Paul Auster S City Of Glass As A Postmodern Detective Novel

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Paul Auster's 'City of Glass' as a Postmodern Detective Novel

Author : Toni Rudat
Publisher : GRIN Verlag
Page : 42 pages
File Size : 42,6 Mb
Release : 2007-11
Category : Electronic
ISBN : 9783638766234

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Paul Auster's 'City of Glass' as a Postmodern Detective Novel by Toni Rudat Pdf

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, RWTH Aachen University, 13 entries in the bibliography, language: English, abstract: PAUL AUSTER`s novel ′City of Glass′ published in 1985 appeared during the period of the postmodern era.1 Although it is considerably discussed at what time the beginnings of the postmodern era is to be set, it is irrefutable that ́City of Glass ́ belongs to postmodern literature. To analyse in how far PAUL AUSTER`s ́City of Glass ́ serves as a representative of the postmodern era and to show the reader in what way postmodern qualities are converted into the writings of that time, the main part of this paper will be divided up into two sections. The first section serves to define the coming up of this movement and the qualities it possesses within the genre of detective fiction. Furthermore some important idealistic features like the idea of reality and identity have to be taken into consideration. The short introduction of the two identity-constituting models by ERIKSON and MEAD will provide a better overview of the idea of identity formation. Within the second section the novel itself will be taken into consideration. Therefore it is necessary to take a close look at the main character Daniel Quinn and his character development the crisis of his identity in the course of the novel respectively. Besides another striking factor, namely the appearance of doublings and triplings of characters, has to be clarified as well as the role of the narrator. The conclusion at the end of the paper is supposed then to show to what extent ́City of Glass ́ belongs to postmodern literature and which peculiarities of postmodern writings have been included in this novel. Since there are just a few recent publications on Paul Auster and his novels three of them namely, An Art of Desire: Reading Paul Auster by BERND HERZOGENRATH, Crisis: The Works of Paul Auster by CARSTEN SPRINGER and the pu

Paul Auster's "The New York Trilogy" as Postmodern Detective Fiction

Author : Matthias Kugler
Publisher : diplom.de
Page : 164 pages
File Size : 51,8 Mb
Release : 1999-10-28
Category : Literary Collections
ISBN : 9783832418526

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Paul Auster's "The New York Trilogy" as Postmodern Detective Fiction by Matthias Kugler Pdf

Inhaltsangabe:Abstract: Paul Auster's New York Trilogy, published in one volume for the first time in England in 1988 and in the U.S. in 1990 has been widely categorised as detective fiction among literary scholars and critics. There is, however, a striking diversity and lack of consensus regarding the classification of the trilogy within the existing genre forms of the detective novel. Among others, Auster's stories are described as: metaanti-detective-fiction; mysteries about mysteries; a strangely humorous working of the detective novel; very soft-boiled; a metamystery; glassy little jigsaws; a mixture between the detective story and the nouveau roman; a metaphysical detective story; a deconstruction of the detective novel; antidetective-fiction; a late example of the anti-detective genre; and being related to 'hard-boiled' novels by authors like Hammett and Chandler. Such a striking lack of agreement within the secondary literature has inspired me to write this paper. It does not, however, elaborate further an this diversity of viewpoints although they all seem to have a certain validity and underline the richness and diversity of Auster's detective trilogy; neither do I intend to coin a new term for Auster's detective fiction. I would rather place The New York Trilogy within a more general and open literary form, namely postmodern detective fiction. This classifies Paul Auster as an American writer who is part of the generation that immediately followed the 'classical literary movement' of American postmodernism' of the 60s and 70s. His writing demonstrates that he has been influenced by the revolutionary and innovative postmodern concepts, characterised by the notion of 'anything goes an a planet of multiplicity' as well as by French poststructuralism. He may, however, be distinguished from a 'traditional' postmodern writer through a certain coherence in the narrative discourse, a neo-realistic approach and by showing a certain responsibility for social and moral aspects going beyond mere metafictional and subversive elements. Many of the ideas of postmodernism were formulated in theoretical literary texts of the 60s and 70s and based an formal experiments include the attempt of subverting the ability of language to refer truthfully to the world, and a radical turning away from coherent narrative discourse and plot. These ideas seem to have been intemalized by the new generation of postmodern writers of the 80s to such [...]

