People Of Destiny Americans As I Saw Them At Home And Abroad
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People of Destiny: Americans as I saw them at Home and Abroad by Philip Gibbs Pdf
"People of Destiny: Americans as I saw them at Home and Abroad" by Philip Gibbs. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author : Philip Hamilton Gibbs Publisher : Library of Alexandria Page : 197 pages File Size : 53,5 Mb Release : 1974 Category : National characteristics, American ISBN : 9781465528636
I had the luck to go to New York for the first time when the ordinary life of that City of Adventure—always so vital and dynamic in activity—was intensified by the emotion of historic days. The war was over, and the warriors were coming home with the triumph of victory as the reward of courage; but peace was still delayed and there had not yet crept over the spirits of the people the staleness and disillusionment that always follow the ending of war, when men say: "What was the use of it, after all? Where are gratitude and justice? Who pays me for the loss of my leg?"... The emotion of New York life was visible in its streets. The city itself, monstrous, yet dreamlike and mystical as one sees it first rising to fantastic shapes through the haze of dawn above the waters of the Hudson, seemed to be excited by its own historical significance. There was a vibration about it as sunlight splashed its gold upon the topmost stories of the skyscrapers and sparkled in the thousand windows of the Woolworth Tower and flung black bars of shadow across the lower blocks. Banners were flying everywhere in the streets that go straight and long between those perpendicular cliffs of masonry, and the wind that comes blowing up the two rivers ruffled them. They were banners of rejoicing, but reminders also of the service and sacrifice of each house from which they were hanging, with golden stars of death above the heads of the living crowds surging there below them. In those decorations of New York I saw the imagination of a people conscious of their own power, and with a dramatic instinct able to impress the multitudes with the glory and splendor of their achievement. It was the same sense of drama that is revealed commercially in the genius of advertisement which startled me when I first walked down Broadway, dazzled by moving pictures of light, by flashing signs that shouted to me from high heaven to buy chewing-gum and to go on chewing; and squirming, wriggling, revolving snakes of changing color that burned letters of fire into my brain, so that even now in remembrance my eyes are scorched with the imprint of a monstrous kitten unrolling an endless reel of cotton. The "Welcome Home" of American troops was an advertisement of American manhood, idealized by emotion; and it was designed, surely, by an artist whose imagination had been touched by the audacity of the master-builders of New York who climb to the sky with their houses. I think it was inspired also by the vision of the moving-picture kings who resurrect the gorgeous life of Babylon, and re-establish the court of Cleopatra, for Theda Bara, the "Movie Queen." When the men of the Twenty-seventh Division of New York came marching home down Fifth Avenue they passed through triumphal arches of white plaster that seemed solid enough to last for centuries, though they had grown high, like Jack's beanstalk, in a single night; and the troops glanced sideways at a vast display of Indian trophies with tattered colors like those of sunburnt wigwams where the spears of the "braves" were piled above the shields of fallen warriors.
Excerpt from People of Destiny: Americans as I Saw Them, at Home and Abroad First time when the ordinary life of that City of Adventure - always so vital and dynamic in activity - was intensified by the emotion of historic days. The war was over, and the warriors were coming home with the triumph of victory as the reward of courage; but peace was still delayed and there had not yet crept over the spirits of the people the staleness and disillusionment that always follow the ending of war, when men say: What was the use of it, after all? Where are gratitude and justice? Who pays me for the loss of my leg? The emotion of New York life was visible in its streets. The city itself, monstrous, yet dreamlike and mystical as one sees it first rising to fantastic shapes through the haze of dawn above the waters'. OF destiny. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
PEOPLE OF DESTINY AMER AS I SA by Philip 1877-1962 Gibbs Pdf
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People of Destiny American as I Saw Them at Home and Abroad by Philip Gibbs,Harper and Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
C. Vann Woodward Sterling Professor of History Yale University (Emeritus)
Author : C. Vann Woodward Sterling Professor of History Yale University (Emeritus) Publisher : Oxford University Press, USA Page : 171 pages File Size : 54,7 Mb Release : 1992-01-02 Category : History ISBN : 9780199874323
The Old World's New World by C. Vann Woodward Sterling Professor of History Yale University (Emeritus) Pdf
