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Winner of the 2017 PEN Award for Poetry in Translation From the acclaimed translator of Sir Gawain and the Green Knight, a spellbinding new translation of this classic allegory of grief and consolation. One of our most ingenious interpreters of Middle English, Oxford Professor of Poetry Simon Armitage is celebrated for his “compulsively readable” translations (New York Times Book Review). A perfect complement to his historic translation of Sir Gawain and the Green Knight, Pearl reanimates another beloved Medieval English masterpiece thought to be by the same anonymous author and housed in the same original fourteenth-century manuscript. Honoring the rhythms and alliterative music of the original, Armitage’s virtuosic translation describes a man mourning the loss of his Pearl—something that has “slipped away.” What follows is a tense, fascinating, and tender dialogue weaving through the throes of grief toward divine redemption. Intricate and endlessly connected, Armitage’s lyrical translation is a circular and perfected whole, much like the pearl itself.
Pearl is an intricate fourteenth-century poem written by one of the greatest Middle English poets—the anonymous artist who also gave us Sir Gawain and the Green Knight. This medieval masterpiece presents the meditative Dream Vision of a father (the Dreamer) mourning the loss of a young daughter (his Pearl). Having recently translated Sir Gawain and the Green Knight to critical acclaim, John Ridland now tackles the even more challenging Pearl. He succeeds in giving us another innovative and pleasurable translation that retains line-by-line fidelity with the source material, while bringing the fourteenth-century Northwest Midland dialect into an unstrained contemporary idiom. Ridland's inventive meter and rhyme convey the sonic beauty of the original. Moreover, his preface provides a comprehensive background and analysis of Pearl, points out the techniques deployed by the original poet, and explains Ridland's own approach to translating the poem. This translation will delight and reward the reader. PRAISE FOR JOHN RIDLAND’S TRANSLATION OF PEARL: John Ridland’s translation of Sir Gawain and the Green Knight made that fourteenth-century chivalric romance not only accessible but alive to our twenty-first century sensibilities. Now his translation Pearl, also by the anonymous Gawain Poet, does the same for that poignant dream vision. The poem’s formal complexities are still here, mutatis mutandis, but they enhance rather than obscure the story of a grieving father’s dream vision of his lost daughter in paradise. Six hundred years vanish, and the reader feels an intimate, profound emotional connection with the universal human experiences of loss, grief, and hope. —Richard Wakefield, author of A Vertical Mile An attractively readable translation, which makes a real attempt to convey the metrical beauty and intricacy of the original. —Ad Putter and Myra Stokes, editors of The Works of the Gawain Poet After reading John Ridland’s translation of Sir Gawain and the Green Knight some time ago, I thought, “Well, he’s done it now: doomed himself to never achieving anything as remarkable as this again, because it’s impossible.” But I was wrong: his new translation of Pearl—an even more challenging work by the same anonymous fourteenth-century Gawain Poet—is equally musical and moves with the same charmed pace in the telling that is perfect for what is being told. —Rhina P. Espaillat, author of Her Place in These Designs John Ridland’s translation offers us, in accessible, contemporary English, all the dazzling complexity and beauty of Pearl’s structures, rhythms, and rhymes. —Maryann Corbett, winner, Willis Barnstone Translation Prize; author of Street View
The anonymous author of the poem Pearl is rated with Langland and Chaucer as one of the greatest Middle English poets. And, while a number of editions of this poem have been published, including E. V. Gordon's 1953 edition and Marie Borroff's 1977 verse translation, no edition until now has included a verse translation, Middle English text, and commentary in one volume. William Vantuono's edition of Pearl is certain to become a classroom standard because it contains for the first time a Middle English text with a facing-page Modern English verse translation as well as extensive scholarly apparatus. Pearl is the first of four poems in a manuscript dated around 1400 A.D. The other three poems in this manuscript are Cleanness, Patience, and Sir Gawain and the Green Knight. According to Vantuono's introduction, it is conceivable that Pearl was written for a nobleman, perhaps the poet's patron, who had lost a young daughter. However, many unanswered questions remain about the circumstances surrounding the poet and his writing of Pearl Was he a layman or a priest? Is Pearl primarily elegy or allegory? Was the pearl-maiden his daughter, and if she was, can that fact be reconciled with the possibility that the poet was a clergyman? This volume contains an extensive commentary covering all matters from minute textual problems to the various debates about the poem's theme and genre. Appendices discuss versification, dialect and language, and sources and analogues; two bibliographies list over 500 items through the early 1990s; and the book concludes with a full glossary. Pearl: An Edition with Verse Translation will appeal to scholars confronted with the tasks of studying and teaching medieval literature to students in college and university classrooms. It is a book designed for specialists and non-specialists, students, and general readers.