Walking Through Paul Auster’s "City of Glass": "Flânerie" in his Novel

Author : Jeanette Gonsior
Publisher : GRIN Verlag
Page : 27 pages
File Size : 48,9 Mb
Release : 2009-02-16
Category : Literary Collections
ISBN : 9783640268931

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Walking Through Paul Auster’s "City of Glass": "Flânerie" in his Novel by Jeanette Gonsior Pdf

Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,0, Humboldt-University of Berlin (Department of English and American Studies), course: The Flaneur and the Visual Culture of the City, 30 entries in the bibliography, language: English, abstract: “To stroll is a science, it is the gastronomy of the eye. To walk is to vegetate, to stroll is to live.” (Balzac, "Physiologie du Mariage") 'City of Glass' is Paul Auster’s first novel, published in 1985, after being rejected by several publishers. The first part of 'The New York Trilogy' has been translated into 17 languages so far, a fact that pleads for the novel’s commercial success nowadays. An indication for the literary importance of 'City of Glass' is the continually growing number of essays, anthologies and monographs all over the world. It is undeniable that its selling success is related to the general fascination for the cosmopolitan city of New York and for detective stories, as — at first sight — Auster’s novel follows the tradition of Edgar Allan Poe. However, he follows the tradition “as creator of ‘the lost ones’”, as — on closer inspection — the reader has to realize that the real mystery is one of confused character identities and realities. 'City of Glass' does not meet the reader’s expectations about a typical New York ‘city novel’: Auster created an adequate text for a modified, postmodern cityscape where all objects of the city seem like linguistic codes that need to be deciphered. The risks of the city result from the confusion of language and perception. The fear of an identity collapse comes along with the apparent collapse of the cityscape. Auster picks out the loss of stability and security in the city as central theme. He describes a world begging for order and interpretation where “nothing is real except chance”. (...) Auster's character Quinn is a deconstructed character of postmodernism, he acts like a 'flâneur', but does not feel comfortable while walking through the city, he seems lost. New York is the ‘nowhere’ Quinn has built around himself. Professor Stillman also seems to stroll like a 'flâneur', but he has to fulfill an operation (in contrast to the “classical” 'flâneur' who has no aim). Auster deconstructs the postmodern figure of the flâneur as he deconstructs the classical detective novel. Ironically, these very deconstructions help to shape the novel. Quinn can be read as flâneur adapted to a postmodern world, I argue. In the following, I will explore the relations between Auster’s 'City of Glass' and concepts of 'flânerie', strolling urban observing. In order to discuss 'flânerie' in Auster’s work, it is essential to take a closer look on the term first. (...)

The New York Trilogy

Author : Anne M. Holzapfel
Publisher : Peter Lang Publishing
Page : 136 pages
File Size : 43,8 Mb
Release : 1996
Category : City and town life in literature
ISBN : STANFORD:36105020317298

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The New York Trilogy by Anne M. Holzapfel Pdf

“Reading the City”: The concept of language in Paul Auster’s "City of Glass"

Author : Sebastian Bohl
Publisher : GRIN Verlag
Page : 24 pages
File Size : 40,9 Mb
Release : 2013-04-22
Category : Foreign Language Study
ISBN : 9783656416777

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“Reading the City”: The concept of language in Paul Auster’s "City of Glass" by Sebastian Bohl Pdf

