Classics and the Humanities, Gareth Lon Schmeling is a master and motivator of our scholarly and academic careers, especially of our forays into the ancient novel. And above all Gareth is a true friend. This volume of essays is a small, and, we hope, representative offering of our thanks to Gareth for his contributions to the study of the ancient novel in particular and Classics in general, for his guidance and support in our own endeavors, and for his own special humanity.
Music in Latin America and the Caribbean: An Encyclopedic History by Malena Kuss Pdf
The music of the peoples of South and Central America, Mexico, and the Caribbean has never received a comprehensive treatment in English until this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Within a history marked by cultural encounters and dislocations, music emerges as the powerful tool that negotiates identities, enacts resistance, performs belief, and challenges received aesthetics. This work, more than two decades in the making, was conceived as part of "The Universe of Music: A History" project, initiated by and developed in cooperation with the International Music Council, with the goals of empowering Latin Americans and Caribbeans to shape their own musical history and emphasizing the role that music plays in human life. The four volumes that constitute this work are structured as parts of a single conception and gather 150 contributions by more than 100 distinguished scholars representing 36 countries. Volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico, focuses on the inextricable relationships between worldviews and musical experience in the current practices of indigenous groups. Worldviews are built into, among other things, how music is organized and performed, how musical instruments are constructed and when they are played, choreographic formations, the structure of songs, the assignment of gender to instruments, and ritual patterns. Two CDs with 44 recorded examples illustrate the contributions to this rich volume.
Melodious panpipes and kena flutes. The shimmering strums of a charango. Poncho-clad musicians playing "El Cóndor Pasa" at subway stops or street corners while selling their recordings. These sounds and images no doubt come to mind for many "world music" fans when they recall their early encounters with Andean music groups. Ensembles of this type known as "Andean conjuntos" or "pan-Andean bands" have long formed part of the world music circuit in the Global North. In the major cities of Latin America, too, Andean conjuntos have been present in the local music scene for decades, not only in Peru, Bolivia, and Ecuador (i.e., in the Andean countries), but also in Argentina, Chile, Colombia, and Mexico. It is solely in Bolivia, however, that the Andean conjunto has represented the preeminent folkloric-popular music ensemble configuration for interpreting national musical genres from the late 1960s onward. Despite its frequent association with indigenous villages, the music of Andean conjuntos bears little resemblance to the indigenous musical expressions of the Southern Andes. Created by urban criollo and mestizo folkloric artists, the Andean conjunto tradition represents a form of mass-mediated folkloric music, one that is only loosely based on indigenous musical practices. Panpipes & Ponchos reveals that in the early-to-mid 20th century, a diverse range of musicians and ensembles, including estudiantinas, female vocal duos, bolero trios, art-classical composers, and mestizo panpipe groups, laid the groundwork for the Andean conjunto format to eventually take root in the Bolivian folklore scene amid the boom decade of the 1960s. Author Fernando Rios analyzes local musical trends in conjunction with government initiatives in nation-building and the ideologies of indigenismo and mestizaje. Beyond the local level, Rios also examines key developments in Bolivian national musical practices through their transnational links with trends in Peru, Argentina, Chile, Mexico, and France. As the first book-length study that chronicles how Bolivia's folkloric music movement articulated, on the one hand, with Bolivian state projects, and on the other, with transnational artistic currents, for the pivotal era spanning the 1920s to 1960s, Panpipes & Ponchos offers new perspectives on the Andean conjunto's emergence as Bolivia's favored ensemble line-up in the field of national folkloric-popular music.