The Complete Works of the Pearl Poet by Malcolm Andrew,Ronald A. Waldron,Clifford Peterson Pdf
"Finch's translations will add much to the pleasure and value of teaching and learning late medieval English history."—Robert Brentano, author of Two Churches "Casey Finch has found an idiom in which these poems can speak Modern English, and in doing so can convey the most elusive and complex effects of the originals. . . . He has conveyed the vitality of these poems in a verse that is as assured, gracious, blunt, urgent, plangent, rich, and perpetually surprising as that of the unknown poet or poets who made them. These brilliant poems have at last found a craftsman who understands the secrets of their intricate luminosity, a faithful steward of a distinctive verbal treasure of the language. In this translation these poems shine as brightly and clearly as they did when newly made, pearls without peer in English."—Anne Middleton, University of California, Berkeley
Author : J. J. Anderson Publisher : Manchester University Press Page : 200 pages File Size : 40,7 Mb Release : 1977 Category : Literary Criticism ISBN : 0719006651
The fourteenth-century Middle English poem Pearl is one of the best dream vision poems ever written, yet its language (the Northwest Midlands dialect of late-medieval England) and literary allusions (to biblical, mythological, and medieval works) make it difficult for modern readers to understand. This new dual-language edition of Pearl provides the original Middle English with a facing-page modern English translation. It includes a comprehensive introduction, annotations of key words and ideas, reproduction of the four manuscript illustrations, a literary sourcebook, and lists of biblical sources, significant liturgical dates, and the concatenation words. Literary and biblical sources for the poem are provided as appendices.
Sir Gawain and the Green Knight (A New Verse Translation) by Anonim Pdf
One of the earliest great stories of English literature after ?Beowulf?, ?Sir Gawain? is the strange tale of a green knight on a green horse, who rudely interrupts King Arthur's Round Table festivities one Yuletide, challenging the knights to a wager. Simon Armitrage, one of Britain's leading poets, has produced an inventive and groundbreaking translation that " helps] liberate ?Gawain ?from academia" (?Sunday Telegraph?).
This book enhances our understanding of the exquisitely beautiful, fourteenth-century, Middle English dream vision poem Pearl. Situating the study in the contexts of medieval literary criticism and contemporary genre theory, Beal argues that the poet intended Pearl to be read at four levels of meaning and in four corresponding genres: literally, an elegy; spiritually, an allegory; morally, a consolation; and anagogically, a revelation. The book addresses cruxes and scholarly debates about the poem’s genre and meaning, including key questions that have been unresolved in Pearl studies for over a century: * What is the nature of the relationship between the Dreamer and the Maiden? * What is the significance of allusions to Ovidian love stories and the use of liturgical time in the poem? * How does avian symbolism, like that of the central symbol of the pearl, develop, transform, and add meaning throughout the dream vision? * What is the nature of God portrayed in the poem, and how does the portrayal of the Maiden’s intimate relationship to God, her spiritual marriage to the Lamb, connect to the poet’s purpose in writing? Noting that the poem is open to many interpretations, Beal also considers folktale genre patterns in Pearl, including those drawn from parable, fable, and fairy-tale. The conclusion considers Pearl in the light of modern psychological theories of grieving and trauma. This book makes a compelling case for re-reading Pearl and recognizing the poem’s signifying power. Given the ongoing possibility of new interpretations, it will appeal to those who specialize in Pearl as well as scholars of Middle English, Medieval Literature, Genre Theory, and Literature and Religion.
Cotton Nero A.x: The Works of the "Pearl" Poet by David Hadbawnik,Daniel C. Remein,Chris Piuma,Lisa Ampleman Pdf
Manuscript Cotton Nero A.x takes its designation from the unique cataloging system of seventeenth-century British antiquarian Sir Robert Cotton's library: busts of historical figures atop shelves provided the organizing principle, such that one found this particular codex under the bust of Roman Emperor Nero, on the top shelf, ten volumes over. (Another famous manuscript, containing Beowulf, is called Cotton Vitellius A.xv.) Cotton Nero A.x contains the only versions of the poems we now know as Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight, generally agreed to have been composed sometime in the latter half of the fourteenth century--the time of Piers Plowman and Geoffrey Chaucer, though radically different from either. No one knows who the poet was. No one knows if more than one poet wrote some or all of the poems. Together, they present a stunning array of themes, allegories, and images that critics continue to puzzle over: Patience offers a psychologically complex rendering of the Old Testament story of Jonah and the whale; Cleanness explores its homiletic theme in carnal and spiritual terms with complexity, irony, and even humor; Pearl provides a dream allegory that pushes at the distinction between its earthly and heavenly meanings, challenging the very notion of metaphysical transcendence its form seems to point towards. Finally, Sir Gawain and the Green Knight, the most secular of the poems, is a sophisticated take on Arthurian legend that unfolds like a psychosexual mystery novel, with no easy solution in sight. All the poems are rendered in a difficult Middle English dialect and intricate alliterative form, which sometimes involves a complex rhyme scheme as well. As poet-medievalists, we bow before the poetic achievement of the works in Cotton Nero A.x in all their multi-faceted richness. This is not a translation, nor an interpretation. It is what might be called a trace. A response. A homework assignment from beyond the grave, for four students who should have known better. A dream we hope to dream.
The Poems of the Pearl Manuscript by Malcolm Andrew,Ronald Waldron Pdf
This third edition of The Poems of the Pearl Manuscript has been newly revised and updated, taking account of some of the more important textual and interpretative notes and articles published on the poems since the appearance of the first edition in 1978.
