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Author : Kristina Mendicino
Publisher : Unknown
Page : 0 pages
File Size : 46,9 Mb
Release : 2023-02
Category : Literary Criticism
ISBN : 1438491972
Addresses the question of how language affects the subject of speech through readings of confessional, philosophical, and fictional writings.
Author : Kristina Mendicino
Publisher : State University of New York Press
Page : 387 pages
File Size : 47,7 Mb
Release : 2023-02-01
Category : Philosophy
ISBN : 9781438491981
At least since Aristotle's Peri hermeneias, there has been talk of the pathos of language, of language as "symbols of the affections in the soul." The way these affections are registered, however, suggests that they are themselves structured like language. For Aristotle and others, language is suffered before any sense can be voiced. The pathos of language thus becomes a question of how language affects the subject of speech and, in the last analysis, of how language could respond to these questions of language. Passive Voices (On the Subject of Phenomenology and Other Figures of Speech) approaches these questions, first, through readings of Augustine's investigations into language and mind and Edmund Husserl's descriptions of passive synthesis. It then traces the further resonance of Augustine's and Husserl's interventions in selected literary experiments by Georges Bataille, Franz Kafka, and Maurice Blanchot that recall Husserl and Augustine while exceeding the restrictive fictions of phenomenological "science." In drawing out the echoes that emerge across confessional, philosophical, and fictional writings, this book exposes the ways in which speech occurs in the passive voice and affects any claim to experience.
Author : Philippe P. Haensler,Kristina Mendicino,Rochelle Tobias
Publisher : Walter de Gruyter GmbH & Co KG
Page : 341 pages
File Size : 48,9 Mb
Release : 2020-11-23
Category : Philosophy
ISBN : 9783110654585
Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl’s work through a thorough re-examination of his writing in the context of literary theory, classical rhetoric, and modern art. At issue is an approach to phenomenology and literature that does not merely coordinate the two discourses but explores their mutual implication. Contributions to the volume attend to the interplay between phenomenology and literature (both fiction and poetry), experience and language, as well as images and embodiment. The volume is the first of its kind to chart a phenomenological approach to literature and literary approach to phenomenology. As such it stands poised to make a novel contribution to literary studies and philosophy.
Author : Donald Wesling,Tadeusz Slawek
Publisher : SUNY Press
Page : 260 pages
File Size : 54,8 Mb
Release : 1995-08-23
Category : Literary Criticism
ISBN : 0791426289
This response to Derrida's critique of the spoken uses dozens of examples in four languages to explore the voice that is in writing.
Author : Ian H. Angus,Lenore Langsdorf
Publisher : SIU Press
Page : 236 pages
File Size : 44,5 Mb
Release : 1993
Category : Language Arts & Disciplines
ISBN : 080931844X
Concerned with criticizing representational theories of knowledge by developing alternative concepts of knowing and communicating, Ian Angus and Lenore Langsdorf bring together eight essays that are united by a common theme: the convergence of philosophy and rhetoric. In the first chapter, Angus and Langsdorf illustrate the centrality of critical reasoning to the nature of questioning itself, arguing that human inquiry has entered a "new situation" where "the convictions and orientations that have traditionally marked the separation of rhetoric and philosophy--the concern for truth and the focus on persuasion--have begun to converge on a new space that can be defined through the central term discourse."In these essays, this convergence of rhetoric and philosophy is addressed as it presents itself to a variety of interests that transcend the traditional boundaries of these fields. The two editors, Raymie E. McKerrow, Michael J. Hyde and Craig R. Smith, James W. Hikins and Kenneth S. Zagacki, Calvin O. Schrag and David James Miller, and Richard L. Lanigan map this new space, recognizing that such mapping "simultaneously constitutes the territory mapped."
Author : Thomas Carl Wall
Publisher : State University of New York Press
Page : 212 pages
File Size : 42,8 Mb
Release : 1999-01-28
Category : Philosophy
ISBN : 9781438423081
Radical Passivity examines the notion of passivity in the work of Levinas, Blanchot, and Agamben, three thinkers of exceptional intellectual privacy whose writings have decidedly altered the literary and philosophical cultures of our era. Placing their use of passivity in the context of Heidegger and Kant, Wall argues that any philosophical understanding of Levinas's ethics, Blanchot's aesthetics, or Agamben's community must begin with an understanding of a "logic" of passivity that in fact originates (in the modern era at least) in Kant's analysis of the transcendental schema.