Seminar paper from the year 2008 in the subject Didactics for the subject English - Literature, Works, grade: 2, University of Constance, course: Hauptseminar - „History, Theory, Practise of Reading“ , language: English, abstract: Hunger, chance, disappearance and solitude are the central themes of Auster’s fiction.1 Sometimes these themes are easy to detect but in their core more complex as they seem to be on first sight. With the New York Trilogy Paul Auster has created a powerful and deep going tripartite work which made him popular all over the world. In 1989, he received the Prix France Culture de Littérature Étrangère for this, his first novella and many other prices followed for other works he has published until now. City of Glass2 deals with reality and coincidence – failure and identity in the frame of a detective story. “It was a wrong number that started it”3 is the first sentence the reader detects when one begins to read the novel. A story about a writer named Quinn that used to be a quite talented writer. After he had lost his wife and son, he publishes detective stories under the pseudonym William Wilson. Isolated from his fellow humans Quinn gets involved into a sequence of events marked by chance and solitude. He accepts to work on a case as a detective after he had received a strange phone call asking for Paul Auster the famous detective. Quinn accepts the case and from now on works under the name of Paul Auster. Him and the caller Peter Stillman meet and Quinn gets to know the details of his work – he is to protect Peter from his father Mr. Stillman senior who as Peter’s wife thinks is planning to kill his son. This marks the beginning of Quinn’s long journey through New York City. [...] 1 Dennis Barone: Beyond the Red Notebook,University of Pennsylvania Press, Philadelphia 1995, S.2 2 Auster, Paul: The New York Trilogy, Faber and Faber Limited, London 1987 3 Zit. Auster, Paul: The New York Trilogy, Faber and Faber Limited, London 1987 S.3

Neon Lit:city of Glass

Author : Bob Callahan
Publisher : Harper Perennial
Page : 129 pages
File Size : 42,9 Mb
Release : 1994-08-01
Category : Fiction
ISBN : 038077108X

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Neon Lit:city of Glass by Bob Callahan Pdf

A graphic, crime noir novel on a New York detective-cum-novelist who answers a wrong number. A double- barreled investigation, one from the perspective of the detective, the other from that of the novelist. Adapted from Paul Auster's City of Glass by the creators of Maus.

The Symbolic and Metaphoric Potential of Paul Auster’s "City of Glass"

Author : Franziska Schüppel
Publisher : GRIN Verlag
Page : 14 pages
File Size : 40,5 Mb
Release : 2012-12-25
Category : Literary Collections
ISBN : 9783656340676

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The Symbolic and Metaphoric Potential of Paul Auster’s "City of Glass" by Franziska Schüppel Pdf

Seminar paper from the year 2008 in the subject American Studies - Literature, grade: 1,3, University of Leipzig, language: English, abstract: Lewis Jones once wrote in the Telegraph about Paul Auster that “his novels are labyrinths of enigmas, mysteries and riddles, thrillers with no endings, detective stories as told by Samuel Beckett, their premises endlessly shifting, in which the only knowledge is that nothing is, or can be, known.”. These qualities are also represented in his New York Trilogy published in 1987, that consists of the three detective stories City of Glass, Ghosts, and The Locked Room, which are set in New York. All of them deal with the nature of identity and attach value to these mysteries and riddles typical of Paul Auster, for example by using symbols and metaphors# to cause certain reactions in the reader. Especially the postmodern novel City of Glass from 1985 makes use of numerous symbols and metaphors that can be found throughout the whole novel. In this way, many passages or even single sentences can be interpreted differently and consequently it is sometimes difficult for the reader not to be confused. By using the single symbols and metaphors of the title, of glass as symbol of pairs and look-alikes, the crisis of identity, and the Tower of Babel in his novel City of Glass, Paul Auster influences the reader and causes different effects, such as catching his interest, confusing him, or giving him a reason for thinking. In the following I am going to analyze the single symbols and metaphors and try to interpret the effects on the reader and the author‘s intentions.

