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Active Perception in the History of Philosophy by José Filipe Silva,Mikko Yrjönsuuri Pdf
The aim of the present work is to show the roots of the conception of perception as an active process, tracing the history of its development from Plato to modern philosophy. The contributors inquire into what activity is taken to mean in different theories, challenging traditional historical accounts of perception that stress the passivity of percipients in coming to know the external world. Special attention is paid to the psychological and physiological mechanisms of perception, rational and non-rational perception and the role of awareness in the perceptual process. Perception has often been conceived as a process in which the passive aspects - such as the reception of sensory stimuli - were stressed and the active ones overlooked. However, during recent decades research in cognitive science and philosophy of mind has emphasized the activity of the subject in the process of sense perception, often associating this activity to the notions of attention and intentionality. Although it is recognized that there are ancient roots to the view that perception is fundamentally active, the history remains largely unexplored. The book is directed to all those interested in contemporary debates in the fields of philosophy of mind and cognitive psychology who would like to become acquainted with the historical background of active perception, but for historical reliability the aim is to make no compromises.
This collection of "Stitesiana" includes 29 essays on Russian culture, representing the bulk of 20 years of scholarship, in addition to well-known monographs and diverse pieces in popular magazines.
Perception, Sensibility, and Moral Motivation in Augustine by Sarah Catherine Byers Pdf
Perception and the language of the mind -- Motivation -- Emotions -- Preliminary passions -- Progress in joy: preliminaries to good emotions -- Cognitive therapies -- Inspiration.
Descartes: A Guide for the Perplexed by Justin Skirry Pdf
René Descartes is arguably the most important seventeenth-century thinker and the father of modern philosophy. Yet his unique method, and its divergence from the method of hisscholastic predecessors and contemporaries, raises complex and often challenging issues. Descartes: A Guide for the Perplexed is a clear and thorough account of descartes' philosophy, his major works and ideas, providing an ideal guide to the important and complex thought of this key philosopher. The book covers the whole range of Descartes' philosophical work, offering a thematic review of his thought, together with detailed examination of the texts commonly encountered by students, including the Discourse on Method and Meditations on First Philosophy. This book provides a cogent and reliable survey of the philosophical trends and influences apparent in Descartes' thought.
Journal of Moral Theology, Volume 3, Number 2 by John Berkman,Charles Camosy,Celia E. Deane-Drummond Pdf
NON-HUMAN ANIMALS Volume 3, Number 2, June 2014 Edited by John Berkman, Charles C. Camosy, and Celia Deane-Drummond Introduction: Catholic Moral Theology and the Moral Status of Non-Human Animals John Berkman and Celia Deane-Drummond From Theological Speciesism to a Theological Ethology: Where Catholic Moral Theology Needs to Go John Berkman Animals, Evil, and Family Meals Julie Rubio The Use of Non-Human Animals in Biomedical Research: Can Moral Theology Fill the Gap? Charles C. Camosy and Susan Kopp Evolutionary Perspectives on Inter-Morality and Inter-Species Relationships Interrogated in the Light of the Rise and Fall of Homo sapiens sapiens Celia Deane-Drummond Moral Passions: A Thomistic Interpretation of Moral Emotions in Nonhuman and Human Animals Jean Porter Speaking Theologically of Animal Rights James E. Helmer
The Soft Underbelly of Reason by Stephen Gaukroger Pdf
This book provides a valuable understanding on the different views of the passions in the Seventeenth Century. The contributors show that fundamental questions about the nature of wisdom, goodness and beauty were understood in terms of the contrast between reason and passions in this era. Those with an interest in philosophy , the history of medicene, and women's studies will find this collection a fascinating read.
TABLE OF CONTENTS: Translator's Introduction Introduction by Genevieve Rodis-Lewis The Passions of the Soul: Preface PART I: About the Passions in General, and Incidentally about the Entire Nature of Man PART II: About the Number and Order of the Passions, and the Explanation of the Six Primitives PART III: About the Particular Passions Lexicon: Index to Lexicon Bibliography Index Index Locorum
Life Is a Perception, What's Yours? by Kimberley A Colvard Ph. D.,Kimberley Colvard Pdf
"In forming a new belief, you have expanded yourself to new possibilities." -Kimberley A. Colvard, Ph.D. Life is a Perception, What's Yours? is is a practical and easy-to-use guide for aligning yourself to your Spirit. This book will assist you in creating clarity and awareness that will enable you to lead an empowered and purposeful life. Author Kimberley Colvard, PhD, uses her intuitive gifts and consulting experience to challenge you in examining your perceptions and beliefs and how they determine your life. Through this heart-centered and upbeat approach, Colvard assists you in discovering life from a new perspective. Life is a Perception, What's Yours? covers many self-empowering topics, including: Discovering the power in choice Identifying and attracting the things your want in life Expanding your perception of change Making choices that are in alignment with your true self Life is a Perception, What's Yours? is a powerful resource that will shift your physical and emotional world, allowing you to create the life you desire.
Genial Perception offers a critical examination of Wordsworth’s and Coleridge’s naturalist construction of creative and critical perception, and a historical study of the perceptual dimension of poetic taste. “Genial” is the adjectival form of “genius,” and eighteenth-century critical naturalism understands “genial” perception as a gift of nature, as an inborn power operating autonomously through the senses and imagination and thus independently of cultural influence. By exploring the philology of keywords and binaries inherited by the two poet-critics and used to describe and interpret their perceptual experience, both creative (imaginative) and critical, Genial Perception traces how that experience reveals an unacknowledged indebtedness to discourse and language, having been silently and perhaps unconsciously shaped by patterns and trends in the literary culture in which Wordsworth and Coleridge came of age. This study shows that critical perception, often thought to be too elusive and subjective to make a proper subject for historical investigation, can be approached through study of the terms—the language—of the practical criticism that attempts to communicate it; that both critical and creative perception are far more dependent on language than is commonly recognized; and that philology, by recovering the original usage, functions, and contexts of critical keywords, provides for an accurate historical understanding of the claims made by critics in the long eighteenth century for “genial” perception, and can illuminate the dynamics of “genial” perception itself.