Author : Richard L. Lanigan
Publisher : Duquesne
Page : 300 pages
File Size : 52,8 Mb
Release : 1992
Category : Language Arts & Disciplines
ISBN : UOM:39015025194062
Communicology is the study of human discourse in all of its forms, ranging from human gesture and speech to art and television. Commuicology also represents the dominant qualitative research paradigm in the discipline of human communication, especially in the applied areas of mass communication, philosophy of communication, and speech communication. Lanigan's work offers the bold and original thesis that Michel Foucault's thematic study of the discourse of desire and power is an elaboration of the problematic discourse explicated in Maurice Merleau-Ponty's interrogation of freedom and terror. Various chapters cover such topics as art versus science, culture and communication, modernity versus postmodernity, feminism versus humanism, research methodology, and the capta versus data distinction for research validity. Actual examples of research cover the aesthetics of painting and sculpture, radio and television, rhetorical criticism of oral and written texts, and the East-West perspective on cross-cultural encounter -- all using the approach of semiotic phenomenology. Two special features of this book make it useful for both teacher and scholar alike. First, Lanigan provides an encyclopedic dictionary that illustrates and defines the theory and method of the human sciences in general and the discipline of communicology in particular. Used for several years by teachers in a number of universities, this dictionary had already become a "classic" among students before its publication here. Second, Lanigan analyzes and illustrates what has been missing for years in the study of Foucault's work: a definition (with appropriate illustrative figures and tables) of Foucault's method of archaeology and genealogy (criticism) for research in the human sciences, especially in the study of human discourse.
Author : Susan Bredlau
Publisher : State University of New York Press
Page : 140 pages
File Size : 55,8 Mb
Release : 2018-10-29
Category : Philosophy
ISBN : 9781438471730
Demonstrates the unique, pervasive, and overwhelmingly important role of other people within our lived experience. Drawing on the original phenomenological work of Maurice Merleau-Ponty, Edmund Husserl, Simone de Beauvoir, and John Russon, as well as recent research in child psychology, The Other in Perception argues for perception’s inherently existential significance: we always perceive a world and not just objective facts. The world is the rich domain of our personal and interpersonal lives, and central to this world is the role of other people. We are “paired” with others such that our perception is really the enactment of a coinhabiting of a shared world. These relations with others shape the very way in which we perceive our world. Susan Bredlau explores two uniquely formative domains in which our pairing relations with others are particularly critical: childhood development and sexuality. It is through formative childhood experience that the essential, background structures of our world are instituted, which has important consequences for our developed perceptual life. Sexuality is an analogous domain of formative intersubjective experience. Taken as a whole, Bredlau demonstrates the unique, pervasive, and overwhelmingly important role of other people within our lived experience. Susan Bredlau is Assistant Professor of Philosophy at Emory University.
Author : Kristina Mendicino
Publisher : State University of New York Press
Page : 272 pages
File Size : 43,9 Mb
Release : 2020-01-01
Category : Literary Criticism
ISBN : 9781438477565
Walter Benjamin claimed that the notion of novelty took on unprecedented importance with the growth of high capitalism in the nineteenth century. In this book, Kristina Mendicino analyzes a selection of canonical texts that reflect profound concern with novelty and its apparent contrary, the eternal return of the same, including Nietzsche's Thus Spoke Zarathustra, Baudelaire's lyric and prose poetry, and Marx and Engels's Communist Manifesto. She also addresses Eternity by the Stars by Louis-Auguste Blanqui, who is less well known and often underestimated in considerations of his significance for revolutionary political theory. Mendicino argues that the notion of a novum cannot be understood without attentiveness to the language of announcement, not least of all because the "new" has always been associated with a particular mode of linguistic performance. Through close readings of emphatically annunciatory texts, she demonstrates how the extreme possibilities of expression that they present through specific citational and rhetorical praxes render the language of announcement overdetermined and anachronistic in ways that exceed any systematic account of historical time and experience. This excess in and through language is precisely what opens hitherto unheard of alternatives for conceiving of historical temporality and political possibility.
Author : Joseph M. Ortiz
Publisher : Routledge
Page : 476 pages
File Size : 54,8 Mb
Release : 2016-12-05
Category : Literary Criticism
ISBN : 9781351900799
The idea of Shakespearean genius and sublimity is usually understood to be a product of the Romantic period, promulgated by poets such as Coleridge and Byron who promoted Shakespeare as the supreme example of literary genius and creative imagination. However, the picture looks very different when viewed from the perspective of the myriad theater directors, actors, poets, political philosophers, gallery owners, and other professionals in the nineteenth century who turned to Shakespeare to advance their own political, artistic, or commercial interests. Often, as in John Kemble’s staging of The Winter’s Tale at Drury Lane or John Boydell’s marketing of paintings in his Shakespeare Gallery, Shakespeare provided a literal platform on which both artists and entrepreneurs could strive to influence cultural tastes and points of view. At other times, Romantic writers found in Shakespeare’s works a set of rhetorical and theatrical tools through which to form their own public personae, both poetic and political. Women writers in particular often adapted Shakespeare to express their own political and social concerns. Taken together, all of these critical and aesthetic responses attest to the remarkable malleability of the Shakespearean corpus in the Romantic period. As the contributors show, Romantic writers of all persuasions”Whig and Tory, male and female, intellectual and commercial”found in Shakespeare a powerful medium through which to claim authority for their particular interests.