Analysis of Paul Auster's City of Glass. a Traditional Detective Novel

Author : Anonym
Publisher : Grin Publishing
Page : 24 pages
File Size : 40,9 Mb
Release : 2017-08-21
Category : Electronic
ISBN : 366850167X

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Analysis of Paul Auster's City of Glass. a Traditional Detective Novel by Anonym Pdf

Seminar paper from the year 2016 in the subject American Studies - Literature, grade: 1,0, University of Frankfurt (Main), course: American Detective Fiction, language: English, abstract: In this term paper, Paul Auster's "City of Glass" is going to be analyzed from a psychoanalytical point of view to explore the protagonist's development. The main question of this paper is: Is "City of Glass" a traditional detective novel? The term paper is divided into the Lacanian theory, the development of Daniel Quinn and the development of the detective novel. The paper will focus on the protagonist and analyze his behavior, his inner life, the process of his search for identity and identity formation. The emphasis lies in how Paul Auster places the protagonist, Daniel Quinn, in connection with a traditional detective novel. The question of identity and individuality is a significant subject in Paul Auster's books. In each short story of the New York Trilogy, every protagonist represents the role of a detective. They are positioned in these specific situations which are inexplicable and beyond comprehension. To answer the question of identity, Jacques Lacan's theory of psychoanalysis is used to analyze Daniel Quinn's character. The first detective novel is credited to Edgar Allan Poe with his short story "The Murders in Rue Morgue," written in 1841. Poe is the so-called father of the detective genre. He paved the way for the next century and the coming authors such as Sir Arthur Conan Doyle, Charles Dickens, and Raymond Chandler.

City of Glass

Author : Paul Auster
Publisher : Penguin Books
Page : 214 pages
File Size : 44,8 Mb
Release : 1987-04-07
Category : Fiction
ISBN : UCSC:32106015919761

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City of Glass by Paul Auster Pdf

A late-night phone call from a stranger involves Quinn, a mystery writer, in a baffling murder case stranger than his novels.

The New York Trilogy

Author : Paul Auster
Publisher : Penguin
Page : 388 pages
File Size : 47,5 Mb
Release : 1990-04-01
Category : Fiction
ISBN : 0140131558

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The New York Trilogy by Paul Auster Pdf

The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster “Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written. Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window. The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life? Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”

Walking Through Paul Auster's "City of Glass": "Flânerie" in His Novel

Author : Jeanette Gonsior
Publisher : GRIN Verlag
Page : 66 pages
File Size : 54,5 Mb
Release : 2009-02
Category : Electronic
ISBN : 9783640268160

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Walking Through Paul Auster's "City of Glass": "Flânerie" in His Novel by Jeanette Gonsior Pdf

Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,0, Humboldt-University of Berlin (Department of English and American Studies), course: The Flaneur and the Visual Culture of the City, 30 entries in the bibliography, language: English, abstract: "To stroll is a science, it is the gastronomy of the eye. To walk is to vegetate, to stroll is to live." (Balzac, "Physiologie du Mariage") 'City of Glass' is Paul Auster's first novel, published in 1985, after being rejected by several publishers. The first part of 'The New York Trilogy' has been translated into 17 languages so far, a fact that pleads for the novel's commercial success nowadays. An indication for the literary importance of 'City of Glass' is the continually growing number of essays, anthologies and monographs all over the world. It is undeniable that its selling success is related to the general fascination for the cosmopolitan city of New York and for detective stories, as - at first sight - Auster's novel follows the tradition of Edgar Allan Poe. However, he follows the tradition "as creator of 'the lost ones'", as - on closer inspection - the reader has to realize that the real mystery is one of confused character identities and realities. 'City of Glass' does not meet the reader's expectations about a typical New York 'city novel': Auster created an adequate text for a modified, postmodern cityscape where all objects of the city seem like linguistic codes that need to be deciphered. The risks of the city result from the confusion of language and perception. The fear of an identity collapse comes along with the apparent collapse of the cityscape. Auster picks out the loss of stability and security in the city as central theme. He describes a world begging for order and interpretation where "nothing is real except chance". (...) Auster's character Quinn is a deconstructed character of postmodernism, he acts like a 'fl neur', but does not feel comfortable while walkin

City of Glass

Author : Paul Auster
Publisher : Bloomsbury Publishing
Page : 137 pages
File Size : 47,8 Mb
Release : 2017-04-21
Category : Drama
ISBN : 9781786821713

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City of Glass by Paul Auster Pdf

When reclusive crime writer Daniel Quinn receives a mysterious call seeking a private detective in the middle of the night, he quickly and unwittingly becomes the protagonist in a thriller of his own. As the familiar territory of the noir detective genre gives way to something altogether more disturbing, Quinn becomes consumed by his mission, and begins to lose his grip on reality.