No history of the European imagination, and no understanding of America's meaning, would be complete without a record of the ideas, fantasies, and misconceptions the Old World has formed about the New. Europe's fascination with America forms a contradictory pattern of hopes and fears, dreams and nightmares, yearnings and forebodings. America and Americans--according to one of their more indulgent European critics--have long been considered "a fairlyland of happy lunatics and lovable monsters." In The Old World's New World, award-winning historian C. Vann Woodward has written a brilliant study of how Europeans have seen and discussed America over the last two centuries. Woodward shows how the character and the image of America in European writings often depended more upon Old World politics and ideology than upon New World realities. America has been seen both as human happiness resulting from the elimination of monarchy, aristocracy, and priesthood, and as social chaos and human misery caused by their removal. It was proof that democracy was the best form of government, or that mankind was incapable of self government. America was regularly used both as an inspiration for revolutionaries and as a stern warning against radicals of all kinds. Americans have been seen as uniformly materialistic, hot in pursuit of dollars: "Such unity of purpose," wrote Mrs. Trollope, "can, I believe, be found nowhere else except, perhaps, in an ants' nest." And they have been admired for their industry--one young Russian Communist visited New York in 1925 and wrote that America is "where the 'future,' at least in terms of industrialization, is being realized." Decade after decade, America has been hailed for its youth, and lambasted for its immaturity. It has been looked to as a model of liberty, and attacked for maintaining the tyranny of the majority. But always it has been a metaphor for the possibilities of human society--possibilities both bright and foreboding. After a year of heady talk of a "New World Order," of American victory in the Cold War, of a new American Century, The Old World's New World provides a thoughtful and sobering perspective on how America has been seen in centuries past. C. Vann Woodward is one of America's foremost living historians. His books have won every major history award--including the Pulitzer, Bancroft, and Parkman prizes--and he has served as president of the American Historical Association as well as the Organization of American Historians and the Southern Historical Association. With this new book, he further enhances his reputation while making his vast learning accessible to a general audience.
Excerpt from Three Years in North America, Vol. 2 of 2 New Orleans - Details of New Orleans - Booty and Beauty, the Watchword of the British Army - History of Louisiana, and of the French Territory on the Mississippi Treaty between Buonaparte and the American Government. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
At the turn of the century, New York City's Germans constituted a culturally and politically dynamic community, with a population 600,000 strong. Yet fifty years later, traces of its culture had all but disappeared. What happened? The conventional interpretation has been that, in the face of persecution and repression during World War I, German immigrants quickly gave up their own culture and assimilated into American mainstream life. But in Translating America, Peter Conolly-Smith offers a radically different analysis. He argues that German immigrants became German-Americans not out of fear, but instead through their participation in the emerging forms of pop culture. Drawing from German and English newspapers, editorials, comic strips, silent movies, and popular plays, he reveals that German culture did not disappear overnight, but instead merged with new forms of American popular culture before the outbreak of the war. Vaudeville theaters, D.W. Griffith movies, John Philip Sousa tunes, and even baseball games all contributed to German immigrants' willing transformation into Americans. Translating America tackles one of the thorniest questions in American history: How do immigrants assimilate into, and transform, American culture?
Some travelers visited the classic destinations of earlier times, such as the great waterworks complex, and some reacted generally to the tone and temper of the city. Together, these accounts fall into patterns that often convey a mythic reading of the city, as a place of uncommon order and symmetry, for example, or a place of great torpor and dullness, or a city extraordinary for the way in which elements of wilderness interpenetrate the metropolitan core.
Drawing on novels, plays, science fiction, and films of the 1920s and 1930s, this book examines modern science's place in reproduction in British and American cultural history.
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office by Library of Congress. Copyright Office Pdf
Author : Bessie Louise Pierce Publisher : University of Chicago Press Page : 573 pages File Size : 49,9 Mb Release : 2004-05-29 Category : History ISBN : 9780226668215
Sometimes it takes an outsider to capture the essence of an individual place. The impressions of travelers in particular have a special allure—unanticipated and serendipitous, their views get to the heart of a particular region because nothing to them is routine or expected. First published in 1933 by the University of Chicago Press to mark the occasion of the Century of Progress Exhibition, As Others See Chicago consists of writings culled from over a thousand men and women who visited the city and commented on the best and worst it had to offer, from the skyscrapers to the stockyards. Originally compiled by Bessie Louise Pierce, the first major historian of Chicago, and featuring her own incisive commentary, the volume brings together the impressions of visitors to Chicago over two and a half centuries, from the early years of Westward Expansion to the height of the Great Depression. In addition to writings from better known personalities such as Rudyard Kipling and Waldo Frank, the book collects the opinions of missionaries, aristocrats, journalists, and politicians—observers who were perfectly placed to comment on the development of the city, its inhabitants, and well known events that would one day define Chicago history, such as the Great Fire of 1871 and the 1893 World's Fair. Taking us back to a time when Chicago was "more astonishing than the wildest visions of the most vagrant imaginations," As Others See Chicago offers an enthralling portrait of an enduring American metropolis.