Author : Christoph Clausen
Publisher : Rodopi
Page : 286 pages
File Size : 44,9 Mb
Release : 2005
Category : Art
ISBN : 9789042018877
In what sense did Shakespeare's representation of the Weird Sisters participate in the rewriting of village witchcraft? Was it likely to "encourage the Sword"? Did opera's specific medial conditions offer Verdi special opportunities to justify the presence of stage witches more than three centuries later? How valid is the parallel between 19th century opera and the voyeurism of madhouse spectacle? Was Shakespeare's play really engaged in the project of exorcizing Queen Elizabeth's cultural memory? What does Verdi's chorus of Scottish refugees have to do with shifting representations of 'the people'? These are among the questions tackled in this study. It provides the first in-depth comparison of Shakespeare's and Verdi's Macbeth that is written expressly from the perspective of current Shakespearean criticism whilst striving to do justice to the topic's musicological dimension at the same time. Exploring to what extent the play's matrix of possible readings is distinct from Verdi's two operatic versions, the book seeks to relate such differences both to the historical contexts of the works' geneses and to their respective medial conditions. In doing so, it pays particular attention to shifting negotiations of witchcraft, gender, madness, and kingship. The study eventually broadens its discussion to consider other Shakespearean plays and their operatic offshoots, reflecting on some possible relations between historical and medial difference.
Author : Paul Martin Postal
Publisher : SUNY Press
Page : 290 pages
File Size : 53,6 Mb
Release : 1986-01-01
Category : Language Arts & Disciplines
ISBN : 0887060838
In this work, Paul M. Postal supports the universalist theory of language by examining passive clauses. Contrary to a skeptical tradition, Postal argues that passive clauses are cross-linguistically identifiable and characterizable. This study proposes refinements of the analysis of the natural language grammatical category Passive Clause. These refinements include an account of the notion 'dummy nominal,' central to the analysis of impersonal passive clauses; additions permitting a proper typology of the major known subtypes of Passive Clause; a generalization permitting application to clauses whose subjects are not earlier level direct objects; and, construction of precise rule concepts to represent restrictions on passive clauses. The passive domain supports the universalist approach in three distinguishable ways: (1) by permitting formulation of otherwise apparently unstatable lawful characteristics of all passive structures; (2) by facilitating statement of language-specific passive constraints holding in diverse languages; and, (3) by allowing uniform statement in grammars of recurrent constraints on passives. Each mode of support is applied to actual cases based on material from more than a dozen languages from English and French to Quiche (Mayan) and Chi-Mwi:ni (Bantu).
Author : Suddhaseel Sen
Publisher : Routledge
Page : 226 pages
File Size : 49,6 Mb
Release : 2020-10-15
Category : Literary Criticism
ISBN : 9781000206067
Shakespeare in the World traces the reception histories and adaptations of Shakespeare in the nineteenth century, when his works became well-known to non-Anglophone communities in both Europe and colonial India. Sen provides thorough and searching examinations of nineteenth-century theatrical, operatic, novelistic, and prose adaptations that are still read and performed, in order to argue that, crucial to the transmission and appeal of Shakespeare’s plays were the adaptations they generated in a wide range of media. These adaptations, in turn, made the absorption of the plays into different "national" cultural traditions possible, contributing to the development of "nationalist cosmopolitanisms" in the receiving cultures. Sen challenges the customary reading of Shakespeare reception in terms of "hegemony" and "mimicry," showing instead important parallels in the practices of Shakespeare adaptation in Europe and colonial India. Shakespeare in the World strikes a fine balance between the Bard’s iconicity and his colonial and post-colonial afterlives, and is an important contribution to Shakespeare studies.
Author : Antonio Cascelli,Denis Condon
Publisher : Routledge
Page : 212 pages
File Size : 47,9 Mb
Release : 2021-01-31
Category : Art
ISBN : 9780429582233
Bringing the research of musicologists, art historians, and film studies scholars into dialogue, this book explores the relationships between visual art forms and music. The chapters are organized around three core concepts – threshold, intermediality, and synchresis – which offer ways of understanding and discusssing the interplay between the arts of sounds and images. Refuting the idea that music and visual art forms only operate in parallel, the contributors instead consider how the arts of sound and vision are entwined across a wide array of materials, genres and time periods. Contributors delve into a rich variety of topics, ranging from the art of Renaissance Italy to the politics of opera in contemporary Los Angeles to the popular television series Breaking Bad. Placing these chapters in conversation, this volume develops a shared language for cross-disciplinary inquiry into arts that blend music and visual components, integrates insights from film studies with the conversation between musicology and art history, and moves the study of music and visual culture forward.
Author : Maurice Merleau-Ponty
Publisher : Motilal Banarsidass Publishe
Page : 494 pages
File Size : 51,8 Mb
Release : 1996
Category : Philosophy
ISBN : 8120813464
Buddhist philosophy of Anicca (impermanence), Dukkha (suffering), and