Detective Fiction and Anti-Detective Fiction. Edgar Allen Poe and Paul Auster in Comparison

Author : Annika Zöpf
Publisher : GRIN Verlag
Page : 21 pages
File Size : 52,7 Mb
Release : 2021-01-27
Category : Literary Criticism
ISBN : 9783346336170

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Detective Fiction and Anti-Detective Fiction. Edgar Allen Poe and Paul Auster in Comparison by Annika Zöpf Pdf

Seminar paper from the year 2020 in the subject German Studies - Comparative Literature, grade: 1,3, University of Stuttgart, language: English, abstract: In a preface to his books on crime fiction Stephen Knight says, “No detective is needed to identify the vigorous life and remarkable diversity of crime fiction”. This statement is certainly true. The pool of crime fiction literature, readers of the twenty-first century can choose from, is huge. Statistics show that, “In 2017, crime became the UK’s most popular adult fiction genre, outselling general and literary fiction for the first time”. To narrow this abundance of information down by a good chunk this paper only focuses of detective fiction, a sub-genre of crime fiction. More specifically, it takes a look at the works of two authors. One of these authors is Edgar Allan Poe who is often deemed the father of the detective genre, a claim that will be investigated later on in this paper. His influence on detective fiction can be traced throughout the centuries but is particularly strong in Paul Auster. Auster in turn epitomizes postmodern detective fiction, also called anti-detective fiction, which is a sub-genre of traditional detective fiction. He is the second author chosen here. The goal of this paper is to determine why postmodern detective fiction is considered a sub-genre of traditional detective fiction, shining light on what sets it apart from the traditional detective fiction.

Graphic adaptation of Paul Auster’s "City of Glass" – Visual language and symbolism

Author : Alisa Westermann
Publisher : GRIN Verlag
Page : 20 pages
File Size : 53,7 Mb
Release : 2011-06-10
Category : Literary Criticism
ISBN : 9783640935307

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Graphic adaptation of Paul Auster’s "City of Glass" – Visual language and symbolism by Alisa Westermann Pdf

Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Münster (Englisches Seminar), course: Graphic Novels, language: English, abstract: It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. (Auster, 1985; 3) Paul Auster’s anti-detective novel City of Glass is the story of a man, whose life accidentally angles off. More and more, he blunders into the complexity of a criminal case in search of the significant principle. Obsessively, he adapts his action to the stranger until he finally loses hisself. Although Auster’s novel, which is based on the nature and the function of language, is rather non-visual, Paul Karasik and David Mazzucchelli succeeded in adopting it into a graphic novel that is more than just a translation from one genre into another. They managed to create a visual language full of metaphors, symbols and icons that add a new layer of meaning to the story. This is the reason why I decided to pick City of Glass: The graphic novel as the basis of my term paper. This thesis will argue that a graphic adaptation of a literary work can be more than just an illustrated copy of a superior novel and worth an analysis on its own. Furthermore, I will take a deeper look at the visual language, specifically, the visual metaphors and symbols, which build up the graphic novel and how these finding can be adapted into learning situations. First of all, I will give a summary of City of Glass: the novel followed by a definition of the anti-detective genre with the intention to point out, that the visual language of City of Glass: the graphic novel reflects this genre. Afterwards, a survey of the graphic novel as well as an analysis of its structure and composition and its visual language and symbolism is given. A brief outline of how these findings can be useful in teaching and learning situations will precede the conclusion.

City of Glass

Author : Paul Auster
Publisher : Macmillan
Page : 148 pages
File Size : 49,9 Mb
Release : 2010-04-01
Category : Comics & Graphic Novels
ISBN : 9781429900034

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City of Glass by Paul Auster Pdf

A graphic novel classic with a new introduction by Art Spiegelman Quinn writes mysteries. The Washington Post has described him as a “post-existentialist private eye.” An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print. Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster’s groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.